Authors: James D. Doss
When the high prairie stretched between the Misery and Buckhorn Ranges transforms from snowy white to bright green, and wildflowers start sprouting up like this was a sweet little girl’s happy dream, you know for sure it’s springtime in the Rockies.
But is it time to start picking a bouquet of posies for the favorite lady, perhaps making plans for an alpine picnic? Let’s put it this way: Don’t put your long underwear in the cedar chest just yet. The weather at these altitudes doesn’t care a whit about hardware-store calendars or showy spring blossoms. And genuine, gold-plated summer (if it doesn’t pass by altogether) might tarry for a week or two.
At this very minute, huge, rumbling thunderheads are boiling up over the blue granite peaks and you can hear that icy wind come a-roaring down the mountain like ten thousand runaway freight trains. It’s been huffing and puffing all night, whipping spruce and cottonwoods left and right.
Pete Bushman, a crusty stockman who’s been with the outfit since way back then when men were men and women were mighty glad of it, has seen all kinds of weather, so when he chomps down on a big chaw of Red Man and spits and declares, “That wasn’t nothin’ but a cool little breeze,” not one of the hired hands will argue with him. Not to his face. That might be partly because the old-timer’s the foreman of the Columbine Ranch.
As might be expected, your regular cowboy who rides the wide-open spaces and mends fences tends to experience Pete’s “little breezes” from a different perspective. Here’s a f’r instance: “When that there wind came awhistlin’ over Pine Knob, it had a edge like a brand-new butcher knife and it was a-whacking off stalks of buffalo grass and when it took a slice at the bunkhouse, it shaved the frost right offa the winda glass!” Now that’s what Six-Toes claims, and ol’ Six never tells a bare-faced lie unless he has his mouth open. And even if he is touching the weather report up just a mite, that norther did rip a few shingles off the bunkhouse roof and almost shook the door off its hinges. The cold winds also kept most of the day-shift cowboys hunkered down in their bunks with the blankets pulled up to their bloodshot eyeballs.
Shameful behavior for fellows who pack six-guns, strut around like bowlegged peacocks, and generally act like they’re just itching to strap a saddle on the worst Texas tornado you ever saw, and spur Mr. Twister all the way from here to Laredo.
Pete Bushman has something to say on any subject and will be glad to inform you that “today’s cowhands ain’t what they used to be.” To hear the foreman tell it, there’s only two sure-enough cowboys in this outfit—himself (naturally) and that Ute Indian by the name of Charlie Moon, who happens to be the owner of the Columbine Ranch, which makes him the big chief hereabouts.
Fact is, there are at least a dozen top hands on the Columbine who can perform any chore from shoeing a fractious quarter horse to overhauling a sixty-year-old Far-mall tractor. But there is a reason for the foreman’s confidence in the boss: Charlie Moon can outwork and outfight the best of his employees. And there is also this: The hardy fellow is not bothered by any kind of weather. He likes mornings that’re brisk, don’t you know—and
brisk
for Mr. Moon is ten below.
Which is most likely why the Ute came out onto the ranch-headquarters porch while the wind was still whipping up a fuss, sat down on a redwood bench with an old banjo, and began to pluck all five strings. Is he good? Honest reporting compels one to admit that Charlie Moon is no Earl Scruggs, but he has been working at it for months, and if practice does not always make one perfect, it generally leads to marked improvement. And as Grandpa Jones or Stringbean (bless their souls) might have observed:
That long tall drink a water sure does make that banjer ring!
Moon could also sing. Loudly.
Which did not please everyone.
The porch where he picks taut banjo strings and croons lively bluegrass tunes is only about two stone throws from the bunkhouse down by the river, which is where a bunkhouse should be, because water rolling over rocks has a fine way of lullabying a tired man off to sleep. On the contrary, Moon’s instrumental and vocal efforts have a way of waking that same fellow up. Him and all his bunkhouse buddies did not appreciate it.
Didn’t matter. The sun was about to explode over the Buckhorns and it was by-gosh time to be up and at ’em.
Among those residents who did not share the Indian cowboy’s brand of sunrise enthusiasm, the twanging and singing particularly annoyed Sidewinder, who, in case you two have not been properly introduced, is the official Columbine hound. At the beginning of the impromptu recital, the long-eared, sad-eyed canine was stretched out under the porch, dreaming about a mighty fine lady hound who was following him around, licking at his face. Now the dog was awake, and mightily ticked off. The Ute’s booming baritone also startled a skittish little mare, who kicked a board loose in her stall.
Even way out here in the wide-open spaces, there is no shortage of critics.
The performer accepted it all in good humor. Mr. Moon was feeling good.
You want to know why?
We will tell you.
This final frigid blast of winter, which drifts down from the Never Summer Mountains every year about this time, is potent stuff for a fellow who enjoys invigorating weather—especially on top of a breakfast of three fried eggs, a slab of Virginia ham thick as a boot sole, a heap of crispy home-fried potatoes and a quart of steaming black coffee fortified with a generous helping of Tule Creek honey. The potent combination is sufficient to persuade a pessimist that good times are just around the corner and convince a man like Charlie Moon that he is alive on one of those golden days when life is fine and dandy and that he can accomplish anything.
Anything
.
Such as persuade Lila Mae McTeague (aka Sweet Thing) to accept a diamond engagement ring.
And why not? Here on the high plains stretched between two snowcapped mountain ranges, where a rolling river rollicks and chuckles its uproarious way to the western sea, anything is possible.
Almost anything.
One hates to be heard saying a discouraging word at Moon’s home on the range, but despite a hardworking fellow’s best efforts, his plans will occasionally go awry. Putting it another way, the Ute has plenty of the right stuff but sometimes his best effort is not quite up to snuff.
The full-time rancher and part-time tribal investigator knows how to handle hardcase cowboys, high-spirited horses, cranky internal-combustion engines, leaky plumbing, and—when absolutely necessary—deadly weapons. Sadly, Moon’s expertise does not extend to an under standing of the daughters of Eve.
Case in point—the diamond engagement ring. It is not brand new. On the other hand, the ornament has never encircled a lady’s finger and so cannot be categorized as used merchandise.
It happened like this. Quite some time ago, and at considerable expense for a man of his means, Charlie Moon purchased the ornament for another charming lady. It is a melancholy story that he would just as soon forget. He particularly prefers to disremember the stunning finale, where (after refusing the ring) the potential fiancée roared away in a shiny Mercedes-Benz—spraying dust and grit in his face.
Why bring up such an disagreeable event? Surely, Charlie Moon does well to forget the bitter disappointment and move on. But, unless we are badly mistaken, the residue of that unhappy romance will come back to haunt him.
And we are not.
Stone Butterfly
Shadow Man
The Witch’s Tongue
Dead Soul
White Shell Woman
Grandmother Spider
The Night Visitor
The Shaman’s Bones
The Shaman Laughs
The Shaman Sings
I wish to express my thanks to
Kirk W. Doss
for helpful technical consultations.
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
THREE SISTERS
Copyright © 2007 by James D. Doss.
Excerpt from
Snake Dreams
copyright © 2008 by James D. Doss.
All rights reserved.
For information address St. Martin’s Press, 175 Fifth Avenue, New York, NY 10010.
Library of Congress Catalog Card Number: 2007027130
ISBN: 978-0-312-94529-9
St. Martin’s Paperbacks are published by St. Martin’s Press, 175 Fifth Avenue, New York, NY 10010.