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Authors: Gary Jennings

BOOK: The Journeyer
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“She has not behaved very nobly. Neither have you.”
But I careered on, “She is always clean and fragrant; you have only just discovered washing. She knows how to make love sublimely; you will never know more than the pig Malgarita—”
“If your lady knows how to fottere so well, then you must have learned, too, and you could teach me—”
“There you are! No lady would use a word like
fottere!
Ilaria calls it musicare.”
“Then teach me to talk like a lady. Teach me to musicare like a lady.”
“This is insupportable! With everything else on my mind, why am I sitting here arguing with an imbecile?” I stood up and said sternly, “Doris, you are supposed to be a good girl. Why do you keep offering not to be?”
“Because …” She bowed her head so that her fair hair fell like a casque around her face and hid her expression. “Because that is all I can offer.”
“Olà, Marco!” called Ubaldo, solidifying out of the fog and coming up to us, panting from his run.
“What did you find out?”
“Let me tell you one thing, zenso. Be glad you are
not
the bravo who did that.”
“Who did what, exactly?” I asked apprehensively.
“Killed the man. The man you spoke of. Yes, he is dead. They have the sword that did it.”
“They do not!” I protested. “The sword they have must be mine, and there is no blood on it.”
Ubaldo shrugged. “They found a weapon. They will assuredly find a sassìn. They will have to find somebody to blame, because of who it was he assassinated.”
“Only Ilaria’s husband—”
“The next Doge.”
“What?”
“The same man. But for this, the banditori would have been proclaiming him Doge of Venice tomorrow. Sacro! That is what I overheard, and I heard it several times repeated. The Council had elected him to succeed the Serenità Zeno, and were only waiting until after the pompe funebri to make the announcement.”
“Oh, Dio mio!” I would have said, but Doris said it for me.
“Now they must start the voting all over again. But not before they find the bravo who is guilty. This is not just another back-alley knifing. From the way they were talking, this is something that has never before occurred in the history of the Republic.”
“Dio mio,” Doris breathed again, then asked me, “What will you do now?”
After some thought, if my mind’s perturbation could be called thinking, I said, “Perhaps I ought not go to my house. Can I sleep in a corner of your barge?”
 
SO that is where I passed the night, on a pallet of smelly rags—but not in sleep; in staring, glaring wakefulness. When, at some small hour, Doris heard my restless tossing and came creeping to ask if I would like to be held and soothed, I simply snarled, and she crept away again. She and Ubaldo and all the other boat children were asleep when the dawn began to poke its fingers through the many cracks in the old barge hull, and I got up, leaving my blood-stained cloak, and slipped out into the morning.
The city was all fresh pink and amber in color, and every stone sparkled with dew left by the caligo. By contrast, I felt anything but sparkly, and an over-all drab brown in color, even to the inside of my mouth. I wandered aimlessly through the awakening streets, the turnings of my path determined by my veering away from every other person out walking that early. But gradually the streets began to fill with people, too many for me to avoid them all, and I heard the bells ringing the terza, the start of the working day. So I let myself drift lagoonward, to the Riva Ca’ de Dio and into the warehouse of the Compagnia Polo. I think I had some dim notion of asking the clerk Isidoro Priuli if he could quickly and quietly arrange for me the berth of cabin boy on some outbound vessel.
I trudged into his little counting room, so sunk in my morosity that it took me a moment to notice that the room was more than usually cramped and that Maistro Doro was saying to a crowd of visitors, “I can only tell you that he has not set foot in Venice in more than twenty years. I repeat, the Messer Marco Polo has long lived in Constantinople and still lives there. If you refuse to believe me, here is his nephew of the same name, who can vouch—”
I spun on my heel to go out again, having recognized the crowd in the room as no more than two, but extremely burly, uniformed gastaldi of the Quarantia. Before I could escape, one of them growled, “Same name, eh? And look at the guilty face on him!” and the other reached out to clamp a massive hand around my upper arm.
Well, I was marched away, while the clerk and the warehouse men goggled. We had no great distance to go, but it seemed the longest of all the journeys I have ever made. I struggled feebly in the iron grip of the gastaldi and, more like a bimbo than a bravo, pleaded tearfully to know of what I was accused, but the stolid bailiffs never replied. As we tramped along the Riva, through crowds of passersby also goggling, my mind was a tumult of questions: Was there a reward? Who turned me in? Did Doris or Ubaldo somehow send word? We crossed over the Bridge of the Straw, but did not continue as far as the piazzetta entrance to the Doge’s Palace. At the Gate of the Wheat, we turned in to the Torresella, which stands adjacent to the palace and is the last remainder of what was in ancient times a fortified castle. It is now officially the State Prison of Venice, but its inmates have another name for it. The prison is called by the name our ancestors called the fiery pit before Christianity taught them to call it Hell. The prison is called Vulcano.
From the bright pink and amber morning outside, I found myself suddenly thrust into an orbà, which might not sound like much unless you know that it means “blinded.” An orbà is a cell just big enough to contain one man. It is a stone box, totally unfurnished and absolutely without any opening for light or air. I stood in a darkness unrelieved, suffocatingly close, foul with stench. The floor was thick with some gluey mess that sucked at my feet when I moved them, so I did not even try to sit down, and the walls were spongy with some slime that seemed to crawl when I touched it, so I did not even lean; when I tired of standing, I squatted. And I shook with an ague as I slowly comprehended the full horror of where I was and what had become of me. I, Marco Polo, son of the Ene Aca house of Polo, bearer of a name inscribed in the Libro d’Oro—so recently a free man, a carefree youth, free to wander where I would in the whole wide world—I was in
prison,
disgraced, despised, shut up in a box that no rat would willingly inhabit. Oh, how I wept!
I do not know how long I stayed in that blind cell. It was at least the remainder of that day, and it may have been two or three days, for, although I tried hard to control my fright-churned bowels, I several times contributed to the mess on the floor. When finally a guard came to let me out, I assumed I had been freed as innocent, and I exulted. Even had I been guilty of killing the Doge-elect, I was sure I had suffered punishment enough for it, and had felt enough remorse and sworn enough repentance. But of course my exultation was dashed when the guard told me that I had endured only the first and probably least of my punishments—that the orbà is only the temporary cell where a prisoner is held until time for his preliminary examination.
So I was brought before the tribunal called the Gentlemen of the Night. In an upstairs room of the Vulcano, I was stood in front of a long table behind which sat eight grave and elderly men in black gowns. I was not positioned too close to their table, and the guard on either side of me did not stand too close to me, for I must have smelled as terrible as I felt. If I also looked as terrible, I must have appeared the very portrait of a low and brutish criminal.
The Signori della Notte began by taking turns at asking me some innocuous questions: my name, my age, my residence, particulars of my family history and the like. Then one of them, referring to a paper before him, told me, “Many other questions must be asked before we can determine on a bill of indictment. But that interrogation will be postponed until you have been assigned a Brother of Justice to act as your advocate, for you have been denounced as the perpetrator of a crime which is capitally punishable … .”
Denounced! I was so stunned that I missed most of the man’s subsequent words. The denouncer had to be either Doris or Ubaldo, for only they knew that I had even been near the murdered man. But how could either of them have done it so quickly? And who did they get to write for them the denunciation to be slid into one of the snouts?
The gentleman concluded his speech by asking, “Have you any comment to make on these most serious charges?”
I cleared my throat and said hesitantly, “Who—who denounced me, Messere?” It was an inane thing to ask, since I could not reasonably expect an answer, but it was the question uppermost in my mind. And much to my surprise, the examiner did answer:
“You denounced yourself, young Messere.” I must have blinked at him stupidly, for he added, “Did you not write this?” and read from a piece of paper: “Will
he
be at both the Funeral and the Installation?” I am sure I blinked at him stupidly, for he added, “It is signed Marco Polo.”
Walking like a sleepwalker, I was taken by my guards down the stairs again, and then down another flight of stairs into what they called the wells, the deepest part of the Vulcano. Even that, they told me, was not the real dungeon of the prison; I could look forward, when I had been properly convicted, to being shifted into the Dark Gardens reserved for the keeping of condemned men until their execution. Laughing coarsely, they opened a thick but only knee-high wooden door in the stone wall, pushed me down and shoved me through it, and gave the door a slam like the knell of Doomsday.
This cell was at least considerably larger than the orbà and had at least a hole in the low door. The hole was too small to permit me to shake a fist through it at the departing jailers, but it did admit a trace of air and enough light to keep the cell from being utterly dark. When my eyes had adjusted to the murk, I could see that the cell was furnished with a lidded pail for a pissòta and two bare plank shelves for beds. I could see nothing else except what looked like a tumbled heap of bedclothes in one corner. However, when I approached it, the heap heaved and stood up and was a man.
“Salamelèch,” he said hoarsely. The greeting sounded foreign. I squinted at him and recognized the red-gray, fungoid hair and beard. It was the zudìo whose public scourging I had witnessed on a day memorable for much else.
 
“MORDECAI,” he introduced himself. “Mordecai Cartafilo.” And he asked the question that all prisoners ask each other at first meeting: “What are you in for?”
“Murder,” I said with a sniffle. “And I think treason and lesa-maestà and a few other things.”
“Murder will suffice,” he said drily. “Not to worry, lad. They will overlook those trifling other items. You cannot be punished for them once you have been punished for murder. That would be what is called double jeopardy, and that is forbidden by the law of the land.”
I gave him a sour look. “You are jesting, old man.”
He shrugged. “One lightens the dark as best one can.”
We sat gloomy in the gloom for a while. Then I said, “You are in here for usury, are you not?”
“I am not. I am in here because a certain lady
accused
me of usury.”
“That is a coincidence. I am also in here—at least indirectly—because of a lady.”
“Well, I only said lady to indicate the gender. She is really”—he spat on the floor—“a shèquesa kàrove.”
“I do not understand your foreign words.”
“A gentile putana cagna,” he said, as if still spitting. “She begged a loan from me and pledged some love letters as security. When she could not pay, and I would not return the letters, she made sure I would not deliver them to anyone else.”
I shook my head sympathetically. “Yours is a sad case, but mine is more ironic. My lady begged a service from me and pledged herself as reward. The deed was done, but not by me. Nevertheless, here I am, rather differently rewarded, but my lady probably does not even know of it yet. Is that not ironic?”
“Hilarious.”
“Yes, Ilaria! Do you know the lady?”
“What?” He glared at me. “Your kàrove is named Ilaria, too?”
I glared at him. “How dare you call my lady a putana cagna?”
Then we ceased glaring at each other, and we sat down on the bed shelves and began comparing experiences, and alas, it became evident that we had both known the same Dona Ilaria. I told old Cartafilo my whole adventure, concluding:
“But you mentioned love letters. I never sent her any.”
He said, “I am sorry to be the one to tell you. They were not signed with your name.”
“Then she was in love with someone else all the time?”
“So it would seem.”
I muttered, “She seduced me only so I would play the bravo for her. I have been nothing but a dupe. I have been exceptionally stupid.”
“So it would seem.”
“And the one message that I did sign—the one the Signori now have—she must have slipped it into the snout. But why should she do that to me?”
“She has no further use for her bravo. Her husband is dead, her lover is available, you are but an encumbrance to be shed.”
“But I did not kill her husband!”
“So who did? Probably the lover. Do you expect her to denounce him, when she can offer you up instead and thereby keep him safe?” I had no answer to that. After a moment he asked, “Did you ever hear of the lamia?”
“Lamia? It means a witch.”
“Not exactly. The lamia can take the form of a very young witch, and very beautiful. She does that to entice young men to fall in love with her. When she has snared one, she makes love to him so voluptuously and industriously that he gets quite exhausted. And when he is limp and helpless, she eats him alive. It is only a myth, of course, but a curiously pervasive and persistent myth. I have encountered it in every country I have visited around the Mediterranean Sea. And I have traveled much. It is strange, how so many different peoples believe in the bloodthirstiness of beauty.”
I considered that, and said, “She did smile while she watched you flogged, old man.”
“I am not surprised. She will probably reach the very height of venereal excitement when she watches you go to the Meatmaker.”
“To the what?”
“That is what we old prison veterans call the executioner—the Meatmaker.”
I cried, distraught, “But I cannot be executed! I am innocent! I am of the Ene Aca! I should not even be shut up with a Jew!”
“Oh, excuse me, your lordship. It is that the bad light in here has dimmed my eyesight. I took you for a common prisoner in the pozzi of the Vulcano.”
“I am not
common!”
“Excuse me again,” he said, and reached a hand across the space between our bed shelves. He plucked something off my tunic and regarded it closely. “Only a flea. A common flea.” He popped it between his fingernails. “It appeared as common as my own.”
I grumbled, “There is nothing wrong with your eyesight.”
“If you really are a noble, young Marco, you must do what all the noble prisoners do. Agitate for a better cell, a private one, with a window over the street or the water. Then you can let down a string, and send messages, or haul up delicacies of food. That is not supposed to be allowed, but in the case of nobility the rules are winked at.”
“You make it sound as if I will be here a long time.”
“No.” He sighed. “Probably not long.”
The import of that remark made my hair prickle. “I keep telling you, old fool.
I am innocent!”
And that made him reply, just as loudly and indignantly, “Why tell me, unhappy mamzar? Tell it to the Signori della Notte! I am innocent, too, but here I sit and here I will rot!”
“Wait! I have an idea,” I said. “We are both here because of the Lady Ilaria’s wiles and lies. If together we tell that to the Signori, they ought to wonder about her veracity.”
Mordecai shook his head doubtfully. “Whom would they believe? She is the widow of an almost Doge. You are an accused murderer and I am a convicted usurer.”
“You may be right,” I said, dispirited. “It is unfortunate that you are a Jew.”
He fixed me with a not at all dim eye and said, “People are forever telling me that. Why do you?”
“Oh … only that the testimony of a Jew is naturally suspect.”
“So I have frequently noticed. I wonder why.”
“Well … you did kill our Lord Jesus … .”
He snorted and said, “I, indeed!” As if disgusted with me, he turned his back and stretched out on his shelf and drew his voluminous robe about him. He muttered to the wall, “I only spoke to the man … only two words …” and then apparently went to sleep.
When a long and dismal time had passed, and the door hole had darkened, the door was noisily unlocked and two guards crawled in dragging a large vat. Old Cartafilo stopped snoring and sat up eagerly. The guards gave him and me each a wooden shingle, onto which they spooned from the vat a lukewarm, glutinous glob. Then they left for us a feeble lamp, a bowl of fish oil in which a scrap of rag burned with much smoke and little light, and they went away and slammed the door. I looked dubiously at the food.
“Polenta gruel,” Mordecai told me, avidly scooping his up with two fingers. “A holòsh, but you had better eat it. Only meal of the day. You will get nothing else.”
“I am not hungry,” I said. “You may have mine.”
He almost snatched it, and ate both portions with much lip smacking. When he had done, he sat and sucked his teeth as if unwilling to miss a particle, and peered at me from under his fungus eyebrows, and finally said:
“What would you ordinarily be eating for supper?”
“Oh … perhaps a platter of tagiadèle with persuto … and a zabagiòn to drink …”
“Bongusto,” he said sardonically. “I cannot pretend to tempt such a refined taste, but perhaps you would like some of these.” He rummaged inside his robe. “The tolerant Venetian laws allow me some religious observance, even in prison.” I could not see how that accounted for the square white crackers he brought out and handed to me. But I ate them gratefully, though they were almost tasteless, and I thanked him.
By the next day’s suppertime, I was hungry enough not to be fastidious. I would probably have eaten the prison gruel just because it meant a break in the monotony of doing nothing but sitting, and sleeping on the coverless hard bench, and walking the two or three steps the cell permitted, and occasionally making conversation with Cartafilo. But that is how the days went on, each of them marked off only by the lightening and darkening of the door hole, and the old zudìo’s praying three times a day, and the evening arrival of the horrid food.
Perhaps it was not such a dreadful experience for Mordecai, since, to the best of my knowledge, he had spent all of his prior days huddled in his cell-like money shop on the Mercerìa, and this could not be a much different confinement. But I had been free and untrammeled and convivial; being immured in the Vulcano was like being buried alive. I realized that I ought to be grateful for having some company in my untimely grave, even if it was only a Jew, and even if his conversation was not always buoyant. One day I mentioned to him that I had seen several sorts of punishment administered at the pillars of Marco and Todaro, but never an execution.
He said, “That is because most of them are done here inside the walls, so that not even the other prisoners are aware of them until they are over. The condemned man is put into one of the cells of the Giardini Foschi, so called, and those cells have barred windows. The Meatmaker waits outside the cell, and waits patiently, until the man inside, moving about, moves before that window and with his back to it. Then the Meatmaker whips a garrotta through the bars and around the man’s throat, so that either his neck snaps or he strangles to death. The Dark Gardens are on the canal side of this building, and there is a removable stone slab in the corridor there. In the night, the victim’s body is slid through that secret hole and into a waiting boat, and it is conveyed to the Sepoltùra Pùblica. Not until it is all finished is the execution announced. Far less fuss that way. Venice does not care to have it widely known that the old Roman lege de tagiòn is still so often exercised here. So the
public
executions are few. They are inflicted only on those convicted of really heinous crimes.”
“Crimes like what?” I asked.
“In my time, one man has died so for having raped a nun, and another for having told a foreigner some of the secrets of the Murano art of glassworking. I daresay the murder of a Doge-elect will rank with those, if that is what you are wondering.”
I swallowed. “What is—how is it done—in public?”
“The culprit kneels between the pillars and is beheaded by the Meatmaker. But before that, the Meatmaker has cut off whatever part of him was guilty of the crime. The nun raper, of course, had his gid amputated. The glassworker had his tongue cut out. And the condemned man marches to the pillars with the guilty piece of him suspended from a string around his neck. In your case, I suppose it will be only your hand.”
“And only my head,” I said thickly.
“Try not to laugh,” said Mordecai.
“Laugh?!” I cried in anguish—and then I did laugh, his Words were so preposterous. “You are jesting again, old man.”
He shrugged. “One does what one can.”
One day, the monotony of my confinement was interrupted. The door was unlocked to let a stranger come stooping in. He was a fairly young man who wore not a uniform but the gown of the Brotherhood of Justice, and he introduced himself to me as Fratello Ugo.
“Already,” he said briskly, “you owe a considerable casermagio of room and board in this State Prison. If you are poor, you are entitled to the assistance of the Brotherhood. It will pay your casermagio for as long as you are incarcerated. I am a licensed advocate, and I will represent you to the best of my ability. I will also carry messages to and from the outside, and procure some few small comforts—salt for your meals, oil for your lamp, things like that. I can also arrange for you”—he glanced over at old Cartafilo and sniffed slightly—“a private cell.”
I said, “I doubt that I would be any less unhappy elsewhere, Fra Ugo. I will stay in this one.”
“As you wish,” he said. “Now, I have been in communication with the house of Polo, of which it seems you are the titular head, albeit still a minor. If you prefer, you can well afford to pay the prison casermagio, and also to hire an advocate of your own choice. You have only to write out the necessary pagherì and authorize the company to pay them.”
I said uncertainly, “That would be a public humiliation to the company. And I do not know if I have any right to squander the company’s funds … .”
“On a lost cause,” he finished for me, nodding in agreement. “I quite understand.”
Alarmed, I started to remonstrate, “I did not mean—that is, I would hope … .”
“The alternative is to accept the help of the Brotherhood of Justice. For its reimbursement, the Brotherhood is then allowed to send upon the streets two beggars, asking alms of the citizens for pity of the wretched Marco P—”
“Amoredèi!” I exclaimed. “That would be infinitely more humiliating!”

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