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Authors: Theodore Dreiser

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BOOK: An American Tragedy
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For Clyde was as vain and proud as he was poor. He was one of those interesting individuals who looked upon himself as a thing apart—never quiet wholly and indissolubly merged with the family of which he was a member, and never with any profound obligations to those who had been responsible for his coming into the world. On the contrary, he was inclined to study his parents, not too sharply or bitterly, but with a very fair grasp of their qualities and capabilities. And yet, with so much judgment in that direction, he was never quite able—at least not until he had reached his sixteenth year—to formulate any policy in regard to himself, and then only in a rather fumbling and tentative way.
Incidentally by that time the sex lure or appeal had begun to manifest itself and he was already intensely interested and troubled by the beauty of the opposite sex, its attractions for him and his attraction for it. And, naturally and coincidentally, the matter of his clothes and his physical appearance had begun to trouble him not a little—how he looked and how other boys looked. It was painful to him now to think that his clothes were not right; that he was not as handsome as he might be, not as interesting. What a wretched thing it was to be born poor and not to have any one to do anything for you and not to be able to do so very much for yourself!
Casual examination of himself in mirrors whenever he found them tended rather to assure him that he was not so bad-looking—a straight, well-cut nose, high white forehead, wavy, glossy, black hair, eyes that were black and rather melancholy at times. And yet the fact that his family was the unhappy thing that it was, that he had never had any real friends, and could not have any, as he saw it, because of the work and connection of his parents, was now tending more and more to induce a kind of mental depression or melancholia which promised not so well for his future. It served to make him rebellious and hence lethargic at times. Because of his parents, and in spite of his looks, which were really agreeable and more appealing than most, he was inclined to misinterpret the interested looks which were cast at him occasionally by young girls in very different walks of life from him—the contemptuous and yet rather inviting way in which they looked to see if he were interested or disinterested, brave or cowardly.
And yet, before he had ever earned any money at all, he had always told himself that if only he had a better collar, a nicer shirt, finer shoes, a good suit, a swell overcoat like some boys had! Oh, the fine clothes, the handsome homes, the watches, rings, pins that some boys sported; the dandies many youths of his years already were! Some parents of boys of his years actually gave them cars of their own to ride in. They were to be seen upon the principal streets of Kansas City flitting to and fro like flies. And pretty girls with them. And he had nothing. And he never had had.
And yet the world was so full of so many things to do—so many people were so happy and so successful. What was he to do? Which way to turn? What one thing to take up and master—something that would get him somewhere. He could not say. He did not know exactly. And these peculiar parents were in no way sufficiently equipped to advise him.
Chapter 3
ONE of the things that served to darken Clyde’s mood just about the time when he was seeking some practical solution for himself, to say nothing of its profoundly disheartening effect on the Griffiths family as a whole, was the fact that his sister Esta, in whom he took no little interest (although they really had very little in common), ran away from home with an actor who happened to be playing in Kansas City and who took a passing fancy for her.
The truth in regard to Esta was that in spite of her guarded up-bringing, and the seeming religious and moral fervor which at times appeared to characterize her, she was just a sensuous, weak girl who did not by any means know yet what she thought. Despite the atmosphere in which she moved, essentially she was not of it. Like the large majority of those who profess and daily repeat the dogmas and creeds of the world, she had come into her practices and imagined attitude so insensibly from her earliest childhood on, that up to this time, and even later, she did not know the meaning of it all. For the necessity of thought had been obviated by advice and law, or “revealed” truth, and so long as other theories of situations and impulses of an external or even internal, character did not arise to clash with these, she was safe enough. Once they did, however, it was a foregone conclusion that her religious notions, not being grounded on any conviction or temperamental bias of her own, were not likely to withstand the shock. So that all the while, and not unlike her brother Clyde, her thoughts as well as her emotions were wandering here and there—to love, to comfort—to things which in the main had little, if anything, to do with any self-abnegating and self-immolating religious theory. Within her was a chemism of dreams which somehow counteracted all they had to say.
Yet she had neither Clyde’s force, nor, on the other hand, his resistance. She was in the main a drifter, with a vague yearning toward pretty dresses, hats, shoes, ribbons and the like, and super-imposed above this, the religious theory or notion that she should not be. There were the long bright streets of a morning and afternoon after school or of an evening. The charm of certain girls swinging along together, arms locked, secrets a-whispering, or that of boys, clownish, yet revealing through their bounding ridiculous animality the force and meaning of that chemistry and urge toward mating which lies back of all youthful thought and action. And in herself, as from time to time she observed lovers or flirtation-seekers who lingered at street corners or about doorways, and who looked at her in a longing and seeking way, there was a stirring, a nerve plasm palpitation that spoke loudly for all the seemingly material things of life, not for the thin pleasantries of heaven.
And the glances drilled her like an invisible ray, for she was pleasing to look at and was growing more attractive hourly. And the moods in others awakened responsive moods in her, those rearranging chemisms upon which all the morality or immorality of the world is based.
And then one day, as she was coming home from school, a youth of that plausible variety known as “masher” engaged her in conversation, largely because of a look and a mood which seemed to invite it. And there was little to stay her, for she was essentially yielding, if not amorous. Yet so great had been her home drilling as to the need of modesty, circumspection, purity and the like, that on this occasion at least there was no danger of any immediate lapse. Only this attack once made, others followed, were accepted, or not so quickly fled from, and by degrees, these served to break down that wall of reserve which her home training had served to erect. She became secretive and hid her ways from her parents.
Youths occasionally walked and talked with her in spite of herself. They demolished that excessive shyness which had been hers, and which had served to put others aside for a time at least. She wished for other contacts—dreamed of some bright, gay, wonderful love of some kind, with some one.
Finally, after a slow but vigorous internal growth of mood and desire, there came this actor, one of those vain, handsome, animal personalities, all clothes and airs, but no morals (no taste, no courtesy or real tenderness even), but of compelling magnetism, who was able within the space of one brief week and a few meetings to completely befuddle and enmesh her so that she was really his to do with as he wished. And the truth was that he scarcely cared for her at all. To him, dull as he was, she was just another girl—fairly pretty, obviously sensuous and inexperienced, a silly who could be taken by a few soft words—a show of seemingly sincere affection, talk of the opportunity of a broader, freer life on the road, in other great cities, as his wife.
And yet his words were those of a lover who would be true forever. All she had to do, as he explained to her, was to come away with him and be his bride, at once—now. Delay was so vain when two such as they had met. There was difficulty about marriage here, which he could not explain—it related to friends—but in St. Louis he had a preacher friend who would wed them. She was to have new and better clothes than she had ever known, delicious adventures, love. She would travel with him and see the great world. She would never need to trouble more about anything save him; and while it was truth to her—the verbal surety of a genuine passion—to him it was the most ancient and serviceable type of blarney, often used before and often successful.
In a single week then, at odd hours, morning, afternoon and night, this chemic witchery was accomplished.
Coming home rather late one Saturday night in April from a walk which he had taken about the business heart, in order to escape the regular Saturday night mission services, Clyde found his mother worried about the whereabouts of Esta. She had played and sung as usual at this meeting. And all had seemed all right with her. After the meeting she had gone to her room, saying that she was not feeling very well and was going to bed early. But by eleven o’clock, when Clyde returned, her mother had chanced to look into her room and discovered that she was not there nor anywhere about the place. A certain bareness in connection with the room—some trinkets and dresses removed, an old and familiar suitcase gone—had first attracted her mother’s attention. Then the house search proving that she was not there, Asa had gone outside to look up and down the street. She sometimes walked out alone, or sat or stood in front of the mission during its idle or closed hours.
This search revealing nothing, Clyde and he had walked to a corner, then along Missouri Avenue. No Esta. At twelve they returned and after that, naturally, the curiosity in regard to her grew momentarily sharper.
At first they assumed that she might have taken an unexplained walk somewhere, but as twelve-thirty, and finally one, and one-thirty, passed, and no Esta, they were about to notify the police, when Clyde, going into her room, saw a note pinned to the pillow of her small wooden bed—a missive that had escaped the eye of his mother. At once he went to it, curious and comprehending, for he had often wondered in what way, assuming that he ever wished to depart surreptitiously, he would notify his parents, for he knew they would never countenance his departure unless they were permitted to supervise it in every detail. And now here was Esta missing, and here was undoubtedly some such communication as he might have left. He picked it up, eager to read it, but at that moment his mother came into the room and, seeing it in his hand, exclaimed: “What’s that? A note? Is it from her?” He surrendered it and she unfolded it, reading it quickly. He noted that her strong broad face, always tanned a reddish brown, blanched as she turned away toward the outer room. Her biggish mouth was now set in a firm, straight line. Her large, strong hand shook the least bit as it held the small note aloft.
“Asa!” she called, and then tramping into the next room where he was, his frizzled grayish hair curling distractedly above his round head, she said: “Read this.”
Clyde, who had followed, saw him take it a little nervously in his pudgy hands, his lips, always weak and beginning to crinkle at the center with age, now working curiously. Any one who had known his life’s history would have said it was the expression, slightly emphasized, with which he had received most of the untoward blows of his life in the past.
“Tst! Tst! Tst!” was the only sound he made at first, a sucking sound of the tongue and palate—most weak and inadequate, it seemed to Clyde. Next there was another “Tst! Tst! Tst!”, his head beginning to shake from side to side. Then, “Now, what do you suppose could have caused her to do that?” Then he turned and gazed at his wife, who gazed blankly in return. Then, walking to and fro, his hands behind him, his short legs taking unconscious and queerly long steps, his head moving again, he gave vent to another ineffectual “Tst! Tst! Tst!”
Always the more impressive, Mrs. Griffiths now showed herself markedly different and more vital in this trying situation, a kind of irritation or dissatisfaction with life itself, along with an obvious physical distress, seeming to pass through her like a visible shadow. Once her husband had gotten up, she reached out and took the note, then merely glared at it again, her face set in hard yet stricken and disturbing lines. Her manner was that of one who is intensely disquieted and dissatisfied, one who fingers savagely at a material knot and yet cannot undo it, one who seeks restraint and freedom from complaint and yet who would complain bitterly, angrily. For behind her were all those years of religious work and faith, which somehow, in her poorly integrated conscience, seemed dimly to indicate that she should justly have been spared this. Where was her God, her Christ, at this hour when this obvious evil was being done? Why had He not acted for her? How was He to explain this? His Biblical promises! His perpetual guidance! His declared mercies!
In the face of so great a calamity, it was very hard for her, as Clyde could see, to get this straightened out, instantly at least. Although, as Clyde had come to know, it could be done eventually, of course. For in some blind, dualistic way both she and Asa insisted, as do all religionists, in disassociating God from harm and error and misery, while granting Him nevertheless supreme control. They would seek for something else—some malign, treacherous, deciding power which, in the face of God’s omniscience and omnipotence, still beguiles and betrays—and find it eventually in the error and perverseness of the human heart, which God has made, yet which He does not control, because He does not want to control it.
At the moment, however, only hurt and rage were with her, and yet her lips did not twitch as did Asa’s, nor did her eyes show that profound distress which filled his. Instead she retreated a step and reëxamined the letter, almost angrily, then said to Asa: “She’s run away with some one and she doesn’t say——” Then she stopped suddenly, remembering the presence of the children—Clyde, Julia, and Frank, all present and all gazing curiously, intently, unbelievingly. “Come in here,” she called to her husband, “I want to talk to you a minute. You children had better go on to bed. We’ll be out in a minute.”
BOOK: An American Tragedy
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