A Series of Unfortunate Events: The Ersatz Elevator (7 page)

don't find out his plan." "Why don't we just go tell the Squalors about this?" Klaus asked. "Then they can go down the secret passageway." "We don't have time to argue with the Squalors," Violet said. "Every minute we waste is a minute the Quagmires are spending in Gunther's clutches." "But how are we going to go down?" Klaus asked. "I don't see a ladder, or a staircase. I don't see anything at all." "We're going to have to climb down," Violet said, "on a rope. But where can we find rope at this time of night? Most hardware stores close at six." "The Squalors must have some rope somewhere in their penthouse," Klaus said. "Let's split up and find some. We'll meet back here in fifteen minutes." Violet and Sunny agreed, and the Baudelaires stepped carefully away from the elevator shaft and tiptoed back into the Squalor penthouse. They felt like burglars as they split up and began searching the apartment, although there have been only five burglars in the history of robbery who have specialized in rope. All five of these burglars were caught and sent to prison, which is why scarcely any people lock up their rope for safekeeping, but to their frustration, the Baudelaires learned that their guardians didn't lock up their ropes at all, for the simple reason that they didn't have any. "I couldn't find any ropes at all," Violet admitted, as she rejoined her siblings. "But I did find these extension cords, which might work." "I took these curtain pulls down from some of the windows," Klaus said. "They're a little bit like ropes, so I thought they might be useful." "Armani," Sunny offered, holding up an armful of Jerome's neckties. "Well, we have some ersatz ropes," Violet said, "for our climb down the ersatz elevator. Let's tie them all together with the Devil's Tongue." "The Devil's Tongue?" Klaus asked. "It's a knot," Violet explained. "It was invented by female Finnish pirates in the fifteenth century. I used it to make my grappling hook, when Olaf had Sunny trapped in that cage, dangling from his tower room, and it'll work here as well. We need to make as long a rope as possible--for all we know, the passageway goes all the way to the bottom floor of the building." "It looks like it goes all the way to the center of the earth," Klaus said. "We've spent so much of our time trying to escape from Count Olaf. I can't believe that now we're trying to find him." "Me neither," Violet agreed. "If it weren't for the Quagmires, I wouldn't go down there at all." "Bangemp," Sunny reminded her siblings. She meant something along the lines of "If it weren't for the Quagmires, we would have been in his clutches a long time ago," and the two older Baudelaires nodded in agreement. Violet showed her siblings how to make the Devil's Tongue, and the three children hurriedly tied the extension cords to the curtain pulls, and the curtain pulls to the neckties, and the last necktie to the sturdiest thing they could find, which was the doorknob of the Squalor penthouse. Violet checked her siblings' handiwork and finally gave the whole rope a satisfied tug. "I think this should hold us," she said. "I only hope it's long enough." "Why don't we drop the rope down the shaft," Klaus said, "and listen to see if it hits the bottom? Then we'll know for sure." "Good idea," Violet replied, and walked to the edge of the passageway. She threw down the edge of the furthermost extension cord, and the children watched as it disappeared into the blackness, dragging the rest of the Baudelaires' line with it. The coils of cord and pull and necktie unwound quickly, like a long snake waking up and slithering down into the shaft. It slithered and slithered and slithered, and the children leaned forward as far as they dared and listened as hard as they could. Finally, they heard a faint, faint clink!, as if the extension cord had hit a piece of metal, and the three orphans looked at one another. The thought of climbing down all that distance in the dark, on an ersatz rope they had fashioned themselves, made them want to turn around and run all the way back to their beds and pull the blankets over their heads. The siblings stood together at the edge of this dark and terrible place and wondered if they really dared to begin the climb. The Baudelaire rope had made it to the bottom. But would the Baudelaire children? "Are you ready?" Klaus asked finally. "No," Sunny answered. "Me neither," Violet said, "but if we wait until we're ready we'll be waiting for the rest of our lives. Let's go." Violet tugged one last time on the rope, and carefully, carefully lowered herself down the passageway. Klaus and Sunny watched her disappear into the darkness as if some huge, hungry creature had eaten her up. "Come on," they heard her whisper, from the blackness. "It's O.K." Klaus blew on his hands, and Sunny blew on hers, and the two younger Baudelaires followed their sister into the utter darkness of the elevator shaft, only to discover that Violet had not told the truth. It was not O.K. It was not half O.K. It was not even one twenty-seventh O.K. The climb down the shadowy passageway felt like falling into a deep hole at the bottom of a deep pit on the bottom floor of a dungeon that was deep underground, and it was the least O.K. situation the Baudelaires had ever encountered. Their hands gripping the line was the only thing they saw, because even as their eyes adjusted to the darkness, they were afraid to look anywhere else, particularly down. The distant clink! at the bottom of the line was the only sound they heard, because the Baudelaires were too scared to speak. And the only thing they felt was sheer terror, as deep and as dark as the passageway itself, a terror so profound that I have slept with four night-lights ever since I visited 667 Dark Avenue and saw this deep pit that the Baudelaires climbed down. But I also saw, during my visit, what the Baudelaire orphans saw when they reached the bottom after climbing for more than three terrifying hours. By then, their eyes had adjusted to the darkness, and they could see what the bottom of their line was hitting, when it was making that faint clinking sound. The edge of the farthest extension cord was bumping up against a piece of metal, all right--a metal lock. The lock was secured around a metal door, and the metal door was attached to a series of metal bars that made up a rusty metal cage. By the time my research led me to this passageway, the cage was empty, and had been empty for a very long time. But it was not empty when the Baudelaires reached it. As they arrived at the bottom of this deep and terrifying place, the Baudelaire orphans looked into the cage and saw the huddled and trembling figures of Duncan and Isadora Quagmire.

Chapter Eight

I'm dreaming," Duncan Quagmire said. His voice was a hoarse whisper of utter shock. "I must be dreaming." "But how can you be dreaming," Isadora asked him, "if I'm having the same dream?" "I once read about a journalist," Duncan whispered, "who was reporting on a war and was imprisoned by the enemy for three years. Each morning, she looked out her cell window and thought she saw her grandparents coming to rescue her. But they weren't really there. It was a hallucination." "I remember reading about a poet," Isadora said, "who would see six lovely maidens in his kitchen on Tuesday nights, but his kitchen was really empty. It was a phantasm." "No," Violet said, and reached her hand between the bars of the cage. The Quagmire triplets shrank back into the cage's far corner, as if Violet were a poisonous spider instead of a long-lost friend. "It's not a hallucination. It's me, Violet Baudelaire." "And it's really Klaus," Klaus said. "I'm not a phantasm." "Sunny!" Sunny said. The Baudelaire orphans blinked in the darkness, straining their eyes to see as much as possible. Now that they were no longer dangling from the end of a rope, they were able to get a good look at their gloomy surroundings. Their long climb ended in a tiny, filthy room with nothing in it but the rusty cage that the extension cord had clinked against, but the Baudelaires saw that the passageway continued with a long hallway, just as shadowy as the elevator shaft, that twisted and turned away into the dark. The children also got a good look at the Quagmires, and that view was no less gloomy. They were dressed in tattered rags, and their faces were so smeared with dirt that the Baudelaires might not have recognized them, if the two triplets had not been holding the notebooks they took with them wherever they went. But it was not just the dirt on their faces, or the clothes on their bodies, that made the Quagmires look so different. It was the look in their eyes. The Quagmire triplets looked exhausted, and they looked hungry, and they looked very, very frightened. But most of all, Isadora and Duncan looked haunted. The word "haunted," I'm sure you know, usually applies to a house, graveyard, or supermarket that has ghosts living in it, but the word can also be used to describe people who have seen and heard such horrible things that they feel as if ghosts are living inside them, haunting their brains and hearts with misery and despair. The Quagmires looked this way, and it broke the Baudelaire hearts to see their friends look so desperately sad. "Is it really you?" Duncan said, squinting at the Baudelaires from the far end of the cage. "Can it really, really be you?" "Oh, yes," Violet said, and found that her eyes were filling with tears. "It's really the Baudelaires," Isadora said, stretching her hand out to meet Violet's. "We're not dreaming, Duncan. They're really here." Klaus and Sunny reached into the cage as well, and Duncan left his corner to reach the Baudelaires as best he could from behind bars. The five children embraced as much as they could, half laughing and half crying because they were all together once more. "How in the world did you know where we are?" Isadora said. "We don't even know where we are." "You're in a secret passageway inside 667 Dark Avenue," Klaus said, "but we didn't know you'd be here. We were just trying to find out what Gunther--that's what Olaf is calling himself now-was up to, and our search led us all the way down here." "I know what he's calling himself," Duncan said, "and I know what he's up to." He shuddered, and opened his notebook, which the Baudelaires remembered was dark green but looked black in the gloom. "Every second we spend with him, all he does is brag about his horrible plans, and when he's not looking, I write down everything he tells us so I don't forget it. Even though I'm a kidnap victim, I'm still a journalist." "And I'm still a poet," Isadora said, and opened her notebook, which the Baudelaires remembered was black, but now looked even blacker. "Listen to this: "On Auction Day, when the sun goes down, Gunther will sneak us out of town. " "How will he do that?" Violet asked. "The police have been informed of your kidnapping, and are on the lookout." "I know," Duncan said. "Gunther wants to smuggle us out of the city, and hide us away on some island where the police won't find us. He'll keep us on the island until we come of age and he can steal the Quagmire sapphires. Once he has our fortune, he says, he'll take us and--" "Don't say it," Isadora cried, covering her ears. "He's told us so many horrible things. I can't stand to hear them again." "Don't worry, Isadora," Klaus said. "We'll alert the authorities, and they'll arrest him before he can do anything." "But it's almost too late," Duncan said. "The In Auction is tomorrow morning. He's going to hide us inside one of the items and have one of his associates place the highest bid." "Which item?" Violet asked. Duncan flipped the pages of his notebook, and his eyes widened as he reread some of the wretched things Gunther had said. "I don't know," he said. "He's told us so many haunting secrets, Violet. So many awful schemes--all the treachery he has done in the past, and all he's planning to do in the future. It's all here in this notebook--from V.F.D. all the way to this terrible auction plan." "We'll have plenty of time to discuss everything," Klaus said, "but in the meantime, let's get you out of this cage before Gunther comes back. Violet, do you think you can pick this lock?" Violet took the lock in her hands and squinted at it in the gloom. "It's pretty complicated," she said. "He must have bought himself some extra-difficult locks, after I broke into that suitcase of his when we were living with Uncle Monty. If I had some tools, maybe I could invent something, but there's absolutely nothing down here." "Aguen?" Sunny asked, which meant something like "Could you saw through the bars of the cage?" "Not saw," Violet said, so quietly that it was as if she was talking to herself. "I don't have the time to manufacture a saw. But maybe ..." Her voice trailed off, but the other children could see, in the gloom, that she was tying her hair up in a ribbon, to keep it out of her eyes. "Look, Duncan," Isadora said, "she's thinking up an invention! We'll be out of here in no time!" "Every night since we've been kidnapped," Duncan said, "we've been dreaming of the day when we would see Violet Baudelaire inventing something that could rescue us." "If we're going to rescue you in time," Violet said, thinking furiously, "then my siblings and I have to climb back up to the penthouse right away." Isadora looked nervously around the tiny, dark room. "You're going to leave us alone?" she asked. "If I'm going to invent something to get you out of that cage," Violet replied, "I need all the help I can get, so Klaus and Sunny have to come with me. Sunny, start climbing. Klaus and I will be right behind you." "Onosew," Sunny said, which meant "Yes ma'am," and Klaus lifted her up to the end of the rope so she could begin the long, dark climb back up to the Squalors' apartment. Klaus began climbing right behind her, and Violet clasped hands with her friends. "We'll be back as soon as we can," she promised. "Don't worry, Quagmires. You'll be out of danger before you know it." "In case anything goes wrong," Duncan said, flipping to a page in his notebook, "like it did the last time, let me tell you--" Violet placed her finger on Duncan's mouth. "Shush," she said. "Nothing will go wrong this time. I swear it." "But if it does," Duncan said, "you should know about V.F.D. before the auction begins." "Don't tell me about it now," Violet said. "We don't have time. You can tell us when we're all safe and sound." The eldest Baudelaire grabbed the end of the extension cord and started to follow her siblings. "I'll see you soon," she called down to the Quagmires, who were already fading into the darkness as she began her climb. "I'll see you soon," she said again, just as she lost all sight of them. The climb back up the secret passageway was much more tiring but a lot less terrifying, simply because they knew what they would find at the other end of their ersatz rope. On the way down the elevator shaft, the Baudelaires had no idea what would be waiting for them at the bottom of such a dark and cavernous journey, but Violet, Klaus, and Sunny knew that all seventy-one bedrooms of the Squalor penthouse would be at the top. And it was these bedrooms--along with the living rooms, dining rooms, breakfast rooms, snack rooms, sitting rooms, standing rooms, ballrooms, bathrooms, kitchens, and the assortment of rooms that seemed to have no purpose at all--that would be helpful in rescuing the Quagmires. "Listen to me," Violet said to her siblings, after they had been climbing for a few minutes. "When we get up to the top, I want the two of you to search the penthouse." "What?" Klaus said, peering down at his sister. "We already searched it yesterday, remember?" "I don't want you to search it for Gunther," Violet replied. "I want you to search it for long, slender objects made of iron." "Agoula?" Sunny asked, which meant "What for?" "I think the easiest way to get the Quagmires out of that cage will be by welding," Violet said. "Welding is when you use something very hot to melt metal. If we melt through a few of the bars of the cage, we can make a door and get Duncan and Isadora out of there." "That's a good idea," Klaus agreed. "But I thought that welding required a lot of complicated equipment." "Usually it does," Violet said. "In a normal welding situation, I'd use a welding torch, which is a device that makes a very small flame to melt the metal. But the Squalors won't have a welding torch--that's a tool, and tools are out. So I'm going to devise another method. When you two find the long, slender objects made of iron, meet me in the kitchen closest to the front door." "Selrep," Sunny said, which meant something like "That's the one with the bright blue oven." "Right," Violet said, "and I'm going to use that bright blue oven to heat those iron objects as hot as they can get. When they are burning, burning hot, we will take them back down to the cage and use their heat to melt the bars." "Will they stay hot long enough to work, after such a long climb down?" Klaus asked. "They'd better," Violet replied grimly. "It's our only hope." To hear the phrase "our only hope" always makes one anxious, because it means that if the only hope doesn't work, there is nothing left, and that is never pleasant to think about, however true it might be. The three Baudelaires felt anxious about the fact that Violet's invention was their only hope of rescuing the Quagmires, and they were quiet the rest of the way up the elevator shaft, not wanting to consider what would happen to Duncan and Isadora if this only hope didn't work. Finally, they began to see the dim light from the open sliding doors, and at last they were once again at the front door of the Squalors' apartment. "Remember," Violet whispered, "long, slender objects made of iron. We can't use bronze or silver or even gold, because those metals will melt in the oven. I'll see you in the kitchen." The younger Baudelaires nodded solemnly, and followed two different trails of bread crumbs in opposite directions, while Violet walked straight into the kitchen with the bright blue oven and looked around uncertainly. Cooking had never been her forte--a phrase which here means "something she couldn't do very well, except for making toast, and sometimes she couldn't even do that without burning it to a crisp"--and she was a bit nervous about using the oven without any adult supervision. But then she thought about all the things she had done recently without adult supervision--sprinkling crumbs on the floor, eating apple butter, climbing down an empty elevator shaft on a ersatz rope made of extension cords, curtain pulls, and neckties tied together with the Devil's Tongue--and stiffened her resolve. She turned the oven's bright blue temperature dial to the highest temperature--500 degrees Fahrenheit--and then, as the oven slowly heated up, began quietly opening and closing the kitchen drawers, looking for three sturdy oven mitts. Oven mitts, as you probably know, are kitchen accessories that serve as ersatz hands by enabling you to pick up objects that would burn your fingers if you touched them directly. The Baudelaires would have to use oven mitts, Violet realized, once the long, slender objects were hot enough to be used as welding torches. Just as her siblings entered the kitchen, Violet found three oven mitts emblazoned with the fancy, curly writing of the In Boutique stuffed into the bottom of the ninth drawer she had opened. "We hit the jackpot," Klaus whispered, and Sunny nodded in agreement. The two younger Baudelaires were using an expression which here means "Look at these fire tongs--they're perfect!" and they were absolutely right. "Fireplaces must have been in at some point," Klaus explained, holding up three long, slender pieces of iron, "because Sunny remembered that living room with six fireplaces between the ballroom with the green walls and the bathroom with that funny-looking sink. Next to the fireplaces are fire tongs--you know, these long pieces of iron that people use to move logs around to keep a fire going. I figured that if they can touch burning logs, they'll be able to survive a hot oven." "You really did hit the jackpot," Violet said. "Fire tongs are perfect. Now, when I open the door of the oven, you put them in, Klaus. Sunny, stand back. Babies shouldn't be near a hot oven." "Prawottle," Sunny said. She meant something like "Older children aren't supposed to be near a hot oven either, especially without adult supervision," but she understood that it was an emergency and crawled to the opposite end of the kitchen, where she could safely watch her older siblings put the long, slender tongs into the hot oven. Like most ovens, the Squalors' bright blue oven was designed for baking cakes and casseroles, not fire tongs, and it was impossible to shut the door of the oven with the long pieces of iron inside. So, as the Baudelaire orphans waited for the pieces of iron to heat up into welding torches, the kitchen heated up as well, as some of the hot air from the oven escaped out the open door. By the time Klaus asked if the welding torches were ready, the kitchen felt as if it were an oven instead of merely containing one. "Not yet," Violet replied, peering carefully into the open oven door. "The tips of the tongs are just beginning to get yellow with heat. We need them to get white with heat, so it will still be a few minutes." "I'm nervous," Klaus said, and then corrected himself. "I mean I'm anxious. I don't like leaving the Quagmires down there all alone." "I'm anxious, too," Violet said, "but the only thing we can do now is