Authors: Lara Parker
of a winter night beneath a waning moon that seemed to vibrate
as though some unseen hand turned a dial that made it brighten
and grow dim.
Th
ere was no one in the yard. Still shivering, David fl ipped
on the outside light. A lone lamp poured a yellow beam across
the snow, and far off he could hear the yapping of a coyote. He
extinguished the light, bolted the door, turned, and made his
way back to the stair where his aunt Elizabeth waited on the
landing.
“Everything seems to be fi ne,” he said. “I think we can go
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back to bed.”
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Th
e house was quiet now and the only sounds were the
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Dark Shadows: Wolf Moon Rising
ticking of the hall clock and his own heart tapping softly in
his ears.
Several mornings later, Quentin stood at his bedroom win-
dow and looked out at the world. Th
e moon, the sky, and
the snow were all varied shades of deathly white: the moon like
a dull misshapen shell was fl oating in a smoky dawn, and the
melting snow on the lawn was the color of bleached bone. It was
a gibbous moon, on its way to a crescent, and then, how many
nights before it would swell again?
He knew he was doomed, and what a cruel joke it was. Like
the gambler at the roulette wheel who watches the last of his
fortune spin down the vortex; the tightrope walker whose foot
slips for the fi rst and fi nal time; the sailor who braves the storm only to discover he is not brave at all, but an impotent coward
with no skills to save himself in the whirlwind. Th
is was what he
was now—
a wolf in the forest, a rapacious brute. He was
doomed. Tentacles of fear slithered though his body.
He turned from the window and caught a glimpse of him-
self in the mirror above his dresser. He was startled by the tall,
gaunt man who looked back at him. Th
ere were shadows under
his eyes and a two- day stubble could not hide deepening lines in
his face. He laughed bitterly. From lover of women to destroyer
of women— oh, how the mighty have fallen! Once a romantic
libertine, a gallant roué, he was now to become a groveling
predator. He smiled ruefully. Perhaps the two had more in com-
mon than he cared to admit. For how many years had he traded
on his manly charm? And if fi nally he were to become this
Beast every full moon, where was his Beauty?
Ah, she was near, but what was left of her glow was hidden
away in a decaying house where she had been a recluse for twenty
years now, turned inward by guilt. He loved her still, loved the
memory of the golden girl who had so dazzled him, who, when
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she walked into a room, had made it bright with sunlight and
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Lara Parker
whose voice was musical as a fl owing stream. He longed to re-
turn to those blissful days.
But like a torch in the forest, a light moving among the
leaves, he had begun to see the signs: his feet seemed elongated
when he forced them into his leather boots, hair on the arches,
and on his toes, the beginnings of claws. He could feel in his
throat, at the back of his tongue, an extended row of teeth. His
voice was a bark, harsh and vibrant. His tongue like a root.
What was most surprising was a novel sense of canine loy-
alty, a reversal of his usual cool indiff erence. He thought of Toni, who was lovely, as so many had been before her, sweetly intimate, yet skilled, conscious of his plea sure, but lately needy, suggesting something he had found repugnant, of all the most
repulsive states in the human condition: marriage. And now he
was surprised to discover that he longed for a mate, for a family,
to hunt in his own pack, or even to curl up by her side by the fi re, seeking her warmth. He shivered and shook away the image.
Oh, the smells! His nostrils, black and quivering, drew in
odors that aroused him in new ways. He was curious about every
cranny of the world, of leaf mold and moss, bird droppings, slugs
in their crevices, snails in their shells. Th
e air reeked of tempting
perfumes, and tendrils of smells drifted into the crannies of his
nose and drove him mad— musky rabbit, dank squirrel, spicy
quail.
But what did all that matter? He had become a crime of na-
ture, as absurd as a murderous clown. And this after he had re-
mained young for over a hundred years. Youth longs for love, for
the many chimes and charms that come with passion; old age
longs only for youth. After all these years of de cadence, a surface left unscarred. His handsome face! But, he thought grimly, unless wisdom were written in the creases of his cheeks, in the
gray of his beard—
was
there wisdom? Did the blandness of his surface sink to his core? Th
ese thoughts made him restless; al-
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ways the drifter, bored and irresolute, his mind wandered again
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into thoughts of a séance. He could escape, return to another
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Dark Shadows: Wolf Moon Rising
time when life was rich with promise, music, dancing, and dan-
ger. He had been such a clever rake, and a slip of a girl had be-
witched him. He wanted her again, wanted to hold her in his
arms the very fi rst time. He clung to the idea, to go back, before the curse, before the war. He would speak to that man Blair at
the fi rst opportunity. Th
e séance could save him!
But fi rst he decided to visit Antoinette, to ply her mind
once more. He had not spoken to her since that night, and he
had tortured himself with wondering whether she had recog-
nized him in his bestial state. He did not think she had. Barn-
abas had been distracting her, Barnabas, whom he had almost
destroyed. Somehow, he had managed to stop himself. And
whom
had
he killed? He had no idea! Some kid wandering in
the woods alone, a pimply- faced schoolboy. And he had eaten
him alive! His whole body convulsed at the thought. What con-
temptible thing had he become?
He walked to his cabinet and perused the long row of hand-
made suits and overcoats, all of expensive woolens, exquisitely
tailored and fl awlessly brushed. Th
ey were evidence of his im-
peccable taste, but they now seemed merely excessive. He gri-
maced when he noticed the suit he had worn on the night of his
transformation ripped and stained with blood, and thrust into
the back of the closet. He must fi nd a way to burn it at the fi rst opportunity.
He paused before selecting his day’s attire, a gray fl annel
with a wine- colored cravat and emerald tie; but as he reached for
a matching pocket handkerchief, his hand closed instead around
a red box he kept in the top drawer with his cuff links and cum-
merbunds. His arms weakened as he carried the box to the bed
and opened the lid.
Inside were all Elizabeth’s clippings and photographs, saved
and secreted away for years. Her lovely face stared up at him,
her soft eyes and full lips, her blond ingénue charm, her sultry
glamour. Long ago, he had taken scissors and carefully cut away
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her costars, lovers, and husbands, and left only her gorgeous
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Lara Parker
image intact. He had even excised himself standing by her side
at the hospital. Gone was her notorious matinee idol father,
Jamison Collins, and actors she had worked with: John Ever-
more, Fredrick Simmons, and Mason Clark. Gone was Paul
Stoddard, her third husband and his would- be assassin, the
man who had insisted she dye her golden hair black and change
her image from ingénue to siren. Gone were all her directors,
Fritz Singer, Henri Renoir, and Vincent Fiorelli.
And there were the many publicity shots of Liz at various
premieres, at the Academy Awards, Liz at home in Beverly Hills
seated on a long white couch and smoking a cigarette, Liz at the
races in an fl owered hat, Liz at a club in Manhattan wearing a
halter gown that hugged her lovely breasts, Liz looking pert in
Little Women,
luscious in
Th
e Woman in the Window,
seductive in
Scarlet Street
.
A parcel of tacks was also hidden in the box and carefully,
methodically, he unfolded the photographs, smoothing the
newsprint where it had curled, trying not to tear the fragile pa-
per. Th
en, one by one he fastened the photos on the wall over his
bed so that they would all look down on him, He lay down and
let her beauty fl ood over him. He basked in her warm smile, her
tender gaze, and her luminous eyes. Here she was the coquette,
and there she was the vamp; here she smoldered with sexual
longing, and there gazed at him as she had when they were mak-
ing love. He ached for the woman she once was, gone now for-
ever, as if she had died, and he closed his eyes as a piano and
violin played somewhere far off , and the words of an old song
came to him
Shadows of the night falling silently
Echoes of the past calling you to me
Haunting memories veiled in misty glow,
Phantom melody, playing soft and low.
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In this world we know now, life is here and gone
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But somewhere in the afterglow love lives on and on.
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Dreams of long ago meet in rendezvous
Shadows of the night calling me to you.
He buried his face in his hands and his body heaved with
sobs. He was doomed. A life of desolation lay ahead. What was
he to do? He could fi nd it in his heart to welcome old age. For a
brief period he would be with her in time. But the bestiality—
how would he bear it? Dread washed over him, leaving him
weak, and he drifted into nightmares fl ooded with guilt before
he fell asleep and dreamed of Elizabeth, of his happiness with
her, his promises to take her away and make her his wife.
Th
ere was a night when late, after midnight, he had found
the keys to her car and driven it beneath her window. She was a
vision when she came to the casement and looked down, the
breeze fl uttering her fl imsy nightgown. She waved to him with
delight, then ducked back into the room to dress. He remem-
bered being on fi re with the thought of her, of her gaiety and ra-
diance, so young and reckless, and he wondered if she would let
him make love to her that night. When he saw her climbing out
the window, he watched as she fi t her slipper into the crook of the vine. She wore a sheer slip of a dress and he could see the whole
length of her legs as she descended clinging to the creeper, and
dropped to the ground breathless, ran to the car, and in a rush she was in his arms, smelling of gardenias. What a baby she had
been, and when he kissed her, his hand slid into her hair and he
saw that she had chopped it all off ! He slipped his fi ngers through the short waves and felt her tiny neck and then kissed her breasts
through her shift while she nestled her body against his and
purred like a kitten. He had loved her more than life itself.
Quentin woke at noon and decided to go to the Old House
to search one more time for his portrait. He would look in
every possible hiding place until he had convinced himself that
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it was no longer there. Choosing an impeccable black overcoat
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Lara Parker
and scarf, he left by the kitchen door, and began his walk down
the snowy road. Th
e earth had disappeared, wrapped in a downy
quilt, the bushes, steps, walls, fences all rounded mounds and
thick white clumps. How black the trees were! Th
ey pierced the
sky with lancelike branches. He noticed his shoes were pinch-
ing. Th
e elongation of his toes had altered the fi t. Th
e air was
cold and he buttoned his coat and pulled his scarf across his
face. He caught a whiff of his sour breath. Th
ere was blood still
beneath his fi ngernails, and his tongue probed the crevices of
his mouth for remnants of fl esh even though his rampage had
been days ago. What had come to life in him that night? What
vile hungers? Who would he murder next? Could he stop him-
self before he killed someone in the family, someone he loved?
As he trudged through the snow, a plan formed in his mind.
He must return to the past. Th
ere was no other solution. Th
at
man Blair could conduct a séance and take him back in time,
back to his days with Elizabeth, and he could slip from fate’s
grasp. It was the only solution. What’s more, still alive at the