My Struggle: Book 2: A Man in Love (11 page)

The mothers had long since gone into the room where Rhythm Time was due to take place. I waited until last, but at a minute to, I got up and went in with Vanja on my arm. Cushions had been strewn across the floor for us to sit on, while the young woman leading the session sat on a chair in front of us. With the guitar on her lap she scanned the audience smiling. She was wearing a beige cashmere jumper. Her breasts were well formed, her waist was narrow, her legs, one crossed over the other and swinging, were long and still clad in black boots.

I sat down on my cushion. I put Vanja on my lap. She stared with big eyes at the woman with the guitar, who was now saying a few words of welcome.

‘We’ve got some new faces here today,’ she said. ‘Perhaps you’d like to introduce yourselves?’

‘Monica,’ said one.

‘Kristina,’ said another.

‘Lul,’ said a third.

Lul?
What sort of bloody name was that?

The room went quiet. The attractive young woman looked at me and sent me a smile of encouragement.

‘Karl Ove,’ I said sombrely.

‘Then let’s start with our welcome song,’ she said, and struck the first chord, which resounded as she was explaining that parents should say the name of their child when she nodded to them, and then everyone should sing the child’s name.

She strummed the same chord, and everyone began to sing. The idea behind the song was that everyone should say ‘Hi’ to their friend and wave a hand. Parents of the children too small to understand took their wrists and waved their hands, which I did too, but when the second verse started I no longer had any excuse for sitting there in silence and had to start singing. My own deep voice sounded like an affliction in the choir of high-pitched women’s voices. Twelve times we sang ‘Hi’ to our friend before all the children had been named and we could move on. The next song was about parts of the body, which, of course, the children should touch when they were mentioned. Forehead, eyes, ears, nose, mouth, stomach, knee, foot. Forehead, eyes, ears, nose, mouth, stomach, knee, foot. Then we were handed some rattle-like instruments which we were supposed to shake as we sang a new song. I wasn’t embarrassed, it wasn’t embarrassing sitting there, it was humiliating and degrading. Everything was gentle and friendly and nice, all the movements were tiny, and I sat huddled on a cushion droning along with the mothers and children, a song, to cap it all, led by a woman I would have liked to bed. But sitting there I was rendered completely harmless, without dignity, impotent, there was no difference between me and her, except that she was more attractive, and the levelling, whereby I had forfeited everything that was me, even my size, and that voluntarily, filled me with rage.

‘Now it’s time for the children to do a bit of dancing!’ she said, laying her guitar on the floor. Then she got up and went to a CD player on a chair.

‘Everyone stand in a ring, and first we go one way, stamp with our feet, like so,’ she said, stamping her attractive foot, ‘turn round once and go back the other way.’

I got up, lifted Vanja and stood in the circle that was forming. I looked for the other two men. Both were completely focused on their children.

‘OK, OK, Vanja,’ I whispered. ‘“Each to his own,” as your great-grandfather used to say.’

She looked up at me. So far she hadn’t shown any interest in any of the things the children had to do. She didn’t even want to shake the maracas.

‘Away we go, then,’ said the attractive woman, pressing the CD player. A folk tune poured into the room, and I began to follow the others, each step in time to the music. I held Vanja with a hand under each arm, so that she was dangling, close to my chest. Then what I had to do was stamp my foot, swing her round, after which it was back the other way. Lots of the others enjoyed this, there was laughter and even some squeals of delight. When this was over we had to dance alone with our child. I swayed from side to side with Vanja in my arms thinking that this must be what hell was like, gentle and nice and full of mothers you didn’t know from Eve with their babies. When this was finished there was a session with a large blue sail which at first was supposed to be the sea, and we sang a song about waves and everyone swung the sail up and down, making waves, and then it was something the children had to crawl under until we suddenly raised it, this too to the accompaniment of our singing.

When at last she thanked us and said goodbye, I hurried out, dressed Vanja without meeting anyone’s eye, just staring down at the floor, while the voices, happier now than before they went in, buzzed around me. I put Vanja in the buggy, strapped her in and pushed her out as fast as I could without drawing attention to myself. Outside on the street I felt like shouting till my lungs burst and smashing something. But I had to make do with putting as many metres between me and this hall of shame in the shortest possible time.

‘Vanja, O Vanja,’ I said, scurrying down Sveavägen. ‘Did you have fun then? It didn’t really look like it.’

‘Tha tha thaa,’ Vanja said.

She didn’t smile, but her eyes were happy.

She pointed.

‘Ah, a motorbike,’ I said. ‘What is it with you and motorbikes, eh?’

When we reached the Konsum shop at the corner of Tegnérgatan I went in to buy something for supper. The feeling of claustrophobia was still there, but the aggression had diminished, it wasn’t anger I felt as I pushed the buggy down the aisle between the shelves. The shop evoked memories, it was the one I had used when I had moved to Stockholm three years earlier, when I was staying at the flat Norstedts, the publishers, had put at my disposal a stone’s throw further up the street. I had weighed over a hundred kilos at the time and moved in a semi-catatonic darkness, escaping from my former life. It hadn’t been much fun. But I had decided to pick myself up, so every evening I went to the Lill-Jansskogen forest to run. I couldn’t even manage a hundred metres before my heart was pounding so fast and my lungs were gasping so much that I had to stop. Another hundred metres and my legs were trembling. Then it was back to the hotel-like flat at walking pace for crispbread and soup. One day I had seen a woman in the shop, suddenly she was standing next to me, by the meat counter of all places, and there was something about her, the sheer physicality of her appearance, which from one moment to the next filled me with almost explosive lust. She was holding her basket in front of her with both hands, her hair was auburn, her pale complexion freckled. I caught a whiff of her body, a faint smell of sweat and soap, and stood staring straight ahead with a thumping heart and constricted throat for maybe fifteen seconds, for that was the time it took her to come alongside me, take a pack of salami from the counter and go on her way. I saw her again when I was about to pay, she was at the other cash desk, and the desire, which had not gone away, welled up in me again. She put her items in her bag, turned and went out of the door. I never saw her again.

From her low position in the buggy Vanja had spotted a dog, which she was pointing a finger at. I never stopped pondering about what she saw when she watched the world around her. What did this endless stream of people, faces, cars, shops and signs mean to her? She did not see it in an undiscriminating way, that at least was certain, for not only did she regularly point at motorbikes, cats, dogs and other babies, she had also constructed a very clear hierarchy with respect to the people around her: first Linda, then me, then grandma and then everyone else, depending on how long they had been near her over the last few days.

‘Yes, look, a dog,’ I said. I picked up a carton of milk, which I put on the buggy, and a packet of fresh pasta from the adjacent counter. Then I took two packets of serrano ham, a jar of olives, mozzarella cheese, a pot of basil and some tomatoes. This was food I would never have dreamed of buying in my former life because I had no idea it existed. But now I was here, in the midst of Stockholm’s cultural middle classes, and even though this pandering to all things Italian, Spanish, French and the repudiation of all things Swedish appeared stupid to me, and gradually, as the bigger picture emerged, also repugnant, it wasn’t worth wasting my energy on. When I missed pork chops and cabbage, beef stew, vegetable soup, dumplings, meatballs, lung mash, fishcakes, mutton and vegetables, smoked sausage ring, whale steaks, sago pudding, semolina, rice pudding and Norwegian porridge, it was as much the 70s I missed as the actual tastes. And since food was not important to me, I might as well make something Linda liked.

I stopped for a few seconds by the newspaper stand wondering whether to buy the two evening papers, the two biggest publications. Reading them was like emptying a bag of rubbish over your head. Now and then I did buy them, when it felt as though a bit more rubbish up there wouldn’t make any difference. But not today.

I paid and went into the street again, with the tarmac vaguely reflecting the light from the mild winter sky, and the cars queueing on all sides of the crossing resembling a huge pile-up of logs in a river. To avoid the traffic I went along Tegnérgatan. In the window of the second-hand bookshop, which was one of the ones I kept an eye on, I saw a book by Malaparte that Geir had spoken about with warmth and one by Galileo Galilei in the Atlantis series. I turned the buggy, nudged the door open with my heel and entered backwards with the buggy following.

‘I’d like two of the books in the window,’ I said. ‘The Galileo Galilei and the Malaparte.’

‘Pardon me?’ said the shirt-clad man in his fifties who ran the place, as he peered at me over the square-rimmed glasses perched on the tip of his nose.

‘In the window,’ I said in Swedish. ‘Two books. Galilei, Malaparte.’

‘The sky and the war, eh?’ he said, and turned to pick them out for me.

Vanja had gone to sleep.

Had it been so exhausting at Rhythm Time?

I pulled the little lever under the headrest towards me and lowered her gently into the buggy. She waved a hand in her sleep, and clenched it exactly as she had done just after she had been born. One of the movements that nature had supplied her with but which she had slowly replaced with something of her own. But when she slept it reawakened.

I pushed the buggy to the side so that people could pass, and turned to the shelf of art books as the bookshop owner rang up the prices of the two books on his antiquated cash till. Now that Vanja was asleep I had a few more minutes to myself, and the first book I caught sight of was a photographic book by Per Maning. What luck! I had always liked his photos, especially these ones, the animal series. Cows, pigs, dogs, seals. Somehow he had succeeded in capturing their souls. There was no other way to understand the looks of these animals in the pictures. Complete presence, at times anguished, at others vacant, and sometimes penetrating. But also enigmatic, like portraits by painters in the seventeenth century.

I put it on the counter.

‘That one’s just come in,’ the owner said. ‘Fine book. Are you Norwegian?’

‘Yes, I am,’ I said. ‘I’d like to browse a bit more if that’s OK.’

There was an edition of Delacroix’s diary, I took it, and then a book about Turner, even though no paintings lost as much by being photographed as his, and Poul Vad’s book about Hammershøi, and a magnificent work about orientalism in art.

As I placed them on the counter my mobile rang. Almost no one had my number, so the ringtone, which found its way out of the depths of the side pocket in my parka a touch muffled, aroused no disquiet in me. Quite the contrary. Apart from the brief exchange with the Rhythm Time woman I hadn’t spoken to anyone since Linda cycled to school that morning.

‘Hello?’ Geir said. ‘What are you up to?’

‘Working on my self-esteem,’ I said, turning to the wall. ‘And you?’

‘Not that, at any rate. I’m just sitting here in the office watching everyone scurry past. So what’s been happening?’

‘I’ve just met an attractive woman.’

‘And?’

‘Chatted to her.’

‘Mm?’

‘She invited me to hers.’

‘Did you say yes?’

‘Of course. She even asked what my name was.’

‘But?’

‘She was the teacher in charge of a Rhythm Time class for babies. So I had to sit there clapping my hands and singing children’s songs in front of her, with Vanja on my lap. On a little cushion. With a load of mothers and children.’

Geir burst into laughter.

‘I was also given a rattle to shake.’

‘Ha ha ha!’

‘I was so furious when I left I didn’t know what to do with myself,’ I said. ‘I also had a chance to try out my new waistline. And no one was bothered about the rolls of fat on my stomach.’

‘No, they’re nice and soft, they are,’ Geir said, laughing again. ‘Karl Ove, aren’t we going out tonight?’

‘Are you winding me up?’

‘No, I’m serious. I was planning to work here till seven, more or less. So we could meet in town any time after.’

‘Impossible.’

‘What the hell’s the point of you living in Stockholm if we can never meet?’

‘You realise you just used a Swedish word, don’t you,’ I said.

‘Can you remember when you first came to Stockholm?’ Geir said. ‘When you were in the taxi lecturing me about the expression “hen-pecked” when I didn’t want to go to the nightclub with you?’

‘There you go. And another. Your Norwegian’s gone to pot,’ I said.

‘For Christ’s sake, man. What we’re talking about is the expression you used. Hen-pecked. Do you remember?’

‘Yes, I’m afraid I do.’

‘And?’ he said. ‘What do you deduce from that?’

‘That there are differences,’ I said. ‘I’m not hen-pecked. I’m a hen-pecker. And you’re a woodpecker.’

‘Ha ha ha. Tomorrow then?’

‘We’re eating out with Fredrik and Karin tomorrow night.’

‘Fredrik? Is he that idiot of a film producer?’

‘I wouldn’t express it in that way, but, yes, he is.’

‘Oh my God. All right. Sunday? No, that’s your day of rest. Monday?’

‘OK.’

‘There are lots of people in town then, too.’

‘Monday at Pelikanen then,’ I said. ‘By the way, I’m holding a Malaparte book in my hand here.’