Valis (8 page)

Fat did not believe that Sherri returned malice for assistance given her. But that failure to believe changed nothing. Therefore her response lay within the framework of what we call "reality." Fat, whether he liked it or not, would in some way have to deal with it, or else stop seeing Sherri socially.

One of the reasons Beth left Fat stemmed from his visits to Sherri at her rundown room in Santa Ana. Fat had deluded himself into believing that he visited her out of charity. Actually he had become horny, due to the fact that Beth had lost interest in him sexually and he was not, as they say, getting any. In many ways Sherri struck him as pretty; in fact Sherri was pretty; we all agreed. During her chemotherapy she wore a wig. David had been fooled by the wig and often complimented her on her hair, which amused her. We regarded this as macabre, on both their parts.

In his study of the form that masochism takes in modern man, Theodor Reik puts forth an interesting view. Masochism is more widespread than we realize because it takes an attenuated form. The basic dynamism is as follows: a human being sees something bad which is coming as inevitable. There is no way he can halt the process; he is helpless. This sense of helplessness generates a need to gain some control over the impending pain -- any kind of control will do. This makes sense; the subjective feeling of helplessness is more painful than the impending misery. So the person seizes control over the situation in the only way open to him: he connives to bring on the impending misery; he hastens it. This activity on his part promotes the false impression that he enjoys pain. Not so. It is simply that he cannot any longer endure the helplessness or the supposed helplessness. But in the process of gaining control over the inevitable misery he becomes, automatically, anhedonic (which means being unable or unwilling to enjoy pleasure). Anhedonia sets in stealthily. Over the years it takes control of him. For example, he learns to defer gratification; this is a step in the dismal process of anhedonia. In learning to defer gratification he experiences a sense of self-mastery; he has become stoic, disciplined; he
does not give way to impulse. He has
control.
Control over himself in terms of his impulses and control over the external situation. He is a controlled and controlling person. Pretty soon he has branched out and is controlling other people, as part of the situation. He becomes a manipulator. Of course, he is not consciously aware of this; all he intends to do is lessen his own sense of impotence. But in his task of lessening this sense, he insidiously overpowers the freedom of others. Yet, he derives no pleasure from this, no positive psychological gain; all his gains are essentially negative.

Sherri Solvig had had cancer, lymphatic cancer, but due to valiant efforts by her doctors she had gone into remission. However, encoded in the memory-tapes of her brain was the datum that patients with lymphoma who go into remission usually eventually lose their remission. They aren't cured; the ailment has somehow mysteriously passed from a palpable state into a sort of metaphysical state, a limbo. It is there but it is not there. So despite her current good health, Sherri (her mind told her) contained a ticking clock, and when the clock chimed she would die. Nothing could be done about it, except the frantic promotion of a second remission. But even if a second remission were obtained, that remission, too, by the same logic, the same inexorable process, would end.

Time had Sherri in its absolute power. Time contained one outcome for her: terminal cancer. This is how her mind had factored the situation out; it had come to this conclusion, and no matter how good she felt or what she had going for her in her life, this face remained a constant. A cancer patient in remission, then, represents a stepped-up case of the status of all humans; eventually you are going to die.

In the back of her mind, Sherri thought about death ceaselessly. Everything else, all people, objects and processes had become reduced to the status of shadows. Worse yet, when she contemplated other people she contemplated the injustice of the universe. They did not have cancer. This meant that, psychologically speaking, they were immortal. This was unfair. Everyone had conspired to rob her of her youth, her happiness and eventually her life; in place of those, everyone else had piled infinite pain on her, and probably they secretly enjoyed it. "Enjoying themselves" and "enjoying it" amounted to the same evil thing. Sherri, therefore, had motivation
for wishing that the whole world would go to hell in a hand-basket.

Of course, she did not say this aloud. But she lived it. Due to her cancer she had become totally anhedonic. How can one deny the sense in this? Logically, Sherri should have squeezed every moment of pleasure out of life during her remission, but the mind does not function logically, as Fat had figured out. Sherri spent her time anticipating the loss of her remission.

In this respect she did not postpone gratification; she enjoyed her returning lymphoma now.

Fat couldn't make this complex mental process out. He only saw a young woman who had suffered a lot and who had been dealt a bum hand. He reasoned that he could improve her life. That was a good thing to do. He would love her, love himself and God would love the both of them. Fat saw love, and Sherri saw impending pain and death over which she had no control. There can be no meeting of such two different worlds.

In summary (as Fat would say), the modem-day mas
o
chist does not enjoy pain; he simply can't stand being helpless. "Enjoying pain" is a semantic contradiction, as certain philosophers and psychologists have pointed out. "Pain" is defined as something that you experience as unpleasant. "Unpleasant" is defined as something you don't want. Try to define it otherwise and see where it gets you. "Enjoying pain" means "enjoying what you find unpleasant." Reik had the handle on the situation; he decoded the true dynamism of modern attenuated masochism... and saw it spread out among almost all of us, in one form or another and to some degree. It has become an ubiquity.

One could not correctly accuse Sherri of enjoying cancer. Or even wanting to have cancer. But she believed that cancer lay in the deck of cards in front of her, buried somewhere in the pack; she turned one card over each day, and each day cancer failed to show up. But if that card is in the pack and you are turning the cards over one by one eventually you will turn the cancer card over, and there it ends.

So, through no real fault of her own, Sherri was primed to fuck Fat over as he had never been fucked over before. The difference between Gloria Knudson and Sherri was obvious; Gloria wanted to die for strictly imaginary reasons. Sherri
would literally die whether she wanted to or not. Gloria had the option to cease playing her malignant death-game any time she psychologically wished,
but Sherri did not.
It was as if Gloria, upon smashing herself to bits on the pavement below the Oakland Synanon Building, had been reborn twice the size with twice the mental strength. Meanwhile, Beth's leaving with Christopher had whittled Horselover Fat down to half his normal size. The odds did not favor a sanguine outcome.

The actual motivation in Fat's head for feeling attracted to Sherri was the locking-in onto death which had begun with Gloria. But, imagining that Dr. Stone had cured him, Fat now sailed out into the world with renewed hope -- sailed unerringly into madness and death; he had learned nothing. True, the bullet had been pulled from his body and the wound healed. But he was primed for another,
eager
for another. He couldn't wait to move in with Sherri and save her.

If you'll remember, helping people was one of the two basic things Fat had been told long ago to give up; helping people and taking dope. He had stopped taking dope, but all his energy and enthusiasm were now totally channeled into saving people.

Better he had kept on with the dope.

The machinery of divorce chewed Fat up into a single man, freeing him to go forth and abolish himself. He could hardly wait.

Meanwhile he had entered therapy through the Orange County Mental Health people. They had assigned him a therapist named Maurice. Maurice was not your standard therapist. During the Sixties he had run guns and dope into California, using the port of Long Beach; he had belonged to SNCC and CORE and had fought as an Israeli commando against the Syrians; Maurice stood six-foot-two inches high and his muscles bulged under his shirt, nearly popping the buttons. Like Horselover Fat he had a black, curly beard. Generally, he stood facing Fat across the room, not sitting; he yelled at Fat, punctuating his admonitions with, "And I mean it." Fat never doubted that Maurice meant what he said; it wasn't an issue.

The game plan on Maurice's part had to do with bullying Fat into enjoying life instead of saving people. Fat had no concept of enjoyment; he understood only meaning. Initially, Maurice had him draw up a written list of the ten things he most wanted.

The term "wanted," as in "wanted to do," puzzled Fat.

"What I want to do," he said, "is help Sherri. So she doesn't get sick again."

Maurice roared, "You think you
ought
to help her. You
think it makes you a good person. Nothing will ever make you a good person. You have no value to anyone."

Feebly, Fat protested that that wasn't so.

"You're worthless," Maurice said.

"And you're full of shit," Fat said, to which Maurice grinned. Maurice had begun to get what he wanted.

"Listen to me," Maurice said, "and I mean it. Go smoke dope and ball some broad that's got big tits, not one who's dying. You know Sherri's dying; right? She's going to die and then what're you going to do? Go back to Beth? Beth tried to kill you."

"She did?" Fat said, amazed.

"Sure she did. She set you up to die. She knew you'd try to ice yourself if she took your son and split."

"Well," Fat said, partly pleased; this meant he wasn't paranoid, anyhow. Underneath he knew that Beth had engineered his suicide attempt.

"When Sherri dies," Maurice said, "you're going to die. You want to die? I can arrange it right now." He examined his big wristwatch which showed everything including the positions of the stars. "Let's see; it's two-thirty. What about six this evening?"

Fat couldn't tell if Maurice were serious. But he believed that Maurice possessed the capability, as the term goes.

"Listen," Maurice said, "and I mean this. There are easier ways to die than you've glommed onto. You're doing it the hard way. What you've set up is, Sherri dies and then you have another pretext to die. You don't need a pretext -- your wife and son leaving you, Sherri croaking. That'll be the big pay-off, when Sherri croaks. In your grief and love for her
--
"

"But who says Sherri is going to die?" Fat interrupted. He believed that through his magical powers he could save her; this in fact underlay all his strategy.

Maurice ignored the question. "Why do you want to die?" he said, instead.

"I don't," Fat said, who honestly believed that he didn't.

"If Sherri didn't have cancer would you want to shack up with her?" Maurice waited and got no answer, mainly because Fat had to admit to himself that, no, he wouldn't. "Why do you want to die?" Maurice repeated.

"Well," Fat said, at a loss.

"Are you a bad person?"

"No," Fat said.

"Is someone telling you to die? A voice? Someone flashing you 'die' messages?"

"No."

"Did your mother want you to die?"

"Well, ever since Gloria
--
"

"Fuck Gloria. Who's Gloria? You never even slept with her. You didn't even know her. You were already preparing to die. Don't give me that shit." Maurice, as usual, had begun to yell. "If you want to help people, go up to L.A. and give them a hand at the Catholic Workers' Soup Kitchen, or turn as much of your money over to CARE as you possibly can. Let professionals help people. You're lying to yourself; you're lying that Gloria meant something to you, that what's-her-name -- Sherri -- isn't going to die -- of course she's going to die! That's why you're shacking up with her, so you can be there when she dies. She wants to pull you down with her and you want her to; it's a collusion between the two of you. Everybody who comes in this door wants to die. That's what mental illness is all about. You didn't know that? I'm telling you. I'd like to hold your head under water until you fought to live. If you didn't fight, then fuck it. I wish they'd let me do it. Your friend who has cancer -- she got it on purpose. Cancer represents a deliberate failure of the immune system of the body; the person turns it off. It's because of loss, the loss of a loved one. See how death spreads out? Everyone has cancer cells floating around in their bodies, but their immune system takes care of it."

"She did have a friend who died," Fat admitted. "He had a
grand mal
seizure. And her mother died of cancer."

"So Sherri felt guilty because her friend died and her mother died. You feel guilty because Gloria died. Take responsibility for your own life for a change. It's your job to protect yourself."

Fat said, "It's my job to help Sherri."

"Let's see your list. You better have that list."

Handing over his list of the ten things he most wanted to do, Fat asked himself silently if Maurice had all his marbles. Surely Sherri didn't want to die; she had put up a stubborn and brave fight; she had endured not only the cancer but the chemotherapy.

"You want to walk on the beach at Santa Barbara," Maurice said, examining the list. "That's number one."

"Anything wrong with that?" Fat said, defensively.

"No. Well? Why don't you do it?"

"Look at number two," Fat said. "I have to have a pretty girl with me."

Maurice said, "Take Sherri."

"She
--
" He hesitated. He had, as a matter of fact, asked Sherri to go to the beach with him, up to Santa Barbara to spend a weekend at one of the luxurious beach hotels. She had answered that her church work kept her too busy.

"She won't go," Maurice funished for him. "She's too busy. Doing what?"

"Church."

They looked at each other.

"Her life won't differ much when her cancer returns," Maurice said finally. "Does she talk about her cancer?"

"Yes."

"To clerks in stores? Everyone she meets?"

"Yes."

"Okay, her life will differ; shell get more sympathy. She'll be better off."

With difficulty, Fat said, "One time she told me
--
" He could barely say it. "That getting cancer was the best thing that ever happened to her. Because then
--
"

"The Federal Government funded her."

"Yes." He nodded.

"So she'll never have to work again. I presume she's still drawing SSI even though she's in remission."

"Yeah," Fat said glumly.

"They're going to catch up with her. They'll check with her doctor. Then she'll have to get a job."

Fat said, with bitterness, "She'll never get a job."

"You hate this girl," Maurice said. "And worse, you don't respect her. She's a girl bum. She's a rip-off artist. She's ripping you off, emotionally and financially. You're supporting her, right? And she also gets the SSI. She's got a racket, the cancer racket. And you're the mark." Maurice regarded him sternly. "Do you believe in God?" he asked suddenly.

You can infer from this question that Fat had cooled his Godtalk during his therapeutic sessions with Maurice. He did not intend to wind up in North Ward again.

"In a sense," Fat said. But he couldn't let it lie there; he had to amplify. "I have my own concept of God," he said. "Based on my own
--
" He hesitated, envisioning the trap built from his words; the trap bristled with barbed wire. "Thoughts," he finished.

"Is this a sensitive topic with you?" Maurice said.

Fat could not see what was coming, if anything. For example, he did not have access to his North Ward files and he did not know if Maurice had read them -- or what they contained.

"No," he said.

"Do you believe man is created in God's image?" Maurice said.

"Yes," Fat said.

Maurice, raising his voice, shouted, "Then isn't it an offense against God to ice yourself? Did you ever think of that?"

"I thought of that," Fat said. "I thought of that a lot."

"Well? And what did you decide? Let me tell you what it says in Genesis, in case you've forgotten.
'
Then God said, "Let us make man in our image and likeness to rule the fish in the sea, the birds of heaven, the cattle, all
--"
'"

"Okay," Fat broke in, "but that's the creator deity, not the true God."

"What?" Maurice said.

Fat said, "That's Yaldabaoth. Sometimes called Samael, the blind god. He's deranged."

"What the hell are you talking about?" Maurice said.

"Yaldaboath is a monster spawned by Sophia who fell from the Pleroma," Fat said. "He imagines he's the only god but he's wrong. There's something the matter with him; he can't see. He creates our world but because he's blind he botches the job. The real God sees down from far above and in his pity sets to work to save us. Fragments of light from the Pleroma are
--
"

Staring at him, Maurice said, "Who made up this stuff? You?"

"Basically," Fat said, "my doctrine is Valentinian, second century c.e."

"What's 'c.e.'?"

"Common Era. The designation replaces a.d. Valentinus's Gnosticism is the more subtle branch as opposed to the
Iranian, which of course was strongly influenced by Zoroastrianism dualism. Valentinus perceived the ontological salvific value of the gnosis, since it reversed the original primal condition of ignorance, which represents the state of the fall, the impairment of the Godhead which resulted in the botched creation of the phenomenal or material world. The true God, who is totally transcendent, did not create the world. However, seeing what Yaldaboath had done
--
"

"Who's this 'Yaldaboath? Yahweh created the world! It says so in the Bible!"

Fat said, "The creator deity imagined that he was the only god; that's why he was jealous and said, 'You shall have no other gods before me,' to which
--
"

Maurice shouted, "Haven't you read the Bible?"

After a pause, Fat tried another turn. He was dealing with a religious idiot. "Look," he said, as reasonably as possible. "A number of opinions exist as to the creation of the world. For instance, if you regard the world as artifact -- which it may not be; it may be an organism, which is how the ancient Greeks regarded it -- you still can't reason back to a creator; for instance, there may have been a number of creators at several times. The Buddhist idealists point this out. But even if
--
"

"You've never read the Bible," Maurice said with incredulity. "You know what I want you to do? And I mean this. I want you to go home and study the Bible. I want you to read
Genesis
over twice; you hear me? Two times. Carefully. And I want you to write an outline of the main ideas and events in it, in descending order of importance. And when you show up here next week I want to see that list." He obviously was genuinely angry.

Bringing up the topic of God had been a poor idea, but of course Maurice hadn't known that in advance. All he intended to do was appeal to Fat's ethics. Being Jewish, Maurice assumed that religion and ethics couldn't be separated, since they are combined in the Hebrew monotheism. Ethics devolve directly from Yahweh to Moses; everybody knows that. Everybody but Horselover Fat, whose problem, at that moment, was that he knew too much.

Breathing heavily, Maurice began going through his appointment book. He hadn't iced Syrian assassins by regarding
the cosmos as a sentient entelechy with psyche and soma, a macrocosmic mirror to man the microcosm.

"Let me just say one thing," Fat said.

Irritably, Maurice nodded.

"The creator deity," Fat said, "may be insane and therefore the universe is insane. What we experience as chaos is actually irrationality. There is a difference." He was silent, then.

"The universe is what you make of it," Maurice said. "It's what you do with it that counts. It's your responsibility to do something life-promoting with it, not life-destructive.
"

"That's the existential position," Fat said. "Based on the concept that we are what we do, rather than, We are what we think. It finds its first expression in Goethe's
Faust,
Part One, where Faust says,
'Im Anfang war das Wort.'
He's quoting the opening of the Fourth Gospel; 'In the beginning was the Word.' Faust says,
'Nein. Im Anfang war die Tat.'
'In the beginning was the deed.' From this, all existentialism comes."

Maurice stared at him as if he were a bug.

Driving back to the modern two-bedroom, two-bathroom apartment in downtown Santa Ana, a full-security apartment with deadbolt lock in a building with electric gate, underground parking, closed-circuit TV scanning of the main entrance, where he lived with Sherri, Fat realized that he had fallen from the status of authority back to the humble status of crank. Maurice, in attempting to help him, had accidentally erased Fat's bastion of security.

However, on the good side, he now lived in this fortress-like, or jail-like, full-security new building, set dead in the center of the Mexican barrio. You needed a magnetic computer card to get the gate to the underground garage to open. This shored up Fat's marginal morale. Since their apartment was up on the top floor he could literally look down on Santa Ana and all the poorer people who got ripped off by drunks and junkies every hour of the night. In addition, of much more importance, he had Sherri with him. She cooked wonderful meals, although he had to do the dishes and the shopping. Sherri did neither. She sewed and ironed a lot, drove off on errands, talked on the telephone to
her old girlfriends from high school and kept Fat informed about church matters.

I can't give the name of Sherri's church because it really exists (well, so, too, does Santa Ana), so I will call it what Sherri called it: Jesus' sweatshop. Half the day she manned the phones and the front desk; she had charge of the help programs, which meant that she disbursed food, money for shelter, advice on how to deal with Welfare and weeded the junkies out from the real people.