Authors: Stephen King
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The Sun Dog
He thought of the cur's dark eyes, saved from stupidity by a single malevolent spark. God knew how the dog had gotten into that Polaroid world in the first place, but when its picture was taken, it could see
out,
and it wanted to
get
out, and Kevin believed in his heart that it wanted to kill him first, the thing it was wearing around its neck
said
it wanted to kill him first,
proclaimed
that it wanted to kill him first, but after that?
Why, after Kevin, anyone would do.
Anyone at all.
In a way it was like another game you played when you were a little kid, wasn't it? It was like Giant Step. The dog had been walking along the fence. The dog had heard the Polaroid, that squidgy little whine. It turned, and saw ... what? Its own world or universe? A world or universe enough
like
its own so it saw or sensed it could or at least might be able to live and hunt here? It didn't matter. Now, every time someone took a picture of it, the dog would get closer. It would get closer and closer until ... well, until what? Until it burst through, somehow?
'That's stupid,' he muttered. 'It'd never fit.'
'What?' his father asked, roused from his own musings.
'Nothing,' Kevin said. 'I was just talking to myse -'
Then, from downstairs, muffled but audible, they heard Pop Merrill cry out in mingled dismay, irritation, and surprise: 'Well shit fire and save matches!
Goddammit!'
Kevin and his father looked at each other, startled.
'Let's go see what happened,' his father said, and got up. 'I hope he didn't fall down and break his arm, or something. I mean, part of me
does
hope it, but ... you know.'
Kevin thought:
What if he's been taking pictures? What if that dog's down there?
It hadn't sounded like fear in the old man's voice, and of course there really was no way a dog that looked as big as a medium-sized German shepherd could come through either a camera the size of the Sun 660 or one of the prints it made. You might as well try to drag a washing machine through a knothole. Still, he felt fear enough for both of them - for all three of them - as he followed his father back down the stairs to the gloomy bazaar below.
Going down the stairs, Pop Merrill was as happy as a clam at high tide. He had been prepared to make the switch right in front of them if he had to. Might have been a problem if it had just been the boy, who was still a year or so away from thinking he knew everything, but the boy's dad - ah, fooling
that
fine fellow would have been like stealing a bottle from a baby. Had he told the boy about the jam he'd gotten into that time? From the way the boy looked at him - a new, cautious way - Pop thought Delevan file:///E|/Funny%20&%20Weird%20Shit/75%20-%20...ing%20-%20A%20note%20On%20The%20sun%20Dog.HTM (50 of 119)7/28/2005 9:22:38 PM
The Sun Dog
probably had. And what else had the father told the son? Well, let's see.
Does he let you call him Pop? That
means he's planning to pull a fast one on you.
That was for starters.
He's a lowdown snake in the grass, son.
That was for seconds. And, of course, there was the prize of them all:
Let me do the talking, boy. I know him better
than you do. You just let me handle everything.
Men like Delevan were to Pop Merrill what a nice platter of fried chicken was to some folks - tender, tasty, juicy, and all but falling off the bone. Once Delevan had been little more than a kid himself, and he would never fully understand that it wasn't Pop who had stuck his tit in the wringer but he himself. The man could have gone to his wife and she would have tapped that old biddy aunt of hers whose tight little ass was lined with hundred-dollar bills, and Delevan would have spent some time in the doghouse, but she would have let him out in time. He not only hadn't seen it that way; he hadn't seen it at all. And now, for no reason but idiot time, which came and went without any help from anyone, he thought he knew all there was to know about Reginald Marion Merrill.
Which was just the way Pop liked it.
Why, he could have swapped one camera for the other right in front of the man instead and Delevan never would have seen a goddamned thing - that was how sure he was he had old Pop figured out. But this was better.
You never ever asked Lady Luck for a date; she had a way of standing men up just when they needed her the most. But if she showed up on her own ... well, it was wise to drop whatever it was you were doing and take her out and wine her and dine her just as lavishly as you could. That was one bitch who always put out if you treated her right.
So he went quickly to the worktable, bent, and extracted the Polaroid 660 with the broken lens from the shadows underneath. He put it on the table, fished a key-ring from his pocket (with one quick glance over his shoulder to be sure neither of them had decided to come down after all), and selected the small key which opened the locked drawer that formed the entire left side of the table. In this deep drawer were a number of gold Krugerrands; a stamp album in which the least valuable stamp was worth six hundred dollars in the latest Scott Stamp Catalogue; a coin collection worth approximately nineteen thousand dollars; two dozen glossy photographs of a bleary-eyed woman having sexual congress with a Shetland pony; and an amount of cash totalling just over two thousand dollars.
The cash, which he stowed in a variety of tin cans, was Pop's loan-out money. John Delevan would have recognized the bills. They were all crumpled tens.
Pop deposited Kevin's Sun 660 in this drawer, locked it, and put his key-ring back in his pocket. Then he pushed the camera with the broken lens off the edge of the worktable (again) and cried out 'Well shit fire and save matches!
Goddammit!'
loud enough for them to hear.
Then he arranged his face in the proper expression of dismay and chagrin and waited for them to come running to see what had happened.
'Pop?' Kevin cried. 'Mr Merrill? Are you okay?'
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The Sun Dog
'Ayuh,' he said. 'Didn't hurt nothin but my goddam pride. That camera's just bad luck, I guess. I bent over to open the tool-drawer, is what I mean to say, and I knocked the fuckin thing right off onto the floor. Only I guess it didn't come through s'well this time. I dunno if I should say I'm sorry or not. I mean, you was gonna -'
He held the camera apologetically out to Kevin, who took it, looked at the broken lens and shattered plastic of the housing around it. 'No, it's okay,' Kevin told him, turning the camera over in his hands - but he did not handle it in the same gingerly, tentative way he had before: as if it might really be constructed not of plastic and glass but some sort of explosive. 'I meant to bust it up, anyhow.'
'Guess I saved you the trouble.'
'I'd feel better -' Kevin began.
'Ayuh, ayuh. I feel the same way about mice. Laugh if you want to, but when I catch one in a trap and it's dead, I beat it with a broom anyway. just to be sure, is what I mean to say.'
Kevin smiled faintly, then looked at his father. 'He said he's got a chopping block out back, Dad -'
'Got a pretty good sledge in the shed, too, if ain't nobody took it.'
'Do you mind, Dad?'
'It's your camera, Kev,' Delevan said. He flicked a distrustful glance at Pop, but it was a glance that said he distrusted Pop on general principles, and not for any specific reason. 'But if it will make you feel any better, I think it's the right decision.'
'Good,' Kevin said. He felt a tremendous weight go off his shoulders - no, it was from his
heart
that the weight was lifted. With the lens broken, the camera was surely useless
...
but he wouldn't feel really at ease until he saw it in fragments around Pop's chopping block. He turned it over in his hands, front to back and back to front, amused and amazed at how much he liked the broken way it looked and felt.
'I think I owe you the cost of that camera, Delevan,' Pop said, knowing exactly how the man would respond.
'No,' Delevan said. 'Let's smash it and forget this whole crazy thing ever hap -' He paused. 'I almost forgot - we were going to look at those last few photos under your magnifying glass. I wanted to see if I could make out the thing that dog's wearing. I keep thinking it looks familiar.'
'We can do that after we get rid of the camera, can't we?' Kevin asked. 'Okay, Dad?'
'Sure.'
'And then,' Pop said, 'it might not be such a bad idea to burn the pitchers themselves. You could do it right in my stove.'
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The Sun Dog
'I think that's a
great
idea,' Kevin said. 'What do you think, Dad?'
'I think Mrs Merrill never raised any fools,' his father said.
'Well,' Pop said, smiling enigmatically from behind folds of rising blue smoke, 'there was five of us, you know.'
The day had been bright blue when Kevin and his father walked down to the Emporium Galorium; a perfect autumn day. Now it was four-thirty, the sky had mostly clouded over, and it looked like it might rain before dark. The first real chill of the fall touched Kevin's hands. It would chap them red if he stayed out long enough, but he had no plans to. His mom would be home in half an hour, and already he wondered what she would say when she saw Dad was with him, and what his dad would say.
But that was for later.
Kevin set the Sun 660 on the chopping block in the little backyard, and Pop Merrill handed him a sledgehammer. The haft was worn smooth with usage. The head was rusty, as if someone had left it carelessly out in the rain not once or twice but many times. Yet it would do the job, all right. Kevin had no doubt of that. The Polaroid, its lens broken and most of the housing around it shattered as well, looked fragile and defenseless sitting there on the block's chipped, chunked, and splintered surface, where you expected to see a length of ash or maple waiting to be split in two.
Kevin set his hands on the sledgehammer's smooth handle and tightened them.
'You're sure, son?' Mr Delevan asked.
'Yes.'
'Okay.' Kevin's father glanced at his own watch. 'Do it, then.'
Pop stood to one side with his pipe clamped between his wretched teeth, hands in his back pockets. He looked shrewdly from the boy to the man and then back to the boy, but said nothing. Kevin lifted the sledgehammer and, suddenly surprised by an anger at the camera he hadn't even known he felt, he brought it down with all the force he could muster.
Too hard,
he thought. You're
going to miss it, be lucky not to mash your own foot, and there it will sit, not much
more than a piece of hollow plastic a little kid could stomp flat without half trying, and even if you're lucky
enough to miss your foot, Pop will look at you. He won't say anything; he won't have to. It'll all be in the way he
looks at you.
And thought also:
It doesn't matter if I hit it or not. It's magic, some kind of magic camera, and you CAN'T break
it. Even if you hit it dead on the money the sledge will just bounce off it, like bullets off Superman's chest.
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The Sun Dog
But then there was no more time to think anything, because the sledge connected squarely with the camera. Kevin really
had
swung much too hard to maintain anything resembling control, but he got lucky. And the sledgehammer didn't just bounce back up, maybe hitting Kevin square between the eyes and killing him, like the final twist in a horror Story.
The Sun didn't so much shatter as detonate. Black plastic flew everywhere. A long rectangle with a shiny black square at one end - a picture which would never be taken, Kevin supposed - fluttered to the bare ground beside the chopping block and lay there, face down.
There was a moment of silence so complete they could hear not only the cars on Lower Main Street but kids playing tag half a block away in the parking lot behind Wardell's Country Store, which had gone bankrupt two years before and had stood vacant ever since.
'Well, that's
that,'
Pop said. 'You swung that sledge just like Paul Bunyan, Kevin! I should smile n kiss a pig if you didn't.
'No need to do that,' he said, now addressing Mr Delevan, who was picking up broken chunks of plastic as prissily as a man picking up the pieces of a glass he has accidentally knocked to the floor and shattered. 'I have a boy comes in and cleans up the yard every week or two. I know it don't look much as it is, but if I didn't have that kid ... Glory!'
'Then maybe we ought to use your magnifying glass and take a look at those pictures,' Mr Delevan said, standing up. He dropped the few pieces of plastic he had picked up into a rusty incinerator that stood nearby and then brushed off his hands.
'Fine by me,' Pop said.
'Then burn them,' Kevin reminded. 'Don't forget that.'
'I didn't,' Pop said. 'I'll feel better when they're gone, too.'
'Jesus!' John Delevan said. He was bending over Pop Merrill's worktable, looking through the lighted magnifying glass at the second-to-last photograph. It was the one in which the object around the dog's neck showed most clearly; in the last photo, the object had swung back in the other direction again. 'Kevin, look at that and tell me if it's what I think it is.'
Kevin took the magnifying glass and looked. He had known, of course, but even so it still wasn't a look just for form's sake. Clyde Tombaugh must have looked at an actual photograph of the planet Pluto for the first time with the same fascination. Tombaugh had known it was there; calculations showing similar distortions in the orbital paths of Neptune and Uranus had made Pluto not just a possibility but a necessity. Still, to
know
a thing was there, even to know what it
was ...
that did not detract from the fascination of actually
seeing
it for the first time. He let go of the switch and handed the glass back to Pop. 'Yeah,' he said to his father. 'It's what you think it is.'