Read You Better Not Cry: Stories for Christmas Online

Authors: Augusten Burroughs

Tags: #Humor, #Family

You Better Not Cry: Stories for Christmas (12 page)

BOOK: You Better Not Cry: Stories for Christmas
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And that’s when I realized,
Yup. It does appear that I have settled in quite well with these nomads.

And suddenly, it made a kind of perverse sense. It was, after all, my greatest fear:
I would end up a bum, like one of them. A nothing.
I didn’t have family to fall back on. It was all up to me. I’d been—I wasn’t sure if
afraid
was the word (maybe
angry
??)—with bums my whole life. I’d never seen them as actual people. But on some level, didn’t I have to know they were?

I must have developed some grand notion when I was drinking:
Let us study the bums!
Maybe thinking that doing so would prevent me from becoming one. Even though I knew I of course couldn’t
actually
ever be a bum. I had ambitions and, I thought,
some
kind of talent. I wasn’t lazy like the bums. Though this thought didn’t comfort me as much as I expected it would.

God, it was all so Phil Donahue. And why did my mind keep flashing on an image of a hand extending a wad of tissues, clean and white: an offering.

Did I friggin’
cry
with the bums? I did, didn’t I?

Man.

 

 

Despite evidence to the contrary, I hated drinking to the point that I misplaced really big slabs of time. And then slowly, over hours, days, weeks, or even months, recalling with horror what I did or said while in such a lubricated state. It was like I was two people—or more. And I didn’t personally know any of them.

Just then, a tall and elegant black woman approached. At first I thought she was in evening wear; a dark pantsuit and a long coat. But as she neared me I could see that her clothes were old, the dark colors not quite matching, and the coat was a man’s cut. Everything was well-worn, though meticulously cared for.

I was sitting back down with my new friends, who didn’t seem to know that I lived across the street. I was freezing my ass off but I couldn’t leave because it was too fascinating to hear them talk about the crazy guy who descended upon them two days before.

The woman stood above me, then reached down and extended her smooth, bony hand. She said, “Augusten, come. Let’s take a walk.”

She knew my name.

I stood.

What was interesting was that
all
of the others stood, too. Even the girls, and they could barely stand.

She smiled at them and then she led me away. After we were about a block from the cinema, an amused smile formed on her lips. “Do you remember me at all?”

“Sorry,” I told her, “I don’t.”

She laughed. “That’s okay. I’m Shirley.” And then she told me that we’d sat together on a bench for four hours last night at Abingdon Square Park, just over on Hudson and Eighth. She said we talked. And then we sang some songs to keep warm.

“But I don’t sing,” I told her.

She smiled. “Yes.
I know
. But I do.”

“You’re a singer?” I probably had my eyebrows raised because I was thinking,
When? Between Dumpster dives?

“We had this exact same conversation last night. And you asked me,
‘You sing? When, between Dumpsters?’

I was horrified.
“I said that?”

She nodded, then she laughed and put her hand on my shoulder. “It’s okay, honey.
Really.
I get it. I do. Like I told you last night, I wasn’t
born
out here. I had a real and proper home once. But the booze,” she said, her voice trailing off.

“Is that what happened?”

She looked at me. “It isn’t the half of what happened, but yeah. Heroin happened, too, and then nothing else after it. I lost my job, my kids. I lost my career. Shit, I was only
twenty-three,
right around your age. And I was thinking, really seriously thinking, about becoming a professional singer.”

“Sing something,” I said to her. We had just turned left and were, to my surprise, approaching Abingdon Square Park once again. But it was the first time for me. Well,
this
me.

Shirley stared straight ahead, the most curious, almost
knowing,
smile on her face. And her skin—she had such fine skin, impossibly. She didn’t seem like a bum at all. She was a lady. A real lady, not a girl or a woman. But a lady from another era. From a time of hats and stocking seams and steamships and
comportment.

What the hell was she doing being a bum?

Just then, her features changed and a full-blown smile seemed to light up the area around us. She grabbed my arm excitedly. “Look! Look! It’s snowing. It’s
Christmas
and it’s
snowing
!”

It was. Heavy, wet flakes—fat and white, though stained orange by the street lamps, were just beginning to fall.

She clapped.
“We’ve made enchantment.”

When I didn’t say anything she shot me a glance. “Don’t you recognize that line?”

“What line?”

She turned and faced me, her hands on her hips. “Are you telling me you have never seen
A Streetcar Named Desire
by Tennessee Williams?”

“I’ve heard of him,” I said.

When she rolled her eyes her whole head rolled with them. “Oh, Lord have mercy on him, he’s just a young nincompoop and with your love and guidance, he will grow out of it.”

I grinned stupidly. “Is it a movie?”

She slapped me, not lightly, on the shoulder. She was a very touchy person, that was for sure. “Yes, but it was a play first. You know? People ... stage ... audience. A
p-l-a-y,
” she spelled. Then, “Promise me something.”

We had reached the park. She untied the pretty blue scarf around her neck—it was the only thing she wore that was fresh, new—and used it to dust the bench of snowflakes, my side first. Then she dusted her side and we sat.

“Promise me that you will—every once in a while—watch a movie that was made before you were born. And also that you’ll see a play now and then.
Promise me,
” she said.

I told her I would.

She smiled, pleased. And then she said, “I would ask you to promise me something else but I know you can’t.”

I didn’t say anything. Maybe because she had already known me for four hours but I didn’t know her at all; something felt almost spooky.

She was watching me.

“I would ask you to promise me that you will stop this crazy business about wanting to be
‘a bum,’
as you so elegantly put it. It is most certainly not, as you say,
‘your destiny.’

“And I would ask you to stop drinking because
I know.
I know what alcohol does to a person. Especially an ambitious young person with so many dreams and more talent than she even knows what to do with.” She smiled and hugged herself. “Oh, when you are young and you have talent and you know,
you know
in your bones that you are going to go so high and so far.”

Then she let go of herself. “Those are the ones booze seems to hunger for the most. And once you are with the drink,
oh,
how it strip-mines the soul. In the end you wind up with nothing at all. And it’s like that for everybody. It doesn’t matter how rich you are or how poor or how white or how yellow or”—and here she looked down at the sidewalk—“how much of whatever it is you have inside you. It just does not matter. The drink is stronger. It will always win and you won’t even know it’s trying to until it has.”

She paused and closed her eyes, lifted her face to the sky. Almost like she was facing the sun, wanting it to give her that good, clean feeling you get from it. But there was only a street lamp and falling snow. And I watched as flakes smacked her face and melted instantly. And then I realized, it must be the feeling of the snow hitting her face and instantly melting that she enjoyed.

She looked at me then, her face moist. Snowflakes had gathered in her eyelashes and made it appear as though she had been crying. And then I wondered,
has she
?

As much as I wanted to think of her as a homeless, rambling drunk, I could not. Because everything she said almost had the tone of a bell, a certain purity. I thought, then, of the phrase,
It rings true.
And I realized, this is where it comes from; somebody telling you
what is,
and you hear the bell in their voice and know they’re right.

I almost couldn’t tell if she was giving me advice or telling me my fortune, like they were all mixed up.

She continued, “And if I could, I would ask that you write. You kept saying last night that you had
‘whole worlds’
inside of you that you needed to get out. Well, get them out, my dear. Focus on this. On something positive for yourself. And for others. I would ask you to set those worlds free.”

I caught myself looking at her clothing. And I realized immediately why I was doing it. I was looking for a way to discount everything she was telling me. Because there was something
too
true in her words. It was frightening in a way and I wasn’t sure why.

Or, maybe she really was just a rambling drunk.

Suddenly, she clapped her hands. “Okay, enough heavy. It’s snowing. It’s Christmas. We both have some fine company. How about a song? Shall I sing you something? It’ll be my Christmas present to you.”

We were sitting side by side on the bench, and she took both of my hands in hers and placed the entire pile of our hands on her lap. She looked at me with such intensity in those eyes, with
dare.

I smiled at her. “Yes, please do sing something.”

I hoped I wouldn’t laugh during her rendition of “Have Yourself a Merry Little Christmas” or whatever it was she had in mind.

God, what if she sings “The Chipmunk Song”?
I thought, then bit the inside of my cheek.

But Shirley did not sing any Christmas carols nor did she launch into “The Impossible Dream.”

Shirley sang an aria.

It was the music of my early childhood; an opera my mother used to play on summer afternoons. I knew it the way a person can know a smell they cannot name but that transports them to one specific moment of one specific, long-gone day. It felt like opening the door to your childhood room and finding that nothing at all had changed. Her voice was unspeakably magnificent.

 

Perchè, perchè, Signor,

Ah, perchè me ne rimuneri così?

As she sang, the windows of the brownstone across the street shimmered in reply. Her voice had weakened the molecular bond of glass. It filled the space between the flakes of falling snow and packed the air with beauty.

It was, at once, Christmas in Manhattan.

I cried but I did not make a sound.

When she finished, Shirley bowed her head and was silent for a moment. Without looking up she said, “Vissi d’arte from Puccini’s
Tosca.
Do you speak Italian?”

I shook my head.

Shirley smiled at me. “It means,
Why, why, O Lord, why do you reward me thus?

 

 

“Burr, I gotta say—I’m a little worried about you,” Matt said over our table at China Grill. “You’re almost—and please, don’t take this the wrong way, okay? But you’re almost—really, quite nearly—sunny. Should I take this to mean that you had yourself a merry little Christmas after all?”

I smiled. “Actually, I did.”

He laughed. “Oh, really? That’s great, Burr, that really is. Went home to see the folks, did you? Yeah. Except, didn’t you have something of a
Dances with Wolves
childhood? Or maybe it was raised by wolves. Either way, I don’t think you went home. And I’m your only friend, so we know you weren’t with any human people. I think you crawled into your lair with a few bottles of Wild Turkey, whooped it up making prank calls to the maternity ward at Lenox Hill.”

“Well, aren’t you the new Steve Martin. But I do need to correct you on a few points. The first being, you are not my only friend. I have a number of friends but none of them have ever met because I compartmentalize. You occupy the compartment that exists to make me feel broad-minded and Societally Conscious—all my other friends are over six feet, like me. You are my short-person friend. If you were Asian or black, we could see each other twice as often. That’s why I always turn you down when you ask me if I want to go to a movie.

BOOK: You Better Not Cry: Stories for Christmas
13.99Mb size Format: txt, pdf, ePub
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