Authors: Toby Lester
mapping
x
Roman revival in
147
Renaissance style
129
–30,
143
,
151
Roman Empire
148
Romans
Augustus’s victory over the Parthians
24
land-surveying
xiii
,
28
,
29
,
31
–32,
32
,
173
obsession with order and empire
27
removal of hereditary nobility
69
Rome
aqueducts of
45
Basilica of St. Peter
143
Brunelleschi studies ruins of ancient Rome
146
–47
Capitoline Hill
148
a decrepit megapolis
15
–16
founding of
30
its perfect form embodying the world
24
milliarium aureum
(“golden milestone”)
18
Pantheon
138
relationship with Milan
97
–98
Roma quadrata
(squared Rome)
30
Sistine Chapel
97
S
Sacrobosco
173
St. Disibod monastery
44
St. Gall monastery, Switzerland
62
St. Rupert’s monastery, Bingen
44
,
128
Saint-Denis church, near Paris
126
–27
Saltarelli, Jacopo
78
Saturn (planet)
35
Scarpellino, Pagolino, called Assiolo
6
sensus communis
(Common Sense)
185
,
186
,
187
,
188
Sforza, Duke Galeazzo Maria
99
,
102
Sforza, Giangaleazzo
102
Sforza, Ludovico (“the Moor”)
105
,
160
,
201
arts-besotted tyrant of Milan
97
,
102
–3
civil engineering projects
123
,
125
Leonardo seeks his patronage
97
,
121
,
143
,
224
Leonardo’s high-profile projects for
145
and Milan cathedral
140
seizes power as regent in Milan
102
and Venice’s invasion of Lombardy
120
Simpsons, The
(television animation series)
ix
Skylab II logo
221
soul, the
180
–89
and Augustine’s
The City of God
181
–83
independent existence (Plato)
180
Leonardo believes it to be a physiological entity
180
lack of independent existence (Aristotle)
180
,
181
Leonardo’s coordinates for
189
, Pl.
8
Plato on a world soul
27
sphere, the
Cicero on
27
–28
Plato on
27
square, the
and augury
32
and cathedral construction
132
,
138
as a complement to the circle
29
–30
human body fitting inside both a circle and a square
xi
,
xii
,
116
,
197
,
198
,
203
,
206
,
209
–10,
212
,
216
,
217
representing the earthly and the secular
xii
and Taccola
116
Villard sees in the makeup of the human form
136
Suger, Abbot
126
–29
sun, the
54
Sylvestris, Bernardus
55
T
Taccola (Mariano di Jacopo detto il Taccola)
114
–16,
115
,
121
,
134
,
153
,
158
,
212
,
216
,
217
, Pl.
7
On Machines
115
Taverna, Giovanni
6
temples
the central element of Augustus’s building campaign
37
–38
and contemplation of the cosmos
38
–39
origin of the idea of
30
theologians
xii
,
49
,
50
,
52
,
58
,
62
,
83
,
127
,
158
,
173
,
191
,
223
Toscanelli, Paolo dal Pozzo
95
–96
triangle, the
and cathedral construction
132
,
138
symbolic meanings
133
Villard sees in the makeup of the human form
136
Tübingen, University of
164
U
universe: meaning of the word
28
V
Valturio, Roberto
123
Vasari, Giorgio
65
,
66
,
75
,
92
,
93
,
130
,
147
,
161
Vein Man
58
Venice
invades Lombardy
120
peace treaty (1484)
123
threatens war with Milan
120
Verrocchino, Andrea del
66
,
80
,
81
,
95
,
100
,
108
,
120
,
163
,
223
partnership with Leonardo
76
,
97
Baptism of Christ
75
Villard de Honnecourt
133
–36,
135
,
137
,
156
Vincent of Beauvais
105
Speculum naturale (Mirror of Nature
)
106
Virgil
173
Visconti, Gaspare
216
Visconti, Giangaleazzo, duke of Milan
98
associated with Augustus
40
–41
crude renderings in illustrated editions of Vitruvius (early sixteenth century)
218
–19
dating of Leonardo’s drawing
199
–200
exact proportions of
39
the expression of an ideal
40
in Gallerie dell’Accademia, Venice
xiv
–xv,
218
,
219
,
222
an idealized self-portrait
xii
Leonardo’s drawing
ix
–xv,
199
–200,
203
,
205
,
210
,
212
–13,
214
,
216
–17,
218
–25,
223
Martini’s drawings
197
–99,
198
,
210
,
216
resemblance to Christ
47
–48,
61
,
203
side view of the foot
210
–11
a study of human proportions
ix
,
xii
,
40
and Taccola
116
Vitruvius’s description
37
–41,
47
–48,
198
–99,
198
a worldwide icon
ix
–x,
xiii
,
219
,
220
,
221
Vitruvius (Marcus Vitruvius Pollio)
xiii
,
46
,
105
,
136
,
149
,
154
,
156
,
201
army career
13
–14
blueprint for race-based ideology of empire
34
–36
De architectura libri decem (Ten Books on Architecture
)
10
–11,
13
,
14
,
25
–29,
32
,
34
–41,
45
,
46
–48,
61
,
62
,
85
,
114
,
142
–43,
144
,
146
,
148
–49,
152
,
173
,
190
,
196
–97,
198
,
199
,
207
,
208
,
211
,
213
,
223
Ferrara manuscript
202
–3,
204
,
205
,
206
,
210
description of human proportions
ix
,
207
,
208
fails to win fame in his lifetime
45
proportions of temples should conform to those of the ideal human body
xi
–xii
proposes that a man can be made to fit inside a circle and a square
xi
studies architectural theory
25
and Vitruvian Man
37
–41,
47
–48,
150
W
William of Conches
53
,
54
,
55
,
173
winds
cardinal Pl.
2
twelve Pl.
2
Z
Plate 1.
An eleventh-century diagram of the microcosm-macrocosm analogy. The human being (
homo
) occupies the same circle as the world (
mundus
) and the year (
annus
), and thus embodies all of time and space. The four elements link everything together. Fire, air, water, and earth make up the world, and their characteristics (heat, moisture, cold, and dryness) define the four seasons and the four bodily humors.