Lackey, Mercedes & Flint, Eric & Freer, Dave - [Heirs of Alexandria 01] (80 page)

And there was something else. He'd been
watching
these aristocrats, and from the inside vantage point. No one thought any the worse of the
Casa
heads for having hobbies�some of them pretty odd. Old man Renzi cultivated entertainers. Bruno Bruschi studied Venetian insect life. Carlo di Zecchilo played the flute. Angelo Ponetti made lace, for God's sake! As long as it didn't obsess you, the way the Doge's clockwork toys did, a hobby was actually considered genteel.

There was no reason why the head of an old
Case Vecchie
family like the Valdosta
couldn't
indulge himself in a hobby of medicine. And if he chose to treat the impoverished canalers and canalsiders, well, the medical establishment would be relieved that he wasn't taking away potentially
paying
patients, and his peers would consider it no more than mildly eccentric. He could work it out with the priests by explaining that he was discharging religious obligations. As for having the time to do this, he'd been watching Petro; and yes, he was
busy
, but he did have some leisure time. It was possible.

And the opportunity to so indulge himself�the training to be able to do so�would have come without any strings attached other than those of duty to his family. Not Strega, not Dorma. There were other ramifications�of potential benefit to both Valdosta and Aldanto. He could earn loyalty and gratitude for Valdosta down along canalside that no amount of money could buy. He could earn
friends
for his Family, and ears for Caesare Aldanto.

"I'm kind of lost here," he had been saying to his patients, or his patients' parents. They knew by his accent that he wasn't canalside born, though what they made of him, he couldn't guess. "I don't
know
canalside. I need friends in the trade, friends who'd tell me when somebody's setting up to cheat me or hurt me. Not spies, Lord and Saints, no! Just friends�who'll give me a ride now and again, give me warning if there's a bullyboy on my tail, and tell me the common gossip everybody knows, but nobody else would tell
me
. That's help, honest help, worth more than silver, worth more than enough to clear any debt."

Those who'd insisted on paying him with goods instead of that asked-for help, he'd had leave the stuff in front of Harrow's hole. It kept disappearing, so he assumed Harrow was getting most of it. He doubted anyone else was. That part of Castello had become mysteriously free from crime of late...

He sighed, and got to his feet. It was hard, trying to think out all the ramifications of something. He was so used to living one day at a time, not thinking beyond the needs of the season. Now�

Now it was time for dancing lessons. Pah. Dancing lessons. He'd been here a week and needed to get out and see Kat. But he wasn't sure what to tell her. She was a commoner, a smuggler. He was now one of the
Case Vecchie
. How was she going to take that? She was the greatest darling in nature. But touchy about her home. It must be very simple and poor and she didn't seem to want him to know where it was.

How would he handle that, now? How would he handle
anything
?

He didn't know. All he knew was the meaning of the sword, there in its rightful place.

Dell'este steel. Dell'este honor.
It had been returned to him. He had no choice but to honor it. Nor, he discovered, probing his heart, did he have any desire not to honor it.

Light flickered up ahead as a door opened and closed. A figure entered the corridor. "Who is it?" snapped an elderly female voice in irritation.

"Your pardon, milady," Marco said humbly, "I'm afraid I took a wrong turn somewhere."

He paused in the unfamiliar stuffy, darkened corridor. Marco realized that, with his mind preoccupied with the conversation just finished with Petro, he'd gotten lost. This area of
Casa
Dorma was part of the Family's living quarters�and, apparently, an old and poorly maintained one. The perfume in the single lamp along this stretch of hallway could not mask the faint odor of mildew, nor the olive origin of the oil it burned.

Marco's night sight had always been good; he had no difficulty seeing who it was that had accosted him. Milady Rosanna Dorma�Petro's mother�and she didn't look well. Her skin was grayish, a vein throbbed in her temple, and her eyes seemed to be all pupil. She was pressing her right hand to her temple, and supporting herself against the corridor wall with her left. Prudence said that he should go back and leave her alone. Concern and the healing instinct said she was in no shape to be
left
alone. He moved quickly to her side, footsteps sounding hollow in the uncarpeted corridor, intending to ask if he could be of service to her, since he'd inadvertently intruded on her privacy.

But she began trembling the moment he came into view, staring at him as if he was a thing out of nightmare. She crowded back against the corridor wall�and when he held out his hand to steady her, she shrieked, spasmed, and fell to the floor.

Prudence dictated that he find help: Doctor Rigannio, or Petro Dorma.

And by the time I find help she may be dead�

He was on his knees beside her in an eye-blink, then cradling her in his arms to protect her from injuring herself with the convulsions she was suffering. He held her head against his shoulder, and pinioned her wrists in one long hand. She was so frail, it took next to nothing to restrain her.

"Ernesto!
"
s
he cried shrilly. "Ernesto, no! Not again! Dear God, not
again
!" She writhed in his arms, trying to free her hands, trying to reach for something.

Dilated eyes, racing pulse, clammy skin. Sweat beading the brow, and hallucinations. By that throbbing vein in the temple, probably a blinding headache. Symptoms tumbled together in his mind and formed an answer.

Lotos dreams. He'd seen it in the Jesolo with blue-lotos addicts. Either induced, or flashback; it didn't matter which. And in a patient as obviously weakened as this one was, if someone didn't
do
something,
now
�she was in very real danger of never coming out again.

And if he left her alone to get help�she was in very real danger of hurting, or even killing herself.

There was only one choice; try and talk her though it. He'd done it more than once, with Luciano. If he could just get her attention fixed on him�

"Rosanna�"
Now
was not the time for "Milady Dorma"; she wouldn't respond to that. He slipped her farther down so that she was lying against his upright knee and slapped her cheek, lightly. "Rosanna, say something. Tell me you hear me." He slapped her other cheek. "Tell me! Talk to me!"

Her eyes wandered, seeing things he couldn't; tears poured down her ashen cheeks.

"Rosanna! Talk to me!" He shook her, and dredged up her few, hysterical words, looking for a clue to get into her dream. "Rosanna, if you
don't
talk to me, Ernesto will get very
angry
with you!"

Her eyes focused on him for a moment. "L-Lorendana? Lorendana Valdosta?" She faltered, her face twisted, her mouth a slash of pain. "Lorendana, stop them! They're your friends�they're killing Ernesto�"

God and Saints�she thought he was his mother. That must have been what threw her into this in the first place! Ernesto�that must have been Ernesto Dorma, Petro's father. He'd wondered about the portrait in the study, so like Petro, but plainly older; Petro had identified it, then said something about his father dying from an accidental fall.

Gods�could she have seen something no one else did? Is that why�never mind. Whatever it was, it couldn't have involved my mother. She was murdered months before Ernesto Dorma died. I'll get her out of this first, then worry about Dorma secrets.

There were only two ways of dealing with lotos dreams�
direct
the dream, or break it�

And somehow Marco knew if he directed the dream from the nightmare she was in into something pleasant, she'd never leave it again.

"Ernesto is
dead
, Rosanna," he said savagely. "He's been dead more than a year. You
know
he's dead. And you can't change the past. You think you can, but the past you create is a
lie
. And Ernesto doesn't
like
lies, Rosanna."

Her eyes widened, and she whimpered in the back of her throat. He continued on, as stern and unyielding as Saint Chrysostom, his morning's religion lesson giving him another weapon to break her out of her hallucination. "He's very
angry
with you, Rosanna. You're muddying his trip through purgatory, trying to hold on to him like this. He sent me to tell you that if you
really
loved him, you'd let him go!"

She cried out in denial, freed her hands from his, and tried to push him away. At the end of the corridor another door opened and closed, and there was the sound of a footstep�two. Marco didn't dare look up�he had Rosanna's attention now, and if he broke eye contact with her, he'd lose it.

"No�" she moaned, as a gasp from the direction of the door reached him; he heard running footsteps. "No, Ernesto would never say that! Ernesto wouldn't�"

"He would, and he did�you're
hurting
him, Rosanna, you're holding him back."

Angelina's voice, sharp and shrill. "
What are you doing with my�"

"Shut
up
, Angelina," he hissed, regaining Rosanna's wandering attention by shaking her again. "Get the doctor�"

She at least had enough sense not to argue with him. Running feet retreated, and the door slammed against the wall as witness to her hasty passage.

Rosanna beat at his face and chest with hard, bony fists; her blows were wild, but she got him a good one in the nose and just under the left eye. Marco tried not to wince; ghosts feel no pain.

"I don't believe it!" She was crying. "I don't believe
you
! Ernesto would never believe such�"

"Ernesto is in purgatory. Do you want to be responsible for dragging him down?" The religion lesson having given him the barb to use on her, and forced to be cruel by desperation, he dug it in. "Do
you
want to be the one who forces him to stay there longer? If you die, if you lose yourself in opium dreams, Rosanna, that's what will happen, and it will
all be your fault."

"NO!"
She shoved him away, hard enough that he lost his hold on her, and he lost his balance as well. He hit his head on the wall with a sickening
crack
, and saw stars.

He struggled against the darkness, still not able to see but fighting off the dazzle, and more footsteps pounded up the corridor. As his eyes cleared he was shoved summarily out of the way by Doctor Rigannio, and a wiry woman he recognized as Rosanna's maid. A hand grabbing his elbow helped him to stand; when he turned to render thanks, he found himself staring into Angelina Dorma's profoundly unhappy, dark-circled eyes.

He froze, unsure of what to say, as behind him he could hear her mother's muffled sobs, and the comforting murmur of her maid.

He stood that way for an eternity. Angelina reached out toward his face, as if to touch his swelling nose, then stopped herself. She seemed at as much of a loss as he was.

"Marco�"

He turned, grateful for a chance to look away.

"Marco, whatever you did, it was right," Doctor Rigannio said, getting painfully to his feet, while the maid held Rosanna against her shoulder, letting her cry herself into calmness. "You broke her out of her hallucination�"

"She thought I was someone she knew," Marco said carefully, not sure how much of his background the House had been told. "My mother, I guess, and she knew that my mother is dead. I guess she never got a good look at me before this. I think I might have thrown her
into
the hallucination in the first place. I�I'm sorry. I certainly didn't mean it."

"Of course you didn't," the doctor said smoothly, one eye on Rosanna as her maid helped her to rise. Rosanna turned a tear-streaked face toward the sound of their voices, and blinked.

"Who are you? she asked, voice hoarse with strain.

"This is Marco Valdosta, Rosanna," Doctor Rigannio interposed smoothly. "You remember; Petro told you. He's going to the Accademia under Dorma sponsorship. He is a grandson of Duke Dell'este of Ferrara. The duke has made some trade agreements with us in return."

She turned away from her maid and looked at him with wondering eyes. "Marco Valdosta�you must be Lorendana's boy. She had two, I heard."

He bowed to her. "Yes, milady." The mention of Benito made him nervous.

"It's uncanny," she said, "you look just like her."

"So I've been told, milady."

"I�" Her eyes clouded for a moment, then cleared and she drew herself up, taking on a dignity and poise that reminded him sharply of his grandfather, and a beauty that had nothing to do with tear-swollen eyes, blanched cheeks and trembling hands. "I believe I owe you a debt of gratitude."

He interrupted her gently. "Milady, you owe me nothing. You were ill, I simply stayed with you until Angelina could bring the doctor. That
is
, or will be, my duty�I'm studying medicine after all." He was amazed at himself; he sounded
years
older and he wondered where the words were coming from.

They were evidently the right ones. She flushed a little and lowered her gaze.

"Rosanna, you should go rest," the doctor prompted.

"Yes," she replied vaguely. "Yes, I should. Forgive me."

As the corridor door opened and closed behind them, Doctor Rigannio cursed savagely. "Angelina, where is she getting it?" He stopped then, as if only now realizing that there was an outsider not
of
Dorma standing awkwardly at his elbow, privy to every word he said.

Marco cleared his throat. "It's none of my business, Doctor Rigannio, but�that looked like a lotos flashback to me."

The doctor pivoted, face blank with surprise. "Lotos
flashback
? What in the name of God is
that
?"

Marco flushed and stammered: "If y-you take enough lotos, it changes your head. Even if you never t-take it again, you can get thrown into hallucinations by any strong stimulus." He shrugged. "That's why a lot of Jesolo-marsh folk are crazy. Stuck in lotos dreams."