To get him to
What's left of his
Family.
We need more time
To capture the tears
Even Samir is crying
Wiping his eyes
As he drives blind in
The dark damp streets
Slower than time.
I've run out of time
David kisses me
In the backseat
Smothering sobs
On my lips. Stop
I whisper, stop this
You don't know
What you're doing.
This time
Samir pulls the hand brake
And yanks David's collar
Dude, calm down
She said stop.
Their eyes meet
And the look they share
Tells me my time
Has come.
HOW NOT TO SAY GOODBYE
The rest of the drive drowns
In one of those silences that suffocate.
David curls up against the door
Trembling, his face tucked into
The crook of his elbow.
Samir stares at the road
Lips parted in a protest
An accusation or
Condemnation
That has yet to find the words.
His eyes are as dry
As my mouth.
The white light of the
ER
entrance
Silhouettes the tall shape
Of an uncle or father
That gathers David as
I step out of the car.
You must be Ella
, the shape says.
Not a father then
Since David's father knows me
All too well.
Is Michael dead?
I say, because David was never able to
Speak the words.
The shadow speaks for him.
Yes, I'm afraid he is.
STATE OF NOT BEING
Yes    | I'm still thinking of myself |
I'm | turning away |
Afraid | to watch whoever this is as |
He | leads David into a world where Michael |
Is | no more |
PARKED
Just tell me this one thing
Have you been with him all along?
Since that day on your stairs?
Since you told me he was just a friend?
Come inside, come upstairs with me, please
Do you think that's how it works?
Is that what you think of me?
That I'll forget what just happened
If you take off all your clothes?
Please just let me try to explain, please
What possible explanation could there be?
We have been together like man and wife.
You told me, repeatedly, that you love me.
Is this what you call love?
I do love you. I promise you, that's true
It's a sin, what we have done together,
I should marry you and make it right
But how can I trust you ever again?
You're completely crazy! Why would you do this?
I don't know.
I don't know.
I don't know.
EXIT
He reaches past me
And pushes open my door
Everything he wanted to say
He has said.
I plead from the sidewalk
Please, Samir
You're in no state
To drive.
Close the door
He says
And when I do
He drives
Slowly
Away.
LIES
Every time I told him
David is just a friend
Every time I told David
Samir and I are over
Every lie I told
To support this experiment
To entertain myself
Throbs in my brain
Every person I care about
Floats before my eyes
Like a video game
Played by God and me.
He smites them. I hurt them.
The points add up.
Smite. Michael dies.
Hurt. Samir cries.
Smite. Kayli's lungs.
Hurt. David's trust.
Smite. Marika's brain.
Hurt. Puffy's portrait.
Smite. Charlotte dies.
Hurt. Mom believes my lies.
Smite. We lose baby Gabriel.
Hurt. I try to seduce one of Dad's students.
And all the people I just
want
to hurt.
I'm jealous of Kayli
I hate Genie for what she did
I hate all those car-wash girls
And school, and teachers and principals
And those bitches in junior high
And Samir's family and God
And the one I hate the most of all:
Me.
REASON
Sometimes
When people speak
To me of God my eyes
Fill with tears of loss.
As though they are talking
About some kid who died young
From drugs or guns.
As though someone I loved
Who I once thought loved me too
Was an illusion.
How can I mourn him
The imaginary friend
Who was never real?
MOM'S BATHROOM
Last Christmas
I found her in here
Unconscious
In a puddle of blood
And vomit
That's not something
You easily forget.
The white tiles shine
No evidence is left
I scrubbed this floor
Until my fingers ached
And stung from bleach
But the image remains
Like permanent marker
Scrawled graffiti
In my brain.
Tucked behind her closet
It has no windows
And if I close the door
I can imagine I'm
Flying through space
Alone past the heliopause
Outside the influence
Of the sun, somewhere
Not even comets live.
WHEN KAYLI IS HERSELF
             A warm hand rests on my shoulder
             And for an ecstatic moment I think
             I left the mudroom door unlocked
             And Samir has silently crawled in
With me
             But it's not Samir, the thin wrist wears
             A hospital bracelet and has pink painted nails.
             Kayli's long lashes rest on shining cheeks
            Â
It's hot up here
, she says without opening
Her eyes
             I slip my arms around her and squeeze
             Until she calls me
an incestuous lesbian
             But she squeezes back, smelling rank
             And medicinal. She's sweaty tooâwe both
Are
             I wouldn't believe the sun rose again
             The world kept turning and orbiting
             As though today was just another day but
             Above the open skylight the sky is glowing
Blue
             Like nothing dreadful happened last night
             Wheezing, Kayli leans back and thoughtfully
             Considers the state of my unplucked eyebrows
            Â
Where's Samir?
is just the first of her
Questions.
SISTERLY ADVICE
You should tell Mom
Is what Kayli says
After I have confessed
Almost everything
About Samir and David.
(I don't mention the car wash.
She can't know about that.
The official story is still that it was “great fun.”)
Poor David
She says about Michael
Were you sleeping with him too?
I shake my head and suffer
As Kayli's questions get
More and more
Indiscreet.
She always could
Make me reveal anything
She wants to know
Everything.
I spew out monotone
Salacious details
And sad ones
While she listens
Entranced.
I keep talking
I don't want to stop
I want her to listen
Forever
To never leave this room
To never leave me
Because she is
My best friend
Maybe the only friend
I have left.
NEWSFLASH
What happened with Parker?
I ask when I run out of my own tragedy
He mutated
, Kayli says
And I wait for the rest of the story.
Don't tell Mom, okay?
We made this plan to sneak away
And, you know, do it
But I changed my mind
And he got all pissy.
Then he said I was a slut
Which is, HELLO, illogical
But everyone believed it.
What an asshole!
I thought he was supposed to be a Christian
Newsflash, Rah Rah
Christians can be douchebags.
And she stares at my slanted ceiling
Tears dripping into her ears
Reminding me
She's human too.
LIFE GOES ON
Marika barely waits for her mother to leave
Before typing quickly
What
Is
W r o n g?
David's brother died of an overdose, I say
And she doesn't even spell out
A strong specific word
She just hits a button
Bad
Bad
Bad
And then
Sorry.
What
Happened?
And so I
Tell her the whole
Sordid story too
Like I can't keep the words inside
How I used them both
And betrayed them
For no good reason.
She falls silent
Not her good silence
But a reproachful
Judgmental one
And we spend the day like that
Me wondering
If I've lost her too.
TEXTS TO SAMIR
Talk to me.
Forgive me.
My mind isn't right. I AM crazy.
I love you. Please answer me.
I didn't mean to hurt anyone. I lost control of my life.
I'm so sorry.
Until finally Marika grabs my phone from my hand.
She's surprisingly fast at texting.
This is Marika. Ella has been crying all day. It's getting
annoying. Pls reply.
To which Samir texts back:
Will call 2night. Late.
ON THE OTHER HAND
All texts to David
Are revised, then deleted
And nothing is sent.
EPIC
Marika bends her head
Over her iPad typing
Ignoring me
My feet get numb
In the kiddy pool
Marika made it clear
I
Don't
Want
To
Swim
Which is how I know
She's really mad at me
Normally she loves it.
Marika types
And children stare
And fretful mothers
Pull them away
Shielding them
From their own rudeness
As though it's a disease.
Marika frowns with concentration
Her tanned fingers thrumming
And I suspect her composition
Might be aimed at me.
MARIKA'S WISDOM
I used to throw tantrums
When I was little
It was torture
Learning to speak
And Mom would say:
“You have to name your pain.”
Name your pain, Ella.
Mom would say:
“It's easier to run from a lion
Than some shadow in the dark.”
I'm not mad at you.
If you can't talk to me,
Talk to someone.
Please.
CROSSHAIRS
Now I feel like
I am walking around
With rifle crosshairs
On the entire world
Well maybe not a rifle
It's not that I want
To shoot someone
Apart from myself
Occasionally
Only now I look at Mom
And Kayli painting her toenails
Ms. Sagal and Dad
And ask myself
Is this the person I can talk to?
But I have an excuse for each of them
I have caused them enough pain
Or they have their own problems
Or maybe I'm scared of
How bad I would feel
If they can't hide the fact
That they don't really care.
PENCIL
It's painstaking work
Carefully rendering
In lethally sharp pencil
Every detail
Of Marika's speech app
With her gnarled hand
Curled finger pressing on the word
BAD
In the corner
Barely visible
A tendril of black
Lace.
EGGS AND OTHER ROUND OBJECTS
To my surprise
Sarah emails
We're going to Michael's funeral
Mom thought you might like to come
I know how weird it can be
In an unfamiliar place
I was freaking out at Genie's mom's funeral
All those creepy flowers.
Have you spoken to David?
He won't answer his phone
Or return my texts
I guess we'll see him there
I hope he's okay