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Bosc.1966.1

Bosco, Umberto,
Dante vicino
(Caltanissetta: Sciascia, 1966).

Bose.1996.1

Bose, Mishtooni, “From Exegesis to Appropriation: The Medieval Solomon,”
Medium Aevum
65 (1996): 187–210.

Bott.1994.1

Botterill, Steven,
Dante and the Mystical Tradition: Bernard of Clairvaux in the “Commedia”
(Cambridge: Cambridge University Press, 1994).

Bott.1995.1

Botterill, Steven, “
Paradiso
XII,” in
Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,”
ed. Tibor Wlassics (
Lectura Dantis [virginiana]
, 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 172–85.

Bott.2003.1

Botterill, Steven, “Mysticism and Meaning in Dante’s
Paradiso
,” in
Dante for the New Millennium
, ed. Teodolinda Barolini and H. Wayne Storey (New York: Fordham University Press, 2003), pp. 143–51.

Bouq.2004.1

Bouquet, Monique, and Françoise Morzadec, eds.,
La Sibylle: Parole et représentation
(Rennes: Presses Universitaires de Rennes, 2004).

Boyd.1981.1

Boyde, Patrick,
Dante Philomythes and Philosopher: Man in the Cosmos
(Cambridge: Cambridge University Press, 1981).

Boyd.1993.1

Boyde, Patrick,
Perception and Passion in Dante’s “Comedy”
(Cambridge: Cambridge University Press, 1993).

Boyd.1995.1

Boyde, Patrick, “L’esegesi di Dante e la scienza,” in
Dante e la scienza
, ed. P. Boyde and V. Russo (Ravenna: Longo, 1995), pp. 9–23.

Boyl.2000.1

Boyle, Marjorie O’Rourke, “Closure in Paradise: Dante Outsings Aquinas,”
Modern Language Notes
115 (2000): 1–12.

Brez.1968.1

Brezzi, Paolo, “Canto VI,” in
Lectura Dantis Scaligera: “Paradiso,”
dir. M. Marcazzan (Florence: Le Monnier, 1968), pp. 173–216.

Brez.1989.1

Brezzi, Paolo, “II Canto XVII,” in
“Paradiso”: Letture degli anni 1979–’81
, ed. S. Zennaro (Rome: Bonacci, 1989), pp. 443–67.

Brow.1978.1

Brownlee, Kevin, “Dante and Narcissus (
Purg.
XXX, 76–99),”
Dante Studies
96 (1978): 201–6.

Brow.1984.1

Brownlee, Kevin, “Phaeton’s Fall and Dante’s Ascent,”
Dante Studies
102 (1984): 135–44.

Brow.1984.2

Brownlee, Kevin, “Why the Angels Speak Italian: Dante as Vernacular
Poeta
in
Paradiso
XXV,”
Poetics Today
5 (1984): 597–610.

Brow.1990.1

Brownlee, Kevin, “
Paradiso
XXVI,” in
Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,”
ed. Tibor Wlassics (
Lectura Dantis [virginiana],
16–17, supplement, Charlottesville: University of Virginia, 1995 [1990]), pp. 388–401.

Brow.1991.2

Brownlee, Kevin, “Ovid’s Semele and Dante’s Metamorphosis:
Paradiso
21–22,” in
The Poetry of Allusion: Virgil and Ovid in Dante’s “Commedia
,

ed. Rachel Jacoff and Jeffrey T. Schnapp (Stanford: Stanford University Press, 1991), pp. 224–32, 293–94.

Brug.1995.1

Brugnoli, Giorgio, “
Paradiso
XVII,”
L’Alighieri
5 (1995): 47–58.

Brug.1998.1

Brugnoli, Giorgio, “I tempi cristiani di Dante,”
Critica del testo
1 (1998): 469–92.

Brug.1999.1

Brugnoli, Giorgio, “Sardanapalo in camera,”
Rivista internazionale di onomastica letteraria
1 (1999): 55–76.

Burl.2003.1

Burlot, Maria Lorena, “Dante Alighieri y la Iglesia católica: La
Divina Comedia
y la Enciclica ‘In praeclara’ de Benedicto XV,” in
Mito y religión en la lengua y la literatura italianas: Atti del convegno di italianistica
, ed. Gloria Galli de Ortega y María Troiano de Echegaray, vol. II (Mendoze: Editorial de la Facultad de Filosofía y Letras–Univ. Nac. de Cuyo, 2003), pp. 549–60.

Bynu.1995.1

Bynum, Caroline Walker,
The Resurrection of the Body in Western Christianity, 200–1336
(New York: Columbia University Press, 1995).

Cahi.1996.1

Cahill, Courtney, “The Limitations of Difference in
Paradiso
XIII’s Two Arts: Reason and Poetry,”
Dante Studies
114 (1996): 245–69.

Calv.2001.1

Calvet, Antoine, “Dante et les joachimismes,” in
Pour Dante: Dante et l’Apocalypse; Lectures humanistes de Dante
, ed. Bruno Pinchard and Christian Trottmann (Paris: Champion, 2001), pp. 77–98.

Came.1995.1

Camerino, Giuseppe Antonio, “
Paradiso
XX,”
L’Alighieri
6 (1995): 47–60.

Card.2006.1

Cardellino, Lodovico, “ ‘Dischiuso’ in
Paradiso
7.102 e 14.138: ha il senso usuale di ‘aperto’ o ‘espresso,’ non di ‘escluso,’ ”
Electronic Bulletin of the Dante Society of America
(January 2006).

Carp.2004.1

Carpi, Umberto,
La nobiltà di Dante
(Florence: Polistampa, 2004).

Carr.2002.1

Carrai, Stefano, “Canto VI,” in
Lectura Dantis Turicensis: Paradiso
, ed. Georges Güntert and Michelangelo Picone (Florence: Cesati, 2002), pp. 95–106.

Caru.1994.1

Carugati, Giuliana, “Retorica amorosa e verità in Dante: Il
De causis
e l’idea della donna nel
Convivio
,”
Dante Studies
112 (1994): 161–75.

Casa.1976.1

Casagrande, Gino, “ ‘I s’appellava in terra il sommo bene’ (
Paradiso
, XXVI, 134),”
Aevum
50 (1976): 249–73.

Casa.1997.2

Casagrande, Gino, “Parole di Dante: ‘abborrare,’ ”
Studi Danteschi
63 (1991 [1997]): 177–90.

Case.1950.1

Casella, Mario, “Nel cielo del Sole: l’anima e la mente di san Tommaso,”
Studi Danteschi
29 (1950): 5–40; 30 (1951): 5–22; 31 (1952): 5–30.

Cass.1971.3

Cassata, Letterio, “Tre
cruces
dantesche: III; La pelle di Pasifae,”
Studi Danteschi
48 (1971): 29–43.

Cass.2004.1

Cassell, Anthony K.,
The “Monarchia” Controversy: An Historical Study with Accompanying Translations of Dante Alighieri’s “Monarchia,” Guido Vernani’s “Refutation of the ‘Monarchia’ Composed by Dante,” and Pope John XXII’s Bull “Si fratrum”
(Washington, D.C.: Catholic University of America Press, 2004).

Ceru.1949.1

Cerulli, Enrico,
Il “Libro della scala” e la questione delle fonti arabo-spagnole della “Divina Commedia”
(Città del Vaticano: Biblioteca apostolica vaticana, 1949).

Cest.2003.1

Cestaro, Gary P.,
Dante and the Grammar of the Nursing Body
(Notre Dame: University of Notre Dame Press, 2003).

Char.1966.1

Charity, A. C.,
Events and Their Afterlife: The Dialectics of Christian Typology in the Bible and Dante
(Cambridge: Cambridge University Press, 1966).

Cher.2004.1

Cherchi, Paolo, “Dante e i trovatori,” in
Le culture di Dante: Atti del quarto Seminario dantesco internazionale
, ed. Michelangelo Picone et al. (Florence: Cesati, 2004), pp. 93–103.

Chia.1966.1

Chiarenza, Marguerite Mills, “Hippolytus’ Exile:
Paradiso
XVII, vv. 46–48,”
Dante Studies
84 (1966): 65–68.

Chia.1967.3

Chiappelli, Fredi, “Abstraction et réalité dans la structure figurative du
Paradiso
,” in
Le Réel dans la littérature et dans la langue, actes du Xe congrès de la Féderation internationale des langues et littératures modernes (F.I.L.L.M.), Strasbourg, 29 août–3 septembre 1966
, ed. Paul Vernois (Paris: C. Klincksieck, 1967), pp. 7–22.

Chia.1972.1

Chiarenza, Marguerite Mills, “The Imageless Vision and Dante’s
Paradiso
,”
Dante Studies
90 (1972): 77–91.

Chia.1975.2

Chiavacci Leonardi, Anna Maria, “Il canto XXX del
Paradiso
,”
Paragone
308 (1975): 3–34.

Chia.1981.1

Chiampi, James T.,
Shadowy Prefaces
(Ravenna: Longo, 1981).

Chia.1983.2

Chiarenza, Marguerite, “Boethian Themes in Dante’s Reading of Virgil,”
Stanford Italian Review
3 (1983): 25–35.

Chia.1983.3

Chiarenza, Marguerite Mills, “Time and Eternity in the Myths of
Paradiso
XVII,” in
Dante, Petrarch, Boccaccio: Studies in the Italian Trecento in Honor of Charles S. Singleton
, ed. A. S. Bernardo and A. L. Pellegrini (Binghamton, N.Y.: Medieval & Renaissance Texts and Studies, 1983), pp. 133–50.

Chia.1988.1

Chiarenza, Marguerite Mills, “ ‘Legato con amore in un volume,’ ” in
Dante e la Bibbia
, ed. G. Barblan (Florence: Olschki, 1988), pp. 227–34.

Chia.1988.2

Chiavacci Leonardi, Anna, “ ‘Le bianche stole’: il tema della resurrezione nel
Paradiso
,” in
Dante e la Bibbia
, ed. G. Barblan (Florence: Olschki, 1988), pp. 249–71.

Chia.1989.2

Chiavacci Leonardi, Anna Maria, “
Paradiso
XVII,” in
Filologia e critica dantesca: Studi offerti a Aldo Vallone
(Florence: Olschki, 1989), pp. 309–27.

Chia.1993.1

Chiarenza, Marguerite, “Dante’s Lady Poverty,”
Dante Studies
111 (1993): 153–75.

Chia.1995.1

Chiamenti, Massimiliano,
Dante Alighieri traduttore
(Florence: Le Lettere, 1995).

Chia.1995.3

Chiarenza, Marguerite, “
Paradiso
XX,”
Lectura Dantis [virginiana]
16–17 (1995): 300–307.

Chia.1997.1

Chiavacci Leonardi, Anna Maria,
Paradiso, con il commento di A. M. C. L.
(Milan: Mondadori, 1997).

Chia.1999.3

Chiamenti, Massimiliano, “Intertestualità
Liber Scale Machometi-Commedia
?”
Semestrale di Studi (e Testi) italiani
4 (1999): 45–51. [see also
http://www.disp.let.uniroma1.it/contents/?idPagina=95
]

Chia.2000.1

Chiarenza, Marguerite, “Solomon’s Song in the
Divine Comedy
,” in
Sparks and Seeds: Medieval Literature and Its Afterlife (Essays in Honor of John Freccero)
, ed. Dana E. Stewart and Alison Cornish (Turnhout: Brepols, 2000), pp. 199–208.

Chim.1956.1

Chimenz, Siro A., “Il canto XIX del
Paradiso
,” in
Letture dantesche, III: “Paradiso,”
ed. G. Getto (Florence: Sansoni, 1965 [1956]), pp. 1733–59.

Clay.1985.1

Clay, Diskin, “The Art of Glaukos (Plato
Phaedo
108D4–9),”
American Journal of Philology
106 (1985): 230–36.

Coga.1999.1

Cogan, Marc,
The Design in the Wax: The Structure of the “Divine Comedy” and Its Meaning
(Notre Dame: University of Notre Dame Press, 1999).

Cogl.1990.1

Coglievina, Leonella, “Strutture narrative e ‘vera sentenza’ nel
Paradiso
dantesco: l’esempio del V canto,”
Studi Danteschi
58 (1986 [1990]): 49–80.

Como.1990.1

Comollo, Adriano,
Il dissenso religioso in Dante
(Florence: Olschki, 1990).

Comp.1872.1

Comparetti, Domenico,
Vergil in the Middle Ages
, tr. E. F. M. Benecke (Hamden, Conn.: Archon Books, 1966 [1872]).

Comp.1986.1

Boorstein, Daniel E., tr.,
Dino Compagni’s Chronicle of Florence
(Philadelphia: University of Pennsylvania Press, 1986).

Conr.1971.1

Conrieri, Davide, “San Giacomo e la speranza: osservazioni su
Paradiso
XXV, vv. 13–99,”
Giornale storico della letteratura italiana
148 (1971): 309–15.

Cons.1953.1

Constable, Giles, “The Second Crusade as Seen by Contemporaries,”
Traditio
9 (1953): 213–79.

Cont.1968.1

Contini, Gianfranco, “Canto XXVIII,” in
Lectura Dantis Scaligera: “Paradiso,”
dir. M. Marcazzan (Florence: Le Monnier, 1968), pp. 999–1030.

Cont.1976.1

Contini, Gianfranco,
Un’ idea di Dante
(Turin: Einaudi, 1976).

Cont.2001.1

Conte, Silvia, “Le finalità del comico: una nuova proposta per l’interpretazione della
intitulatio
della
Commedia
,”
Critica del testo
4 (2001): 559–74.

Cont.2006.1

Conte, Silvia, “Giustiniano e l’ispirazione divina dei
Digesta
,”
L’Alighieri
27 (2006): 25–40.

Corn.1990.1

Cornish, Alison, “Planets and Angels in
Paradiso
XXIX: The First Moment,”
Dante Studies
108 (1990): 1–28.

Corn.2000.1

Cornish, Alison, “Angels,” in
The Dante Encyclopedia
, ed. Richard Lansing (New York: Garland, 2000), pp. 37–45.

Corn.2000.2

Cornish, Alison,
Reading Dante’s Stars
(New Haven: Yale University Press, 2000).

Cort.1978.1

Corti, Maria,
Il viaggio testuale
(Turin: Einaudi, 1993 [1978]).

Cort.1983.1

Corti, Maria,
La felicità mentale: nuove prospettive per Cavalcanti e Dante
(Turin: Einaudi, 1983).

Cort.1995.1

Corti, Maria, “La
Commedia
di Dante e l’oltretomba islamico,”
L’Alighieri
5 (1995): 7–19.

Cosm.1936.1

Cosmo, Umberto,
L’ultima ascesa: Introduzione alla lettura del “Paradiso,”
ed. B. Maier (Florence: La Nuova Italia, 1965 [1936]).

Cost.1996.1

Costa, Gustavo, “Il canto XXXI del
Paradiso
,”
L’Alighieri
8 (1996): 57–85.

Croc.1921.1

Croce, Benedetto,
La poesia di Dante
, 2d ed. (Bari: Laterza, 1921).

Curt.1948.1

Curtius, Ernst Robert,
European Literature and the Latin Middle Ages
, tr. W. R. Trask (New York: Harper & Row, 1963 [1948]).

Curt.1950.1

Curtius, Ernst Robert, “The Ship of the Argonauts,” in
Essays on European Literature
, tr. M. Kowal (Princeton: Princeton University Press, 1973 [1950]), pp. 465–96.

BOOK: Paradiso
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