The Song Dog (37 page)

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Authors: James McClure

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BOOK: The Song Dog
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“Just a minute, whose uncle is Herman’s?” asked Kramer, suddenly remembering something little Piet had once said to him. “Was it Hans?”

“Ach, no, Sarel Suzman.”

“Damn!” said Kramer, realizing how close he had come, what seemed like an eternity ago, to having first established a link with the murderer.

“You know what, Trompie?” the Widow Fourie added. “After a time, I think I knew what his game was: he was trying to hang up his cap in my hall, thinking all I wanted was another man to look after me and the kids, that I’d not be too choosy. I had to discourage him hard after that, and finally he stopped coming.” Then a horrified look crossed her face. “My God,” she said, “you’re not going to tell me he had anything to do with—you know, with what happened to my Pik?”

“Hell, no,” said Kramer firmly, knowing his denial would have the ring of truth because this was an issue which, thank Christ and H. Terblanche, had never been finally settled.

Then another spirit, entirely benign by way of contrast, although equally disturbing, had intruded. Kramer noticed the Widow Fourie had kept her eyes closed at first, when his palm skimmed lightly down her belly, then had flinched, as though caressed by a memory that had fooled her for a moment. After that, she had kept her eyes wide open, intent on him, craning to
see that it was indeed his hand she felt, and sometimes placing her hand over his hand, further reassuring herself.

But when they began to make love again in the morning, each slowly becoming aware of the warmth of the other, finding it fuse them together, arouse them, finding their limbs had minds of their own, moving, sliding, touching, thrilling in the singularity of their contact, there were only two people in that bed, and a smoothed-out dent in the pillow.

“Boss?” said Zondi, looking back at a vanishing signpost. “Did not that say it led to the place we are looking for?”

“Damn, I was daydreaming, man!” said Kramer, using the handbrake to effect an astonishing U-turn.

Within minutes, they were traveling down a rough track toward a small collection of buildings that lay huddled in a slight dip, built around a simple little church, the doors of which stood wide open.

“Listen, Mickey,” said Kramer. “Two shootings on two consecutive days, both by the same Bantu detective sergeant? People could start talking. But there is a way around this: I owe you one—I’ll do it.”

Zondi looked tempted, but shook his head. “My thanks, boss,” he said, “but that would please only the spirit of the law, not—”

“The spirits of your bloody ancestors! Ja, ja, I know! But at least borrow my PPK, so Forensic is fooled into thinking it was me, hey? How does that thought appeal to you?”

“Hmmmm,” said Zondi.

“Alternatively,” suggested Kramer, “last night was mine, today’s is yours—we swap guns and avoid a lot of bullshit and soul-searching on the part of the Colonel. White on white, black on black, no explanations to make to the Brigadier in Pretoria.”

“Done, Lieutenant!” said Zondi.

They continued down the slope and had just reached the first mission building when something made Kramer laugh softly. “I’ve just been thinking,” he said, “about the nonsense the bloody Song Dog tried to get us to believe: that we would be wrong and yet right about Maaties’ murder! Can’t see where we’ve ever been wrong in our deductions—can you, hey? Hell, the poor bugger just went to Fynn’s Creek to ask some bloody questions, got blown to buggery by accident, and forced Suz into making up every kind of allegation against him!”

“Uh-huh, boss,” agreed Zondi, shaking his head but keeping his eyes fixed on the church, now only a few hundred yards away, and smelling the scent of eucalyptus trees. “In truth, the Song Dog said quite a few ridiculous things; some so very silly I did not bother to repeat them to you.”

“Such as?” said Kramer, beginning to throttle back.

“The Song Dog said we must beware of the wife of the prisoner who was captured this week, Lieutenant.”

“Hey? What nonsense is that? We haven’t take any bloody prisoners—and certainly don’t intend to! Go on, tell me, what else?”

“Oh, the Song Dog also warned that one far-off night, Lieutenant, you and me would stand alone together, arm in arm in a black township, wearing red necklaces as bright as petrol flames, on the orders of that selfsame—”

“Necklaces?”
said Kramer, bringing the Widow’s station wagon to a juddering halt. “You and me?
Us?
Whoever heard of blokes in bloody necklaces? What the hell does it take us for, hey? A couple of bloody nancy boys and poofters?”

Zondi laughed and swung his door open, cocking Kramer’s pistol. “You’re right, my boss,” he said. “It is bad enough that the Lieutenant and me go picking the wild, wild flowers now.”

O
THER
T
ITLES IN THE
S
OHO
C
RIME
S
ERIES

Quentin Bates
(Iceland)
Frozen Assets
Cold Comfort

Cheryl Benard
(Pakistan)
Moghul Buffet

James R. Benn
(World War II Europe)
Billy Boyle
The First Wave
Blood Alone
Evil for Evil
Rag & Bone
A Mortal Terror
Death’s Door

Cara Black
(Paris, France)
Murder in the Marais
Murder in Belleville
Murder in the Sentier
Murder in the Bastille
Murder in Clichy
Murder in Montmartre
Murder on the Ile Saint-Louis
Murder in the Rue de Paradis
Murder in the Latin Quarter
Murder in the Palais Royal
Murder in Passy
Murder at the Lanterne Rouge
Murder Below Montparnasse

Grace Brophy
(Italy)
The Last Enemy
A Deadly Paradise

Henry Chang
(Chinatown)
Chinatown Beat
Year of the Dog
Red Jade

Colin Cotterill
(Laos)
The Coroner’s Lunch
Thirty-Three Teeth
Disco for the Departed
Anarchy and Old Dogs
Curse of the Pogo Stick
The Merry Misogynist
Love Songs from a Shallow Grave
Slash and Burn
The Woman Who Wouldn’t Die

Garry Disher
(Australia)
The Dragon Man
Kittyhawk Down
Snapshot
Chain of Evidence
Blood Moon
Wyatt
Whispering Death
Port Vila Blues
David Downing
(World War II Germany)
Zoo Station
Silesian Station
Stettin Station
Potsdam Station
Lehrter Station
Masaryk Station

Leighton Gage
(Brazil)
Blood of the Wicked
Buried Strangers
Dying Gasp
Every Bitter Thing
A Vine in the Blood
Perfect Hatred

Michael Genelin
(Slovakia)
Siren of the Waters
Dark Dreams
The Magician’s Accomplice
Requiem for a Gypsy

Adrian Hyland
(Australia)
Moonlight Downs
Gunshot Road

Stan Jones
(Alaska)
White Sky, Black Ice
Shaman Pass
Village of the Ghost Bears

Lene Kaaberbøl & Agnete Friis
(Denmark)
The Boy in the Suitcase
Invisible Murder

Graeme Kent
(Solomon Islands)
Devil-Devil
One Blood

Martin Limón
(South Korea)
Jade Lady Burning
Slicky Boys
Buddha’s Money
The Door to Bitterness
The Wandering Ghost
G. I. Bones
Mr. Kill
The Joy Brigade

Peter Lovesey
(Bath, England)
The Last Detective
The Vault
On the Edge
The Reaper
Rough Cider
The False Inspector Dew
Diamond Dust
Diamond Solitaire
The House Sitter
The Summons
Bloodhounds
Upon a Dark Night
The Circle
The Secret Hangman
The Headhunters
Skeleton Hill
Stagestruck
Cop to Corpse
The Tooth Tattoo

Jassy Mackenzie
(South Africa)
Random Violence
Stolen Lives
The Fallen
Pale Horses

Seichō Matsumoto
(Japan)
Inspector Imanishi Investigates

James McClure
(South Africa)
The Steam Pig
The Caterpillar Cop
The Gooseberry Fool
Snake
The Sunday Hangman
The Blood of an Englishman
The Artful Egg
The Song Dog

Jan Merete Weiss
(Italy)
These Dark Things

Magdalen Nabb
(Italy)
Death of an Englishman
Death of a Dutchman
Death in Springtime
Death in Autumn
The Marshal and the Madwoman
The Marshal and the Murderer
The Marshal’s Own Case
The Marshal Makes His Report
The Marshal at the Villa Torrini
Property of Blood
Some Bitter Taste
The Innocent
Vita Nuova

Stuart Neville
(Northern Ireland)
The Ghosts of Belfast
Collusion
Stolen Souls
Ratlines

Eliot Pattison
(Tibet)
Prayer of the Dragon
The Lord of Death
Rebecca Pawel
(1930s Spain)
Death of a Nationalist
Law of Return
The Watcher in the Pine
The Summer Snow

Qiu Xiaolong
(China)
Death of a Red Heroine
A Loyal Character Dancer
When Red is Black

Matt Beynon Rees
(Palestine)
The Collaborator of Bethlehem
A Grave in Gaza
The Samaritan’s Secret
The Fourth Assassin

John Straley
(Alaska)
The Woman Who Married a Bear
The Curious Eat Themselves

Akimitsu Takagi
(Japan)
The Tattoo Murder Case
Honeymoon to Nowhere
The Informer

Helene Tursten
(Sweden)
Detective Inspector Huss
The Torso
The Glass Devil
Night Rounds
The Golden Calf

Janwillem van de Wetering
(Holland)
Outsider in Amsterdam
Tumbleweed
The Corpse on the Dike
Death of a Hawker
The Japanese Corpse
The Blond Baboon
The Maine Massacre
The Mind-Murders
The Streetbird
The Rattle-Rat
Hard Rain
Just a Corpse at Twilight
Hollow-Eyed Angel
The Perfidious Parrot
Amsterdam Cops: Collected Stories

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