A Death in Vienna (7 page)

“I don’t believe you’re Gideon Argov from Jerusalem. That’s why I gave you the file. There’s nothing more I can do with it, not in this climate. Promise me you’ll tread carefully, though. I don’t want the Coalition and its staff to suffer the same fate as Wartime Claims.” She stopped walking and turned briefly to face him. “And one more thing, Mr. Argov. Please don’t call me again.”

T
HE SURVEILLANCE VAN
was parked on the edge of the Augarten, on the Wasnergasse. The photographer sat in the back, concealed behind one-way glass. He snapped one final shot as the subjects separated, then downloaded the pictures to a laptop computer and reviewed the images. The one that showed the envelope changing hands had been shot from behind. Nicely framed, well lit, a thing of beauty.

O
NE HOUR LATER
, in an anonymous neo-Baroque building on the Ringstrasse, the photograph was delivered to the office of a man named Manfred Kruz. Contained in an unmarked manila envelope, it was handed to Kruz without comment by his attractive secretary. As usual he was dressed in a dark suit and white shirt. His placid face and sharp cheekbones, combined with his habitual somber dress, gave him a cadaverous air that unnerved underlings. His Mediterranean features—the nearly black hair, the olive skin, and coffee-colored eyes—had given rise to rumors within the service that a Gypsy or perhaps even a Jew lurked in his lineage. It was a libel, advanced by his legion of enemies, and Kruz did not find it amusing. He was not popular among the troops, but then he didn’t much care. Kruz was well-connected: lunch with the minister once a week, friends among the wealthy and the political elite. Make an enemy of Kruz and you could find yourself writing parking tickets in the backwoods of Carinthia.

His unit was known officially as Department Five, but among senior Staatspolizei officers and their masters at the Interior Ministry, it was referred to simply as “Kruz’s gang.” In moments of self-aggrandizement, a misdemeanor to which Kruz willingly pleaded guilty, he imagined himself the protector of all things Austrian. It was Kruz’s job to make certain that the rest of the world’s problems didn’t seep across the borders into the tranquil
Österreich
. Department Five was responsible for counter-terrorism, counter-extremism, and counterintelligence. Manfred Kruz possessed the power to bug offices and tap telephones, to open mail and conduct physical surveillance. Foreigners who came to Austria looking for trouble could expect a visit from one of Kruz’s men. So could native-born Austrians whose political activities diverged from the prescribed lines. Little took place inside the country that he didn’t know about, including the recent appearance in Vienna of an Israeli who claimed to be a colleague of Eli Lavon from Wartime Claims and Inquiries.

Kruz’s innate mistrust of people extended to his personal secretary. He waited until she had left the room before prizing open the envelope and shaking the print onto his blotter. It fell facedown. He turned it over, placed it in the sharp white light of his halogen lamp, and carefully examined the image. Kruz was not interested in Renate Hoffmann. She was the subject of regular surveillance by Department Five, and Kruz had spent more time than he cared to remember studying surveillance photographs and listening to transcripts of proceedings inside the premises of the Coalition for a Better Austria. No, Kruz was more interested in the dark, compact figure walking at her side, the man who called himself Gideon Argov.

After a moment he stood and worked the tumbler on the wall safe behind his desk. Inside, wedged between a stack of case files and a bundle of scented love letters from a girl who worked in payroll, was a videotape of an interrogation. Kruz glanced at the date on the adhesive label—J
ANUARY
1991—then inserted the tape into his machine and pressed the
PLAY
button.

The shot rolled for a few frames before settling into place. The camera had been mounted high in the corner of the interrogation room, where the wall met the ceiling, so that it looked down upon the proceedings from an oblique angle. The image was somewhat grainy, the technology a generation old. Pacing the room with a menacing slowness was a younger version of Kruz. Seated at the interrogation table was the Israeli, his hands blackened by fire, his eyes by death. Kruz was quite certain it was the same man who was now calling himself Gideon Argov. Uncharacteristically, it was the Israeli, not Kruz, who posed the first question. Now, as then, Kruz was taken aback by the perfect German, spoken in the distinctive accent of a Berliner.

“Where’s my son?”

“I’m afraid he’s dead.”

“What about my wife?”

“Your wife has been severely injured. She needs immediate medical attention.”

“Then why isn’t she getting it?”

“We need to know some information first before she can be treated.”

“Why isn’t she being treated now? Where is she?”

“Don’t worry, she’s in good hands. We just need some questions answered.”

“Like what?”

“You can begin by telling us who you really are. And please, don’t lie to us anymore. Your wife doesn’t have much time.”

“I’ve been asked my name a hundred times! You know my name! My God, get her the help she needs.”

“We will, but first tell us your name. Your real name, this time. No more aliases, pseudonyms, or cover names. We haven’t the time, not if your wife is going to live.”

“My name is Gabriel, you bastard!”

“Is that your first name or your last?”

“My first.”

“And your last?”

“Allon.”

“Allon? That’s a Hebrew name, is it not? You’re Jewish. You are also, I suspect, Israeli.”

“Yes, I’m Israeli.”

“If you are an Israeli, what are you doing in Vienna with an Italian passport? Obviously, you’re an agent of Israeli intelligence. Who do you work for, Mr. Allon? What are you doing here?”

“Call the ambassador. He’ll know who to contact.”

“We’ll call your ambassador. And your foreign minister. And your prime minister. But right now, if you want your wife to get the medical treatment she so desperately needs, you’re going to tell us who you work for and why you’re in Vienna.”

“Call the ambassador! Help my wife, goddamn it!”

“Who do you work for!”

“You know who I work for! Help my wife. Don’t let her die!”

“Her life is in your hands, Mr. Allon.”

“You’re dead, you motherfucker! If my wife dies tonight, you’re dead. Do you hear me? You’re fucking
dead!”

The tape dissolved to a blizzard of silver and black. Kruz sat for a long time, unable to take his eyes from the screen. Finally he switched his telephone to secure and dialed a number from memory. He recognized the voice that greeted him. They exchanged no pleasantries.

“I’m afraid we have a problem.”

“Tell me.”

Kruz did.

“Why don’t you arrest him? He’s in this country illegally on a forged passport, and in violation of an agreement made between your service and his.”

“And then what? Hand him over to the state prosecutor’s office so they can put him on trial? Something tells me he might want to use a platform like that to his advantage.”

“What are you suggesting?”

“Something a bit more subtle.”

“Consider the Israeli your problem, Manfred. Deal with it.”

“And what about Max Klein?”

The line went dead. Kruz hung up the phone.

I
N A QUIET
backwater of the Stephansdom Quarter, in the very shadow of the cathedral’s north tower, there is a lane too narrow for anything but pedestrian traffic. At the head of the lane, on the ground floor of a stately old Baroque house, there is a small shop that sells nothing but collector-quality antique clocks. The sign over the door is circumspect, the shop hours unpredictable. Some days it does not open for business at all. There are no employees other than the owner. To one set of exclusive clients, he is known as Herr Gruber. To another, the Clockmaker.

He was short of stature and muscular in build. He preferred pullovers and loose-fitting tweed jackets, because formal shirts and ties did not fit him particularly well. He was bald, with a fringe of cropped gray hair, and his eyebrows were thick and dark. He wore round spectacles with tortoise-shell frames. His hands were larger than most in his field, but dexterous and highly skilled.

His workshop was as orderly as an operating room. On the worktable, in a pool of clean light, lay a two-hundred-year-old Neuchatel wall clock. The three-part case, decorated in floral-patterned cameos, was in perfect condition, as was the enamel dial with Roman numerals. The Clockmaker had entered the final stages of an extensive overhaul of the two-train Neuchatel movement. The finished piece would fetch close to ten thousand dollars. A buyer, a collector from Lyon, was waiting.

The bell at the front of the shop interrupted the Clockmaker’s work. He poked his head around the door frame and saw a figure standing outside in the street, a motorcycle courier, his wet leather jacket gleaming with rain like a seal’s skin. There was a package under his arm. The Clockmaker went to the door and unlocked it. The courier handed over the package without a word, then climbed onto the bike and sped away.

The Clockmaker locked the door again and carried the package to his worktable. He unwrapped it slowly—indeed, he did almost everything slowly—and lifted the cover of a cardboard packing case. Inside lay a Louis XV French wall clock. Quite lovely. He removed the casing and exposed the movement. The dossier and photograph were concealed inside. He spent a few minutes reviewing the document, then concealed it inside a large volume entitled
Carriage Clocks in the Age of Victoria.

The Louis XV had been delivered by the Clockmaker’s most important client. The Clockmaker did not know his name, only that he was wealthy and politically connected. Most of his clients shared those two attributes. This one was different, though. A year ago he’d given the Clockmaker a list of names, men scattered from Europe to the Middle East to South America. The Clockmaker was steadily working his way down the list. He’d killed a man in Damascus, another in Cairo. He’d killed a Frenchman in Bordeaux and a Spaniard in Madrid. He’d crossed the Atlantic in order to kill two wealthy Argentines. One name remained on the list, a Swiss banker in Zurich. The Clockmaker had yet to receive the final signal to proceed against him. The dossier he’d received tonight was a new name, a bit closer to home than he preferred, but hardly a challenge. He decided to accept the assignment.

He picked up the telephone and dialed.

“I received the clock. How quickly do you need it done?”

“Consider it an emergency repair.”

“There’s a surcharge for emergency repairs. I assume you’re willing to pay it?”

“How much of a surcharge?”

“My usual fee, plus half.”

“For this job?”

“Do you want it done, or not?”

“I’ll send over the first half in the morning.”

“No, you’ll send it
tonight.
”

“If you insist.”

The Clockmaker hung up the telephone as a hundred chimes simultaneously tolled four o’clock.

G
ABRIEL HAD NEVER
been fond of Viennese coffeehouses. There was something in the smell—the potion of stale tobacco smoke, coffee, and liqueur—that he found offensive. And although he was quiet and still by nature, he did not enjoy sitting for long periods, wasting valuable time. He did not read in public, because he feared old enemies might be stalking him. He drank coffee only in the morning, to help him wake, and rich desserts made him ill. Witty conversation annoyed him, and listening to the conversations of others, especially pseudo-intellectuals, drove him to near madness. Gabriel’s private hell would be a room where he would be forced to listen to a discussion of art led by people who knew nothing about it.

It had been more than thirty years since he had been to Café Central. The coffeehouse had proven to be the setting for the final stage of his apprenticeship for Shamron, the portal between the life he’d led before the Office and the twilight world he would inhabit after. Shamron, at the end of Gabriel’s training period, had devised one more test to see whether he was ready for his first assignment. Dropped at midnight on the outskirts of Brussels, paperless and without a centime in his pocket, he had been ordered to meet an agent the next morning in the Leidseplein in Amsterdam. Using stolen money and a passport he’d taken from an American tourist, he’d managed to arrive on the morning train. The agent he found waiting was Shamron. He relieved Gabriel of the passport and his remaining money, then told him to be in Vienna the following afternoon, dressed in different clothes. They met on a bench in the Stadtpark and walked to the Central. At a table next to a tall, arched window, Shamron had given Gabriel an airline ticket to Rome and the key to an airport locker where he would find a Beretta pistol. Two nights later, in the foyer of an apartment house in the Piazza Annabaliano, Gabriel had killed for the first time.

Then, as now, it was raining when Gabriel arrived at Café Central. He sat on a leather banquette and placed a stack of German-language newspapers on the small, round table. He ordered a Schlagobers, black coffee topped with whipped cream. It came on a silver tray with a glass of iced water. He opened the first newspaper,
Die Presse,
and began to read. The bombing at Wartime Claims and Inquiries was the lead story. The Interior Minister was promising swift arrests. The political right was demanding harsher immigration measures to prevent Arab terrorists, and other troublesome elements, from crossing Austria’s borders.

Gabriel finished the first newspaper. He ordered another Schlagobers and opened a magazine called
Profil.
He looked around the café. It was rapidly filling with Viennese office workers stopping for a coffee or a drink on the way home from work. Unfortunately none bore even a remote resemblance to Max Klein’s description of Ludwig Vogel.

By five o’clock, Gabriel had drunk three cups of coffee and was beginning to despair of ever seeing Ludwig Vogel. Then he noticed that his waiter was wringing his hands with excitement and shifting his weight from foot to foot. Gabriel followed the line of the waiter’s gaze and saw an elderly gentleman coming through the door—
An Austrian of the old school, if you know what I mean, Mr. Argov.
Yes, I do, thought Gabriel.
Good afternoon, Herr Vogel.

H
IS HAIR WAS
nearly white, deeply receded, and combed very close to his scalp. His mouth was small and taut, his clothing expensive and elegantly worn: gray flannel trousers, a double-breasted blazer, a burgundy-colored ascot. The waiter helped him off with his overcoat and led him to a table, just a few feet from Gabriel’s.

“An Einspänner, Karl. Nothing more.”

Confident, baritone, a voice used to giving orders.

“Can I tempt you with a Sachertorte? Or an apple strudel? It’s very fresh tonight.”

A weary shake of the head, once to the left, once to the right.

“Not today, Karl. Just coffee.”

“As you wish, Herr Vogel.”

Vogel sat down. At that same instant, two tables away, his bodyguard sat, too. Klein hadn’t mentioned the bodyguard. Perhaps he hadn’t noticed him. Perhaps he was a new addition. Gabriel forced himself to look down at his magazine.

The seating arrangements were far from optimal. As luck would have it, Vogel was facing Gabriel directly. A more oblique angle would have allowed Gabriel to observe him without fear of being noticed. What’s more, the bodyguard was seated just behind Vogel, his eyes on the move. Judging from the bulge in the left side of his suit jacket, he was carrying a weapon in a shoulder holster. Gabriel considered changing tables but feared it would arouse Vogel’s suspicion, so he stayed put and sneaked glances at him over the top of his magazine.

And on it went for the next forty-five minutes. Gabriel finished the last of his reading material and started in on
Die Presse
again. He ordered a fourth Schlagobers. At some point he became aware that he too was being watched, not by the bodyguard but by Vogel himself. A moment later, he heard Vogel say, “It’s damned cold tonight, Karl. How about a small glass of brandy before I leave?”

“Of course, Herr Vogel.”

“And one for the gentleman at that table over there, Karl.”

Gabriel looked up and saw two pairs of eyes studying him, the small, dull eyes of the fawning waiter, and Vogel’s, which were blue and bottomless. His small mouth had curled into a humorless smile. Gabriel didn’t know quite how to react, and Ludwig Vogel was clearly enjoying his discomfort.

“I was just leaving,” Gabriel said in German, “but thank you very much.”

“As you wish.” Vogel looked at the waiter. “Come to think of it, Karl, I think I’ll be going, too.”

Vogel stood suddenly. He handed the waiter a few bills, then walked to Gabriel’s table.

“I offered to buy you a brandy because I noticed you were looking at me,” Vogel said. “Have we ever met before?”

“No, I don’t think so,” Gabriel said. “And if I was looking at you, I meant nothing by it. I just enjoy looking at faces in Viennese coffeehouses.” He hesitated, then added, “One never knows whom one might run into.”

“I couldn’t agree more.” Another humorless smile. “Are you sure we’ve never met before? Your face seems very familiar to me.”

“I sincerely doubt it.”

“You’re new to the Central,” Vogel said with certainty. “I come here every afternoon. You might say I’m Karl’s best customer. I know I’ve never seen you here before.”

“I usually take my coffee at Sperl.”

“Ah, Sperl. Their strudel is good, but I’m afraid the sound of the billiards tables intrudes on my concentration. I must say, I’m fond of the Central. Perhaps we’ll see each other again.”

“Perhaps,” Gabriel said noncommittally.

“There was an old man who used to come here often. He was about my age. We used to have lovely conversations. He hasn’t come for some time. I hope he’s all right. When one is old, things have a way of going wrong very quickly.”

Gabriel shrugged. “Maybe he’s just moved on to another coffeehouse.”

“Perhaps,” Vogel said. Then he wished Gabriel a pleasant evening and walked into the street. The bodyguard followed discreetly after him. Through the glass, Gabriel saw a Mercedes sedan slide forward. Vogel shot one more glance in Gabriel’s direction before lowering himself into the back seat. Then the door closed and the car sped away.

Gabriel sat for a moment, turning over the details of the unexpected encounter. Then he paid his check and walked into the frigid evening. He knew he had just been sent a warning. He also knew that his time in Austria was limited.

T
HE
A
MERICAN WAS
the last to depart Café Central. He paused in the doorway to turn up the collar of his Burberry overcoat, doing his best to avoid looking like a spy, and watched the Israeli disappear into the darkened street. Then he turned and headed in the opposite direction. It had been an interesting afternoon. A ballsy move on Vogel’s part, but then that was Vogel’s style.

The embassy was in the Ninth District, a bit of a trek, but the American decided it was a good night for walking. He liked walking in Vienna. It suited him. He’d wanted nothing more than to be a spy in the city of spies and had spent his youth preparing himself. He’d studied German at his grandmother’s knee and Soviet policy with the brightest minds in the field at Harvard. After graduation, the doors to the Agency were thrown open to him. Then the Empire crumbled and a new threat rose from the sands of the Middle East. Fluent German and a graduate degree from Harvard didn’t count for much in the new Agency. Today’s stars were human action figures who could live off worms and grubs and walk a hundred miles with some hill tribesman without complaining of so much as a blister. The American had got Vienna, but the Vienna that awaited him had lost her old importance. She was suddenly just another European backwater, a cul-de-sac, a place to quietly end a career, not launch one.

Thank God for the Vogel affair. It had livened things up a bit, even if it was only temporary.

The American turned into the Boltzmanngasse and paused at the formidable security gate. The Marine guard checked his identification card and permitted him to enter. The American had official cover. He worked in Cultural. It only reinforced his feelings of obsolescence. A spy, working with Cultural cover in Vienna. How perfectly quaint.

He rode the lift up to the fourth floor and paused at a door with a combination lock. Behind it was the nerve center of the Agency’s Vienna station. The American sat down before a computer, logged on, and tapped out a brief cable to Headquarters. It was addressed to a man named Carter, the deputy director for operations. Carter hated chatty cables. He’d ordered the American to find out one simple piece of information. The American had done it. The last thing Carter needed was a blow-by-blow account of his harrowing exploits at Café Central. Once it might have sounded compelling. Not anymore.

He typed five words—
Avraham is in the game
—and fired it into the secure ether. He waited for a response. To pass the time, he worked on an analysis of the upcoming election. He doubted it would be required reading on the seventh floor at Langley.

His computer beeped. He had a message waiting. He clicked on it, and words appeared on the screen.

Keep Elijah under watch.

The American hastily tapped out another message:
What if Elijah leaves town?

Two minutes later:
Keep Elijah under watch.

The American logged off. He put aside the report on the election. He was back in the game, at least for now.

G
ABRIEL SPENT THE
rest of that evening at the hospital. Marguerite, the night nurse, came on duty an hour after he arrived. When the doctor had completed his examination, she permitted him to sit at Eli’s bedside. For a second time, she suggested Gabriel talk to him, then she slipped from the room to give him a few moments of privacy. Gabriel didn’t know what to say, so he leaned close to Eli’s ear and whispered to him in Hebrew about the case: Max Klein, Renate Hoffmann, Ludwig Vogel…Eli lay motionless, his head bandaged, his eyes bound. Later, in the corridor, Marguerite confided to Gabriel that there had been no improvement in Eli’s condition. Gabriel sat in the adjoining waiting room for another hour, watching Eli through the glass, then took a taxi back to his hotel.

In his room he sat down at the desk and switched on the lamp. In the top drawer he found a few sheets of hotel stationery and a pencil. He closed his eyes for a moment and pictured Vogel as he had seen him that afternoon in Café Central.

“Are you sure we’ve never met before? Your face seems very familiar to me.”

“I sincerely doubt it.”

Gabriel opened his eyes again and started sketching. Five minutes later, Vogel’s face was staring up at him.
What might he have looked like as a young man?
He began to sketch again. He thickened the hair, removed the hoods and crinkles from the eyes. He smoothed the furrows from the forehead, tightened the skin on the cheeks and along the jawline, erased the deep troughs leading from the base of the nose to the corners of the small mouth.

Satisfied, he placed the new sketch next to the first. He began a third version of the man, this time with the high-collared tunic and peaked cap of an SS man. The image, when it was complete, set fire to the skin of his neck.

He opened the file Renate Hoffmann had given him and read the name of the village where Vogel had his country house. He located the village on a tourist map he found in the desk drawer, then dialed a rental car office and reserved a car for the morning.

He carried the sketches to the bed and, with his head propped on the pillow, stared at the three different versions of Vogel’s face. The last, the one of Vogel in the uniform of the SS, seemed vaguely familiar to him. He had the nagging sensation he had seen the man someplace before. After an hour, he sat up and carried the sketches into the bathroom. Standing at the sink, he burned the images in the same order he had sketched them: Vogel as prosperous Viennese gentleman, Vogel fifty years younger, Vogel as SS murderer…