Hello, Gorgeous: Becoming Barbra Streisand (91 page)

PM East
(television).
See also
Wallace, Mike

appearances,
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conflicts with Wallace on,
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confrontation with Susskind,
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duet with Rooney,
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fans from,
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20th birthday party,
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Porter, Cole,
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Powers, Francis Gary,
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pregnancy rumors,
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Prentiss, Paula,
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Presley, Elvis,
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Prince, Hal,
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Prince of Wales Theatre, London,
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privacy, cherishing of,
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Professional Children’s School, New York, NY,
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psychotherapy, psychoanalysis,
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publicity.
See also
Softness, Don; Solters, Lee; Wilson, Earl
and specific albums, appearances, and performances

concerns about,
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and conflation of Streisand with Brice,
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in Detroit,
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following Cocoanut Grove engagement,
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explosion of at the end of 1963,
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lies and hype in,
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during New York newspaper strike,
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process of, in LA,
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from record albums,
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and skill at self-promotion,
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“Quiet Time,” at San Jose show,
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Quintero, José,
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Quintessence of Ibsenism, The
(Shaw),
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Raisin in the Sun
(play),
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record albums.
See also specific albums

assumption of creative control,
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earliest recording at Nola Recording Studio,
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ensembles, reviews of,
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publicity from,
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rock-pop groups,
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Streisand’s competition,
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transition to rock-pop,
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Reilly, Charles Nelson,
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Rennie, Michael,
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Requiem for a Heavyweight
(television),
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respect for fellow performers,
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Respighi (
Pines of Rome
),
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Revere Frolic, Revere, MA, performances at,
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Riddle, Nelson,
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“Right as the Rain”

at the Blue Angel,
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on Jack Harris’ radio show,
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on
The Second Barbra Streisand Album
,
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on the
Today Show
,
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Rill, Eli,
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Ritchard, Cyril,
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Rite of Spring, The
(Stravinsky),
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Rivera, Chita,
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Rivers, Joan,
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Riviera Hotel, Las Vegas, performances at,
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Robards, Jason,
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Robbins, Fred,
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Robbins, Jerome (Jerry)

and casting for Brice role,
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changes and cuts to
Funny Girl
,
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choreography for
On the Town
,
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creative control, importance of,
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credit in
Funny Girl Playbill
,
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directorial style,
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dissatisfaction with
Funny Girl
script,
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Fiddler on the Roof
,
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on
Funny Girl
understudies,
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homosexuality,
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and House Un-American Activities Committee,
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Jewish identity,
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offer of Brice role to Anne Bancroft,
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personality, self-doubt,
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quitting of
Funny Girl
,
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relationship with Kazan,
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relationship with Lennart,
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relationship with Stark,
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relationship with Streisand,
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return to
Funny Girl
,
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on Streisand’s potential,
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Rodgers, Richard,
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Rogers, Ginger,
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Rogue
magazine, Streisand profile,
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Romberg, Sigmund,
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Rome, Harold

at Blue Angel debut,
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conflicts with Streisand,
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as lyricist for
Wholesale
,
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Pins and Needles
,
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at
Wholesale
auditions,
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Rooney, Mickey,
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Rope
(movie),
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Rose, Billy,
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Rosen, Ida.
See
Kind, Diana Streisand (mother)

Rosenfeld, Lenny,
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Rose Tattoo, The
(play),
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Ross, Herbert,
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Roth, Emery,
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Roth, Lillian

as audience draw,
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as Mrs. Bogen in
Wholesale
,
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reviews,
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on
The Tonight Show
,
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at
Wholesale
rehearsals,
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Rowan, Dan,
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Rowan and Martin,
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Rozar, Ted

on Bon Soir performance,
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contract with,
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dissatisfaction with,
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Korean War injury,
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promotions, bookings,
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Ruark, Robert, review,
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Rule, Janice,
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Rumple
(musical),
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Russell, Evelyn,
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Ryan, Eddie,
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Sackin, Nat,
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“Sadie, Sadie, Married Lady” (
Funny Girl
),
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Sanders, Felicia,
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San Francisco, CA

appeal of,
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hungry i performances,
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San Francisco Chronicle
articles and reviews,
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San Jose Civic Auditorium, San Jose, performance at,
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Sarmento, William, articles and reviews by,
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Sartre, Jean-Paul,
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Sassoon, Vidal,
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Saturday Evening Post,
article about Streisand in,
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Say, Darling
(musical),
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Schear, Robert,
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Scheck, George,
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Schubert Theatre, Philadelphia,
Wholesale
previews at,
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Schulenberg, Robert (Bob)

artistic ambitions,
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drawings, sketches of Streisand,
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estrangement from Streisand,
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friendship with Streisand,
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lessons about fashion and etiquette from,
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makeup, makeovers, mentoring,
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reaction to Bon Soir debut,
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respect for Streisand’s abilities,
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reunion with Streisand in England,
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at 20th birthday party,
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Schwartz, Marv,
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Schwartz, Murray,
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Scott, Roy,
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Scripps-Howard newspapers, reviews in,
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Second Barbra Streisand Album, The
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“Second Hand Rose,”
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Seeger, Pete,
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Segal, George,
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self-doubt.
See also
appearance, looks

and childhood insecurity,
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depth of,
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following voice problems,
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Gould’s,
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and mentions of appearance,
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performance anxiety, nervousness,
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revelations of,
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Robbins’s,
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and standoffishness, shyness,
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Seven Arts Productions

founding,
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movie contract with,
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Sgroi, Ernie, Jr.,
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Sgroi, Ernie, Sr.,
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