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Authors: Theodore Dreiser

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BOOK: An American Tragedy
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“Where do you get that stuff—‘put you out’?” replied Ratterer cynically. “As though anybody could drive you two outa here if you didn’t want to go. Sit down and play the victrola or do anything you like. Dinner’ll soon be ready and Louise’ll be here any minute.” He returned to the dining-room to look at a paper which he had been reading, after pausing to introduce Clyde. And the latter, because of the looks and the airs of these two, felt suddenly as though he had been cast adrift upon a chartless sea in an open boat.
“Oh, don’t say eat to me!” exclaimed Greta Miller, who was surveying Clyde calmly as though she were debating with herself whether he was worth-while game or not, and deciding that he was: “With all the ice-cream and cake and pie and sandwiches we’ll have to eat yet to-night. We was just going to warn Louise not to fill up too much. Kittie Keane’s givin’ a birthday party, you know, Tom, and she’ll have a big cake an’ everthin’. You’re coming down, ain’t you, afterwards?” she concluded, with a thought of Clyde and his possible companionship in mind.
“I wasn’t thinkin’ of it,” calmly observed Ratterer. “Me and Clyde was thinkin’ of goin’ to a show after dinner.”
“Oh, how foolish,” put in Hortense Briggs, more to attract attention to herself and take it away from Greta than anything else. She was still in front of the mirror, but turned now to cast a fetching smile on all, particularly Clyde, for whom she fancied her friend might be angling, “When you could come along and dance. I call that silly.”
“Sure, dancing is all you three ever think of—you and Louise,” retorted Ratterer. “It’s a wonder you don’t give yourselves a rest once in a while. I’m on my feet all day an’ I like to sit down once in a while.” he could be most matter-of-fact at times.
“Oh, don’t say sit down to me,” commented Greta Miller with a lofty smile and a gliding, dancing motion of her left foot, “with all the dates we got ahead of us this week. Oh, gee!” Her eyes and eyebrows went up and she clasped her hands dramatically before her. “It’s just terrible, all the dancin’ we gotta do yet, this winter, don’t we, Hortense? Thursday night and Friday night and Saturday and Sunday nights.” She counted on her fingers most archly. “Oh, gee! It is terrible, really.” She gave Clyde an appealing, sympathy-seeking smile. “Guess where we were the other night, Tom. Louise and Ralph Thorpe and Hortense and Bert Gettler, me and Willie Bassick—out at Pegrain’s on Webster Avenue. Oh, an’ you ought seen the crowd out there. Sam Shaffer and Tillie Burns was there. And we danced until four in the morning. I thought my knees would break. I ain’t been so tired in I don’t know when.”
“Oh, gee!” broke in Hortense, seizing her turn and lifting her arms dramatically. “I thought I never would get to work the next morning. I could just barely see the customers moving around. And, wasn’t my mother fussy! Gee! She hasn’t gotten over it yet. She don’t mind so much about Saturdays and Sundays, but all these week nights and when I have to get up the next morning at seven—gee—how she can pick!”
“An’ I don’t blame her, either,” commented Mrs. Ratterer, who was just then entering with a plate of potatoes and some bread. “You two’ll get sick and Louise too, if you don’t get more rest. I keep tellin’ her she won’t be able to keep her place or stand it if she don’t get more sleep. But she don’t pay no more attention to me than Tom does, and that’s just none at all.”
“Oh, well, you can’t expect a fellow in my line to get in early always, Ma,” was all Ratterer said. And Hortense Briggs added: “Gee, I’d die if I had to stay in one night. You gotta have a little fun when you work all day.”
What an easy household, thought Clyde. How liberal and indifferent. And the sexy, gay way in which these two girls posed about. And their parents thought nothing of it, evidently. If only he could have a girl as pretty as this Hortense Briggs, with her small, sensuous mouth and her bright hard eyes.
“To bed twice a week early is all I need,” announced Greta Miller archly. “My father thinks I’m crazy, but more’n that would do me harm.” She laughed jestingly, and Clyde, in spite of the “we was’es” and “I seen’s,” was most vividly impressed. Here was youth and geniality and freedom and love of life.
And just then the front door opened and in hurried Louise Ratterer, a medium-sized, trim, vigorous little girl in a red-lined cape and a soft blue felt hat pulled over her eyes. Unlike her brother, she was brisk and vigorous and more lithe and as pretty as either of these others.
“Oh, look who’s here!” she exclaimed. “You two birds beat me home, didnja? Well, I got stuck to-night on account of some mix-up in my sales-book. And I had to go up to the cashier’s office. You bet it wasn’t my fault, though. They got my writin’ wrong,” then noting Clyde for the first time, she announced: “I bet I know who this is—Mr. Griffiths. Tom’s talked about you a lot. I wondered why he didn’t bring you around here before.” And Clyde, very much flattered, mumbled that he wished he had.
But the two visitors, after conferring with Louise in a small front bedroom to which they all retired, reappeared presently and because of strenuous invitations, which were really not needed, decided to remain. And Clyde, because of their presence, was now intensely wrought up and alert—eager to make a pleasing impression and to be received upon terms of friendship here. And these three girls, finding him attractive, were anxious to be agreeable to him, so much so that for the first time in his life they put him at his ease with the opposite sex and caused him to find his tongue.
“We was just going to warn you not to eat so much,” laughed Greta Miller, turning to Louise, “and now, here, we are all trying to eat again.” She laughed heartily. “And they’ll have ices and cakes and everythin’ at Kittie’s.”
“Oh, gee, and we’re supposed to dance, too, on top of all this. Well, heaven help me, is all I have to say,” put in Hortense.
The peculiar sweetness of her mouth, as he saw it, as well as the way she crinkled it when she smiled, caused Clyde to be quite beside himself with admiration and pleasure. She looked quite delightful—wonderful to him. Indeed her effect on him made him swallow quickly and half choke on the coffee he had just taken. He laughed and felt irrepressibly gay.
At that moment she turned on him and said: “See, what I’ve done to him now.”
“Oh, that ain’t all you’ve done to me,” exclaimed Clyde, suddenly being seized with an inspiration and a flow of thought and courage. Of a sudden, because of her effect on him, he felt bold and courageous, albeit a little foolish and added, “Say, I’m gettin’ kinda woozy with all the pretty faces I see around here.”
“Oh, gee, you don’t want to give yourself away that quick around here, Clyde,” cautioned Ratterer, genially. “These high-binders’ll be after you to make you take ’em wherever they want to go. You better not begin that way.” And, sure enough, Louise Ratterer, not to be abashed by what her brother had just said, observed: “You dance, don’t you, Mr. Griffiths?”
“No, I don’t,” replied Clyde, suddenly brought back to reality by this inquiry and regretting most violently the handicap this was likely to prove in this group. “But you bet I wish I did now,” he added gallantly and almost appealingly, looking first at Hortense and then at Greta Miller and Louise. But all pretended not to notice his preference, although Hortense titillated with her triumph. She was not convinced that she was so greatly taken with him, but it was something to triumph thus easily and handsomely over these others. And the others felt it, “Ain’t that too bad?” she commented, a little indifferently and superiorly now that she realized that she was his preference. “You might come along with us, you and Tom, if you did.
There’s goin’ to be mostly dancing at Kittie’s.”
Clyde began to feel and look crushed at once. To think that this girl, to whom of all those here he was most drawn, could dismiss him and his dreams and desires thus easily, and all because he couldn’t dance. And his accursed home training was responsible for all this. He felt broken and cheated. What a boob he must seem not to be able to dance. And Louise Ratterer looked a little puzzled and indifferent, too. But Greta Miller, whom he liked less than Hortense, came to his rescue with: “Oh, it ain’t so hard to learn. I could show you in a few minutes after dinner if you wanted to. It’s only a few steps you have to know. And then you could go, anyhow, if you wanted to.”
Clyde was grateful and said so—determined to learn here or elsewhere at the first opportunity. Why hadn’t he gone to a dancing school before this, he asked himself. But the thing that pained him most was the seeming indifference of Hortense now that he had made it clear that he liked her. Perhaps it was that Bert Gettler, previously mentioned, with whom she had gone to the dance, who was making it impossible for him to interest her. So he was always to be a failure this way. Oh, gee!
But the moment dinner was over and while the others were still talking, the first to put on a dance record and come over with hands extended was Hortense, who was determined not to be outdone by her rival in this way. She was not particularly interested or fascinated by Clyde, at least not to the extent of troubling about him as Greta did. But if her friend was going to attempt a conquest in this manner, was it not just as well to forestall her? And so, while Clyde misread her change of attitude to the extent of thinking that she liked him better than he had thought, she took him by the hands, thinking at the same time that he was too bashful. However, placing his right arm about her waist, his other clasped in hers at her shoulder, she directed his attention to her feet and his and began to illustrate the few primary movements of the dance. But so eager and grateful was he—almost intense—and ridiculous—she did not like him very much, thought him a little unsophisticated and too young. At the same time, there was a charm about him which caused her to wish to assist him. And soon he was moving about with her quite easily—and afterwards with Greta and then Louise, but wishing always it was Hortense. And finally he was pronounced sufficiently skillful to go, if he would.
And now the thought of being near her, being able to dance with her again, drew him so greatly that, despite the fact that three youths, among them that same Bert Gettler, appeared on the scene to escort them, and although he and Ratterer had previously agreed to go to a theater together, he could not help showing how much he would prefer to follow those others—so much so that Ratterer finally agreed to abandon the theater idea. And soon they were off, Clyde grieving that he could not walk with Hortense, who was with Gettler, and hating his rival because of this; but still attempting to be civil to Louise and Greta, who bestowed sufficient attention on him to make him feel at ease. Ratterer, having noticed his extreme preference and being alone with him for a moment, said: “You better not get too stuck on that Hortense Briggs. I don’t think she’s on the level with anybody. She’s got that fellow Gettler and others. She’ll only work you an’ you might not get anything, either.”
But Clyde, in spite of this honest and well-meant caution, was not to be dissuaded. On sight, and because of the witchery of a smile, the magic and vigor of motion and youth, he was completely infatuated and would have given or done anything for an additional smile or glance or hand pressure. And that despite the fact that he was dealing with a girl who no more knew her own mind than a moth, and who was just reaching the stage where she was finding it convenient and profitable to use boys of her own years or a little older for whatever pleasures or clothes she desired.
 
The party proved nothing more than one of those ebullitions of the youthful mating period. The house of Kittie Keane was little more than a cottage in a poor street under bare December trees. But to Clyde, because of the passion for a pretty face that was suddenly lit in him, it had the color and the form and gaiety of romance itself. And the young girls and boys that he met there—girls and boys of the Ratterer, Hegglund, Hortense stripe—were still of the very substance and texture of that energy, ease and forwardness which he would have given his soul to possess. And curiously enough, in spite of a certain nervousness on his part, he was by reason of his new companions made an integral part of the gaieties.
And on this occasion he was destined to view a type of girl and youth in action such as previously it had not been his fortune or misfortune, as you will, to see. There was, for instance, a type of sensual dancing which Louise and Hortense and Greta indulged in with the greatest nonchalance and assurance. At the same time, many of these youths carried whisky in a hip flask, from which they not only drank themselves, but gave others to drink—boys and girls indiscriminately.
And the general hilarity for this reason being not a little added to, they fell into more intimate relations—spooning with one and another—Hortense and Louise and Greta included. Also to quarreling at times. And it appeared to be nothing out of the ordinary, as Clyde saw, for one youth or another to embrace a girl behind a door, to hold her on his lap in a chair in some secluded corner, to lie with her on a sofa, whispering intimate and unquestionably welcome things to her. And although at no time did he espy Hortense doing this—still, as he saw, she did not hesitate to sit on the laps of various boys or to whisper with rivals behind doors. And this for a time so discouraged and at the same time incensed him that he felt he could not and would not have anything more to do with her—she was too cheap, vulgar, inconsiderate.
At the same time, having partaken of the varius drinks offered him—so as not to seem less worldly wise than the others—until brought to a state of courage and daring not ordinarily characteristic of him, he ventured to half plead with and at the same time half reproach her for her too lax conduct.
“You’re a flirt, you are. You don’t care who you jolly, do you?” This as they were dancing together after one o’clock to the music of a youth named Wilkens, at the none too tuneful piano. She was attempting too show him a new step in a genial and yet coquettish way, and with an amused, sensuous look.
BOOK: An American Tragedy
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