You've Got to Read This (51 page)

We all sat and waited. The fan, which seemed to be a very old one, made a creaking noise. One man kept cracking his finger joints—
tik,
we heard,
tik
(it made my own finger joints long to be cracked too). All the rest of us kept very still. From time to time the official with the list came in, he walked around the room very slowly, tapping his list, and then we all looked down at our feet and the man who had been cracking his finger joints stopped doing it. A faint and muffled sound of voices came from behind the closed door. Sometimes a voice was raised, but even then I could not make out what was being said, though I strained very hard.

The last time I had an interview, it was very unpleasant for me. One of the people who was interviewing took a dislike to me and shouted at me very loudly. He was a large fat man and he wore an English suit; his teeth
RUTH PRAWER JHABVALA • 279

were quite yellow, and when he became angry and shouted, he showed them all, and even though I was very upset, I couldn't help looking at them and wondering how they had become so yellow. I don't know why he was angry. He shouted: "Good God, man, can't you understand what's said to you?" It was true, I could not understand, but I had been trying so hard to answer well. What more did he expect of me? Probably there was something in my appearance that he did not like. It happens that way sometimes—they take a dislike to you, and then of course there is nothing you can do.

When I thought of the man with the yellow teeth, I became more anxious than ever. I need great calm in my life. Whenever anything worries me too much, I have to cast the thought of it off immediately, otherwise there is a danger that I may become very ill. All my limbs were itching so that it was difficult for me to sit still, and I could feel blood rushing into my brain. It was this room that was doing me so much harm: all the other men waiting, anxious and silent, and the noise from the fan and the official with the list walking around, tapping his list or striking it against his thigh, and the big closed door behind which the interview was going on. I felt great need to get up and go away. I didn't
want
the job. I wasn't even thinking about it anymore—I was thinking only about how to avoid having to sit here and wait.

Now the door opened again and the man with the torn new dhoti came out. He was biting his lip and scratching the back of his neck, and he too walked straight out without looking at us at all. The big door was left slightly open for a moment, and I could see a man's arm in a white shirtsleeve and part of the back of his head. His shirt was very white and of good material, and his ears stood away from his head so that one could see how his spectacles fitted into the backs of his ears. I realized at once that this man would be my enemy and that he would make things very difficult for me and perhaps even shout at me. Then I knew it was no use for me to stay there. The official with the list came back and great panic seized me that he would read out my name. I got up quickly, murmuring, "Please excuse me—bathroom," and went out. The official with the list called after me, "Hey mister, where are you going?" so I lowered my head and walked faster. I would have started to run, but that might have caused suspicion, so I just walked as fast as I could, down the long corridors and right out of the building. There at last I was able to stop and take a deep breath, and I felt much better.

I stood still for only a little while, then I moved on, though not in any particular direction. There were many clerks and peons moving around in the street, hurrying from one office building to another and carrying files and papers. Everyone seemed to have something to do. I was glad when I had moved out of this block and on to the open space where people like myself, who had nothing to do, sat under the trees or in any other patch of shade they could find. But I couldn't sit there; it was too close to the office blocks,
280 • THE INTERVIEW

and any moment someone might come and say to me, "Why did you go away?" So I walked farther. I was feeling quite light-hearted; it was such a relief for me not to have to be interviewed.

I came to a row of eating stalls, and I sat down on a wooden bench outside one of them, which was called the Paris Hotel, and asked for tea. I felt badly in need of tea, and since I intended to walk part of the way home, I was in a position to pay for it. There were two Sikhs sitting at the end of my bench who were eating with great appetite, dipping their hands very rapidly into brass bowls. In between eating they exchanged remarks with the proprietor of the Paris Hotel, who sat high up inside his stall, stirring in a big brass pot in which he was cooking the day's food. He was chewing a betel leaf, and from time to time he spat out the red betel juice far over the cooking pot and onto the ground between the wooden benches and tables.

I sat quietly at my end of the bench and drank my tea. The food smelled very good, and it made me realize that I was hungry. I decided that if I walked all the way home, I could afford a little cake (I am very fond of sweet things). The cake was not new, but it had a beautiful piece of bright-green peel inside it. On reaching home I would lie down at once to sleep and not wake up again till tomorrow morning. That way no one would be able to ask me any questions. I would not look at my wife at all, so I would be able to avoid her eyes. I would not look at my sister-in-law either; but she would be smiling, that I knew already—leaning against the wall with her hand on her hip, looking at me and smiling. She would know that I had run away, but she would not say anything.

Let her know! What does it matter? It is true I have no job and no immediate prospect of getting one. It is true that I am dependent on my brother.

Everybody knows that. There is no shame in it: there are many people without jobs. And she has been so kind to me up till now, there is no reason why she should not continue to be kind to me. Though I know she is not by nature a kind woman; she speaks mostly with a very harsh tongue and her actions also are harsh. Only to me she has been kind.

The Sikhs at the end of the bench had finished eating. They licked their fingers and belched deeply, the way one does after a good meal. They started to laugh and joke with the proprietor. I sat quiet and alone at my end of the bench. Of course they did not laugh and joke with me. They knew that I was superior to them, for whereas they work with their hands, I am a lettered man who does not have to sweat for a living but sits on a chair in an office and writes figures and can speak in English. My brother is very proud of his superiority, and he has great contempt for carpenters and mechanics and such people who work with their hands. I am also proud of being a lettered man, but when I listened to the Sikhs laughing and joking, the thought came to me that perhaps their life was happier than mine. It was a thought that had come to me before. There is the carpenter who lives downstairs in our house, the one whose daughter waits for me on the stairs, and though he is poor, there is always great eating in his house and many
RUTH PRAWER JHABVALA • 281

people come and I hear them laughing and singing and even dancing. The carpenter is a big strong man and he always looks happy, never anxious and sick with worry the way my brother does. He doesn't wear shoes and clean white clothes like my brother and I do, nor does he speak any English, but all the same he is happy. Even though his work is inferior, I don't think he gets as weary of it as I do of mine, and he has no superior officer to make him afraid.

Then I thought again about my sister-in-law and I thought that if I were kind to her, she would continue to be kind to me. I became quite excited when I thought of being kind to her. I would know then how her big breasts felt under the blouse, how warm they were and how soft. And I would know about the inside of her mouth with the big strong teeth. Her tongue and palate are very pink, like the pink satin blouse she wears on festive occasions, and I had often wondered whether they felt as soft as the blouse too. Her eyes would be shut and perhaps there would be tears on the lashes; and she would be making warm animal sounds and her big body too would be warm like an animal's. I became very excited when I thought of it; but when the excitement had passed, I was sad. Because then I thought of my wife, who is thin and not beautiful and there is no excitement in her body. But she does whatever I want and always tries to please me. I remembered her whispering to me in the night, "Take me away, let us go and live somewhere alone, only you and I and our children." That can never be, and so always she will have to be unhappy.

I was very sad when I thought of her being unhappy; because it is not only she who is unhappy but I also and many others. Everywhere there is unhappiness. I thought of the man whose new dhoti had been torn and who would now have to go home and sew it carefully so that the tear would not be seen. I thought of all the other men sitting and waiting to be interviewed, all but one or two of whom would not get the job for which they had come to be interviewed, and so again they would have to go to another interview and another and another, to sit and wait and be anxious. And my brother who has a job, but is frightened that he will lose it; and my mother so old that she can only sit on the floor and stroke her pieces of cloth; and my sister-in-law who does not care for her husband; and the carpenter's daughter who is to be married and perhaps she also will not be happy. Yet life could be so different. When I go to the cinema and hear the beautiful songs they sing, I know how different it could be; and also sometimes when I sit alone and think my thoughts, then I have a feeling that everything could be so beautiful. But now my tea was finished and also my cake, and I wished I had not bought them, because it was a long way to walk home and I was tired.

The Dead

by James Joyce

Introduced by Mary Gordon

IT BEGINS WITH A SLAP IN THE FACE. "LILY, THE CARETAKER'S DAUGHter, was literally run off her feet."

Well, and did you fall for that one? Literally? Don't you know the difference between literally and figuratively? You're no better than Lily herself, are you? Or perhaps you're not Lily, but the garrulous speaker of the second paragraph, the platitude-spouting fool. "It was always a great affair, the Misses Morkan's annual dance. . . . Never once had it fallen flat. For years and years it had gone off in splendid style as long as anyone could remember. . . . Though their life was modest they believed in eating well; the best of everything: diamond-bone sirloins, three-shilling tea and the best bottled stout."

"The Dead" is built around a party, and for most of its duration we, like partygoers, swim in a clamor of voices, not only Gabriel's and the omniscient narrator's. Even Gabriel has many voices. There is the self-conscious Gabriel, the prissy Gabriel, the pompous Gabriel, the affectionate Gabriel, the lustful Gabriel. But many others speak: Miss Ivors, the political nettler; Mr. Browne with his forced jokes; Freddy Malins, who's just a little bit

"screwed"; his mother, who tells us everything is "beautiful," including the fish her son-in-law caught in Scotland and had boiled for their dinner by the innkeeper. There is the novelettish voice of such sentences as "Aunt Kate was making frank use of her handkerchief," and the society-page gabble of

"the acclamation which followed was taken up beyond the door of the supper-room by many of the other guests and renewed time after time." There is Aunt Julia's voice singing "Arrayed for the Bridal" and Bartell D'Arcy's singing "The Lass of Aughrim." There is the voice of Patrick Morkan, Gabriel's grandfather, imitated by Gabriel: the very model of a stuffy twit when his horse makes a fool of him by walking round and round the statue of the King; "Go on, sir! What do you mean, sir?. . . Most extraordinary conduct! Can't understand the horse!"

To add to the tumult, Joyce offers us a series of lists, giving us information we have no need of: things that are only there for the pleasure of their naming. Guests are introduced briefly, for the sound of their names: Mr.

Bergin, Mr. Kerrigan, Miss Power, Miss Furlong, Miss Daly. There are the sec-ondhand booksellers on the Dublin quays: Hickey's on Bachelor's Walk, Webb's and Massey's on Aston's Quay, O'Clohissey's in the by-street. And, most important, the meal spread out before us, like Homer's catalogue of ships. Followed by dessert, the sweetmeats joined together by their jumpy integument of "and's."

This is the hubbub of realism, the buzz and Babel of the nineteenth century. Words, words, words, talk talk talk, and in so many voices, such an
INTRODUCTION BY MARY GORDON " 285

abundance that of course there must be misunderstandings and mistakes.

"The Dead" is chock full of mistakes, beginning with Gabriel's ill-considered joshing of Lily about her beau, to which she replies, "The men that is now is only all palaver and what they can get out of you." Twice, Aunt Julia misunderstands: she doesn't know what galoshes are and doesn't get Gabriel's reference to the Three Graces. Browne repeatedly calls Freddy Malins Teddy and embarrasses the young ladies by telling the kind of joke they don't like.

Errors of tone abound. Gabriel takes the wrong tone in responding to Miss Ivors's political challenge, and he mistakes the pressure of her hand for a conciliatory gesture, when it is really a prelude to her standing on tiptoe to whisper into his ear: "West Briton." Aunt Kate offers an ill-considered criticism of the pope's decision to banish women from choirs in favor of young boys, and she is chastised for doing this in the presence of Mr. Browne, who is of "the other persuasion." A conversation about monks sleeping in their coffin is dropped because it is too "lugubrious." And Freddy is ready to pick a fight in defense of a black opera singer whom no one, in fact, has criticized. "And why couldn't he have a voice too? Is it because he's only a black?"

The mistakes and misunderstandings seem to be smoothed over by Gabriel's speech in praise of his aunts and cousin, whom he compliments for their hospitality, their harmoniousness. There is the bustle of leave-taking, when Freddy Malins and Mr. Browne can't make the cabdriver understand them, and everyone shouts directions from the door, only adding to the confusion. Finally, the cab takes off, and upstairs there is the sound of music.