The Sun Dog (7 page)

There was a sign in the window of Twin City Camera and Video that showed a cartoon man who appeared to be battling a huge tangle of movie-film and losing. The fellow looked just about ready to blow his stack. The words over and under the picture read: TIRED OF FIGHTING? WE TRANSFER YOUR 8 MM MOVIES

(SNAPSHOTS TOO!) ONTO VIDEO TAPE!

Just another goddam gadget, Pop thought, opening the door and going in. World's dying of em. But he was one of those people - world's dying of em - not at all above using what he disparaged if it proved expedient. He spoke briefly with the clerk. The clerk got the proprietor. They had known each other for many years (probably since Homer sailed the wine-dark sea, some wits might have said). The proprietor invited Pop into the back room, where they shared a nip.

'That's a goddam strange bunch of photos,' the proprietor said.

'Ayuh.'

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The Sun Dog

'The videotape I made of them is even stranger.'

'I bet so.'

'That all you got to say?'

'Ayuh.'

'Fuck ya, then,' the proprietor said, and they both cackled their shrill old-man's cackles. Behind the counter, the clerk winced.

Pop left twenty minutes later with two items: a video cassette, and a brand-new Polaroid Sun 660, still in its box. When he got back to the shop, he called Kevin's house. He was not surprised when it was John Delevan who answered.

'If you've been fucking my boy over, I'll kill you, you old snake,' John Delevan said without preamble, and distantly Pop could hear the boy's wounded cry:
'Da-ad!'

Pop's lips skinned back from his teeth - crooked, eroded, pipe-yellow, but his own, by the bald-headed Christ - and if Kevin had seen him in that moment he would have done more than
wonder
if maybe Pop Merrill was something other than the Castle Rock version of the Kindly Old Sage of the Crackerbarrel: he would have
known.

'Now, John,' he said. 'I've been trying to
help
your boy with that camera. That's all in the world I've been trying to do.' He paused. 'Just like that one time I gave you a help when you got a little too proud of the Seventy-Sixers, is what I mean to say.'

A thundering silence from John Delevan's end of the line which meant he had plenty to say on
that
subject, but the kiddo was in the room and that was as good as a gag.

'Now, your kid don't know nothing about
that,' Pop
said, that nasty grin broadening in the tick-tock shadows of the Emporium Galorium, where the dominant smells were old magazines and mouse-turds. 'I told him it wasn't none of his business, just like I told him that this business here
was. I
wouldn't have even brought up that bet if I knew another way to get you here, is what I mean to say. And you ought to see what I've got, John, because if you don't you won't understand why the boy wants to smash that camera you bought him -'

'Smash
it!'

‘and why I think it's a hell of a good idea. Now are you going to come down here with him, or not?'

'I'm not in Portland, am I, dammit?'

'Never mind the CLOSED sign on the door,' Pop said in the serene tone of a man who has been getting his own file:///E|/Funny%20&%20Weird%20Shit/75%20-%20...ing%20-%20A%20note%20On%20The%20sun%20Dog.HTM (31 of 119)7/28/2005 9:22:38 PM

The Sun Dog

way for many years and expects to go right on getting it for many more. 'Just knock.'

'Who in hell gave my boy your name, Merrill?'

'I didn't ask him,' Pop said in that same infuriatingly serene tone of voice, and hung up the telephone. And, to the empty shop: 'All I know is that he came. Just like they always do.'

While he waited, he took the Sun 660 he had bought in Lewiston out of its box and buried the box deep in the trash-can beside his worktable. He looked at the camera thoughtfully, then loaded the four-picture starter-pack that came with the camera. With that done, he unfolded the body of the camera, exposing the lens. The red light to the left of the lightning-bolt shape came on briefly, and then the green one began to stutter. Pop was not very surprised to find he was filled with trepidation.
Well,
he thought,
God hates a coward,
and pushed the shutterrelease. The clutter of the Emporium Galorium's barnlike interior was bathed in an instant of merciless and improbable white light. The camera made its squidgy little whine and spat out what would be a Polaroid picture - perfectly adequate but somehow lacking; a picture that was all surfaces depicting a world where ships undoubtedly would sail off the fuming and monster-raddled edge of the earth if they went far enough west. Pop watched it with the same mesmerized expression Clan Delevan had worn as it waited for Kevin's first picture to develop. He told himself this camera would not do the same thing, of course not, but he was stiff and wiry with tension just the same and, tough old bird or not, if a random board had creaked in the place just then, he almost certainly would have cried out.

But no board
did
creak, and when the picture developed it showed only what it was supposed to show: clocks assembled, clocks in pieces, toasters. stacks of magazines tied with twine, lamps with shades so horrible only women of the British upper classes could truly love them, shelves of quarter paperbacks (six for a buck) with titles like
After Dark My Sweet
and
Fire in the Flesh
and
The Brass Cupcake,
and, in the distant background, the dusty front window. You could read the letters EMPOR backward before the bulky silhouette of a bureau blocked off the rest.

No hulking creature from beyond the grave; no knife-wielding doll in blue overalls. just a camera. He supposed the whim which had caused him to take a picture in the first place, just to see, showed how deeply this thing had worked its way under his skin.

Pop sighed and buried the photograph in the trash-can. He opened the wide drawer of the worktable and took out a small hammer. He held the camera firmly in his left hand and then swung the hammer on a short arc through the dusty tick-tock air. He didn't use a great deal of force. There was no need. Nobody took any pride in workmanship anymore. They talked about the wonders of modern science, synthetics, new alloys, polymers, Christ knew what. It didn't matter. Snot. That was what everything was
really
made out of these days, and you didn't have to work very hard to bust a camera that was made of snot.

The lens shattered. Shards of plastic flew from around it. and that reminded Pop of something else. Had it been the left or right side? He frowned. Left. He thought. They wouldn't notice anyway, or remember which side themselves if they did, you could damn near take that to the bank, but Pop hadn't feathered his nest with damnnears. It was wise to be prepared. file:///E|/Funny%20&%20Weird%20Shit/75%20-%20...ing%20-%20A%20note%20On%20The%20sun%20Dog.HTM (32 of 119)7/28/2005 9:22:38 PM

The Sun Dog

Always wise.

He replaced the hammer. used a small brush to sweep the broken chunks of glass and plastic off the table and onto the floor, then returned the brush and took out a grease-pencil with a fine tip and an X-Act-O knife. He drew what he thought was the approximate shape of the piece of plastic which had broken off Kevin Delevan's Sun when Meg knocked it on the floor, then used the X-Act-O to carve along the lines. When he thought he had dug deep enough into the plastic, he put the X-Act-O back in the drawer, and then knocked the Polaroid camera off the worktable. What had happened once ought to happen again, especially with the fault-lines he had pre-carved. It worked pretty slick, too. He examined the camera, which now had a chunk of plastic gone from the side as well as a busted lens, nodded, and placed it in the deep shadow under the worktable. Then he found the piece of plastic that had split off from the camera, and buried it in the trash along with the box and the single exposure he had taken.

Now there was nothing to do but wait for the Delevans to arrive. Pop took the video cassette upstairs to the cramped little apartment where he lived. He put it on top of the VCR he had bought to watch the fuck-movies you could buy nowadays, then sat down to read the paper. He saw there had been a plane-crash in Pakistan. A hundred and thirty people killed. Goddam fools were always getting themselves killed, Pop thought, but that was all right. A few less woggies in the world was a good thing all around. Then he turned to the sports to see how the Red Sox had done. They still had a good chance of winning the Eastern Division.

'What was it?' Kevin asked as they prepared to go. They had the house to themselves. Meg was at her ballet class, and it was Mrs Delevan's day to play bridge with her friends. She would come home at five with a large loaded pizza and news of who was getting divorced or at least thinking of it.

'None of your business,' Mr Delevan said in a rough voice which was both angry and embarrassed. The day was chilly. Mr Delevan had been looking for his fight jacket. Now he stopped and turned around and looked at his son, who was standing behind him, wearing his own jacket and holding the Sun camera in one hand.

'All right,' he said. 'I never pulled that crap on you before and I guess I don't want to start now. You know what I mean.'

'Yes,' Kevin said, and thought: I
know exactly what you're talking about, is what I mean to say.

'Your mother doesn't know anything about this.'

'I won't tell her.'

'Don't say that,' his father told him sharply. 'Don't start down that road or you'll never stop.'

'But you said you never-'

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'No, I never told her,' his father said, finding the jacket at last and shrugging into it. 'She never asked and I never told her. If she never asks you, you never have to tell her. That sound like a bullshit qualification to you?'

'Yeah,' Kevin said. 'To tell you the truth, it does.'

'Okay,' Mr Delevan said. 'Okay
...
but that's the way we do it. If the subject ever comes up, you - we
-have
to tell. If it doesn't, we don't. That's just the way we do things in the grown-up world. It sounds fucked up, I guess, and sometimes it is fucked up, but that's how we do it. Can you live with that?'

'Yes. I guess so.'

'Good. Let's go.'

They walked down the driveway side by side, zipping their jackets. The wind played with the hair at John Delevan's temples, and Kevin noted for the first time - with uneasy surprise - that his father was starting to go gray there.

'It was no big deal, anyway,' Mr Delevan said. He might almost have been talking to himself. 'It never is with Pop Merrill. He isn't a big-deal kind of guy, if you know what I mean.'

Kevin nodded.

'He's a fairly wealthy man, you know, but that junk-shop of his isn't the reason why. He's Castle Rock's version of Shylock.'

'Of who?'

'Never mind. You'll read the play sooner or later if education hasn't gone entirely to hell. He loans money at interest rates that are higher than the law allows.'

'Why would people borrow from him?' Kevin asked as they walked toward downtown under trees from which leaves of red and purple and gold sifted slowly down.

'Because,' Mr Delevan said sourly, 'they can't borrow anyplace else.'

'You mean their credit's no good?'

'Something like that.'

'But we
... you . . .'

'Yeah. We're doing all right now. But we weren't
always
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married, how we were doing was all the way across town from all right.'

He fell silent again for a time, and Kevin didn't interrupt him.

'Well, there was a guy who was awful proud of the Celtics one year,' his father said. He was looking down at his feet, as if afraid to step on a crack and break his mother's back. 'They were going into the play-offs against the Philadelphia Seventy-Sixers. They - the Celtics - were favored to win, but by a lot less than usual. I had a feeling the Seventy-Sixers were going to take them, that it was their year.'

He looked quickly at his son, almost snatching the glance as a shoplifter might take a small but fairly valuable item and tuck it into his coat, and then went back to minding the cracks in the sidewalk again. They were now walking down Castle Hill and toward the town's single signal-fight at the crossing of Lower Main Street and Watermill Lane. Beyond the intersection, what locals called the Tin Bridge crossed Castle Stream. Its overstructure cut the deep-blue autumn sky into neat geometrical shapes.

'I guess it's that feeling, that special
sureness,
that infects the poor souls who lose their bank accounts, their houses, their cars, even the clothes they stand up in at casinos and back-room poker games. That feeling that you got a telegram from God. I only got it that once, and I thank God for that.

'In those days I'd make a friendly bet on a football game or the World Series with somebody, five dollars was the most, I think, and usually it was a lot less than that, just a token thing, a quarter or maybe a pack of cigarettes.'

This time it was Kevin who shoplifted a glance, only Mr Delevan caught it, cracks in the sidewalk or no cracks.

'Yes, I smoked in those days, too. Now I don't smoke and I don't bet. Not since that last time. That last time cured me.

'Back then your mother and I had only been married two years. You weren't born yet. I was working as a surveyor's assistant, bringing home just about a hundred and sixteen dollars a week. Or that was what I cleared, anyway, when the government finally let go of it.

'This fellow who was so proud of the Celtics was one of the engineers. He even wore one of those green Celtics warm-up jackets to work, the kind that have the shamrock on the back. The week before the play-offs, he kept saying he'd like to find someone brave enough and stupid enough to bet on the Seventy-Sixers, because he had four hundred dollars just waiting to catch him a dividend.