A Vintage From Atlantis (7 page)

Seeing the approach of the stone-carver, and knowing his evil temper and dark jealousy, Coupain also arose to his feet and plucked stealthily beneath his cloak at the hilt of a little dagger which he carried. In the meanwhile, Jean Villom had interposed his burly bulk between the rivals. For the sake of the tavern’s good repute, he wished to prevent the possible brawl.

“Back to your table, stone-cutter,” he roared belligerently at Reynard.

Being unarmed, and seeing himself outnumbered, Reynard paused again, though his anger still simmered within him like the contents of a sorcerer’s cauldron. With ruddy points of murderous flame in his hollow, slitted eyes, he glared at the three people before him, and saw beyond them, with instinctive rather than conscious awareness, the leaded panes of the tavern window, in whose glass the room was dimly reflected with its glowing tapers, its glimmering table-ware, the heads of Coupain and Villom and the girl Nicolette, and his own shadowy face among them.

Strangely, and, it would seem, inconsequently, he remembered at that moment the dark, ambiguous cloud he had seen across the moon, and the insistent feeling of obscure pursuit while he had traversed the alley.

Then, as he gazed irresolutely at the group before him, and its vague reflection in the glass beyond, there came a thunderous crash, and the panes of the window with their pictured scene were shattered inward in a score of fragments. Ere the litter of falling glass had reached the tavern floor, a swart and monstrous form flew into the room, with a beating of heavy vans that caused the tapers to flare troublously, and the shadows to dance like a sabbat of misshapen devils. The thing hovered for a moment, and seemed to tower in a great darkness higher than the ceiling above the heads of Reynard and the others as they turned toward it. They saw the malignant burning of its eyes, like coals in the depth of Tartarean pits, and the curling of its hateful lips on the bared teeth that were longer and sharper than serpent-fangs.

Behind it now, another shadowy flying monster came in through the broken window with a loud flapping of its ribbed and pointed wings. There was something lascivious in the very motion of its flight, even as homicidal hatred and malignity were manifest in the flight of the other. Its satyr-like face was twisted in a horrible, never-changing leer, and its lustful eyes were fixed on Nicolette as it hung in air beside the first intruder.

Reynard, as well as the other men, was petrified by a feeling of astonishment and consternation so extreme as almost to preclude terror. Voiceless and motionless, they beheld the demoniac intrusion; and the consternation of Reynard, in particular, was mingled with an element of unspeakable surprise, together with a dreadful recognizance. But the girl Nicolette, with a mad scream of horror, turned and started to flee across the room.

As if her cry had been the one provocation needed, the two demons swooped upon their victims. One, with a ferocious slash of its outstretched claws, tore open the throat of Jean Villom, who fell with a gurgling, blood-choked groan; and then, in the same fashion, it assailed Raoul Coupain. The other, in the meanwhile, had pursued and overtaken the fleeing girl, and had seized her in its bestial forearms, with the ribbed wings enfolding her like a hellish drapery.

The room was filled by a moaning whirlwind, by a chaos of wild cries and tossing struggling shadows. Reynard heard the guttural snarling of the murderous monster, muffled by the body of Coupain, whom it was tearing with its teeth; and he heard the lubricious laughter of the incubus, above the shrieks of the hysterically frightened girl. Then the grotesquely flaring tapers went out in a gust of swirling air, and Reynard received a violent blow in the darkness—the blow of some rushing object, perhaps of a passing wing, that was hard and heavy as stone. He fell, and became insensible.

IV

D
ully and confusedly, with much effort, Reynard struggled back to consciousness. For a brief interim, he could not remember where he was nor what had happened. He was troubled by the painful throbbing of his head, by the humming of agitated voices about him, by the glaring of many lights and the thronging of many faces when he opened his eyes; and, above all, by the sense of nameless but grievous calamity and uttermost horror that weighed him down from the first dawning of sentiency.

Memory returned to him, laggard and reluctant; and with it, a full awareness of his surroundings and situation. He was lying on the tavern floor, and his own warm, sticky blood was rilling across his face from the wound on his aching head. The long room was half-filled with people of the neighborhood, bearing torches and knives and halberds, who had entered and were peering at the corpses of Villom and Coupain, which lay amid pools of wine-diluted blood and the wreckage of the shattered furniture and table-ware.

Nicolette, with her green gown in shreds, and her body crushed by the embraces of the demon, was moaning feebly while women crowded about her with ineffectual cries and questions which she could not even hear or understand. The two cronies of Villom, horribly clawed and mangled, were dead beside their overturned table.

Stupefied with horror, and still dizzy from the blow that had laid him unconscious, Reynard staggered to his feet, and found himself surrounded at once by inquiring faces and voices. Some of the people were a little suspicious of him, since he was the sole survivor in the tavern, and bore an ill repute; but his replies to their questions soon convinced them that the new crime was wholly the work of the same demons that had plagued Vyônes in so monstrous a fashion for weeks past.

Reynard, however, was unable to tell them all that he had seen, or to confess the ultimate sources of his fear and stupefaction. The secret of that which he knew was locked in the seething pit of his tortured and devil-ridden soul.

Somehow, he left the ravaged inn, he pushed his way through the gathering crowd with its terror-muted murmurs, and found himself alone on the midnight streets. Heedless of his own possible peril, and scarcely knowing where he went, he wandered through Vyônes for many hours; and somewhile in his wanderings, he came to his own workshop. With no assignable reason for the act, he entered, and re-emerged with a heavy hammer, which he carried with him during his subsequent peregrinations. Then, driven by his awful and unremissive torture, he went on till the pale dawn had touched the spires and the house-tops with a ghostly glimmering.

By a half-conscious compulsion, his steps had led him to the square before the cathedral. Ignoring the amazed verger, who had just opened the doors, he entered and sought a stairway that wound tortuously upward to the tower on which his own gargoyles were ensconced.

In the chill and livid light of sunless morning, he emerged on the roof; and leaning perilously from the verge, he examined the carven figures. He felt no surprise, only the hideous confirmation of a fear too ghastly to be named, when he saw that the teeth and claws of the malign, cat-headed griffin were stained with darkening blood; and that shreds of apple-green cloth were hanging from the talons of the lustful, bat-winged satyr.

It seemed to Reynard, in the dim ashen light, that a look of unspeakable triumph, of intolerable irony, was imprinted on the face of this latter creature. He stared at it with fearful and agonizing fascination, while impotent rage, abhorrence, and repentance deeper than that of the damned arose within him in a smothering flood. He was hardly aware that he had raised the iron hammer and had struck wildly at the satyr’s horned profile, till he heard the sullen, angry clang of impact, and found that he was tottering on the edge of the roof to retain his balance.

The furious blow had merely chipped the features of the gargoyle, and had not wiped away the malignant lust and exultation. Again Reynard raised the heavy hammer.

It fell on empty air; for, even as he struck, the stone-carver felt himself lifted and drawn backward by something that sank into his flesh like many separate knives. He staggered helplessly, his feet slipped, and then he was lying on the granite verge, with his head and shoulders over the dark, deserted street.

Half-swooning, and sick with pain, he saw above him the other gargoyle, the claws of whose right foreleg were firmly embedded in in his shoulder. They tore deeper, as if with a dreadful clenching. The monster seemed to tower like some fabulous beast above its prey; and he felt himself slipping dizzily across the cathedral gutter, with the gargoyle twisting and turning as if to resume its normal position over the gulf. Its slow, inexorable movement seemed to be part of his vertigo. The very tower was tilting and revolving beneath him in some unnatural nightmare fashion.

Dimly, in a daze of fear and agony, Reynard saw the remorseless tiger-face bending toward him with its horrid teeth laid bare in an eternal rictus of diabolic hate. Somehow, he had retained the hammer. With an instinctive impulse to defend himself, he struck at the gargoyle, whose cruel features seemed to approach him like something seen in the ultimate madness and distortion of delirium.

Even as he struck, the vertiginous turning movement continued, and he felt the talons dragging him outward on empty air. In his cramped, recumbent position, the blow fell short of the hateful face and came down with a dull clangor on the foreleg whose curving talons were fixed in his shoulder like meat-hooks. The clangor ended in a sharp cracking sound; and the leaning gargoyle vanished from Reynard’s vision as he fell. He saw nothing more, except the dark mass of the cathedral tower, that seemed to soar away from him and to rush upward unbelievably in the livid, starless heavens to which the belated sun had not yet risen.

It was the Archbishop Ambrosius, on his way to early Mass, who found the shattered body of Reynard lying face downward in the square. Ambrosius crossed himself in startled horror at the sight; and then, when he saw the object that was still clinging to Reynard’s shoulder, he repeated the gesture with a more than pious promptness.

He bent down to examine the thing. With the infallible memory of a true art-lover, he recognized it at once. Then, through the same clearness of recollection, he saw that the stone foreleg, whose claws were so deeply buried in Reynard’s flesh, had somehow undergone a most unnatural alteration. The paw, as he remembered it, should have been slightly bent and relaxed; but now it was stiffly outthrust and elongated, as if, like the paw of a living limb, it had reached for something, or had dragged a heavy burden with its ferine talons.

B
EYOND THE
S
INGING
F
LAME

W
hen I, Philip Hastane, gave to the world the journal of my friend Giles Angarth, I was still doubtful as to whether the incidents related therein were fiction or verity. The trans-dimensional adventures of Angarth and Ebbonly, the city of the Flame with its strange residents and pilgrims, the immolation of Ebbonly, and the hinted return of the narrator himself for a like purpose, after making the last entry in his diary, were very much the sort of thing that Angarth might have imagined in one of the fantastic novels for which he had become so justly famous.

Add to this the seemingly impossible and incredible nature of the whole tale, and my hesitancy in accepting it as veridical will easily be understood.

However, on the other hand, there was the unsolved and eternally recalcitrant enigma offered by the disappearance of the two men. Both were well-known, the one as a writer, the other as an artist; both were in flourishing circumstances, with no serious cares or troubles; and their vanishment, all things considered, was difficult to explain on the ground of any motive less unusual or extraordinary than the one assigned in the journal.

At first, as I have hinted in my foreword to the published diary, I thought that the whole affair might well have been devised as a somewhat elaborate practical joke; but this theory became less and less tenable as weeks and months went by and linked themselves slowly into a year, without the reappearance of the presumptive jokers.

Now, at last, I can testify to the truth of all that Angarth wrote—and more. For I, too, have been in Ydmos, the City of Singing Flame, and have known also the supernal glories and raptures of the Inner Dimension. And of these I must tell, however falteringly and stumblingly, with mere human words, ere the vision fades. For these are things which neither I nor any other shall behold or experience again: since Ydmos itself is now a riven ruin, and the Temple of the Flame has been blasted to its foundations in the basic rock, and the fountain of singing fire has been stricken at its source, and the Inner Dimension has perished like a broken bubble, in the great war that was made upon Ydmos by the rulers of the Outer Lands….

After editing and publishing Angarth’s journal, I was unable to forget the peculiar and tantalizing problems it had raised. The vague but infinitely suggestive vistas opened by the tale were such as to haunt my imagination recurrently with a hint of half-revealed or hidden mysteries; and I was troubled by the possibility of some great mystic meaning behind it all—some cosmic actuality of which the narrator had perceived merely the external veils and fringes.

As time went on, I found myself pondering it perpetually, and more and more I was possessed by an overwhelming wonder, and a sense of something which no mere fiction-weaver would have been likely to invent through the unassisted workings of his own fantasy.

In the early summer of 1931, after finishing a new novel of interplanetary adventure, I felt able for the first time to take the necessary leisure for the execution of a project that had often occurred to me. Putting all my affairs in order, and knitting all the loose ends of my literary labors and correspondence, in case I should not return, I left Auburn ostensibly for a week’s vacation, and actually went to Summit with the idea of investigating closely the milieu in which Angarth and Ebbonly had disappeared from human ken.

With strange emotions, I visited the forsaken cabin south of Crater Ridge that had been occupied by Angarth, and saw the rough, home-made table of pine boards upon which my friend had written his journal and had left the sealed package containing it to be forwarded to me after his departure.