Sandman Slim with Bonus Content (25 page)

I swing my leg again. This time I hit the top of the metal halo. That gets his attention. Kasabian drops the bat and crab walks his way back, putting some distance between my foot and his head.

Except for the first surprise shot on the back of my skull, he hasn’t hurt me too much. Kasabian moves like he’s half frozen in ice. Can’t get up the strength to do any real damage. If he wasn’t up and walking around, I’d swear that his body was in rigor mortis. Maybe he’s afraid that if he wiggles around too much, his head will pop off. Let’s test that theory.

Still on the floor, I throw a kick at his head. Kasabian tries to move out of the way, but I’m faster than him. But I still miss. Okay. So that first smack on the head scrambled my brain a little more than I thought.

I go for the guns under the mattress, but my aim is still off. It gives Kasabian a chance to drive the bat into my ribs again. I’m breathing hard, trying to take in air every time it gets knocked out with another rib shot. I could probably throw a spell at Kasabian if my head was clearer and my chest wasn’t hurting. I can feel every single bruise from the Kissi attack. And all this wrestling around is waking up those bullets again. Fuck Kinski for being right about them getting angry again.

When Kasabian tries to jam me with the bat again, I move faster and get my hand on it. One twist and it’s out of his hands and bouncing off the floor. Kasabian backs up and braces himself against the wall. He reaches for something under his dirty trench coat, but he’s not fast enough. The world is settling down. Becoming firmer around me. I grab the bat and swing. It smashes into his halo, buckling and scattering the metal dowels.

Kasabian screams, “Fuck!” His head is hanging free, held on by just the stitches and the couple of remaining dowels. He gets his feet under him, braces his back against the wall, and pushes himself up until he’s standing. His eyes are wide. Not so much in anger anymore. He’s remembering what it was like the first time his melon came off and he doesn’t like the picture. That’s why his hands are shaking and he’s muttering, “No, no, no,” when he pulls what looks like a short tree branch out from under his coat. It wraps around his arm from the wrist to his elbow.

Now it’s my turn to scramble back. The skinhead at Carlos’s bar tried to shoot me with a Devil Daisy, but he didn’t know what he was doing. In a room this small, even a crippled, half-dead wreck like Kasabian couldn’t miss me. But I’m more worried about something worse.

I yell, “Stop!” and put up my hands. Kasabian just looks at me. I guess he wasn’t expecting such an easy surrender. He face splits into a big grin. He waves the Daisy around a little, stabbing the air with it, trying to intimidate me. He does, but not for the reasons he thinks.

“Listen to me, Kas. I know that Parker and Mason gave you that thing. If you use it, you’re going to die. For real this time. No second chances.”

“Kiss my ass, man. They helped me. Parker took me out of here. He and Mason gave me back my body.”

“Nice job they did, too. You look like Frankenstein’s ball sac. You can barely move. Don’t you think if they liked you they could find a spell to put your head back on for real?”

“That’s your fault! You and your goddamn knife. It left some kind of residual magic behind. No matter what we tried, my head wouldn’t go back on. Parker put together this traction rig for me. It sucks, but it’s better than spending the rest of my life in that closet watching infomercials until you decide to shoot me.”

“You’re right. I got a little more extreme with you than I meant to. Sorry. I wanted Mason, but I had you. You got some of the grief I was saving up for him. That wasn’t right. So. You know. Sorry.”

“Sorry? Even if you didn’t cut my head off, you came here to kill me. You think sorry covers that?”

“I’m not so sure you want to know the truth about that.”

Kasabian hoists the Devil Daisy up to face level. I take a couple more steps back, until I’m on the other side of the bed. Still in point-blank range.

“Tell me,” he says.

“When I got here, yeah, I planned on killing you. But after ten minutes, I was pretty much over that. I mean, how much more could I do? Mason did a pretty good job of wrecking you before I ever got here.”

“Yeah, but I stood up to you and he’s on my side again.”

“No, he’s not. He’s never been on your side and he never will be. You think he gave you your body and sent you back here to get me? This is a setup. You’re here to kill yourself. Me, too. But mostly you.”

“Look at you. Look how scared you are. You’ll say anything.”

“Ask me how Jayne and Cherry are. I double-dog dare you.”

“Why? Is that a trick question?”

“Yeah. Because they’re dead. Parker killed them. He’s killing everyone connected to him and Mason. If he gave you that weapon, it’ll probably kill me, but I guarantee that it’ll kill you.”

“You are such a liar. Not even a good one. Look how scared you are.”

“I’m scared you’re going to do something stupid.”

He pushes the Daisy in my direction.

“Don’t call me stupid!”

“Sorry. Just don’t do anything you—we—can’t take back.”

He starts to nod, but catches himself. The nod turns into a twitch as he pushes his shoulders and head back against the wall. His heart is a trip-hammer. His pupils narrow. Now that he’s done something dumb in front of me, he’s angrier than ever.

“Kas, Mason and Parker are using you.”

“Keep talking, dead man. I hear there’s a bunch of imps waiting for you with knives and forks.”

I take another step back. He’s going to do it. It’s building inside him.

“Don’t do it, man. You’ll die, too.”

The grin is back on his face.

“This is nice. This quiet moment before you die. Thanks for lying and whining. You made it really special for me.”

Oh, hell.

I know it’s coming, so I don’t wait. I dive for the floor. When he fires the Devil Daisy, I’m behind the bed collapsing the
na’at
to its spear configuration. I dig one end into the floor and, staying low, angle the shaft over me.

The first wave of dragon fire hits, tries to tear the
na’at
out of my hand. The intricate Hellion web of edges, angles, and teeth along the weapon’s body spreads the fire out and over me. Then the second thing happens. The one I’ve been worried about.

The Daisy explodes. The room turns into Dresden, burning under the Allied planes. It’s Rome while Nero fiddled and pissed on the panicked mobs. It’s Hamburg and Chicago and the Hindenburg all going off at once in my room. It’s all I can do to hold the
na’at
in place and channel the supernova on the other side of the bed anywhere but on top of me.

And it’s over. No fire. No smoke. No nothing. The Daisy has swallowed the remains of the fire. The room is a wreck. Lath is blown off the walls. Part of the ceiling is down. The junk on the bootleg table is scattered around the room like a hurricane blew through. All the windows are gone.

I pick up the charred bed and push it out of the way. Kasabian is lying under it. Considering how he looked before the explosion, he’s not looking that bad right now. His right arm is gone. The Daisy took that off when it blew. And his head has fallen off. I get down on my knees and push random junk out of the way. I spot it a minute later under the bed.

Poor stupid, idiotic, goddamn Kasabian. If he was still alive, I’d strangle him. Right now I kind of don’t mind him coming after me with the bat. I was pretty hard on him. He really did get me down on my knees and speaking in tongues for a minute, so he got at least a little of his own back before he made the big mistake of trusting Mason. Kasabian was an idiot, but he wasn’t stupid. He must have known that Mason hated him at best. Considered him an insect at worst. Did Kasabian really not know what was going to happen when he pulled that trigger? Or did he want to go out in a sexy murder-suicide that would make it onto the local news? Idiot reporters would get it all wrong. They’d think it was an insurance scam gone wrong. Or that we were clumsy terrorists. More likely, they’d go with the sexiest choice, a lovers’ quarrel gone nuclear. It’s more than an even bet that he wanted to kill us both. At least then, one person would know that he’d done something right. I’d know that he’d gotten me, that I was truly dead, and that there was nothing I could do about it.

I stand very quietly for a minute, listening for sirens. If I had time and a clear head, I could probably come up with a spell to keep everyone away or send them off in the wrong direction. But that’s not going to happen. I wait.

The sirens don’t come. The fire was here and gone so fast that while the Daisy wrecked the place, it’s sparing me from having to explain the headless body, all the guns, the video bootlegging gear and me. Who am I? Also technically dead, thanks. Just ask Homeland Security.

Someone’s cell phone goes off. It’s not my ring. I pat down Kasabian’s body. Pull his phone from a coat pocket. It’s one of the cheap prepaid models. I flip it open and wait.

“Well,” someone says. “What the hell, man? Is it done?”

“Who is this?”

There’s a pause. Then a low laugh.

“Stark? Is that you? Oh my God. What an asshole. I give Kasabian a flamethrower and a bomb and he still can’t kill you. Where is he?”

“All over the place. He’s in pieces.”

“One thing went right tonight, at least. You must be feeling pretty good right now, huh? Pretty proud of yourself. You kicked a headless guy’s ass. Thank you, masked man. You saved our city.”

I listen for signs of strain or stress in his voice. I wish I could see his eyes. Or catch a whiff of his sweat. But on the crap phone, Parker sounds thin, distant, and far away. Like he’s calling from the Marianas Trench.

“You’re the one who sent a half-dead guy to kill me. What did you think was going to happen?”

“I expected you to die, Mr. Bond,” he says in a bad German accent. “Actually, Mason and I had a bet. He thought Kasabian might be able to do one thing right one time. He told the fat man to his face how much faith he had in him. I guess I won that bet.”

“What happens now? You going to send more cripples after me? Blind guys with blowguns? Grandmas in wheel-chairs with chain saws? What’s your next brilliant move? All I’ve seen you do so far is get your pitiful excuse for an assassin blown up and yourself shot in the back. How did that feel, by the way? Were you awake when you fell? I’m glad Mason saved you. It means I get to kill you all over again.”

“Calm down, sweetheart. You’re getting all worked up. Trust me. You’ll get your chance. We’re going to see each other again. Not here. Not now. But it’ll be soon. Cross my heart.”

“I can’t wait.”

“You don’t have to. Mason is sending you a late Christmas present. Don’t worry. No more explosions or ninja attacks tonight. Just a token of his and my esteem for staying alive this long. How did you stay alive down there, by the way? Did you suck demon cock all day every day, or did you get weekends and holidays off?”

“Pucker up, tough guy. You’ll know all about it soon enough.”

The line goes dead. I toss the phone into the corner of the room. At least I know one thing now. Parker took Kasabian to wherever Mason is hiding. He was with both of them. He’s seen their hideout and might have even heard them talking about what they’re planning next. Mason thought Kasabian was an idiot and knew that one way or another, he was going to be dead tonight. Why not talk in front of him? Make him feel like he’s part of the plan. If Mason convinced Kasabian that he’d been promoted and was going to get to play with the big boys, Kas wouldn’t have asked any questions, but would have run along like a dog to please him.

I need to talk to Kasabian. But I can’t get to him when he’s in Hell. No way I’m setting foot Downtown. I need to get to him before he hops the ferry.

I only know one way to do it and it’s really going to suck. The Daisy has saved me the trouble of having to move the bootlegging table. I just push it up against the wall so it’s out of the way. I kick broken, powdery lath, boxes of DVDs, dirty clothes, cigarette butts, and Jack Daniel’s bottles out of the way until I clear an area about six by six on the floor. Aside from the furniture, most of the junk is pretty light. It’s easy to sift through until I find something that’s heavy. The lead Kinski gave me.

Start by drawing thirteen circles, six on the outside, and six on the inside, and one in the center. Take the lead and, at the outer top circle, draw a line across to the farthest. Then draw lines to the other circles on the outer rim so that they’re all connected. Now do the same thing with the other five outer circles. Wash, rinse, repeat on the inner circles until you have seventy-eight lines that connect all thirteen circles. Ladies and gentlemen, meet Metatron’s Cube. One of the holiest of holy glyphs. The soul of the angel Metatron, the voice of God. Good for keeping away imps, flesh-eating zombies, and ants at a picnic. It slices. It dices. It has a thousand and one uses. A thousand and two if you draw it on a brick and throw it through the windshield of your ex-girlfriend’s new boyfriend’s car.

Kasabian’s head is still under the bed. I pull it out and set it on his chest, then grab his body by the ankles and drag him into the Cube. I straighten the arms and legs, set Kas’s head back on its shoulders, and generally try to make him look more like a respectable human being and less like a big pile of loser jerky.

Under one of the windows are the remains of the warning bundle Medea, the Inquisitor, left for me at Vidocq’s place. I leave the wolf teeth. All I need are the crow feathers. Pretty much any part of a crow is useful. Especially when you’re dealing with the dead. Crows are psychopomps. They guide the dead from this world to the next. There are quicker, more direct ways to get through to dead souls, but crow’s feathers are the smart way to go if you don’t want some clever boots to come along and pluck your soul out of your body while you’re distracted, waiting on line one for dead Aunt Lily to pick up.

I rip open Kasabian’s shirt, dip the feathers in his blood, and paint a smaller version of Metatron’s Cube on his chest. Then I open his mouth and put one of the feathers inside. I dip a finger into his blood and, with it, paint a circle over my third eye.