Hello, Gorgeous: Becoming Barbra Streisand (86 page)

as assistant conductor of
Funny Girl
,
[>]

crediting of on
The Third Album
,
[>]

escalating tensions with,
[>]

“Happy Days Are Here Again” arrangement
[>]
,
[>]
–
[>]

introduction of at the hungry i,
[>]

rehearsals with,
[>]
–
[>]

relationship with Kazan,
[>]

salary,
[>]
,
[>]

as Streisand’s accompanist,
[>]
,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
–
[>]
,
[>]

studio of,
[>]
,
[>]

touring with Streisand,
[>]
,
[>]

Dartmouth College,
[>]

Dave (stage manager in
Fanny Girl
),
[>]

Dave Brubeck Quartet,
[>]

Davidson, Joyce,
[>]

Davis, Judy,
[>]
–
[>]
,
[>]
–
[>]

Davis, Miles,
[>]
–
[>]
,
[>]

Davis, Sammy, Jr.,
[>]

Dawn, Charles, review by,
[>]

Day, Doris,
[>]

“Day by Day” (Cahn),
[>]

“Days of Wine and Roses” (Mancini),
[>]

Deckers, Jeanine,
[>]

decorating, enjoyment of,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]

Dekker, Albert,
[>]

DeLuise, Dom,
[>]

Dennen, Barré (Barry)

acting career,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]

apartment, decorating style,
[>]
,
[>]
,
[>]

breakup with Streisand,
[>]
,
[>]
,
[>]
–
[>]
,
[>]

childhood, family,
[>]
–
[>]
,
[>]
–
[>]

estrangement from Streisand,
[>]
–
[>]
,
[>]
,
[>]

homosexuality,
[>]
,
[>]

job at the Village Vanguard,
[>]

marriage plans,
[>]

mentoring role,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
–
[>]
,
[>]

musical arrangements,
[>]
–
[>]
,
[>]
,
[>]
–
[>]

recording made for Blum,
[>]
–
[>]

recording of Bon Soir debut,
[>]
,
[>]

relationship with Streisand,
[>]
,
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
–
[>]

response to
The Barbra Streisand Album
,
[>]

at 20th birthday party,
[>]

on Streisand’s voice,
[>]
,
[>]
–
[>]
,
[>]
–
[>]

view of the cultural renaissance,
[>]

Desmond, Johnny,
[>]

Detroit, MI, friends and following in,
[>]
.
See also
Caucus Club, Detroit

Detroit News
, publicity in,
[>]
–
[>]

Deutsch, Harriet and Armand,
[>]

Devil and Daniel Webster, The
(play),
[>]

DeWar, Cameron,
[>]

Diary of Anne Frank, The
(play),
[>]
,
[>]

Dieterle, William,
[>]
,
[>]

Diller, Phyllis

at Bon Soir debut,
[>]
–
[>]
,
[>]

friendship with Streisand,
[>]
–
[>]

on the
Jack Paar Show
,
[>]
,
[>]
,
[>]
–
[>]

as mentor, advisor,
[>]
–
[>]
,
[>]

in
Splendor in the Grass
,
[>]

Diller, Sherwood,
[>]

Dinah Shore Show, The
(television), appearance on,
[>]
,
[>]
–
[>]
,
[>]

“Ding-Dong! The Witch Is Dead,” on
PM East
,
[>]

“Doing the Reactionary” (Rome), recording of,
[>]

“Don’t Rain on My Parade” (
Funny Girl
),
[>]
,
[>]
–
[>]
,
[>]

Dooley, Paul,
[>]
–
[>]
,
[>]
,
[>]

Do Re Mi
(Broadway show),
[>]

Downs, Hugh,
[>]
,
[>]
–
[>]

“Down with Love,” performance of,
[>]
–
[>]

Driftwood
(play),
[>]
,
[>]

DuBrow, Rick,
[>]
,
[>]
,
[>]

Durgin, Cyrus, review by,
[>]

Earl Carroll Vanities
,
[>]

Ebb, Fred,
[>]

eccentric, kooky persona.
See also
clothing, outfits

and anger, cynicism,
[>]
–
[>]

and communication of authenticity,
[>]

conflating with Brice persona,
[>]
–
[>]
,
[>]

and desire for uniqueness,
[>]
–
[>]

development, honing of,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
–
[>]
,
[>]

and differentness as an asset,
[>]
–
[>]
,
[>]

and enjoyment of spontaneity,
[>]

smoked foods riff,
[>]
–
[>]

and talkativeness,
[>]
–
[>]

tiring of,
[>]
–
[>]
,
[>]
,
[>]

Eden Roc Hotel, Miami, performance,
[>]
–
[>]

Edge of Night, The
(television),
[>]
–
[>]

Ed Sullivan Show, The
(television)

appearances on,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]
,
[>]

the Beatles on,
[>]

Clancy Brothers on,
[>]

Ellis, Edward Robb,
[>]

Emmy nomination,
[>]
,
[>]

Entertainer, The
(play),
[>]

Erasmus Hall High School, Brooklyn

Chorale Club,
[>]

Kazan at,
[>]
,
[>]

Streisand’s outsider status,
[>]
,
[>]

Erlanger Theatre, New York City,
Funny Girl
at,
[>]

Erlichman, Martin Lee (Marty).
See also
contracts

approach to selling Streisand,
[>]
–
[>]
,
[>]
–
[>]
,
[>]

background,
[>]
–
[>]

at Cocoanut Grove reception,
[>]

devotion to Streisand,
[>]
–
[>]
,
[>]
,
[>]
,
[>]
,
[>]

as father figure,
[>]

handling of fan mail,
[>]

introduction to Streisand,
[>]
–
[>]

publicity, PR skills,
[>]
,
[>]
,
[>]

during recording of
The Second Barbra Streisand Album
,
[>]

role in Streisand’s success,
[>]
,
[>]
–
[>]

selling of the Clancy Brothers,
[>]

at Streisand and Gould’s wedding,
[>]
–
[>]

television bookings,
[>]
,
[>]
–
[>]
,
[>]
–
[>]

work to assure casting of Streisand as Brice,
[>]
,
[>]
,
[>]

Esser, Carl,
[>]
–
[>]
,
[>]
–
[>]
,
[>]
,
[>]

etiquette, need to learn,
[>]

Evans, Richard,
[>]
,
[>]

“Evergreen” (
A Star Is Born
),
[>]

Falk, Richard,
[>]
–
[>]
,
[>]
,
[>]

fame, stardom.
See also
ambition, goals; confidence

and changing concepts of beauty,
[>]
–
[>]
,
[>]

difficulties with,
[>]
,
[>]
–
[>]
,
[>]
,
[>]

downside of,
[>]
–
[>]

drive for,
[>]

greatness
vs.
,
[>]

movie stars,
[>]

as predestined,
[>]
,
[>]
,
[>]
,
[>]

Fancy Free
(musical),
[>]

Fanny
(musical),
[>]
,
[>]

“Fanny Brice Award,”
[>]

fans

and audiences for
Funny Girl
,
[>]
–
[>]
,
[>]
–
[>]

autograph seekers, discomfort with,
[>]

of the Beatles,
[>]

development of groupies, followers,
[>]
–
[>]
,
[>]
,
[>]

fan mail,
[>]

Winter Garden Kids,
[>]
–
[>]
,
[>]
,
[>]

Fantasticks
,
The
(musical),
[>]

Ferrer, José,
[>]

Feuer, Cy,
[>]
–
[>]

Fiddler on the Roof
(musical),
[>]

Fields, Freddie,
[>]
,
[>]

Fifty-fourth Street Theatre, New York City,
Wholesale
rehearsals at,
[>]
,
[>]

Finian’s Rainbow
(musical),
[>]

Fiorello!
(musical),
[>]

Flatbush Life
(newspaper),
[>]

Fleming, Tucker,
[>]
–
[>]

Fletcher, Sam,
[>]

Flies, The
(Sartre),
[>]

Flower Drum Song, The
(musical),
[>]

“Fly Me to the Moon,”
[>]

folk music, popularity of,
[>]

Forrest Theatre, Philadelphia,
Funny Girl
previews,
[>]

Fosse, Bob

contract for
Funny Girl
,
[>]
–
[>]

as director,
[>]
,
[>]
,
[>]
,
[>]

papers of, as source of information,
[>]

resignation from
Funny Girl
,
[>]
–
[>]

Franciosa, Tony,
[>]

Francis, Connie,
[>]

Fried, Marilyn,
[>]
,
[>]
,
[>]

friends, friendships.
See also
self-doubt

difficulties with,
[>]
,
[>]
,
[>]

old, elimination of,
[>]
,
[>]
,
[>]
–
[>]

rarity of,
[>]