Just Cause (5 page)

'That was different.'

'Why?'

That was in 1963. Might as well have been in 1863. Things have changed.'

'Really? How about that guy in Texas, the one the documentary film-maker got off Death Row there?'

'That was different.'

'How much?'

Martin had laughed. 'That's a good question. Go. With my blessing. Answer that question. And remember, when you're all finished playing reporter again, you can always come home to the ivory tower.' He'd shooed Cowart on his way.

The city desk had been informed and promised assistance should he need any. He had detected a note of jealousy that the story had landed in his lap. He recognized the advantage that he had over the cityside staff. First, he was going to be able to work alone; the city desk would have assigned a team to the story. The Journal, like so. many newspapers and television stations, had a full-time investigative squad with a snappy title like 'The Spotlight Team' or The I-team.' They would have approached the story with the subtlety of an invading force. And, Cowart realized, unlike the regular reporters on the staff, he would have no deadline, no assistant city editor breathing down his neck, wondering every day where the story was. He could find out what he could, structure as he saw fit, write it as he wanted. Or discard it if it wasn't true.

He tried to hold on to this last thought, to armor himself against disappointment, but as he headed down the road and pulled into the prison, he sensed his pulse quickening. A series of warning signs was posted on the access road, informing passersby that by entering the area they were consenting to a search, that any firearms and narcotics violations would be punished by a term of prison. He passed through a gate where a gray-jacketed guard checked his identification against a list and sullenly waved him through, then parked in an area designated VISITORS and entered the administration building.

There was some confusion when he checked with a secretary. She had apparently lost his entrance request. He waited patiently by her desk while she shuffled through papers, apologizing rapidly, until she found it. He was then asked to wait in an adjacent office until an officer could escort him to where he was to meet Robert Earl Ferguson.

After a few minutes, an older man with a gray-tinged Marine Corps haircut and bearing entered the room. The man had a huge, gnarled hand, which he shot forward at Cowart. 'Sergeant Rogers. I'm day officer on the Row today.'

'Glad to meet you.'

'There are a few formalities, Mr. Cowart, sir, if you don't mind.'

'Like?'

I need to frisk you and search your tape recorder and briefcase. I have a statement you need to sign about being taken hostage…'

'What's that?'

'It's just a statement saying you're entering the Florida State Prison of your own wish and that, if taken hostage during your stay here, you will not sue the state of Florida, nor will you expect extraordinary efforts to secure your freedom.'

'Extraordinary efforts?'

The man laughed and rubbed his hand through his brush of hair. 'What it means is that you don't expect us to risk our asses to save yours.'

Cowart smiled and made a face. 'Sounds like a bad deal for me.'

Sergeant Rogers grinned. 'That it is. Of course, prison is a bad deal for just about everybody, except those of us who get to head home at night.'

Cowart took the paper from the sergeant and signed it with a mock flourish. 'Well,' he said, still smiling, 'can't say you guys give me a lot of confidence right here at the start.'

'Oh, you ain't got nothing to worry about, not visiting Robert Earl. He's a gentleman and he ain't crazy.' As he spoke, the sergeant methodically searched through Cowart's briefcase. He also opened up the tape recorder to inspect the insides and popped the battery compartment to ascertain that there were batteries in the space. 'Now, it's not like you were coming in to visit Willie Arthur or Specs Wilson – they were those two bikers from Fort Lauderdale that let a little fun with that girl they picked up hitchhiking get out of hand – or Jose Salazar – you know, he killed two cops. Undercover guys in a drug deal. You know what he made them do before he killed 'em? To each other? You oughta find out. It'll open your mind to how bad folks can be when they set their minds right to it. Or some of the other lovely guys we got in here. Most of the worst come from downstate, from your hometown. What y'all doing down there anyway, that makes folks kill each other so bad?'

'Sergeant, if I could answer that question…'

They both grinned. Sergeant Rogers put down Cowart's briefcase and gestured for him to hold his hands up in the air. 'Sure helps to have a sense of humor around here, the sergeant said as his hands flitted across Cowart's body. The sergeant patted him down rapidly.

'Okay,' the sergeant said. 'Let me brief you on the drill. It's gonna be just you and him. I'm just there for security. Be right outside the door. You need help, you just yell. But that ain't gonna happen, because we're talking about one of the non-crazy men on the Row. Hell, we're gonna use the executive suite…'

'The what?'

'The executive suite. That's what we call the inter- view room for the best behaved. Now, it's just a table and chairs, so it ain't no big deal. We've got other facilities that are more secure. And Robert Earl won't have no restraints. Not even leg irons. But no hand contact. I mean you can give him a smoke…'

I don't'

'Good. Smart man. You can take papers from him, if he hands you documents. But if you wanted to hand him anything, it would have to go through me.'

Like hand him what?'

'Oh, maybe a file and hacksaw and some road maps.'

Cowart looked surprised.

'Hey, just kidding,' the sergeant said. 'Of course, in here, that's the one joke we never much make."Escape. Not funny, you know. But there's lots of different ways to escape a prison. Even Death Row. A lot of the inmates think talking to reporters is one way.' 'Help them escape?'

'Help them get out. Everyone always wants the press to get excited about their case. Inmates never think they got a fair shake. They think that maybe if they make enough of a stink, they'll get a new trial. Happens. That's why prison people like me always hate to see reporters. Hate to see those little pads of paper, those camera crews and lights. Just gets everyone riled up, excited about nothing much. People think it's the loss of freedoms that makes for trouble in prisons. They're wrong. Worse thing by far is expectations getting raised and then smashed. It's just another story for you guys. But for the guys inside, it's their lives you're talking about. They think one story, the right story, and they'll just walk on out of here. You and I know that ain't necessarily true. Disappointment. Big, angry, frustrating disappointment. Causes more trouble than you'd like to know. What we like is routine. No wild hopes, no dreams. Just one day exactly like the last. Don't sound exciting, but of course, you don't want to be around a prison when things get exciting.'

'Well, I'm sorry. But I'm just here checking a few facts.'

'In my experience, Mr. Cowart, there ain't no such thing as a fact, except two maybe, one being born and one being dying. But, no problem. I ain't as hard-core as some around here. I kinda like a little change of pace, as long as it's within reason. Just don't hand him nothing. It'll only make it worse for him. 'Worse than Death Row?'

'You got to understand, even on the Row there's lots of ways of doing your time. We can make it real hard, or not so tough. Right now, Robert Earl, he's got it pretty good. Oh, he still gets his cell tossed every day, and he still gets a strip search after a little meeting like this one here today, but he's got yard privileges now and books and such. You wouldn't think it, but even in prison there's all sorts of little things we can take away that will make his life a lot worse.'

'I've got nothing for him. But he may have some papers or something

'Well, that's okay. We ain't so concerned with stuff being smuggled out of the prison…'

The sergeant laughed again. He had a booming laugh to match his forthright speech. Rogers was obviously the sort of man who could tell you much or make your life miserable, depending on his inclination. 'You're also supposed to tell me how long you're gonna be.'

'I don't know.'

'Well, hell, I got all morning, so take your time. Afterwards I'll give you a little tour of the place. You ever seen Old Sparky?'

'No.'

'It's an education.'

The sergeant rose. He was a wide, powerful man, with the sort of bearing that implied he'd seen much trouble in his life and always managed to deal with it Successfully.

'Kinda puts things in perspective, if you know what

I mean."

Cowart followed him through the doorway, feeling dwarfed by the man's broad back.

He was led through a series of locked doors and a metal detector manned by an officer who grinned at the sergeant as they passed through. They came to a terminal center where several wings of the immense wheel-like prison building came together. In that moment, Cowart was aware of the noise of prison, a constant cacophony of raised voices and metallic clangs and crashes as doors swung open, only to be slammed shut and locked again. A radio somewhere was playing country music. A television set was tuned to a soap opera; he could hear the voices, then the ubiquitous music of commercials. He felt a sensation of motion about him, as if caught in a strong river current, but, save for the sergeant and a pair of other officers manning a small booth in the center of the room, there were few people about. He could see inside the booth and noted an electronic board that showed which doors were open and which were shut. Cameras mounted in the corners by the ceiling and television monitors showed flickering gray images from each cell tier as well. Cowart noticed that the floor was a spotless yellow linoleum, worn bright by the flood of people and the never-ending efforts of prison trustees. He saw one man, wearing a blue jumpsuit, diligently swabbing a corner area with a dirty gray mop, endlessly going over and over a spot that was already clean.

'That's Q, R, and S wings,' said the sergeant. 'Death Row. Actually, I guess you'd have to say Death Rows. Hell, we've even got an overcrowding problem on Death Row. Says something, don't it? The chair's down there. Looks like the other areas, but it ain't the same. No, sir.'

Cowart stared down the narrow, high corridors. The cell tiers were on the left, rising up three stories, with stairs at either end. The wall facing the cells contained three rows of dirty windows that swung open to let in the air. There was an empty space between the catwalk outside the bank of cells and the windows. He realized the men could lie locked in each small cell and stare out across and through to the sky, a distance of perhaps thirty feet that might as well have been a. million miles. It made him shudder.

'There's Robert Earl over there,' the sergeant said. Cowart spun about and saw the sergeant pointing toward a small barred cage in a far corner of the terminal area. There were four men inside, sitting on an iron bench, staring out at him. Three men wore blue jumpsuits, like the trustee. One man wore bright orange. He was partially obscured by the bodies of the other men.

'You don't want to wear the orange,' the sergeant said quietly. 'That means the clock's ticking down on your life.'

Cowart started toward the cage but was stopped by the sergeant's sudden grip on his shoulder. He could feel the strength in the man's fingertips.

'Wrong way. Interview room's over here. When someone comes to visit, we search the men and make a list of everything they have – papers, law books, whatever. Then they go into isolation, over there. We bring him to you. Then, when it's all said and done, we reverse the process. Takes goddamn forever, but security, you know. We do like to have our security.'

Cowart nodded and was steered into an interview room. It was a plain white office with a single steel table in the center and a pair of old, scarred brown chairs. A mirror was on one wall. An ashtray in the center. Nothing else.

He pointed at the mirror. 'Two-way?' he asked.

'Sure is, replied the sergeant. 'That a problem?'

'Nope. Hey, you sure this is the executive suite?' He turned toward the sergeant and smiled. 'Us city boys are accustomed to a bit more in the way of creature comforts.'

Sergeant Rogers laughed. 'Why, that's what I would have guessed. Sorry, this is it.'

'It'll do,' Cowart said. 'Thanks.'

He took a seat and waited for Ferguson.

His first impression of the prisoner was a young man in his mid-twenties, just shorter than six feet, with a boyish slight build, but possessing a deceptive, wiry strength that passed through his handshake. Robert Earl Ferguson had rolled his sleeves up, displaying knotted arm muscles. He was thin, with narrow hips and shoulders like a distance runner, with an athlete's easy grace in the manner he walked. His hair was short, his skin dark. His eyes were alert, quick, penetrating; Matthew Cowart had the sensation that he was measured by the prisoner in a moment's time, assessed, read, and stored away.

'Thank you for coming,' the prisoner said.

'It wasn't a big deal.'

'It will be,' Ferguson replied confidently. He was carrying a stack of legal papers, which he arranged on the table in front of him. Cowart saw the prisoner glance over at Sergeant Rogers, who nodded, turned, and exited through the door, slamming it shut with a crash.

Cowart sat, took out a notepad and pen, and arranged a tape recorder in the center of the table. 'You mind?' he asked.

'No,' Ferguson responded. 'It makes sense.'

'Why did you write me?' Cowart asked. 'Just curious, you know. Like, how did you get my name?'

The prisoner smiled and rocked back in his seat. He seemed oddly relaxed for what should have been a critical moment.