The New Drawing on the Right Side of the Brain (58 page)
Read The New Drawing on the Right Side of the Brain Online
Authors: Betty Edwards
BOOK: The New Drawing on the Right Side of the Brain
11.5Mb size Format: txt, pdf, ePub
Jung, C. G.
Man and His Symbols.
Garden City, N.Y.: Doubleday, 1964.
Man and His Symbols.
Garden City, N.Y.: Doubleday, 1964.
Kandinsky, W.
Point and Line to Plane.
Chicago: Solomon Guggenheim Foundation, 1945.
Point and Line to Plane.
Chicago: Solomon Guggenheim Foundation, 1945.
———.
Concerning the Spiritual in Art.
New York: Wittenborn, 1947.
Concerning the Spiritual in Art.
New York: Wittenborn, 1947.
Keller, Helen.
The World I Live In.
New York: The Century Company, 1908.
The World I Live In.
New York: The Century Company, 1908.
Kipling, R.
Rudyard Kipling’s Verse.
London: Hodder & Stoughton, 1927.
Rudyard Kipling’s Verse.
London: Hodder & Stoughton, 1927.
Koestler, A.
The Sleepwalkers.
London: Hutchinson, 1959.
The Sleepwalkers.
London: Hutchinson, 1959.
Krishnamurti, J.
The Awakening of Intelligence.
New York: Harper and Row, 1973.
The Awakening of Intelligence.
New York: Harper and Row, 1973.
———. “Self Knowledge.” In
The First and Last Freedom,
p. 43. New York: Harper and Row, 954.
The First and Last Freedom,
p. 43. New York: Harper and Row, 954.
———.
You Are the World.
New York: Harper and Row, 1972.
You Are the World.
New York: Harper and Row, 1972.
Levy, J. “Differential Perceptual Capacities in Major and Minor Hemispheres,”
Proceedings of the National Academy of Science,
Vol. 61, 1968, 1151.
Proceedings of the National Academy of Science,
Vol. 61, 1968, 1151.
———. “Psychobiological Implications of Bilateral Asymmetry.” In
Hemisphere Function in the Human Brain,
edited by S. J. Dimond and J. G. Beaumont. New York: John Wiley and Sons, 1974.
Hemisphere Function in the Human Brain,
edited by S. J. Dimond and J. G. Beaumont. New York: John Wiley and Sons, 1974.
Levy, J., C. Trevarthen, and R. W. Sperry. “Perception of Bilateral Chimeric Figures Following Hemispheric Deconnexion,”
Brain,
95, 1972, 61-78.
Brain,
95, 1972, 61-78.
Lindaman, E. B.
Thinking in Future Tense.
Nashville: Broad-man Press, 1978.
Thinking in Future Tense.
Nashville: Broad-man Press, 1978.
Lindstrom, M.
Children’s Art: A Study of Normal Development in Children’s Modes of Visualization.
Berkeley, Calif.: University of California Press, 1957.
Children’s Art: A Study of Normal Development in Children’s Modes of Visualization.
Berkeley, Calif.: University of California Press, 1957.
Lord, J.
A Giacometti Portrait.
New York: Museum of Modern Art, 1965.
A Giacometti Portrait.
New York: Museum of Modern Art, 1965.
Lowenfeld, V.
Creative and Mental Growth.
New York: Macmillan, 1947.
Creative and Mental Growth.
New York: Macmillan, 1947.
Matisse, H.
Notes d’un peintre.
In
La grande revue.
Paris, 1908.
Notes d’un peintre.
In
La grande revue.
Paris, 1908.
McFee, J.
Preparation for Art.
San Francisco, Calif.: Wadsworth Publishing, 1961.
Preparation for Art.
San Francisco, Calif.: Wadsworth Publishing, 1961.
McKim, R.
Experiences in Visual Thinking.
Monterey, Calif.: Brooks/Cole Publishing, 1972.
Experiences in Visual Thinking.
Monterey, Calif.: Brooks/Cole Publishing, 1972.
Munsell, Albert.
A Color Notation.
Baltimore: Munsell Color Co., 1926.
A Color Notation.
Baltimore: Munsell Color Co., 1926.
Newton, Isaac.
Opticks,
Book 1, Part 2. 1st ed., London, 1704.
Opticks,
Book 1, Part 2. 1st ed., London, 1704.
Nicolaides, K.
The Natural Way to Draw.
Boston: Houghton Mifflin, 1941.
The Natural Way to Draw.
Boston: Houghton Mifflin, 1941.
Ornstein, R.
The Psychology of Consciousness.
2nd ed., rev. New York: Harcourt Brace Jovanovich, 1977.
The Psychology of Consciousness.
2nd ed., rev. New York: Harcourt Brace Jovanovich, 1977.
Orwell, G. “Politics and the English Language.” In
In Front of Your Nose,
Vol. 4 of
The Collected Essays of George Orwell,
edited by S. Orwell and I. Angus, p. 138. New York: Harcourt Brace and World, 1968.
In Front of Your Nose,
Vol. 4 of
The Collected Essays of George Orwell,
edited by S. Orwell and I. Angus, p. 138. New York: Harcourt Brace and World, 1968.
Paivio, A.
Imagery and Verbal Processes.
New York: Holt, Rinehart and Winston, 1971.
Imagery and Verbal Processes.
New York: Holt, Rinehart and Winston, 1971.
Paredes, J., and M. Hepburn. “The Split-Brain and the Culture-Cognition Paradox.”
Current Anthropolog y
17 (March 1976): 1.
Current Anthropolog y
17 (March 1976): 1.
Pascal, B.
Pensées: Thoughts on Religion and Other Objects,
edited by H. S. Thayer and E. B. Thayer. New York: Washington Square Press, 1965.
Pensées: Thoughts on Religion and Other Objects,
edited by H. S. Thayer and E. B. Thayer. New York: Washington Square Press, 1965.
Piaget, J.
The Language and Thought of a Child.
New York: Meridian, 1955.
The Language and Thought of a Child.
New York: Meridian, 1955.
Pirsig, R.
Zen and the Art of Motorcycle Maintenance.
New York: William Morrow, 1974.
Zen and the Art of Motorcycle Maintenance.
New York: William Morrow, 1974.
Ponomarev, L.
In Quest of the Quantum.
Trans. by N. Weinstein. Moscow: Mir Publishers, 1973.
In Quest of the Quantum.
Trans. by N. Weinstein. Moscow: Mir Publishers, 1973.
Reed, William.
Ki: A Practical Guide for Westerners.
Tokyo: Japan Publications, 1986.
Ki: A Practical Guide for Westerners.
Tokyo: Japan Publications, 1986.
Rock, I. “The Perception of Disoriented Figures.” In
Image, Object, and Illusion,
edited by R. M. Held. San Francisco: W. H. Freeman, 1971.
Image, Object, and Illusion,
edited by R. M. Held. San Francisco: W. H. Freeman, 1971.
Rodin, A. Quoted in
The Joy of Drawing.
London: The Oak Tree Press, 1961.
The Joy of Drawing.
London: The Oak Tree Press, 1961.
Samples, B.
The Metaphoric Mind.
Reading, Mass.: Addison-Wesley Publishing, 1976.
The Metaphoric Mind.
Reading, Mass.: Addison-Wesley Publishing, 1976.
———.
The Wholeschool Book.
Reading, Mass.: Addison-Wesley Publishing, 1977.
The Wholeschool Book.
Reading, Mass.: Addison-Wesley Publishing, 1977.
Samuels, M., and N. Samuels.
Seeing with the Mind’s Eye.
New York: Random House, 1975.
Seeing with the Mind’s Eye.
New York: Random House, 1975.
Sargeant, Walter.
The Enjoyment and Use of Color.
New York: Charles Scribner’s Sons, 1923.
The Enjoyment and Use of Color.
New York: Charles Scribner’s Sons, 1923.
Shah, I.
The Exploits of the Incomparable Mulla Nasrudin.
New York: E. P. Dutton, 1972.
The Exploits of the Incomparable Mulla Nasrudin.
New York: E. P. Dutton, 1972.
Shepard, R. N.
Visual Learning , Thinking, and Communication,
edited by B. S. Randhawa and W. E. Coffman. New York: Academic Press, 1978.
Visual Learning , Thinking, and Communication,
edited by B. S. Randhawa and W. E. Coffman. New York: Academic Press, 1978.
Singer, J.
How to Paint in Pastels.
New York: Watson-Guptil Publishers, 1976.
How to Paint in Pastels.
New York: Watson-Guptil Publishers, 1976.
Smith, Peter. “The Dialectics of Color.” In
Color for Architecture,
T. Porter and B. Mikellides. New York: Van Nostrand Reinhold, 1976.
Color for Architecture,
T. Porter and B. Mikellides. New York: Van Nostrand Reinhold, 1976.
Sperry, R. W. “Hemisphere Disconnection and Unity in Conscious Awareness.”
American Psychologist
23 (1968): 723-33.
American Psychologist
23 (1968): 723-33.
———. “Lateral Specialization of Cerebral Function in the Surgically Separated Hemispheres,” in
The Psychophysiology of Thinking,
edited by F. J. McGuigan and R. A. Schoonover. New York: Academic Press, 1973, 209-29.
The Psychophysiology of Thinking,
edited by F. J. McGuigan and R. A. Schoonover. New York: Academic Press, 1973, 209-29.
Sperry, R. W., M. S. Gazzaniga, and J. E. Bogen, “Interhemispheric Relationships: the Neocortical Commissures; Syndromes of Hemisphere Disconnection,”
Handbook of Clinical Neurolog y,
edited by P. J. Vinken and G. W. Bruyn. Amsterdam: North-Holland Publishing Co., 1969, 273-89.
Handbook of Clinical Neurolog y,
edited by P. J. Vinken and G. W. Bruyn. Amsterdam: North-Holland Publishing Co., 1969, 273-89.
Stein, G.
Picasso.
London: B. T. Batsford, 1938.
Picasso.
London: B. T. Batsford, 1938.
Suzuki, D. “Satori.” In
The Gospel According to Zen,
edited by R. Sohl and A. Carr. New York: New American Library, 1970.
The Gospel According to Zen,
edited by R. Sohl and A. Carr. New York: New American Library, 1970.
Tart, C. T. “Putting the Pieces Together.” In
Alternate States of Consciousness,
edited by N. E. Zinberg, 204-6. New York: Macmillan, 1977.
Alternate States of Consciousness,
edited by N. E. Zinberg, 204-6. New York: Macmillan, 1977.
———.
States of Consciousness.
New York: E. P. Dutton, 1975.
States of Consciousness.
New York: E. P. Dutton, 1975.
Taylor, J.
Design and Expression in the Visual Arts.
New York: Dover Publications, 1964.
Design and Expression in the Visual Arts.
New York: Dover Publications, 1964.
Verity, Enid.
Color Observed.
New York: Van Nostrand Reinhold and Company, 1980.
Color Observed.
New York: Van Nostrand Reinhold and Company, 1980.
Walter, W. G.
The Living Brain.
New York: W. W. Norton, 1963.
The Living Brain.
New York: W. W. Norton, 1963.
Wittrock, M. C., et al.
The Human Brain.
Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1977.
The Human Brain.
Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1977.
Zaidel, E., and R. Sperry. “Memory Impairment after Commisurotomy in Man.”
Brain
97 (1974): 263-72.
Brain
97 (1974): 263-72.
Index
Ability, artistic
Adolescence
After-images
Albers, Josef
Analogous color
AAnalytic thought
Angles. See also Corners
Archimedes
Art students, recommendations for
Artistic ability
Ayerton, Michael
BBackground
Balance
Beckett, Samuel
Before-instruction drawings
Berquist, J. William
Blakemore, Colin
Bliss, J.
Bogen, Joseph E.
Bomeisler, Brian, color section
Boucher, François
Brain hemispheres. See also Left
hemisphere headings; Right hemi
sphere headings
of animals
asymmetrical function of
controlling
crossover connections
dominant
information processing
surgical separation of
Bruner, Jerome
Buhler, Karl
Buswell, Guy T.
CCarra, Carlo
Carroll, Lewis (pseudonym of C. L. Dodgson)
Cartoon drawing
Cézanne, Paul
Chardin, Jean Baptiste, color section
Childlike drawings
Children, education of
Children’s art
complexity in
composition in
crisis period
developmental stages
format and
landscape drawings
realism in
recalled
school and
scribbling stage
story-telling drawings
symbol stage
Chin
Cityscapes
Cognitive modes. See Left-hemisphere (L-) mode; Right-hemisphere (R-) mode
Cognitive shifts. See Shift headings
Collar
Collier, Graham
Color
attributes of
brain responses to
discordant
relationships of
Color drawing, color section
exercises
in pastels
supplies
Color wheel, color section
Commissure, anterior
Commissurotomy studies
Comparison
Complements
Completion, need for
Composition
format and
Connolly, Cyril
Consciousness, altered states of
Contemporary art
Contour drawing
exercises
modiWed
pure
Contour lines, deWned
Contours
of alphabet
deWned
Corinth, Lovis
Corners, sighting
Corpus callosum
Cottrell, Alan
Creativity
Crosshatching
exercise
Chopped-oV skull error
DDame, Don
Davis, Stuart
Degas, Edgar, color section
Delacroix, Eugène
Demonstration, learning by
Descartes, Rene
Diebenkorn, Richard, color section
Distance
Drawing
ability
as holistic
as learnable/teachable skill
as magical
materials for
seeing and
Dreaming
Duality of human nature and thought
D¸rer, Albrecht
perceptual device of
Dyslexia
EEars
placement of
Edges
deWned
exercise in imaging
of paper
shared
Education. See Schools/school systems; Teachers
Elgart, Elliot
Emergent properties
Empty space. See Negative space
Ernst, Max
Errors, checking for
Esthetic response
Expressiveness
of handwriting
Eyedness
Eyeglasses
Eyes
placement of
FFaces. See also Portrait drawing;
and speciWc features, e.g., Eyes
recognition of
skewed features
Figure drawing, sighting in
Flam, J.
Footedness
Foreshortening
Format
Franck, Frederick
Freud, Sigmund
Fuseli, Henry
GGalin, David
Gauguin, Paul, color section
Gazzaniga, Michael S.
Gestures
Giacometti, Alberto
Gladwyn, Thomas
Glasses
Goethe, Johann von
Goldstein, Nathan
Grien, Hans Baldung, color section
Grosser, Maurice
HHair
Hairline
Handedness
language processing and
lateralization and
Hands
brain and
concepts associated with
Handwriting
as art form
consistent relationships in
contour drawing
darkness or lightness of
educational theorists and
exercises
expressiveness of
negative spaces
slant of
Head. See also Faces; Portrait drawing;
and speciWc features
proWle of
proportions of
relationships of parts of
top half of
Hearn, Lafcadio
Heightening, deWned
Helmholtz, Hermann von
Henri, Robert
Hepburn, M. J.
Herrigel
Hill, Edward
Hippocampus
Hockney, David, color section
HoVman, Howard S.
Hokusai
Holistic thought
Homer, Winslow
Huang Po
Hue. See also Color
Huxley, Aldous
II Ching
Imaging
Information processing. See also Left-hemisphere (L-) mode; Right-hemisphere (R-) mode
duality of modes of
handedness and
Insight
Intensity
reducing
Intuition
JJapanese
calligraphy
prints
Kandinsky, Wassily
Keats, John
Keller, Helen
Kipling, Rudyard
Klee, Paul
Koestler, Arthur
Kokoschka, Oskar
Kollwitz, Kathe, color section
Krishnamurti, J.
LLabeling
Landscapes, childhood
Language
handedness and
left hemisphere and
on left/right characteristics
perception and
Lateralization
Lawrence. H.
Layton, Elizabeth, color section
Learning styles
Left hemisphere
analysis of proportion and
cultural bias and
interference with visual information
language and
language bias and
nineteenth-century view of
visual information and
Left-hemisphere (L-) mode
characteristics
Other books
The Gentle Rebel by Gilbert Morris
[Half/Time 01] Half Upon a Time by James Riley
Ghosting by Kirby Gann
An Available Man by Hilma Wolitzer
The Wrong Woman by Stewart, Charles D
The Apprentices by Meloy, Maile
Galactic Battle by Zac Harrison
The Devil You Know by Jenna Black
Whirlwind Revolution by Flynn Eire