Raised By Wolves Volume four- Wolves (95 page)

The End Bibliography

The following titles do not represent the entirety of the author’s studies; but they were the ones she found the most useful, and the ones she recommends to anyone interested in doing their own reading about the buccaneers and this period of history. To that end, theyare ranked inorder ofusefulness to her research.

Exquemelin, Alexander O.,
The Buccaneers of America
(translated by Alexis Brown, 1969), Dover Publications, Inc., 2000. Originalpublication, Amsterdam, 1678.

Haring, C.H.,
The Buccaneers of the West Indies in The XVII Century,
New York:E.P. Hutton, 1910.
Burney, James,
History of the Buccaneers of America,
London: Unit Library, Limited, 1902. First edition, London,

1816. Burg, B.R.,
Sodomy And The Perception of Evil: English Sea Rovers in The Seventeenth-Century Caribbean,
New York:New York UniversityPress, 1983.

Marx, Robert F.,
Pirate Port: The Story of the Sunken
Marx, Robert F.,
Pirate Port: The Story of the Sunken City of Port Royal,
New York: The World Publishing Company, 1967.

Briggs, Peter,
Buccaneer Harbor: The Fabulous History of Port Royal, Jamaica,
New York: Simon And Schuster, 1970.

Dunn, Richard S.,
Sugar and Slaves: The Rise of the Planter Class in the English West Indies, 1624-1713,
New York:W.W.Norton& Company, Inc., 1972.

Apestegui, Cruz,
Pirates of the Caribbean: Buccaneers, Privateers, Freebooters and Filibusters 1493-1720,
London: ConwayMaritime Press, 2002.

Marrin, Albert,
Terror of the Spanish Main: Sir Henry Morgan and His Buccaneers,
New York: Dutton Children’s Books, 1999.

Pyle, Howard,
Howard Pyle’s Book of Pirates,
New York:Harper & Row, Publishers, 1921.
Cordingly, David,
Under The Black Flag,
New York: RandomHouse, 1995.
Kongstam, Angus,
The History of Pirates,
Canada: The Lyons Press, 1999.
About the Cover

The illustration used on the cover of this book is a detail of Howard Pyle’s
The Sack of Cartegena
(There are several alternate titles for this painting). The piece was painted in 1907, as part ofa series ofpaintings and illustrations for Howard Pyle’s Book of Pirates. It is not used here to represent any particular scene or character inthis series.

Howard Pyle is regarded by many as the father ofAmerican illustration. There are numerous books and web sites devoted to his work and legacy, so we will not waste words here saying what many others can tell you. Pyle seems to be one of the few illustrators who ever read Exquemelin or Burney (see bibliography). Inhis art and writing, he accuratelydepicts what is known of the buccaneers in terms of dress and tactics. He essentially represents buccaneers, circa 1630-1680, and not romanticized notions fromlater centuries about “pirates”fromthe GoldenAge ofPiracy, 1680-1720.