Delphi Complete Works of George Eliot (Illustrated) (312 page)

Thus it happened that on this occasion Bulstrode became identified with Lydgate, and Lydgate with Tyke; and owing to this variety of interchangeable names for the chaplaincy question, diverse minds were enabled to form the same judgment concerning it.

Dr. Sprague said at once bluntly to the group assembled when he entered, “I go for Farebrother. A salary, with all my heart. But why take it from the Vicar? He has none too much — has to insure his life, besides keeping house, and doing a vicar’s charities. Put forty pounds in his pocket and you’ll do no harm. He’s a good fellow, is Farebrother, with as little of the parson about him as will serve to carry orders.”

“Ho, ho! Doctor,” said old Mr. Powderell, a retired iron-monger of some standing — his interjection being something between a laugh and a Parliamentary disapproval; “we must let you have your say. But what we have to consider is not anybody’s income — it’s the souls of the poor sick people” — here Mr. Powderell’s voice and face had a sincere pathos in them. “He is a real Gospel preacher, is Mr. Tyke. I should vote against my conscience if I voted against Mr. Tyke — I should indeed.”

“Mr. Tyke’s opponents have not asked any one to vote against his conscience, I believe,” said Mr. Hackbutt, a rich tanner of fluent speech, whose glittering spectacles and erect hair were turned with some severity towards innocent Mr. Powderell. “But in my judgment it behoves us, as Directors, to consider whether we will regard it as our whole business to carry out propositions emanating from a single quarter. Will any member of the committee aver that he would have entertained the idea of displacing the gentleman who has always discharged the function of chaplain here, if it had not been suggested to him by parties whose disposition it is to regard every institution of this town as a machinery for carrying out their own views? I tax no man’s motives: let them lie between himself and a higher Power; but I do say, that there are influences at work here which are incompatible with genuine independence, and that a crawling servility is usually dictated by circumstances which gentlemen so conducting themselves could not afford either morally or financially to avow. I myself am a layman, but I have given no inconsiderable attention to the divisions in the Church and — “

“Oh, damn the divisions!” burst in Mr. Frank Hawley, lawyer and town-clerk, who rarely presented himself at the board, but now looked in hurriedly, whip in hand. “We have nothing to do with them here. Farebrother has been doing the work — what there was — without pay, and if pay is to be given, it should be given to him. I call it a confounded job to take the thing away from Farebrother.”

“I think it would be as well for gentlemen not to give their remarks a personal bearing,” said Mr. Plymdale. “I shall vote for the appointment of Mr. Tyke, but I should not have known, if Mr. Hackbutt hadn’t hinted it, that I was a Servile Crawler.”

“I disclaim any personalities. I expressly said, if I may be allowed to repeat, or even to conclude what I was about to say — “

“Ah, here’s Minchin!” said Mr. Frank Hawley; at which everybody turned away from Mr. Hackbutt, leaving him to feel the uselessness of superior gifts in Middlemarch. “Come, Doctor, I must have you on the right side, eh?”

“I hope so,” said Dr. Minchin, nodding and shaking hands here and there; “at whatever cost to my feelings.”

“If there’s any feeling here, it should be feeling for the man who is turned out, I think,” said Mr. Frank Hawley.

“I confess I have feelings on the other side also. I have a divided esteem,” said Dr. Minchin, rubbing his hands. “I consider Mr. Tyke an exemplary man — none more so — and I believe him to be proposed from unimpeachable motives. I, for my part, wish that I could give him my vote. But I am constrained to take a view of the case which gives the preponderance to Mr. Farebrother’s claims. He is an amiable man, an able preacher, and has been longer among us.”

Old Mr. Powderell looked on, sad and silent. Mr. Plymdale settled his cravat, uneasily.

“You don’t set up Farebrother as a pattern of what a clergyman ought to be, I hope,” said Mr. Larcher, the eminent carrier, who had just come in. “I have no ill-will towards him, but I think we owe something to the public, not to speak of anything higher, in these appointments. In my opinion Farebrother is too lax for a clergyman. I don’t wish to bring up particulars against him; but he will make a little attendance here go as far as he can.”

“And a devilish deal better than too much,” said Mr. Hawley, whose bad language was notorious in that part of the county. “Sick people can’t bear so much praying and preaching. And that methodistical sort of religion is bad for the spirits — bad for the inside, eh?” he added, turning quickly round to the four medical men who were assembled.

But any answer was dispensed with by the entrance of three gentlemen, with whom there were greetings more or less cordial. These were the Reverend Edward Thesiger, Rector of St. Peter’s, Mr. Bulstrode, and our friend Mr. Brooke of Tipton, who had lately allowed himself to be put on the board of directors in his turn, but had never before attended, his attendance now being due to Mr. Bulstrode’s exertions. Lydgate was the only person still expected.

Every one now sat down, Mr. Bulstrode presiding, pale and self-restrained as usual. Mr. Thesiger, a moderate evangelical, wished for the appointment of his friend Mr. Tyke, a zealous able man, who, officiating at a chapel of ease, had not a cure of souls too extensive to leave him ample time for the new duty. It was desirable that chaplaincies of this kind should be entered on with a fervent intention: they were peculiar opportunities for spiritual influence; and while it was good that a salary should be allotted, there was the more need for scrupulous watching lest the office should be perverted into a mere question of salary. Mr. Thesiger’s manner had so much quiet propriety that objectors could only simmer in silence.

Mr. Brooke believed that everybody meant well in the matter. He had not himself attended to the affairs of the Infirmary, though he had a strong interest in whatever was for the benefit of Middlemarch, and was most happy to meet the gentlemen present on any public question — “any public question, you know,” Mr. Brooke repeated, with his nod of perfect understanding. “I am a good deal occupied as a magistrate, and in the collection of documentary evidence, but I regard my time as being at the disposal of the public — and, in short, my friends have convinced me that a chaplain with a salary — a salary, you know — is a very good thing, and I am happy to be able to come here and vote for the appointment of Mr. Tyke, who, I understand, is an unexceptionable man, apostolic and eloquent and everything of that kind — and I am the last man to withhold my vote — under the circumstances, you know.”

“It seems to me that you have been crammed with one side of the question, Mr. Brooke,” said Mr. Frank Hawley, who was afraid of nobody, and was a Tory suspicious of electioneering intentions. “You don’t seem to know that one of the worthiest men we have has been doing duty as chaplain here for years without pay, and that Mr. Tyke is proposed to supersede him.”

“Excuse me, Mr. Hawley,” said Mr. Bulstrode. “Mr. Brooke has been fully informed of Mr. Farebrother’s character and position.”

“By his enemies,” flashed out Mr. Hawley.

“I trust there is no personal hostility concerned here,” said Mr. Thesiger.

“I’ll swear there is, though,” retorted Mr. Hawley.

“Gentlemen,” said Mr. Bulstrode, in a subdued tone, “the merits of the question may be very briefly stated, and if any one present doubts that every gentleman who is about to give his vote has not been fully informed, I can now recapitulate the considerations that should weigh on either side.”

“I don’t see the good of that,” said Mr. Hawley. “I suppose we all know whom we mean to vote for. Any man who wants to do justice does not wait till the last minute to hear both sides of the question. I have no time to lose, and I propose that the matter be put to the vote at once.”

A brief but still hot discussion followed before each person wrote “Tyke” or “Farebrother” on a piece of paper and slipped it into a glass tumbler; and in the mean time Mr. Bulstrode saw Lydgate enter.

“I perceive that the votes are equally divided at present,” said Mr. Bulstrode, in a clear biting voice. Then, looking up at Lydgate —

“There is a casting-vote still to be given. It is yours, Mr. Lydgate: will you be good enough to write?”

“The thing is settled now,” said Mr. Wrench, rising. “We all know how Mr. Lydgate will vote.”

“You seem to speak with some peculiar meaning, sir,” said Lydgate, rather defiantly, and keeping his pencil suspended.

“I merely mean that you are expected to vote with Mr. Bulstrode. Do you regard that meaning as offensive?”

“It may be offensive to others. But I shall not desist from voting with him on that account.” Lydgate immediately wrote down “Tyke.”

So the Rev. Walter Tyke became chaplain to the Infirmary, and Lydgate continued to work with Mr. Bulstrode. He was really uncertain whether Tyke were not the more suitable candidate, and yet his consciousness told him that if he had been quite free
from indirect bias he should have voted for Mr. Farebrother. The affair of the chaplaincy remained a sore point in his memory as a case in which this petty medium of Middlemarch had been too strong for him. How could a man be satisfied with a decision between such alternatives and under such circumstances? No more than he can be satisfied with his hat, which he has chosen from among such shapes as the resources of the age offer him, wearing it at best with a resignation which is chiefly supported by comparison.

But Mr. Farebrother met him with the same friendliness as before. The character of the publican and sinner is not always practically incompatible with that of the modern Pharisee, for the majority of us scarcely see more distinctly the faultiness of our own conduct than the faultiness of our own arguments, or the dulness of our own jokes. But the Vicar of St. Botolph’s had certainly escaped the slightest tincture of the Pharisee, and by dint of admitting to himself that he was too much as other men were, he had become remarkably unlike them in this — that he could excuse others for thinking slightly of him, and could judge impartially of their conduct even when it told against him.

“The world has been to strong for
me
, I know,” he said one day to Lydgate. “But then I am not a mighty man — I shall never be a man of renown. The choice of Hercules is a pretty fable; but Prodicus makes it easy work for the hero, as if the first resolves were enough. Another story says that he came to hold the distaff, and at last wore the Nessus shirt. I suppose one good resolve might keep a man right if everybody else’s resolve helped him.”

The Vicar’s talk was not always inspiriting: he had escaped being a Pharisee, but he had not escaped that low estimate of possibilities which we rather hastily arrive at as an inference from our own failure. Lydgate
thought that there was a pitiable infirmity of will in Mr. Farebrother.

CHAPTER XIX
.

 
“L’ altra vedete ch’ha fatto alla guancia

 
Della sua palma, sospirando, letto.”

—
Purgatorio, vii.

When George the Fourth was still reigning over the privacies of Windsor, when the Duke of Wellington was Prime Minister, and Mr. Vincy was mayor of the old corporation in Middlemarch, Mrs. Casaubon, born Dorothea Brooke, had taken her wedding journey to Rome. In those days the world in general was more ignorant of good and evil by forty years than it is at present. Travellers did not often carry full information on Christian art either in their heads or their pockets; and even the most brilliant English critic of the day mistook the flower-flushed tomb of the ascended Virgin for an ornamental vase due to the painter’s fancy. Romanticism, which has helped to fill some dull blanks with love and knowledge, had not yet penetrated the times with its leaven and entered into everybody’s food; it was fermenting still as a distinguishable vigorous enthusiasm in certain long-haired German artists at Rome, and the youth of other nations who worked or idled near them were sometimes caught in the spreading movement.

One fine morning a young man whose hair was not immoderately long, but abundant and curly, and who was otherwise English in his equipment, had just turned his back on the Belvedere Torso in the Vatican and was looking out on the magnificent view of the mountains from the adjoining round vestibule. He was sufficiently absorbed not to notice the approach of a dark-eyed, animated German who came up to him and placing a hand on his shoulder, said with a strong accent, “Come here, quick! else she will have changed her pose.”

Quickness was ready at the call, and the two figures passed lightly along by the Meleager, towards the hall where the reclining Ariadne, then called the Cleopatra, lies in the marble voluptuousness of her beauty, the drapery folding around her with a petal-like ease and tenderness. They were just in time to see another figure standing against a pedestal near the reclining marble: a breathing blooming girl, whose form, not shamed by the Ariadne, was clad in Quakerish gray drapery; her long cloak, fastened at the neck, was thrown backward from her arms, and one beautiful ungloved hand pillowed her cheek, pushing somewhat backward the white beaver bonnet which made a sort of halo to her face around the simply braided dark-brown hair. She was not looking at the sculpture, probably not thinking of it: her large eyes were fixed dreamily on a streak of sunlight which fell across the floor. But she became conscious of the two strangers who suddenly paused as if to contemplate the Cleopatra, and, without looking at them, immediately turned away to join a maid-servant and courier who were loitering along the hall at a little distance off.

“What do you think of that for a fine bit of antithesis?” said the German, searching in his friend’s face for responding admiration, but going on volubly without waiting for any other answer. “There lies antique beauty, not corpse-like even in death, but arrested in the complete contentment of its sensuous perfection: and here stands beauty in its breathing life, with the consciousness of Christian centuries in its bosom. But she should be dressed as a nun; I think she looks almost what you call a Quaker; I would dress her as a nun in my picture. However, she is married; I saw her wedding-ring on that wonderful left hand, otherwise I should have thought the sallow Geistlicher was her father. I saw him parting from her a good while ago, and just now I found her in that magnificent pose. Only think! he is perhaps rich, and would like to have her portrait taken. Ah! it is no use looking after her — there she goes! Let us follow her home!”

“No, no,” said his companion, with a little frown.

“You are singular, Ladislaw. You look struck together. Do you know her?”

“I know that she is married to my cousin,” said Will Ladislaw, sauntering down the hall with a preoccupied air, while his German friend kept at his side and watched him eagerly.

“What! the Geistlicher? He looks more like an uncle — a more useful sort of relation.”

“He is not my uncle. I tell you he is my second cousin,” said Ladislaw, with some irritation.

“Schon, schon. Don’t be snappish. You are not angry with me for thinking Mrs. Second-Cousin the most perfect young Madonna I ever saw?”

“Angry? nonsense. I have only seen her once before, for a couple of minutes, when my cousin introduced her to me, just before I left England. They were not married then. I didn’t know they were coming to Rome.”

“But you will go to see them now — you will find out what they have for an address — since you know the name. Shall we go to the post? And you could speak about the portrait.”

“Confound you, Naumann! I don’t know what I shall do. I am not so brazen as you.”

“Bah! that is because you are dilettantish and amateurish. If you were an artist, you would think of Mistress Second-Cousin as antique form animated by Christian sentiment — a sort of Christian Antigone — sensuous force controlled by spiritual passion.”

“Yes, and that your painting her was the chief outcome of her existence — the divinity passing into higher completeness and all but exhausted in the act of covering your bit of canvas. I am amateurish if you like: I do
not
think that all the universe is straining towards the obscure significance of your pictures.”

“But it is, my dear! — so far as it is straining through me, Adolf Naumann: that stands firm,” said the good-natured painter, putting a hand on Ladislaw’s shoulder, and not in the least disturbed by the unaccountable touch of ill-humor in his tone. “See now! My existence presupposes the existence of the whole universe — does it
not?
and my function is to paint — and as a painter I have a conception which is altogether genialisch, of your great-aunt or second grandmother as a subject for a picture; therefore, the universe is straining towards that picture through that particular hook or claw which it puts forth in the shape of me — not true?”

“But how if another claw in the shape of me is straining to thwart it? — the case is a little less simple then.”

“Not at all: the result of the struggle is the same thing — picture or no picture — logically.”

Will could not resist this imperturbable temper, and the cloud in his face broke into sunshiny laughter.

“Come now, my friend — you will help?” said Naumann, in a hopeful tone.

“No; nonsense, Naumann! English ladies are not at everybody’s service as models. And you want to express too much with your painting. You would only have made a better or worse portrait with a background which every connoisseur would give a different reason for or against. And what is a portrait of a woman? Your painting and Plastik are poor stuff after all. They perturb and dull conceptions instead of raising them. Language is a finer medium.”

“Yes, for those who can’t paint,” said Naumann. “There you have perfect right. I did not recommend you to paint, my friend.”

The amiable artist carried his sting, but Ladislaw did not choose to appear stung. He went on as if he had not heard.

“Language gives a fuller image, which is all the better for beings vague. After all, the true seeing is within; and painting stares at you with an insistent imperfection. I feel that especially about representations of women. As if a woman were a mere colored superficies! You must wait for movement and tone. There is a difference in their very breathing: they change from moment to moment. — This woman whom you have just seen, for example: how would you paint her voice, pray? But her voice is much diviner than anything you have seen of her.”

“I see, I see. You are jealous. No man must presume to think that he can paint your ideal. This is serious, my friend! Your great-aunt! ‘Der Neffe als Onkel’ in a tragic sense — ungeheuer!”

“You and I shall quarrel, Naumann, if you call that lady my aunt again.”

“How is she to be called then?”

“Mrs. Casaubon.”

“Good. Suppose I get acquainted with her in spite of you, and find that she very much wishes to be painted?”

“Yes, suppose!” said Will Ladislaw, in a contemptuous undertone, intended to dismiss the subject. He was conscious of being irritated by ridiculously small causes, which were half of his own creation. Why was he making any fuss about Mrs. Casaubon? And yet he felt as if something had happened to him with regard to her. There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.