The Sicilian (11 page)

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Authors: Mario Puzo

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BOOK: The Sicilian
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Guiliano could see the grin on Pisciotta’s face. The great bandit, Candeleria, softhearted? He had massacred six men as suspected informers, preyed on wealthy farmers, extorted money from poor peasants, struck terror into a whole countryside. But his wife saw him differently.

La Venera did not notice Pisciotta’s smile. She went on: “I buried him and then buried my child a week later. They said it was pneumonia. But I know her heart was broken. What I remember most was when I visited him in the mountains. He was always cold and hungry, and sometimes ill. He would have given anything to return to the life of an honest peasant. But worst of all, his heart became as hard as an olive pit. He was no longer human, may he rest in peace. So, dear Turi, don’t be so proud. We will help you in your misfortune, don’t become what my husband was before he died.”

Everyone was silent. Pisciotta was no longer smiling. Guiliano’s father murmured that he would be glad to be rid of the farm; he could sleep late mornings. Hector Adonis was staring down at the tablecloth, frowning. None of them spoke.

The silence was broken by a quick tapping on the door, a signal from one of the watchers. Pisciotta went to speak to the man. When he came back he made a signal for Guiliano to arm himself. “The
carabinieri
barracks are blazing with light,” he said. “And there is a police van blocking the end of the Via Bella where it enters the town square. They are getting ready to raid this house.” He paused for a moment. “We must be quick with our goodbyes.”

What struck everyone was the calmness with which Turi Guiliano prepared his escape. His mother rushed into his arms and as he embraced her he already had his sheepskin jacket in his hands. He said his goodbyes to the others and in the next instant seemed to be fully armed, his jacket on, his rifle slung. And yet he had not moved quickly or hurriedly. He stood there for a moment smiling at them and then said to Pisciotta, “You can stay and meet me in the mountains later, or you can come with me now.” Wordlessly Pisciotta moved to the back door and opened it.

Guiliano gave his mother a final embrace, and she kissed him fiercely and said, “Hide, don’t do anything rash. Let us help you.” But he was already out of her arms.

Pisciotta was leading the way, across the fields to the beginning slopes of the mountains. Guiliano whistled sharply and Pisciotta stopped and let Turi catch up to him. The way was clear to the mountains, and his watchers had told him there were no police patrols in that direction. They would be safe in the Grotta Bianca after a four-hour climb. If the
carabinieri
chased them through the darkness, it would be an extraordinary act of bravery and foolishness.

Guiliano said, “Aspanu, how many men do the
carabinieri
have in their garrison?”

“Twelve,” Pisciotta said. “And the Maresciallo.”

Guiliano laughed. “Thirteen is an unlucky number. And why are we running away from so few?” He paused for a moment and then said, “Follow me.”

He led the way back through the fields so that they entered the town of Montelepre further down the street. Then across the Via Bella so that they could watch the Guiliano house from the safety of a dark narrow alley. They crouched in the shadows waiting.

Five minutes later they could hear a jeep rattling down the Via Bella. Six
carabinieri
were crammed into it including the Maresciallo himself. Two of the men immediately went through the side street to block the back entrance. The Maresciallo and three of his men went up to the door and hammered on it. At the same time a small covered truck pulled up behind the jeep and two more
carabinieri
, rifles ready, jumped out to command the street.

Turi Guiliano watched all this with interest. The police raid was based on the assumption that the targets would never be in a position to launch a counterattack; that their only alternative would be to run from a superior force. Turi Guiliano at that moment made it a basic principle always to be in a position to counterattack when he was being hunted, no matter how great the odds, or perhaps the greater the odds the better.

This was Guiliano’s first tactical operation and he was astonished at how easily he could command the situation if he chose to shed blood. True, he could not shoot at the Maresciallo and the three men at the door since the bullets might go into the house and hit his family. But he could easily slaughter the two men commanding the street and the two drivers in their vehicles. If he wished, he could do this as soon as the Maresciallo and his men were in the Guiliano house. They would not dare come out, and he and Pisciotta could make their way through the fields at their leisure. As for the police blocking the end of the street with their van, they would be too far out of the way to be a factor. They would not have the initiative to come up the street without receiving orders.

But at this point he had no desire to shed blood. It was still an intellectual maneuver. And he particularly wanted to see the Maresciallo in action, since this was the man who would be his principal opponent in the future.

At that moment the door of the house was being opened by Guiliano’s father, and the Maresciallo took the old man roughly by the arm and thrust him out into the street with a shouted order to wait there.

A Maresciallo of the Italian
carabinieri
is the highest ranking noncommissioned officer of the National Police force and usually is the commander of a small town detachment. As such he is an important member of the local community and treated with the same respect as the local Mayor and priest of the parish. So he was not expecting the greeting from Guiliano’s mother when she barred his way and spit on the ground in front of him to show her contempt.

He and his three men had to force their way into the house and search it while being scathingly abused and cursed by Guiliano’s mother. Everyone was taken out into the street to be questioned; the neighboring houses emptied of their women and men who also verbally abused the police.

When the search of the house proved fruitless, the Maresciallo attempted to question the inhabitants. Guiliano’s father was astonished. “Do you think I would inform on my own son?” he asked the Maresciallo, and a great roar of approval came from the crowd in the streets. The Maresciallo ordered the Guiliano family back into their house.

In the shadow of their alley, Pisciotta said to Guiliano, “Lucky for them your mother doesn’t have our weapons.” But Turi didn’t answer. The blood had rushed to his head. It took an enormous effort to control himself. The Maresciallo lashed out with his club and hit a man in the crowd who dared to protest the rough treatment of Guiliano’s parents. Two other
carabinieri
began grabbing citizens of Montelepre at random and throwing them into the waiting truck, kicking and clubbing them on their way, ignoring their cries of fear and protest.

Suddenly there was one man standing alone on the street facing the
carabinieri
. He lunged at the Maresciallo. A shot rang out, and the man fell to the cobblestones. From one of the houses a woman began to scream and then she ran out and threw her body over her fallen husband. Turi Guiliano recognized her; she was an old friend of his family who always brought his mother freshly baked Easter cake.

Turi tapped Pisciotta on the shoulder and whispered, “Follow me,” and started running down the narrow crooked streets toward the central square of the town, at the other end of the Via Bella.

Pisciotta yelled fiercely, “What the hell are you doing?” but then fell silent. For he suddenly knew exactly what Turi had in mind. The truck full of prisoners would have to go down the Via Bella to turn around and make its run back to the Bellampo Barracks.

As he ran down the dark parallel street, Turi Guiliano felt invisible, godlike. He knew the enemy would never dream, could never even imagine, what he was doing, that they thought he was running for safety in the mountains. He felt a wild elation. They would learn they could not raid his mother’s home with impunity, they would think twice before doing it again. They could not again shoot a man in cold blood. He would make them show respect for his neighbors and his family.

He reached the far side of the square, and in the light of its single streetlamp he could see the police van blocking the entrance into the Via Bella. As if he could have been caught in such a trap. What could they have been thinking of? Was that a sample of official cleverness? He switched to another side street to bring him to the back entrance of the church that dominated the square, Pisciotta following him. Inside, they both vaulted the altar rail and then both stopped for a fraction of a second on the holy stage where long ago they had performed as altar boys and served their priest while he was giving the people of Montelepre Sunday Mass and Communion. Holding their guns at the ready they genuflected and crossed themselves clumsily; for a moment the power of the wax statues of Christ crowned with thorns, the gilded chalky blue-robed Virgin Marys, the batteries of saints blunted their lust for battle. Then they were running up the short aisle to the great oaken door that gave a field of fire to the square. And there they knelt again to prepare their weapons.

The van blocking the Via Bella backed off to let the truck with the arrested men enter the square to make its circle and go back up the street. At that moment Turi Guiliano pushed open the church door and said to Pisciotta, “Fire over their heads.” At the same moment he fired his machine pistol into the blocking van, aiming at the tires and the engine. Suddenly the square flamed with light as the engine blew up and the van caught fire. The two
carabinieri
in the front seat tumbled out like loose-jointed puppets, their surprise not giving their bodies time to tighten against the shock. Beside him Pisciotta was firing his rifle at the cab of the truck holding the prisoners. Turi Guiliano saw the driver leap out and fall still. The other armed
carabinieri
jumped out and Pisciotta fired again. The second policeman went down. Turi turned to Pisciotta to reproach him but suddenly the stained glass windows of the church shattered with machine gun fire and the colored bits scattered on the church floor like rubies. Turi realized that there was no longer any possibility of mercy. That Aspanu was right. They must kill or be killed.

Guiliano pulled Pisciotta’s arm and ran back through the church and out the back door and through the dark crooked streets of Montelepre. He knew that tonight there was no hope of helping the prisoners to escape. They slipped through the final wall of the town, over the open fields, and kept running until they were safely into the rising slopes covered with huge white stones. Dawn was breaking when they reached the top of Monte d’Ora in the Cammarata Mountains.

Over a thousand years ago Spartacus had hidden his slave army here and led them out to fight the Roman legions. Standing on the top of this Monte d’Ora watching the sun come radiantly alive, Turi Guiliano was filled with youthful glee that he had escaped his enemies. He would never obey a fellow human being again. He would choose who should live and who should die, and there was no doubt in his mind that all he would do would be for the glory and freedom of Sicily, for good and not for evil. That he would only strike for the cause of justice, to help the poor. That he would win every battle, that he would win the love of the oppressed.

He was twenty years old.

CHAPTER 7

D
ON
C
ROCE
M
ALO
was born in the village of Villaba, a little mudhole he was to make prosperous and famous all through Sicily. It was not ironic, to Sicilians, that he sprang from a religious family who groomed him for priesthood in the Holy Catholic Church, that his first name had originally been Crocefisso, a religious name given only by the most pious parents. Indeed, as a slender youth he was forced to play the part of Christ in those religious plays put on in celebration of Holy Easter and was acclaimed for his marvelous air of piety.

But when he grew to manhood at the turn of the century, it was clear that Croce Malo had difficulty accepting any authority other than himself. He smuggled, he extorted, he stole, and finally, worst of all, he impregnated a young girl of the village, an innocent Magdalene in the plays. He then refused to marry her, claiming they had both been carried away with the religious fervor of the play, and therefore he should be forgiven.

The girl’s family found this explanation too subtle to accept and demanded matrimony or death. Croce Malo was too proud to marry a girl so dishonored and fled to the mountains. After a year as a bandit, he had the good fortune to make contact with the Mafia.

“Mafia,” in Arabic, means a place of sanctuary, and the word took its place in the Sicilian language when the Saracens ruled the country in the tenth century. Throughout history, the people of Sicily were oppressed mercilessly by the Romans, the Papacy, the Normans, the French, the Germans, and the Spanish. Their governments enslaved the poor working class, exploiting their labor, raping their women, murdering their leaders. Even the rich did not escape. The Spanish Inquisition of the Holy Catholic Church stripped them of their wealth for being heretics. And so the “Mafia” sprang up as a secret society of avengers. When the royal courts refused to take action against a Norman noble who raped a farmer’s wife, a band of peasants assassinated him. When a police chief tortured some petty thief with the dreaded
cassetta
, that police chief was killed. Gradually the strongest-willed of the peasants and the poor formed themselves into an organized society which had the support of the people and in effect became a second and more powerful government. When there was a wrong to be redressed, no one ever went to the official police, they went to the leader of the local Mafia, who mediated the problem.

The greatest crime a Sicilian could commit was to give any information of any kind to the authorities about anything done by the Mafia. They kept silent. And this silence came to be called
omerta
. Over the centuries the practice enlarged to never giving the police information about a crime committed even against oneself. All communications broke down between the people and the law enforcement agencies of reigning governments so that even a small child was taught not to give a stranger the simplest directions to a village or a person’s house.

Through the centuries the Mafia governed Sicily, a presence so shadowy and indistinct that the authorities could never quite grasp the extent of its power. Up until World War II, the word “Mafia” was never uttered on the island of Sicily.

 

Five years after Don Croce’s flight into the mountains, he was well known as a “Qualified Man.” That is, someone who could be entrusted with the elimination of a human being without causing more than a minimal amount of trouble. He was a “Man of Respect,” and after making certain arrangements, he returned to live in his native town of Villaba, some forty miles south of Palermo. These arrangements included paying an indemnity to the family of the girl he had dishonored. This was later heralded as the measure of his generosity, but it was rather the proof of his wisdom. The pregnant girl had already been shipped to relatives in America with the label of a young widow to hide her shame, but her family still remembered. They were, after all, Sicilian. Don Croce, a skilled murderer, a brutal extorter, a member of the dreaded Friends of the Friends, could not comfortably count on all this to protect him from the family that had been disgraced. It was a matter of honor, and if not for the indemnity, they would have had to kill him no matter what the consequences.

By combining generosity with prudence, Croce Malo acquired the respectful title of “Don.” By the time he was forty years old he was acknowledged as the foremost of the Friends of the Friends and was called upon to adjudicate the most desperate disputes between rival
cosce
of the Mafia, to settle the most savage vendettas. He was reasonable, he was clever, he was a born diplomat, but most important of all, he did not turn faint at the sight of blood. He became known as the “Don of Peace” throughout the Sicilian Mafia, and everyone prospered; the stubborn were eliminated with judicious murders and Don Croce was a rich man. Even his brother, Benjamino, had become a secretary to the Cardinal of Palermo, but blood was thicker than holy water and he owed his first allegiance to Don Croce.

He married and became father to a little boy he adored. Don Croce, not so prudent as he was later to become, not so humble as he later learned to be under the whip of adversity, engineered a coup that made him famous all through Sicily, and an object of wonder to the highest circle of Roman society. This coup sprang from a bit of marital discord which even the greatest men in history have had to endure.

Don Croce, because of his position in the Friends of the Friends, had married into a proud family who had recently bought patents of nobility for such a huge sum that the blood in their veins turned blue. After a few years of marriage, his wife treated him with a lack of respect he knew he had to correct, though of course not in his usual fashion. His wife’s blue blood had made her disenchanted with Don Croce’s no-nonsense, earthy peasant ways, his practice of saying nothing if he had nothing to the point to say, his casual attire, his habit of rough command in all things. There was also the remembrance of how all her other suitors melted away when Don Croce announced his candidacy for her hand.

She did not of course show her disrespect in any obvious fashion. This was, after all, Sicily, not England or America. But the Don was an extraordinarily sensitive soul. He soon observed that his wife did not worship the ground upon which he walked, and that was proof enough of her disrespect. He became determined to win her devotion in such a way that it would last a lifetime and he could then devote his full attention to business. His supple mind wrestled with the problem and came up with a plan worthy of Machiavelli himself.

The King of Italy was coming to Sicily to visit his devoted subjects, and devoted they were. All Sicilians hated the Roman government and feared the Mafia. But they loved the monarchy because it extended their family, which consisted of blood relations, the Virgin Mary and God himself. Great festivals were prepared for the King’s visit.

On his first Sunday in Sicily the King went to Mass at the great Cathedral of Palermo. He was to stand godfather to the son of one of the ancient nobles of Sicily, the Prince Ollorto. The King was already godfather to at least a hundred children, sons of field marshals, dukes and the most powerful men of the Fascist party. These were political acts to cement relationships between the crown and the executives of the government. Royal godchildren automatically became Cavaliers of the Crown and were sent the documents and sash to prove the honor given them. Also a small silver cup.

Don Croce was ready. He had three hundred people in the festival throng. His brother, Benjamino, was one of the priests officiating at the ceremony. The baby of Prince Ollorto was baptized, and his proud father came out of the cathedral holding the baby aloft in triumph. The crowd roared its approval. Prince Ollorto was one of the less hated of the gentry, a slim handsome man; looks always counted for something in Sicily.

At that moment a crowd of Don Croce’s people surged into the cathedral and effectively blocked the King’s exit. The King was a little man with a mustache thicker than the hair on his head. He was in the full gaudy uniform of the Cavaliers, which made him look like a toy soldier. But despite his pompous appearance he was extremely kindhearted, so when Father Benjamino thrust another swaddled infant into his arms he was bewildered but did not protest. The surging crowd had, on Don Croce’s instructions, cut him off from his retinue and the officiating Cardinal of Palermo so they could not interfere. Father Benjamino hastily sprinkled holy water from a nearby font and then snatched the baby out of the King’s arms and handed it to Don Croce. Don Croce’s wife wept tears of happiness as she knelt before the King. He was now the godfather of their only child. She could ask no more.

 

Don Croce grew fat and the bony face grew cheeks that were huge slabs of mahogany; his nose became a great beak that served as an antenna for power. His crinkly hair grew into a barbed-wire gray. His body ballooned majestically; his eyes became lidded with flesh that grew like a heavy moss over his face. His power increased with each pound until he seemed to become an impenetrable obelisk. He seemed to have no weaknesses as a man; he never showed anger, never showed greed. He was affectionate in an impersonal way but never showed love. He was conscious of his grave responsibilities and so never voiced his fears in his wife’s bed or on her breast. He was the true King of Sicily. But his son—the heir apparent—was struck with the strange disease of religious social reform and had emigrated to Brazil to educate and uplift savage Indians along the Amazon. The Don was so shamed he never uttered his son’s name again.

At the beginning of Mussolini’s rise to power, Don Croce was not impressed. He had observed him carefully and had come to the conclusion that the man had neither cunning nor courage. And if such a one could rule Italy then it followed that he, Don Croce, could rule Sicily.

But then calamity fell. After a few years in power Mussolini turned his baleful eye on Sicily and the Mafia. He recognized that this was not a raggedy set of criminals but a true inner government that controlled a part of his empire. And he recognized that all through history the Mafia had conspired against whatever government ruled in Rome. Rulers of Sicily for the last thousand years had tried and failed. Now the Dictator vowed to strike them down forever. The Fascists did not believe in democracy, the legal rule of society. They did what they pleased for what they regarded as the good of the state. In short, they used the methods of Don Croce Malo.

Mussolini sent his most trusted Minister, Cesare Mori, to Sicily as a Prefect with unlimited powers. Mori started by suspending the rule of all judicial courts in Sicily and bypassing all legal safeguards of Sicilians. He flooded Sicily with troops who were ordered to shoot and ask questions later. He arrested and deported entire villages.

Before the dictatorship, Italy had had no capital punishment, which left it at a disadvantage against the Mafia, which used death as its chief enforcing tool. All this changed under the Prefect Mori. Proud Mafiosi, who adhered to the law of
omerta
, resisting even the dreaded
cassetta
, were shot. So-called conspirators were exiled to small isolated islands in the Mediterranean. In a year the island of Sicily was decimated, the Mafia destroyed as a governing force. It was of no consequence to Rome that thousands of innocent people were caught up in this wide net and suffered with the guilty.

 

Don Croce loved the fair rules of democracy and was outraged by the actions of the
Fascisti
. Friends and colleagues were jailed on trumped-up charges, since they were far too clever to leave evidence of their crimes. Many were imprisoned on hearsay, secret information from scoundrels who could not be tracked down and reasoned with, because they did not have to appear in open court and testify. Where was judicial fair play? The Fascists had gone back to the days of the Inquisition, of the divine right of kings. Don Croce had never believed in the divine right of kings, indeed he asserted that no reasonable human being had ever believed in it except when the alternative was being torn apart by four wild horses.

Even worse, the Fascists had brought back the
cassetta
, that medieval instrument of torture—a terrible box three feet long, two feet wide, which worked wonders on stubborn bodies. Even the most determined Mafioso found his tongue as loose as the morals of an Englishwoman when subject to the
cassetta
. Don Croce indignantly boasted that he had never used torture of any kind. Simple murder sufficed.

Like a stately whale, Don Croce submerged himself in the murky waters of the Sicilian underground. He entered a monastery as a pseudo-Franciscan monk, under Abbot Manfredi’s protection. They had had a long and pleasurable association. The Don, though proud of his illiteracy, had been obliged to employ the Abbot to write necessary ransom letters when early in his career he had followed the trade of kidnapping. They had always been honest with each other. They found they had common tastes—loose women, good wine and complex thievery. The Don had often taken the Abbot on trips to Switzerland to visit his doctors and sample the placid luxuries of that country. A restful and pleasant change from the more dangerous pleasures of Sicily.

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