The Man in Lower Ten (4 page)

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Authors: Mary Roberts Rinehart

Tags: #Language Arts & Disciplines, #Composition & Creative Writing, #Linguistics, #General

BOOK: The Man in Lower Ten
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      "It's my last trip in this car," he remarked heavily. "There's something wrong with that berth. Last trip the woman in it took an overdose of some sleeping stuff, and we found her, jes' like that, dead! And it ain't more'n three months now since there was twins born in that very spot. No, sir, it ain't natural."

 

      At that moment a thin man with prominent eyes and a spare grayish goatee creaked up the aisle and paused beside me.

 

      "Porter sick?" he inquired, taking in with a professional eye the porter's horror-struck face, my own excitement and the slightly gaping curtains of lower ten. He reached for the darky's pulse and pulled out an old-fashioned gold watch.

 

      "Hm! Only fifty! What's the matter? Had a shock?" he asked shrewdly.

 

      "Yes," I answered for the porter. "We've both had one. If you are a doctor, I wish you would look at the man in the berth across, lower ten. I'm afraid it's too late, but I'm not experienced in such matters."

 

      Together we opened the curtains, and the doctor, bending down, gave a comprehensive glance that took in the rolling head, the relaxed jaw, the ugly stain on the sheet. The examination needed only a moment. Death was written in the clear white of the nostrils, the colorless lips, the smoothing away of the sinister lines of the night before. With its new dignity the face was not unhandsome: the gray hair was still plentiful, the features strong and well cut.

 

      The doctor straightened himself and turned to me. "Dead for some time," he said, running a professional finger over the stains. "These are dry and darkened, you see, and rigor mortis is well established. A friend of yours?"

 

      "I don't know him at all," I replied. "Never saw him but once before."

 

      "Then you don't know if he is traveling alone?"

 

      "No, he was not - that is, I don't know anything about him," I corrected myself. It was my first blunder: the doctor glanced up at me quickly and then turned his attention again to the body. Like a flash there had come to me the vision of the woman with the bronze hair and the tragic face, whom I had surprised in the vestibule between the cars, somewhere in the small hours of the morning. I had acted on my first impulse - the masculine one of shielding a woman.

 

      The doctor had unfastened the coat of the striped pajamas and exposed the dead man's chest. On the left side was a small punctured wound of insignificant size.

 

      "Very neatly done," the doctor said with appreciation. "Couldn't have done it better myself. Right through the intercostal space: no time even to grunt."

 

      "Isn't the heart around there somewhere?" I asked. The medical man turned toward me and smiled austerely.

 

      "That's where it belongs, just under that puncture, when it isn't gadding around in a man's throat or his boots."

 

      I had a new respect for the doctor, for any one indeed who could crack even a feeble joke under such circumstances, or who could run an impersonal finger over that wound and those stains. Odd how a healthy, normal man holds the medical profession in half contemptuous regard until he gets sick, or an emergency like this arises, and then turns meekly to the man who knows the ins and outs of his mortal tenement, takes his pills or his patronage, ties to him like a rudderless. ship in a gale.

 

      "Suicide, is it, doctor?" I asked.

 

      He stood erect, after drawing the bed-clothing over the face, and, taking off his glasses, he wiped them slowly.

 

      "No, it is not suicide," he announced decisively. "It is murder."

 

      Of course, I had expected that, but the word itself brought a shiver. I was just a bit dizzy. Curious faces through the car were turned toward us, and I could hear the porter behind me breathing audibly. A stout woman in negligee came down the aisle and querulously confronted the porter. She wore a pink dressing-jacket and carried portions of her clothing.

 

      "Porter," she began, in the voice of the lady who had "dangled," "is there a rule of this company that will allow a woman to occupy the dressing-room for one hour and curl her hair with an alcohol lamp while respectable people haven't a place where they can hook their - "

 

      She stopped suddenly and stared into lower ten. Her shining pink cheeks grew pasty, her jaw fell. I remember trying to think of something to say, and of saying nothing at all. Then - she had buried her eyes in the nondescript garments that hung from her arm and tottered back the way she had come. Slowly a little knot of men gathered around us, silent for the most part. The doctor was making a search of the berth when the conductor elbowed his way through, followed by the inquisitive man, who had evidently summoned him. I had lost sight, for a time, of the girl in blue.

 

      "Do it himself?" the conductor queried, after a businesslike glance at the body.

 

      "No, he didn't," the doctor asserted. "There's no weapon here, and the window is closed. He couldn't have thrown it out, and he didn't swallow it. What on earth are you looking for, man?"

 

      Some one was on the floor at our feet, face down, head peering under the berth. Now he got up without apology, revealing the man who had summoned the conductor. He was dusty, alert, cheerful, and he dragged up with him the dead man's suit-case. The sight of it brought back to me at once my own predicament.

 

      "I don't know whether there's any connection or not, conductor," I said, "but I am a victim, too, in less degree; I've been robbed of everything I possess, except a red and yellow bath-robe. I happened to be wearing the bath-robe, which was probably the reason the thief overlooked it."

 

      There was a fresh murmur in the crowd. Some body laughed nervously. The conductor was irritated.

 

      "I can't bother with that now," he snarled. "The railroad company is responsible for transportation, not for clothes, jewelry and morals. If people want to be stabbed and robbed in the company's cars, it's their affair. Why didn't you sleep in your clothes? I do."

 

      I took an angry step forward. Then somebody touched my arm, and I unclenched my fist. I could understand the conductor's position, and beside, in the law, I had been guilty myself of contributory negligence.

 

      "I'm not trying to make you responsible," I protested as amiably as I could, "and I believe the clothes the thief left are as good as my own. They are certainly newer. But my valise contained valuable papers and it is to your interest as well as mine to find the man who stole it."

 

      "Why, of course," the conductor said shrewdly. "Find the man who skipped out with this gentleman's clothes, and you've probably got the murderer."

 

      "I went to bed in lower nine," I said, my mind full again of my lost papers, "and I wakened in number seven. I was up in the night prowling around, as I was unable to sleep, and I must have gone back to the wrong berth. Anyhow, until the porter wakened me this morning I knew nothing of my mistake. In the interval the thief - murderer, too, perhaps - must have come back, discovered my error, and taken advantage of it to further his escape."

 

      The inquisitive man looked at me from between narrowed eyelids, ferret-like.

 

      "Did any one on the train suspect you of having valuable papers?" he inquired. The crowd was listening intently.

 

      "No one," I answered promptly and positively. The doctor was investigating the murdered man's effects. The pockets of his trousers contained the usual miscellany of keys and small change, while in his hip pocket was found a small pearl-handled revolver of the type women usually keep around. A gold watch with a Masonic charm had slid down between the mattress and the window, while a showy diamond stud was still fastened in the bosom of his shirt. Taken as a whole, the personal belongings were those of a man of some means, but without any particular degree of breeding. The doctor heaped them together.

 

      "Either robbery was not the motive," he reflected, "or the thief overlooked these things in his hurry."

 

      The latter hypothesis seemed the more tenable, when, after a thorough search, we found no pocketbook and less than a dollar in small change.

 

      The suit-case gave no clue. It contained one empty leather-covered flask and a pint bottle, also empty, a change of linen and some collars with the laundry mark, S. H. In the leather tag on the handle was a card with the name Simon Harrington, Pittsburg. The conductor sat down on my unmade berth, across, and made an entry of the name and address. Then, on an old envelope, he wrote a few words and gave it to the porter, who disappeared.

 

      "I guess that's all I can do," he said. "I've had enough trouble this trip to last for a year. They don't need a conductor on these trains any more; what they ought to have is a sheriff and a posse."

 

      The porter from the next car came in and whispered to him. The conductor rose unhappily.

 

      "Next car's caught the disease," he grumbled. "Doctor, a woman back there has got mumps or bubonic plague, or something. Will you come back?"

 

      The strange porter stood aside.

 

      "Lady about the middle of the car," he said, "in black, sir, with queer-looking hair - sort of copper color, I think, sir."

 

     

 

     

 

     
CHAPTER V THE WOMAN IN THE NEXT CAR

 

 

     

 

      With the departure of the conductor and the doctor, the group around lower ten broke up, to re-form in smaller knots through the car. The porter remained on guard. With something of relief I sank into a seat. I wanted to think, to try to remember the details of the previous night. But my inquisitive acquaintance had other intentions. He came up and sat down beside me. Like the conductor, he had taken notes of the dead man's belongings, his name, address, clothing and the general circumstances of the crime. Now with his little note-book open before him, he prepared to enjoy the minor sensation of the robbery.

 

      "And now for the second victim," he began cheerfully. "What is your name and address, please?" I eyed him with suspicion.

 

      "I have lost everything but my name and address," I parried. "What do you want them for? Publication?"

 

      "Oh, no; dear, no!" he said, shocked at my misapprehension. "Merely for my own enlightenment. I like to gather data of this kind and draw my own conclusions. Most interesting and engrossing. Once or twice I have forestalled the results of police investigation - but entirely for my own amusement."

 

      I nodded tolerantly. Most of us have hobbies; I knew a man once who carried his handkerchief up his sleeve and had a mania for old colored prints cut out of Godey's Lady's Book.

 

      "I use that inductive method originated by Poe and followed since with such success by Conan Doyle. Have you ever read Gaboriau? Ah, you have missed a treat, indeed. And now, to get down to business, what is the name of our escaped thief and probable murderer?"

 

      "How on earth do I know?" I demanded impatiently. "He didn't write it in blood anywhere, did he?"

 

      The little man looked hurt and disappointed.

 

      "Do you mean to say," he asked, "that the pockets of those clothes are entirely empty?" The pockets! In the excitement I had forgotten entirely the sealskin grip which the porter now sat at my feet, and I had not investigated the pockets at all. With the inquisitive man's pencil taking note of everything that I found, I emptied them on the opposite seat.

 

      Upper left-hand waist-coat, two lead pencils and a fountain pen; lower right waist-coat, match-box and a small stamp book; right-hand pocket coat, pair of gray suede gloves, new, size seven and a half; left-hand pocket, gun-metal cigarette case studded with pearls, half-full of Egyptian cigarettes. The trousers pockets contained a gold penknife, a small amount of money in bills and change, and a handkerchief with the initial "S" on it.

 

      Further search through the coat discovered a card-case with cards bearing the name Henry Pinckney Sullivan, and a leather flask with gold mountings, filled with what seemed to be very fair whisky, and monogrammed H. P. S.

 

      "His name evidently is Henry Pinckney Sullivan," said the cheerful follower of Poe, as he wrote it down. "Address as yet unknown. Blond, probably. Have you noticed that it is almost always the blond men who affect a very light gray, with a touch of red in the scarf? Fact, I assure you. I kept a record once of the summer attire of men, and ninety per cent, followed my rule. Dark men like you affect navy blue, or brown."

 

      In spite of myself I was amused at the man's shrewdness.

 

      "Yes; the suit he took was dark - a blue," I said. He rubbed his hands and smiled at me delightedly. "Then you wore black shoes, not tan," he said, with a glance at the aggressive yellow ones I wore.

 

      "Right again," I acknowledged. "Black low shoes and black embroidered hose. If you keep on you'll have a motive for the crime, and the murderer's present place of hiding. And if you come back to the smoker with me, I'll give you an opportunity to judge if he knew good whisky from bad."

 

      I put the articles from the pockets back again and got up. "I wonder if there is a diner on?" I said. "I need something sustaining after all this."

 

      I was conscious then of some one at my elbow. I turned to see the young woman whose face was so vaguely familiar. In the very act of speaking she drew back suddenly and colored.

 

      "Oh, - I beg your pardon," she said hurriedly, "I - thought you were - some one else." She was looking in a puzzled fashion at my coat. I felt all the cringing guilt of a man who has accidentally picked up the wrong umbrella: my borrowed collar sat tight on my neck.

 

      "I'm sorry," I said idiotically. "I'm sorry, but - I'm not." I have learned since that she has bright brown hair, with a loose wave in it that drops over her ears, and dark blue eyes with black lashes and - but what does it matter? One enjoys a picture as a whole: not as the sum of its parts.

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