You've Got to Read This (62 page)

All the same, they presently controlled their mirth out of respect for the gentlemen.

When the officer had at length finished his task aloft, he surveyed the machinery in all its details once more, with a smile, but this time shut the lid of the Designer, which had stayed open till now, climbed down, looked into the pit and then at the condemned man, noting with satisfaction that the clothing had been taken out, then went over to wash his hands in the water bucket, perceived too late that it was disgustingly dirty, was unhappy because he could not wash his hands, in the end thrust them into the sand—this alternative did not please him, but he had to put up with it—then stood upright and began to unbutton his uniform jacket. As he did this, the two ladies' handkerchiefs he had tucked under his collar fell into his hands.

"Here are your handkerchiefs," he said, and threw them to the condemned man. And to the explorer he said in explanation: "A gift from the ladies."

In spite of the obvious haste with which he was discarding first his uniform jacket and then all his clothing, he handled each garment with loving
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care, he even ran his fingers caressingly over the silver lace on the jacket and shook a tassel into place. This loving care was certainly out of keeping with the fact that as soon as he had a garment off he flung it at once with a kind of unwilling jerk into the pit. The last thing left to him was his short sword with the sword belt. He drew it out of the scabbard, broke it, then gathered all together, the bits of the sword, the scabbard, and the belt, and flung them so violently down that they clattered into the pit.

Now he stood naked there. The explorer bit his lips and said nothing.

He knew very well what was going to happen, but he had no right to obstruct the officer in anything. If the judicial procedure which the officer cherished were really so near its end—possibly as a result of his own intervention, as to which he felt himself pledged—then the officer was doing the right thing; in his place the explorer would not have acted otherwise.

The soldier and the condemned man did not understand at first what was happening, at first they were not even looking on. The condemned man was gleeful at having got the handkerchiefs back, but he was not allowed to enjoy them for long, since the soldier snatched them with a sudden, unexpected grab. Now the condemned man in turn was trying to twitch them from under the belt where the soldier had tucked them, but the soldier was on his guard. So they were wrestling, half in jest. Only when the officer stood quite naked was their attention caught. The condemned man especially seemed struck with the notion that some great change was impending.

What had happened to him was now going to happen to the officer. Perhaps even to the very end. Apparently the foreign explorer had given the order for it. So this was revenge. Although he himself had not suffered to the end, he was to be revenged to the end. A broad, silent grin now appeared on his face and stayed there all the rest of the time.

The officer, however, had turned to the machine. It had been clear enough previously that he understood the machine well, but now it was almost staggering to see how he managed it and how it obeyed him. His hand had only to approach the Harrow for it to rise and sink several times till it was adjusted to the right position for receiving him; he touched only the edge of the Bed and already it was vibrating; the felt gag came to meet his mouth, one could see that the officer was really reluctant to take it but he shrank from it only a moment, soon he submitted and received it. Everything was ready, only the straps hung down at the sides, yet they were obviously unnecessary, the officer did not need to be fastened down. Then the condemned man noticed the loose straps, in his opinion the execution was incomplete unless the straps were buckled, he gestured eagerly to the soldier and they ran together to strap the officer down. The latter had already stretched out one foot to push the lever that started the Designer; he saw the two men coming up; so he drew his foot back and let himself be buckled in.

But now he could not reach the lever; neither the soldier nor the condemned man would be able to find it, and the explorer was determined not to lift a finger. It was not necessary; as soon as the straps were fastened the
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machine began to work; the Bed vibrated, the needles flickered above the skin, the Harrow rose and fell. The explorer had been staring at it quite a while before he remembered that a wheel in the Designer should have been creaking; but everything was quiet, not even the slightest hum could be heard.

Because it was working so silently the machine simply escaped one's attention. The explorer observed the soldier and the condemned man. The latter was the more animated of the two, everything in the machine interested him, now he was bending down and now stretching up on tiptoe, his forefinger was extended all the time pointing out details to the soldier. This annoyed the explorer. He was resolved to stay till the end, but he could not bear the sight of these two. "Go back home," he said. The soldier would have been willing enough, but the condemned man took the order as a punishment. With clasped hands he implored to be allowed to stay, and when the explorer shook his head and would not relent, he even went down on his knees. The explorer saw that it was no use merely giving orders, he was on the point of going over and driving them away. At that moment he heard a noise above him in the Designer. He looked up. Was that cogwheel going to make trouble after all? But it was something quite different. Slowly the lid of the Designer rose up and then clicked wide open. The teeth of a cogwheel showed themselves and rose higher, soon the whole wheel was visible, it was as if some enormous force were squeezing the Designer so that there was no longer room for the wheel, the wheel moved up till it came to the very edge of the Designer, fell down, rolled along the sand a little on its rim, and then lay flat. But a second wheel was already rising after it, followed by many others, large and small and indistinguishably minute, the same thing happened to all of them, at every moment one imagined the Designer must now really be empty, but another complex of numerous wheels was already rising into sight, falling down, trundling along the sand, and lying flat. This phenomenon made the condemned man completely forget the explorer's command, the cogwheels fascinated him, he was always trying to catch one and at the same time urging the soldier to help, but always drew back his hand in alarm, for another wheel always came hopping along which, at least on its first advance, scared him off.

The explorer, on the other hand, felt greatly troubled; the machine was obviously going to pieces; its silent working was a delusion; he had a feeling that he must now stand by the officer, since the officer was no longer able to look after himself. But while the tumbling cogwheels absorbed his whole attention he had forgotten to keep an eye on the rest of the machine; now that the last cogwheel had left the Designer, however, he bent over the Harrow and had a new and still more unpleasant surprise. The Harrow was not writing, it was only jabbing, and the Bed was not turning the body over but only bringing it up quivering against the needles. The explorer wanted to do something, if possible, to bring the whole machine to a standstill, for this was no exquisite torture such as the officer desired, this was plain murder.

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He stretched out his hands. But at that moment the Harrow rose with the body spitted on it and moved to the side, as it usually did only when the twelfth hour had come. Blood was flowing in a hundred streams, not mingled with water, the water jets too had failed to function. And now the last action failed to fulfill itself, the body did not drop off the long needles, streaming with blood it went on hanging over the pit without falling into it.

The Harrow tried to move back to its old position, but as if it had itself noticed that it had not yet got rid of its burden it stuck after all where it was, over the pit. "Come and help!" cried the explorer to the other two, and himself seized the officer's feet. He wanted to push against the feet while the others seized the head from the opposite side and so the officer might be slowly eased off the needles. But the other two could not make up their minds to come; the condemned man actually turned away; the explorer had to go over to them and force them into position at the officer's head. And here, almost against his will, he had to look at the face of the corpse. It was as it had been in life; no sign was visible of the promised redemption; what the others had found in the machine the officer had not found; the lips were firmly pressed together, the eyes were open, with the same expression as in life, the look was calm and convinced, through the forehead went the point of the great iron spike.

As the explorer, with the soldier and the condemned man behind him, reached the first houses of the colony, the soldier pointed to one of them and said: "There is the teahouse."

In the ground floor of the house was a deep, low, cavernous space, its walls and ceiling blackened with smoke. It was open to the road all along its length. Although this teahouse was very little different from the other houses of the colony, which were all very dilapidated, even up to the Commandant's palatial headquarters, it made on the explorer the impression of a historic tradition of some kind, and he felt the power of past days. He went near to it, followed by his companions, right up between the empty tables that stood in the street before it, and breathed the cool, heavy air that came from the interior. "The old man's buried here," said the soldier, "the priest wouldn't let him lie in the churchyard. Nobody knew where to bury him for a while, but in the end they buried him here. The officer never told you about that, for sure, because of course that's what he was most ashamed of. He even tried several times to dig the old man up by night, but he was always chased away."

"Where is the grave?" asked the explorer, who found it impossible to believe the soldier. At once both of them, the soldier and the condemned man, ran before him pointing with outstretched hands in the direction where the grave should be. They led the explorer right up to the back wall, where guests were sitting at a few tables. They were apparently dock laborers, strong men with short, glistening, full black beards. None had a jacket, their shirts were torn, they were poor, humble creatures. As the explorer drew near, some of them got up, pressed close to the wall, and stared at him. "It's a foreigner,"

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ran the whisper around him, "he wants to see the grave." They pushed one of the tables aside, and under it there was really a gravestone. It was a simple stone, low enough to be covered by a table. There was an inscription on it in very small letters, the explorer had to kneel down to read it. This was what it said: "Here rests the old Commandant. His adherents, who now must be nameless, have dug this grave and set up this stone. There is a prophecy that after a certain number of years the Commandant will rise again and lead his adherents from this house to recover the colony. Have faith and wait!" When the explorer had read this and risen to his feet he saw all the bystanders around him smiling, as if they too had read the inscription, had found it ridiculous, and were expecting him to agree with them. The explorer ignored this, distributed a few coins among them, waiting till the table was pushed over the grave again, quitted the teahouse, and made for the harbor.

The soldier and the condemned man had found some acquaintances in the teahouse, who detained them. But they must have soon shaken them off, for the explorer was only halfway down the long flight of steps leading to the boats when they came rushing after him. Probably they wanted to force him at the last minute to take them with him. While he was bargaining below with a ferryman to row him to the steamer, the two of them came headlong down the steps, in silence, for they did not dare to shout. But by the time they reached the foot of the steps the explorer was already in the boat, and the ferryman was just casting off from the shore. They could have jumped into the boat, but the explorer lifted a heavy knotted rope from the floor boards, threatened them with it, and so kept them from attempting the leap.

G i r l

by Jamaica Kincaid

Introduced by Stephanie Vaughn

JAMAICA KINCAID'S "GIRL" ALWAYS ASTONISHES ME. IT PASSES OVER

the conventions of preamble and lights upon the page in full motion:

"Wash the white clothes on Monday and put them on the stone heap; wash the color clothes on Tuesday. . . . " Maybe it is the seduction of the implied "you" which pulls me in; maybe it is the irresistible voice of the command, or the precision and certitude of the short declarative statement: This is the way to live in my feminine domain, it says; read on. The story spills out in a single breath, a gusty exhalation of urgency and passion, which is also a single sentence. The sentence plunges down the page like a waterfall, like liquid lava, in a violent splendor barely contained by the white margins. Its exhilarating motion gives me the sense of a writer carried over the precipice by the energy of her own vision, by the imperatives and declarations of the story, by the turbulence of anger and love crashing to the bottom of something. Here is a writer who is not working from outlines and complacencies. Here is a writer who can take whatever might seem ordinary and commonplace in their namings—

pumpkin fritters, table settings, salt fish, the gum-sizing in new cotton—

and elevate them to beauty with her extraordinary voice, its humor, and its scorn, and its pulsing, incantatory, even biblical rhythms. The story seems to have a linear motion, this downward sweep of nouns and injunctions, from the menstrual cloths at the beginning to the abortion medicine toward the end, from the "girl" of the title to the "woman" of the last line. But no, the story transfigures itself into circularities—the return to "slut" and to "slut" and to "slut." It is a dilating story, a widening story, opening into the dark intimate spaces of peril. The girl may be cheated by a cloth merchant, repudiated by a butcher, she may conceive a child she does not want, she may throw a stone at a blackbird which is not a blackbird, she may endlessly, in the timeless present tense of the mother's voice fail to be the right kind of girl. And where is the "girl" of the title, the prospective "woman" of the last line? She is trapped between two sets of semicolons. She is feathered into abjection and weightlessness by the italic typeface. She is imprisoned in her own mother's voice, a tower of language. But isn't the girl also the magician in this story, the enchantress who has escaped into womanhood and come back to ventriloquize her mother? Surely the girl is the writer—not Jamaica Kincaid in the literal autobiographical sense but the invented writer who pulls a whole childhood of memory into a single perfectly managed sentence and makes me laugh at the mother every time she breaks down and says "slut"? Whenever I read this story (and I have read it perhaps a hundred times), I
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