Read Cooking for Geeks: Real Science, Great Hacks, and Good Food Online
Authors: Jeff Potter
Tags: #COOKING / Methods / General
Researchers, of course, go about their work in a controlled, reproducible way. Scientists in Germany looked at one way of measuring differences in trigeminal sensitivity by using strips of filter paper coated with various levels of capsaicin and asking subjects if they could perceive any sensation (such as burning, prickling, stinging) when tasting.
For the “home scientist” (or the just plain curious), there’s an easier experiment you can do to get a rough sense of how sensitive you are to trigeminal stimulation. Menthol, the compound in mint that gives it its cooling sensation, is the primary flavor in candies such as Altoids and Peppermint Lifesavers. First, get a fresh peppermint candy. No, the one you recently discovered between the couch cushions from who-knows-when won’t work: menthol is a volatile compound and evaporates away from the mint over time.
Pop the fresh mint in your mouth, clamp down, and breathe through your nose for half a minute or so, giving your saliva a chance to soften up and break down the candy, then chomp down on it without opening your mouth. If the cooling sensation you have is a really strong,
whooo that’s strong
, then you’re likely to be very trigeminally sensitive. If you hardly notice anything, then you are likely to be mildly sensitive. Most people, however, find that the cooling effect lies between these two extremes. Then, just for fun, breathe through your mouth. You should notice the cooling effect become even stronger.
Try tasting chocolate, blackberries, apples, strawberries, lemons, and blue cheeses while “under the influence” of miraculin.
Our taste buds are chemical detectors full of receptor cells waiting for a chemical to come along that “fits” to trigger them. You can think of it a bit like a lock waiting for the right key to fit before it opens. But what if there were a way to pick that lock?
Miraculin and curculin are two proteins that do exactly that. They bind to sweet receptors and trigger them when acidic compounds wander along, thus causing foods that would normally taste sour (due to the acids) to taste sweet.
The miracle fruit plant produces a small red berry, aptly named the “miracle berry,” which contains a large concentration of miraculin. Chewing the berry flesh for a few minutes is enough to “dose” yourself with enough miraculin that chomping down on a lemon will give the taste of lemonade.
You can order the berries online, but they are perishable. Dried tablets derived from the berry are also available. (For sources, see
http://www.cookingforgeeks.com/book/miraculin/
.) Once you have the berries or tablets in hand, invite a bunch of your friends over, munch on them, and serve up some sour foods. Grapefruit works amazingly well; try slices of lime and lemon as well.
The “flavor tripping” isn’t limited to sour foods. I’ve had one friend swear that the roast beef sandwich he was eating was made with a honey-glazed variety and other friends try Worcestershire sauce and compare it to sashimi. Try foods such as salsas, tomatoes, apple cider vinegar, radishes, parsley, stout beers, Tabasco, and cheeses. Keep in mind that miraculin makes sour foods
taste
sweet but doesn’t actually alter their pH, so don’t pig out on lemons, lest you give yourself a bad case of heartburn.
Other compounds, such as lactisole, do the opposite of miraculin and suppress the sensation of sweetness, but without affecting our perception of saltiness, sourness, or bitterness. The food industry uses these types of compounds to alter the taste of things like jams to reduce the taste of sugar and bring out the fruit. Lactisole is used at around a 0.1% to 1% concentration by weight; search for Domino Sugar’s “Super Envision” (it’s listed on food labels as part of the general category “artificial flavors”). We’ll cover more of these types of food additives in
Chapter 6
.
You’ll have an easier time cooking as you learn about more flavors and the ingredients that provide them. Take time to notice the odors in the foods you are eating, taking note of smells that you don’t recognize. Next time you’re eating out, order a dish you’re not familiar with and try to guess its ingredients. If you’re eating with a friend who doesn’t mind sharing, play a guessing game with your dinner companion to see if you can identify the tastes and flavors in both dishes.
If you’re stumped, don’t be shy to ask the staff. I remember being served a roasted red pepper soup and being completely stumped as to what provided the body (thickness) of the soup. Five minutes later, I found myself sitting across from the chef, who had brought me the kitchen’s working copy of the recipe and told me the real secret of the recipe (Armenian sweet red pepper paste). I learned not just about a new type of flavor that day, but also about a new technique (toasted French bread puréed into the soup — an old, old trick to thicken soups) and the location of a great Armenian grocery store.
Another way to learn new flavors is to play “culinary mystery ingredient.” Next time you’re at the grocery store, buy one thing you’ve never cooked with before. For “intermediate players,” pick up something you’re familiar with but have no idea how to cook. And if you’ve progressed to the “advanced” level, choose something that you don’t recognize at all. You’d be surprised at how many foods can be unfamiliar in their ingredient form, but once cooked into a meal are familiar, maybe even downright commonplace. Yucca roots? Try making yucca fries. Lemongrass, kaffir lime leaves? Try making tom yum soup. With the thousands of items available in your average American grocery store, you should be able to find something new to inspire you.
If you’re just now learning your way around the kitchen and aren’t yet familiar with that many recipes, think about the ingredients that go into dishes you like. If you like peanut butter and jelly sandwiches (and what self-respecting geek wouldn’t?), it’s not too far a leap to imagine a grilled chicken skewer coated with a sweet jelly and sprinkled with toasted peanuts. Or take another geek favorite: pizza. Maybe you like it topped with artichokes, feta, dried tomatoes, and anchovies. You could experiment by taking those toppings and adapting them for use in a pasta dish or as toppings on bread as an appetizer. Serving this to guests? Coat the bread with olive oil, toast it, and you’ve got bruschetta.
If items A, B, and C go together in one dish; and another dish uses B, C, and D; then A might work in the second dish as well. Transitive relationships aren’t guaranteed to work, but they’re a great place to start. Say you like guacamole and know that it commonly contains avocado, garlic, onion, lime juice, and cilantro. When tossing together a salad that has similar ingredients — say, tomato, avocado slices, and onion — it’s reasonable to guess that some coarsely chopped cilantro will work well in it, and maybe even some crushed garlic in a vinegar/oil dressing.
Ingredients that commonly show up with chicken (left) and chocolate (right). This screenshot is from a visualization I did that displays related ingredients by building a co-occurrence map of ingredients in recipes — in essence, generating a network graph of the ingredients. See
http://www.cookingforgeeks.com/book/foodgraph/
for an interactive version.
Like tastes in music, tastes in food aren’t completely transitive. At the extreme, what one culture values often proves to be jarring to another culture. Traditional Chinese music uses a pentatonic scale (five notes per octave); European music uses a heptatonic (seven-note) scale. This is why some Chinese music sounds just plain odd to western listeners. The same is true in flavors: combinations used in one culture are invariably different from those used in another. When the difference is too great, the tastes lack appeal. Take cheese: plenty of European and American foods use it (who would the French be without cheese? how could lasagna be
lasagna
without it?), but the Chinese barely recognize it as a food.
Gourmet Magazine
ran a good article (August, 2005) about three acclaimed Sichuanese chefs from China eating at one of the absolute top restaurants in the United States. They didn’t “get” the food at all. The flavors just didn’t strike chords in the ranges for which the chefs had formed any appreciation. This isn’t to say that the flavors that excite you will be unstimulating for the friends that you cook for, unless you’re cooking for a bunch of world-famous Chinese chefs. But there will be some differences between your tastes and experiences and those of your guests, so don’t be surprised if a combination of flavors tastes great to you and merely okay to your eating companions.
Another method for finding ingredients to experiment with is to run a simple online search with a list of ingredients you already have in the dish. If you’re making an improvised stew (i.e., following no recipe) and have tomatoes, onions, and lamb but aren’t sure what foods and spices might round out the flavors, run the existing ingredients in an online search and see what the Internet says. Just scanning the titles of pages found can be enough (in this case, coriander, potatoes, and chili powder).
When experimenting, you might find it easier to test a new flavor in a small portion set aside in a separate bowl. Cooking has no “undo,” so if you’re not sure that the chili power will work, put a few spoons of the stew in a bowl along with a pinch of the spices and taste that. That way, if it turns out yucky, you still have an unadulterated pot of stew to try something else with.
Similarity is also a good gauge of compatibility. If a recipe calls for A, but B is extremely similar, try using B instead and see if it works. Kale and chard are both hardy green leaves that can be substituted for each other in many dishes. Likewise, Provolone and mozzarella cheese both have mild flavor and share similar melting properties, so using one in place of the other in foods like omelets makes sense. I’m not suggesting that like foods are always interchangeable. They each have their distinct flavors, and if you attempt to recreate a traditional dish with substitutions, you won’t faithfully reproduce the original. But if your goal is to make an enjoyable dish, experimenting with similar ingredients is a great way to see where things line up and where they diverge.
One easy place to start experimenting, especially if you’re at the pasta sauce and spaghetti phase (ah, those were the days!), is to take whatever it is you’re doing now and start making minor changes. If one of your standard dinners is store-bought pasta sauce over spaghetti (and there’s nothing wrong with this; it’s easy, yummy, and satisfying), toss in some additional vegetables next time. Take a nonstick frying pan, put in a tablespoon or two of olive oil, chop up an onion, and sauté the onion for a while, until it tastes good. Think about the taste. Does it need salt? Onion and olive oil by itself, while good, is a little flat. So, toss in a pinch of salt. Now, take the jar of pasta sauce, heat it up in that same frying pan, and toss in your spaghetti, just as before.
Spruced-up Pasta Sauce
is easy and tastes better than the original (unless you burned the onions, in which case, try again!).
Here’s an example of how to extend pasta sauce, courtesy of one of my readers: Try mixing in a can of quality tuna and chopped olives. Microwave a few ounces of pancetta until crispy, and then crumble it into the sauce.
Next, begin to expand your flavor repertoire. The next time you make the dish, try something other than an onion. At the grocery store, take a look at other veggies and ponder whether they might go in that pasta sauce equally well. Zucchini? Squash? Mushrooms? They all sound good to me. One sure-fire way of guessing is by peeking at the ingredient list on your jar of pasta sauce. If it includes mushrooms and oregano, you know adding more mushrooms won’t cause an unpleasant flavor. The key is to try varying these things one at a time, starting slowly and building up various bits of information one variable at a time. It’s just like writing and then debugging code: instead of making a whole bunch of changes, try one thing at a time. As you get more comfortable, you can work for longer intervals before testing your logic.
If you fold back the wrapper on a stick of butter, you can butter the pan with it directly. It’s not as elegant as slicing off a pat and dropping it into the pan, but it does save fetching and washing another utensil. Make sure to fold the paper back over the end when storing, so the butter is wrapped when you put it back in the fridge. As an experiment, figure out if “crowding” the mushrooms matters. Conventional wisdom says that overcrowding the pan will cause the mushrooms not to taste as good, but is this really true?
If you’re already a master of the “spruced-up pasta sauce method,” try experimenting with what the French call
mother sauces
. The French chef Marie-Antonin Carême began this classification scheme in the 17th century with a handful of sauces from which virtually all traditional French sauces are derived. Both Béchamel and velouté sauces are fast to make and can carry a lot of flavors.
Beyond picking harmonious flavors, you should also consider how they blend together (the “loudness” of the notes). Good cooking is very much about balance. One of the most important corrections you can make is to adjust the balance of tastes and smells to where you think the dish tastes ideal. Lean in and smell the dish. Take a taste. Then ask yourself: what would make this dish better? Does it need more salt? If it’s dull or flat, would adding a sour note (lemon or lime juice) add some brightness? Is it too heavy on one of the tastes? Some pasta sauces, for example, can benefit from a splash of balsamic vinegar (sour) to help balance the sweetness brought by tomatoes. Chocolate chip cookies can be improved with a bit of salt to help balance the sweetness from sugar and slight bitterness from cocoa.
If you’re following a recipe closely, approach your tweaking cautiously, being sure not to add too much of a taste modifier such as salt or lemon juice, because it is nearly impossible to remove it. Add only a small amount at the beginning, and adjust the taste at the end of cooking by adding a little more at a time until it tastes balanced.
If you do add too much seasoning, you can make minor adjustments of other taste sensations to partially mask overzealous seasoning. If, however, you’ve added too much of something, your best bet is to dilute the dish to reduce the seasoning’s concentration. Contrary to folk wisdom, adding potato does nothing to reduce saltiness (how could it? evaporation?), but might “work” for the same reasons that adding more broth does (dilution). You’re better off just removing some of the too-salty liquid and adding more unsalted liquid. If your dish is too sweet, you can adjust it by adding spicy ingredients.
Capsaicin is sugar and fat soluble, but not water soluble. This is why drinking milk or consuming something fatty tames the mouth, while drinking water doesn’t help. If a dish is too hot, add either something with sugars or fats to reduce the heat.
Think about what tastes are missing, and add one of the following seasonings to adjust the taste.
To increase: | Bitter | Sour | Umami | Sweet | Salty |
---|---|---|---|---|---|
Add... | Cocktail bitters Quinine powder Tonic water Cocoa | Lemon juice Vinegar Verjuice (verjus) or dry wine | Soy sauce Fish sauce Mushrooms Kombu (seaweed) MSG | Sugar Honey Sweet wines (sherry, Madeira) Mirin | Salt Umami-based ingredients (because they amplify salt perception) |