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Index
Ability, artistic
Adolescence
After-images
Albers, Josef
Analogous color
AAnalytic thought
Angles. See also Corners
Archimedes
Art students, recommendations for
Artistic ability
Ayerton, Michael
BBackground
Balance
Beckett, Samuel
Before-instruction drawings
Berquist, J. William
Blakemore, Colin
Bliss, J.
Bogen, Joseph E.
Bomeisler, Brian, color section
Boucher, François
Brain hemispheres. See also Left
hemisphere headings; Right hemi
sphere headings
of animals
asymmetrical function of
controlling
crossover connections
dominant
information processing
surgical separation of
Bruner, Jerome
Buhler, Karl
Buswell, Guy T.
CCarra, Carlo
Carroll, Lewis (pseudonym of C. L. Dodgson)
Cartoon drawing
Cézanne, Paul
Chardin, Jean Baptiste, color section
Childlike drawings
Children, education of
Children’s art
complexity in
composition in
crisis period
developmental stages
format and
landscape drawings
realism in
recalled
school and
scribbling stage
story-telling drawings
symbol stage
Chin
Cityscapes
Cognitive modes. See Left-hemisphere (L-) mode; Right-hemisphere (R-) mode
Cognitive shifts. See Shift headings
Collar
Collier, Graham
Color
attributes of
brain responses to
discordant
relationships of
Color drawing, color section
exercises
in pastels
supplies
Color wheel, color section
Commissure, anterior
Commissurotomy studies
Comparison
Complements
Completion, need for
Composition
format and
Connolly, Cyril
Consciousness, altered states of
Contemporary art
Contour drawing
exercises
modiWed
pure
Contour lines, deWned
Contours
of alphabet
deWned
Corinth, Lovis
Corners, sighting
Corpus callosum
Cottrell, Alan
Creativity
Crosshatching
exercise
Chopped-oV skull error
DDame, Don
Davis, Stuart
Degas, Edgar, color section
Delacroix, Eugène
Demonstration, learning by
Descartes, Rene
Diebenkorn, Richard, color section
Distance
Drawing
ability
as holistic
as learnable/teachable skill
as magical
materials for
seeing and
Dreaming
Duality of human nature and thought
D¸rer, Albrecht
perceptual device of
Dyslexia
EEars
placement of
Edges
deWned
exercise in imaging
of paper
shared
Education. See Schools/school systems; Teachers
Elgart, Elliot
Emergent properties
Empty space. See Negative space
Ernst, Max
Errors, checking for
Esthetic response
Expressiveness
of handwriting
Eyedness
Eyeglasses
Eyes
placement of
FFaces. See also Portrait drawing;
and speciWc features, e.g., Eyes
recognition of
skewed features
Figure drawing, sighting in
Flam, J.
Footedness
Foreshortening
Format
Franck, Frederick
Freud, Sigmund
Fuseli, Henry
GGalin, David
Gauguin, Paul, color section
Gazzaniga, Michael S.
Gestures
Giacometti, Alberto
Gladwyn, Thomas
Glasses
Goethe, Johann von
Goldstein, Nathan
Grien, Hans Baldung, color section
Grosser, Maurice
HHair
Hairline
Handedness
language processing and
lateralization and
Hands
brain and
concepts associated with
Handwriting
as art form
consistent relationships in
contour drawing
darkness or lightness of
educational theorists and
exercises
expressiveness of
negative spaces
slant of
Head. See also Faces; Portrait drawing;
and speciWc features
proWle of
proportions of
relationships of parts of
top half of
Hearn, Lafcadio
Heightening, deWned
Helmholtz, Hermann von
Henri, Robert
Hepburn, M. J.
Herrigel
Hill, Edward
Hippocampus
Hockney, David, color section
HoVman, Howard S.
Hokusai
Holistic thought
Homer, Winslow
Huang Po
Hue. See also Color
Huxley, Aldous
II Ching
Imaging
Information processing. See also Left-hemisphere (L-) mode; Right-hemisphere (R-) mode
duality of modes of
handedness and
Insight
Intensity
reducing
Intuition
JJapanese
calligraphy
prints
Kandinsky, Wassily
Keats, John
Keller, Helen
Kipling, Rudyard
Klee, Paul
Koestler, Arthur
Kokoschka, Oskar
Kollwitz, Kathe, color section
Krishnamurti, J.
LLabeling
Landscapes, childhood
Language
handedness and
left hemisphere and
on left/right characteristics
perception and
Lateralization
Lawrence. H.
Layton, Elizabeth, color section
Learning styles
Left hemisphere
analysis of proportion and
cultural bias and
interference with visual information
language and
language bias and
nineteenth-century view of
visual information and
Left-hemisphere (L-) mode
characteristics
BOOK: The New Drawing on the Right Side of the Brain
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