You've Got to Read This (57 page)

—Is the fire hot, sir?

But the man could not hear her with the noise of the furnace. It was just as well. He might have answered rudely.

A wave of yet more tender joy escaped from his heart and went cours-ing in warm flood along his arteries. Like the tender fires of stars moments of their life together, that no one knew of or would ever know of, broke upon and illumined his memory. He longed to recall to her those moments, to make her forget the years of their dull existence together and remember only their moments of ecstasy. For the years, he felt, had not quenched his soul or hers. Their children, his writing, her household cares had not
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quenched all their souls' tender fire. In one letter that he had written to her then he had said:
Why is it that words like these seem to me so dull and cold?

Is it because there is no word tender enough to be your name?

Like distant music these words that he had written years before were borne towards him from the past. He longed to be alone with her. When the others had gone away, when he and she were in their room in the hotel, then they would be alone together. He would call her softly:

—Gretta!

Perhaps she would not hear at once: she would be undressing. Then something in his voice would strike her. She would turn and look at him. . . .

At the corner of Winetavern Street they met a cab. He was glad of its rattling noise as it saved him from conversation. She was looking out of the window and seemed tired. The others spoke only a few words, pointing out some building or street. The horse galloped along wearily under the murky morning sky, dragging his old rattling box after his heels, and Gabriel was again in a cab with her, galloping to catch the boat, galloping to their honey-moon.

As the cab drove across O'Connell Bridge Miss O'Callaghan said:

—They say you never cross O'Connell Bridge without seeing a white horse.

—I see a white man this time, said Gabriel.

—Where? asked Mr Bartell D'Arcy.

Gabriel pointed to the statue, on which lay patches of snow. Then he nodded familiarly to it and waved his hand.

—Good-night, Dan, he said gaily.

When the cab drew up before the hotel Gabriel jumped out and, in spite of Mr Bartell D'Arcy's protest, paid the driver. He gave the man a shilling over his fare. The man saluted and said:

—A prosperous New Year to you, sir.

—The same to you, said Gabriel cordially.

She leaned for a moment on his arm in getting out of the cab and while standing at the curbstone, bidding the others good-night. She leaned lightly on his arm, as lightly as when she had danced with him a few hours before.

He had felt proud and happy then, happy that she was his, proud of her grace and wifely carriage. But now, after the kindling again of so many memories, the first touch of her body, musical and strange and perfumed, sent through him a keen pang of lust. Under cover of her silence he pressed her arm closely to his side; and, as they stood at the hotel door, he felt that they had escaped from their lives and duties, escaped from home and friends and run away together with wild and radiant hearts to a new adventure.

An old man was dozing in a great hooded chair in the hall. He lit a candle in the office and went before them to the stairs. They followed him in silence, their feet falling in soft thuds on the thickly carpeted stairs. She mounted the stairs behind the porter, her head bowed in the ascent, her frail
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shoulders curved as with a burden, her skirt girt tightly about her. He could have flung his arms about her hips and held her still for his arms were trembling with desire to seize her and only the stress of his nails against the palms of his hands held the wild impulse of his body in check. The porter halted on the stairs to settle his guttering candle. They halted too on the steps below him. In the silence Gabriel could hear the falling of the molten wax into the tray and the thumping of his own heart against his ribs.

The porter led them along a corridor and opened a door. Then he set his unstable candle down on a toilet-table and asked at what hour they were to be called in the morning.

—Eight, said Gabriel.

The porter pointed to the tap of the electric-light and began a muttered apology but Gabriel cut him short.

—We don't want any light. We have light enough from the street. And I say, he added, pointing to the candle, you might remove that handsome article, like a good man.

The porter took up his candle again, but slowly for he was surprised by such a novel idea. Then he mumbled good-night and went out. Gabriel shot the lock to.

A ghostly light from the street lamp lay in a long shaft from one window to the door. Gabriel threw his overcoat and hat on a couch and crossed the room towards the window. He looked down into the street in order that his emotion might calm a little. Then he turned and leaned against a chest of drawers with his back to the light. She had taken off her hat and cloak and was standing before a large swinging mirror, unhooking her waist. Gabriel paused for a few moments, watching her, and then said:

—Gretta!

She turned away from the mirror slowly and walked along the shaft of light towards him. Her face looked so serious and weary that the words would not pass Gabriel's lips. No, it was not the moment yet.

—You looked tired, he said.

—I am a little, she answered.

—You don't feel ill or weak?

—No, tired: that's all.

She went on to the window and stood there, looking out. Gabriel waited again and then, fearing that diffidence was about to conquer him, he said abruptly:

—By the way, Gretta!

—What is it?

—You know that poor fellow Malins? he said quickly.

—Yes. What about him?

—Well, poor fellow, he's a decent sort of chap after all, continued Gabriel in a false voice. He gave me back that sovereign I lent him and I didn't expect it really. It's a pity he wouldn't keep away from that Browne, because he's not a bad fellow at heart.

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He was trembling now with annoyance. Why did she seem so abstracted? He did not know how he could begin. Was she annoyed, too, about something? If she would only turn to him or come to him of her own accord! To take her as she was would be brutal. No, he must see some ardour in her eyes first. He longed to be master of her strange mood.

—When did you lend him the pound? she asked, after a pause.

Gabriel strove to restrain himself from breaking out into brutal language about the sottish Malins and his pound. He longed to cry to her from his soul, to crush her body against his, to overmaster her. But he said:

—O, at Christmas, when he opened that little Christmas-card shop in Henry Street.

He was in such a fever of rage and desire that he did not hear her come from the window. She stood before him for an instant, looking at him strangely. Then, suddenly raising herself on tiptoe and resting her hands lightly on his shoulders, she kissed him.

—You are a very generous person, Gabriel, she said.

Gabriel, trembling with delight at her sudden kiss and at the quaintness of her phrase, put his hands on her hair and began smoothing it back, scarcely touching it with his fingers. The washing had made it fine and brilliant. His heart was brimming over with happiness. Just when he was wishing for it she had come to him of her own accord. Perhaps her thoughts had been running with his. Perhaps she had felt the impetuous desire that was in him and then the yielding mood had come upon her. Now that she had fallen to him so easily he wondered why he had been so diffident.

He stood, holding her head between his hands. Then, slipping one arm swiftly about her body and drawing her towards him, he said softly:

—Gretta dear, what are you thinking about?

She did not answer nor yield wholly to his arm. He said again, softly:

—Tell me what it is, Gretta. I think I know what is the matter. Do I know?

She did not answer at once. Then she said in an outburst of tears:

—O, I am thinking about that song,
The Lass of Aughrim.

She broke loose from him and ran to the bed and, throwing her arms across the bed-rail, hid her face. Gabriel stood stock-still for a moment in astonishment and then followed her. As he passed in the way of the cheval-glass he caught sight of himself in full length, his broad, well-filled shirt-front, the face whose expression always puzzled him when he saw it in a mirror and his glimmering gilt-rimmed eyeglasses. He halted a few paces from her and said:

—What about the song? Why does that make you cry?

She raised her head from her arms and dried her eyes with the back of her hand like a child. A kinder note than he had intended went into his voice.

—Why, Gretta? he asked.

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—I am thinking about a person long ago who used to sing that song.

—And who was the person long ago? asked Gabriel, smiling.

—It was a person I used to know in Galway when I was living with my grandmother, she said.

The smile passed away from Gabriel's face. A dull anger began to gather again at the back of his mind and the dull fires of his lust began to glow angrily in his veins.

—Someone you were in love with? he asked ironically.

—It was a young boy I used to know, she answered, named Michael Furey. He used to sing that song,
The Lass ofAughrim.
He was very delicate.

Gabriel was silent. He did not wish her to think that he was interested in this delicate boy.

—I can see him so plainly, she said after a moment. Such eyes as he had: big dark eyes! And such an expression in them—an expression!

—O then, you were in love with him? said Gabriel.

—I used to go out walking with him, she said, when I was in Galway.

A thought flew across Gabriel's mind.

—Perhaps that was why you wanted to go to Galway with that Ivors girl? he said coldly.

She looked at him and asked in surprise:

—What for?

Her eyes made Gabriel feel awkward. He shrugged his shoulders and said:

-—How do I know? To see him perhaps.

She looked away from him along the shaft of light towards the window in silence.

—He is dead, she said at length. He died when he was only seventeen.

Isn't it a terrible thing to die so young as that?

—What was he? asked Gabriel, still ironically.

—He was in the gasworks, she said.

Gabriel felt humiliated by the failure of his irony and by the evocation of this figure from the dead, a boy in the gasworks. While he had been full of memories of their secret life together, full of tenderness and joy and desire, she had been comparing him in her mind with another. A shameful consciousness of his own person assailed him. He saw himself as a ludicrous figure, acting as a pennyboy for his aunts, a nervous well-meaning sentimen-talist, orating to vulgarians and idealising his own clownish lusts, the pitiable fatuous fellow he had caught a glimpse of in the mirror. Instinctively he turned his back more to the light lest she might see the shame that burned upon his forehead.

He tried to keep up his tone of cold interrogation but his voice when he spoke was humble and indifferent.

—I suppose you were in love with this Michael Furey, Gretta, he said.

—I was great with him at that time, she said.

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Her voice was veiled and sad. Gabriel, feeling now how vain it would be to try to lead her whither he had purposed, caressed one of her hands and said, also sadly:

—And what did he die of so young, Gretta? Consumption, was it?

—I think he died for me, she answered.

A vague terror seized Gabriel at this answer as if, at that hour when he had hoped to triumph, some impalpable and vindictive being was coming against him, gathering forces against him in its vague world. But he shook himself free of it with an effort of reason and continued to caress her hand.

He did not question her again for he felt that she would tell him of herself.

Her hand was warm and moist: it did not respond to his touch but he continued to caress it just as he had caressed her first letter to him that spring morning.

—It was in the winter, she said, about the beginning of the winter when I was going to leave my grandmother's and come up here to the convent.

And he was ill at the time in his lodgings in Galway and wouldn't be let out and his people in Oughterard were written to. He was in decline, they said, or something like that. I never knew rightly.

She paused for a moment and sighed.

—Poor fellow, she said. He was very fond of me and he was such a gentle boy. We used to go out together, walking, you know, Gabriel, like the way they do in the country. He was going to study singing only for his health. He had a very good voice, poor Michael Furey.

—Well; and then? asked Gabriel.

—And then when it came to the time for me to leave Galway and come up to the convent he was much worse and I wouldn't be let see him so I wrote a letter saying I was going up to Dublin and would be back in the summer and hoping he would be better then.

She paused for a moment to get her voice under control and then went on:

—Then the night before I left I was in my grandmother's house in Nuns'

Island, packing up, and I heard gravel thrown up against the window. The window was so wet I couldn't see so I ran downstairs as I was and slipped out the back into the garden and there was the poor fellow at the end of the garden, shivering.

—And did you not tell him to go back? asked Gabriel.

—I implored of him to go home at once and told him he would get his death in the rain. But he said he did not want to live. I can see his eyes as well as well! He was standing at the end of the wall where there was a tree.

—And did he go home? asked Gabriel.

—Yes, he went home. And when I was only a week in the convent he died and he was buried in Oughterard where his people came from. O, the day I heard that, that he was dead!

She stopped, choking with sobs, and, overcome by emotion, flung herself face downward on the bed, sobbing in the quilt. Gabriel held her hand
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