Hello, Gorgeous: Becoming Barbra Streisand (87 page)

frugality,
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,
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Fry, Christopher (
The Lady’s Not for Burning
),
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Funicello, Annette,
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Funke, Lewis, reviews by,
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,
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Funny Girl
(movie)

casting of Streisand as Brice in,
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Oscar,
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Funny Girl
(musical).
See also
Brice, Fanny; Chaplin, Sydney; Fosse, Bob; Haney, Carol; Kanin, Garson; Miller, Bob; Robbins, Jerome; Stark, Ray; Styne, Jule

advertising for,
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arguments about songs and musical numbers,
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boredom with repetitiveness of,
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Boston previews,
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Broadway opening,
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cast album,
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casting for role of Arnstein,
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casting for role of Brice,
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cuts and tweaking,
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delays, postponements,
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Fosse’s role,
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interviews for understudies,
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Kanin’s role,
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Kazan’s role,
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love scenes,
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Merrick’s role,
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name changes,
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New York City previews,
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opening line/scene,
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Philadelphia previews,
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rehearsals,
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reviews,
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Robbins’s role,
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script, rewrites,
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Sharaff costumes,
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Streisand’s contract for,
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Streisand’s dominance of, control over,
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theme of appearance and identity,
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Tony nominations,
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Funny Thing Happened on the Way to the Forum, A
(musical),
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Gallagher, Bill,
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Galpern, Auby,
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Gam, Rita,
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Garland, Judy

comparisons of Streisand with,
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competing Emmy nomination,
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on
The Judy Garland Show
,
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personal and financial difficulties,
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recording session,
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Streisand’s response to,
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Garry Moore Show, The
(television), appearance on,
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Gautier, Dick,
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Gaver, Jack,
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Gay Life, The
,
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Gelb, Arthur,
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Gentlemen Prefer Blondes
(musical and movie),
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Gernreich, Rudy,
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Gershwin brothers (“Lorelei”),
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“Get Happy” duet,
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Gill, Alan,
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Gish, Lillian,
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Gister, Carole,
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Glaser, Fred,
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Glaser, Joe,
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Glaser, Marty,
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Glazer, Barney,
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Gleason, Ralph J.,
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Glee
(television), Streisand covers,
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Glenn, Tyree,
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Godden, Rumer,
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Goldstein, Bernard,
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Goldstein, Elliott.
See
Gould, Elliott

Goldstein, Lucille Raver,
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“Goodbye Brooklyn Hello Fame” (Hamill),
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Goodman, Benny,
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Goodman, Dody,
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Gordon, Lorraine,
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Gordon, Max,
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Gordon, Ruth,
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Gore, Lesley,
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Gormé, Eydie,
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Gotham Hotel, New York City, award dinner at,
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“Gotta Move” (Matz), performances of,
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Gottfried, Martin,
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Gould, Elliott

acting career, goals,
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career following divorce,
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changing relationship with Streisand,
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comparisons with Chaplin,
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in
The Confession
,
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courtship, relationship with Streisand,
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criticisms of, Streisand’s reaction to,
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depression,
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devotion to Streisand, loyalty,
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filming of
The Confession
,
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financial dependency,
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gambling and drug problems,
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heterosexuality,
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in
Wholesale
,
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marriage,
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Merrick on,
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name change,
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On the Town
London revival,
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in
Once Upon a Mattress
,
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parents, early acting career,
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professionalism,
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protectiveness,
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psychoanalysis,
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public appearances with Streisand,
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separations and reconciliations with Streisand,
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response to Streisand’s acting suggestions,
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Robbins’s respect for,
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self-doubt, shyness,
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similarities to Arnstein,
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,
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,
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at Streisand’s
Wholesale
interview,
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sweating problem,
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teenage modeling career,
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television appearances,
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at 20th birthday party,
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at 22nd birthday party,
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Gould, Jason,
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Goulet, Robert,
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Graham, Sheilah,
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Grammercy Arts Theatre, New York City,
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Grammy Awards

Album of the Year,
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banquet,
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Best Female Vocal Performance,
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nominations,
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grandparents,
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gratitude, difficulty expressing,
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Graves, Robert (
The White Goddess
),
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Greene, Milton,
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Gregory, Dick,
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Greneker, Claude,
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Grey, Joel,
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Griffin, Merv,
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Griffith, D. W.,
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Gruber, Les and Sam,
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Guest House
(radio show),
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Gypsy
(musical),
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Hagman, Larry,
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Hamel, Reese,
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Hamill, Pete,
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Hampton, Dawn,
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Haney, Carol

choreography for
Funny Girl
,
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death,
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firing from
Funny Girl
,
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Happiest Girl in the World, The
(musical),
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“Happy Days Are Here Again”

arrangement of, stories about,
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,
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on the
The Barbra Streisand Album
,
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–
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