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When Thérèse came over to his bed, he pretended to be asleep. If she was in a good temper she said, softly: 'He's asleep !' If she was in a bad temper, she shouted loudly: 'The cheek of it!' She herself had no control whatever over her moods. They depended on the place in the monologue at which she happened to stop. She lived now entirely in her words. She said: 'A mistake can always be put right, where there's a will there's a way,' and grinned. Even if he who was to put the mistake right was fast asleep — she must nurse him back to health, and then there'd be a will and a way. Afterwards he could die again. But if, just at that moment, a man was thinking he was the only person in the world, then his sleep infuriated her the more. She proved to him on these occasions that she too was human, and woke him up with her 'The cheek of it !' Hourly she inquired into the state of his bank balance and whether all his money was in one bank. Everything need not be left in a single bank. She quite agreed, some should be
here
and some
there
.

His suspicion that she had an eye on his books had considerably lessened since the unlucky day of which he thought most unwillingly. He understood exactly what it was that she wanted of him: a will, a will, in which he disposed of money only. For that very reason she remained a total mystery to him, well as he knew her from her first to her last word. She was sixteen years older than he; as far as anyone could tell she would die long before he did. What was the value of money of which one thing only was certain: she would never gain possession of it. If, equally unreasonably, she had been grasping for his books, she might have been sure of some sympathy, despite his natural hostility towards her. Her eternal drilling on the nerve of money was a riddle to him. Money was the most impersonal, most inarticulate, most characterless object which he could imagine. How easily, without merit or effort, he had inherited it.

Sometimes his curiosity got the better of him and made him open his eyes, when he had only just closed them at the approaching footstep of his wife. He hoped for some change in her, some unfamiliar gesture, some new look, some native sound, which would betray to him why she spoke so unceasingly of money and wills. He felt at his best when he could relegate her to the one category where there was room for everything which he was unable, for all his education and understanding, to explain. Of lunatics he had a crude and simple idea; he defined them as those who do the most contradictory things yet have the same word for all. According to this definition Thérèse was — in contradistinction to himself—decidedly mad.

The caretaker, who came daily to visit the Professor, was of a different opinion. He had nothing whatever to expect from the woman. Fears for his little monthly something grew within him. He was sure of the juicy titbit so long as the Professor lived. But who could rely on a woman? He shattered the normal routine of his day and every morning, for a full hour sat at the Professor's bedside, personally inspecting the position.

Thérèse led him silently in and — she thought him common — left the room at once. Before he sat down he glared contemptuously at the chair. Then he said 'Me on that chair!' or he fondled its back pityingly. As long as he was sitting on it, the chair quaked and creaked like a sinking ship. The caretaker had forgotten how to sit. In front of his peep-hole, he knelt. For hitting, he stood up. For sleeping, he lay down. He had no time over for sitting. Should the chair fall silent for a moment, he became uneasy and cast an anxious glance at his thighs. No, they hadn't grown thinner. They would have done for a show. Only when he could hear them again at work would he go on with his interrupted discourse.

'Women ought to be beaten to death. The whole lot of them. I know them. I'm fifty-nine. Twenty-three years I was a married man. Almost half my life. Married to the same old woman. I know women. They're all criminals. You just add up the poisoners, Professor, you've got books, have a good look at them. Women haven't any guts. I know all about it. When a man tries anything on with me, I smash his face in so he has something to remember me by, you sh—, I say, you dirty little sh—, how dare you? Now you try that with a woman. They run, that's what they do, I'd back my punch against anyone's, look here now, you won't see a better pair of fists. I can say what I like to a woman, she won't move an inch. Why won't she? Because she's frightened. Why's she frightened? Because she's got no guts! I've beaten a woman up a treat, you ought to have seen it. My old woman now, she was black and blue to the end of her days. My poor daughter, God rest her, I was that fond of her, there was a woman for you now, as the saying is, I started on her when she was that high. "Here," says I to my old woman — set up a screeching she did if I laid a hand on the kiddy — "if she marries, she'll go to a man. Now she's little, she'd better learn something about it. If not, she'll be running off and leaving him. I won't let her have a man who doesn't know how to use his hands. Some miserable beggar. A man ought to know how to use his hands. I'm all for fists, I am." Now d'you think it was any good, talking to her like that? Not bloody likely! The old woman got in front of the kid, and I had to give it to them both. Because womenfolk can't interfere with me. Not
me
. You must have heard what a screeching those two set up. Everybody was up, we had the whole house listening to us. They've all got respect for me in this house. You stop, I said, and maybe I'll stop too. Then they'd be as quiet as you like for a bit. Then I'd sample a bit to see if they'd start up again. Mousy quiet, that's how it had to be. I'd just give 'em one or two righthanders. I couldn't stop sudden. I'd got to keep me hand in, see? It's an art, that's what I say. You have to study it. I've got a colleague now, first thing, he hits below the belt. His man crumples up at once and can't feel another thing. That's right says my colleague, now I can beat him up till I'm sick of it. Well, I say, what do I get out of it if he can't feel anydiing? I'm against hitting a man when he's down, he can't appreciate it. That's my motto, all along. What I say is a man must learn how to use his fists so that he never knocks the object out. Unconsciousness must not supervene. That's what I call beating up. Any fool can knock a man out. That's nothing. Now look, I do that, and spatter your brains out. You don't believe me? I'm not conceited. Any fool can do that. See here, Professor, you can do it as well as anyone. Maybe to-day's not the best time to start, with you on your death bed....'

The trusty, well-made creature fulfilled its duty with speed. It had not been there more than a quarter of an hour and already Thérèse had been annihilated. Nothing could stand up to this force. But then it would forget to go; for no apparent purpose it would stay three-quarters of an hour longer. It did no harm to the books, but all the same gradually it became annoying to Kien. A fist should not talk so much, otherwise you cannot fail to notice that it has nothing to say. Its purpose is to strike. Having struck it should go away, or at least be silent. But it didn't bother about the nerves or the desires of an invalid; it emphatically enlarged on the subject of its one and only quality. At first it paid a little consideration to Kien and dilated on the criminal class of womankind. But, alas, when it had exhausted womankind, all that was left was a fist,
in se
. It was as strong as in the flower of its youth, and yet had already reached an age much and gladly given to detailed recapitulation. And so Kien was to leam its entire glorious history. Had he closed his eyes, it would have pounded him to a pulp. Even earlids would have served him little; no stopper could avail him against such bellowing.

The visit was not half done and Kien ached with old and long forgotten pains. Even as a child he had not been steady on his legs. It was as if he had never rightly learnt to walk. In the gymnasium he regularly fell off the bars to the ground. Despite his long legs he was the worst runner in the class. The teachers considered his physical feebleness as unnatural. In all other subjects he was, thanks to his memory, first. But what good was that? Nobody really respected him because of his ridiculous appearance. Countless feet were stuck out in his path, and he tripped religiously over them all. In the winter he was used as a snow man. They threw him down in the snow and rolled him over until his body acquired almost normal thickness. These were his coldest but also his softest falls. He had very mixed memories of them. His whole life had been an unbroken chain of falls. He had recovered; he suffered from no personal wounds. But his heart grew heavy and despairing when there began to unroll in his brain a list which he usually kept wholly and strictly secret. It was the list of innocent books which he had caused to fall; this was the true record of his sins, a catalogue most carefully kept in which the day and hour of each occasion was exactly set down. Then he saw the angelic trumpeters of the Last Judgment, twelve caretakers like his own, with cheeks blown out, and sinewy arms. Out of their trumpets the text of the catalogue burst upon his ears. In the midst of his terror Kien had to smile at the poor trumpeters of Michelangelo. They were cowering piteously in a corner; their trumpets they had hidden away behind them. Faced with such fine fellows as these caretakers, they laid down their long weapons abashed.

In the catalogue of fallen books, there figured as No. 39 a stout antique volume on
Arms and Tactics of the Landsknechts
. Scarcely had it curvetted off the ladder, with fearful crash, than the trumpeting caretakers were transformed into
landsknechts
. A vast inspiration surged up in Kien. The caretaker was a
landsknecht
, what else? His stocky appearance, his deafening voice, his loyalty for pay, his foolhardy courage which shrank from nothing, not even from women, his brag and bluster which yet said nothing — a
landsknecht
in the flesh!

The fist had no more terrors for him. Before him sat a familiar historical figure. He knew what it would do and what it would not do. Its hair-raising stupidity went without saying. It behaved itself as was suitable for a
landsknecht
. Unhappy, late-born creature, who had come into the world a
landsknecht
in the twentieth century, and must crouch all day in its dark hole, without even a book, utterly alone, shut out from the epoch for which it had been created, stranded in another to which it would always remain a stranger! In the innocuous remoteness of the early sixteenth century the caretaker dwindled to nothing, let him brag as he would! To master a fellow-creature, it suffices to find his place in history.

Punctually at eleven o'clock the
landsknecht
got up. As far as punctuality was concerned he was heart and soul with the Professor. He repeated the ritual of his arrival and cast a pitying glance at the chair, what not broken?' he asserted, and proved it by taking it in his right hand and battering it on the floor, which sustained the assault with patience. 'Nothing to pay !' he completed his sentence, and bellowed with laughter at the idea of paying the Professor anything for a chair he had sat through.

'Keep your hand, Professor! I'd squash it to a pulp. Good-bye. Don't kill the old woman! I can't stand the old starch box.' He threw a bellicose glance into the neighbouring room although he knew she was not over there. 'I'm for the young ones. See here, my poor daughter, God rest her, she was the one for me! Why not? Because she was my daughter? Young she was, and a woman, and I could do what I liked with her, being her dad. Well, she's dead and gone. That tough old starch box keeps on living.'

Shaking his head he left the room. At no time and place was he so much affected by the injustice of the world as when he visited the Professor. At his post in his little room, he had no time for contemplation. But as soon as he stepped out of his coffin into Kien's lofty rooms, thoughts of death swelled up within him. He remembered his daughter, the dead Professor lay before him, his fists were out of work and he felt that he was insufficiently feared.

He seemed absurd to Kien as he took his leave.
Landsknecht's
costume suited him well, but times had changed. He regretted the fact that his historical method could not always be applied. As far as he was familiar with the history of all cultures and barbarisms, there was not one into which Thérèse would have fitted.

The routine of these visits continued day after day in exactly the same order. Kien was too clever to shorten it. Before Thérèse was struck down, while the fist still had a legitimate and useful purpose, he could have no fear of it. Before his terrors had grown so violent that the secret catalogue of his pains stirred,
landsknechts
did not enter his mind, and the caretaker had not yet become one. When the man crossed the threshold at ten o'clock Kien would say to himself, filled with joy: a dangerous man, he will smash her in pieces. Daily he rejoiced in Therese's destruction, and raised a silent hymn of praise to life; he had always known about life, but never before had he seen reason to praise it. He omitted neither the Last Judgment nor the incidental mockery of the Sistine trumpeters; every day, as an obligatory part of his curriculum he carefully registered their discomfiture and duly dealt with them. Perhaps he only managed to endure the bleakness, rigidity and pressure of these long weeks while his wife was in the ascendant, because a daily discovery gave him strength and courage. In his life as. a scholar discoveries were numbered among the great, the central events of existence. Now he lay idle, he missed his work; so he forced himself daily to re-discover what the caretaker was: a
landsknecht
. He needed him more than a crust of bread — of which he ate little. He needed him as a crust of work.

Thérèse was busy during visiting hours. The caretaker, that common person (whose conversation she had overheard on the first occasion) she only allowed into her flat because she needed the time. She was making an inventory of the library. It had made her think, her husband's turning the books round like that. Besides she feared the arrival of the new brother, who might even take away the most valuable pieces with him. So as to know what was really there, so as to prevent anyone from doing her down, one fine day, while the caretaker was with the patient abusing womankind, she began her important job in the dining-room.