Unwind (40 page)

In the distance a golf cart rolls toward them, kicking up a plume of red dust. The crowd falls silent as it approaches. As it
comes to a stop, the driver steps out. He's a man with serious scars over half of his face. The man speaks quietly for a moment with Hayden, then addresses the crowd.

It's then that the young Unwind realizes this is not a man but just another kid, one not much older than himself. Perhaps it's the scars on his face that make him look older—or maybe it's just the way he carries himself.

“Let me be the first to welcome you all to the Graveyard,” he says. “Officially, my name is E. Robert Mullard. . . .” He smiles. “But everyone calls me Connor.”

*   *   *

The Admiral never returned to the Graveyard. His health would not allow it. Instead, he's at his family's Texas ranch, in the care of a wife who left him years before. Although he's weak and can't get around well anymore, he hasn't changed much. “The doctors say only 25 percent of my heart is still alive,” he tells anyone who asks. “It'll do.”

What has kept him alive more than anything else is the prospect of Harlan's big party. You could say that those terrifying stories about “Humphrey Dunfee” are true. At last, all his parts have been found, all the recipients have been gathered. But there will be no surgeries here—in spite of the rumors, rebuilding Harlan piece by piece was never the plan. But the Dunfees
are
putting their son together in the only meaningful way they can.

He's here even now, as the Admiral and his wife step into their garden. He's in the voices of their many party guests, talking and laughing. There are men and women of all ages. Each wears a name tag, but there are no names on those tags. Today, names are unimportant.

RIGHT HAND
reads the sticker on one young man's lapel. He couldn't be any older than twenty-five.

“Let me see,” says the Admiral.

The man holds out his hand. The Admiral looks it over until he finds a scar between the thumb and forefinger. “I took Harlan fishing when he was nine. He got that scar trying to gut a trout.”

And then there's a voice from behind him—another man, a little bit older than the first.

“I remember!” he says. The Admiral smiles. Perhaps the memories are spread out, but they're here—every one of them.

He catches that boy who insists on calling himself Emby milling around at the edge of the garden by himself, wheezing less now that he's finally been put on the proper asthma medication. “What are you doing over here?” the Admiral asks. “You should be over with the others.”

“I don't know anybody.”

“Yes, you do,” says the Admiral. “You just don't realize it yet.” And he leads Emby toward the crowd.

*   *   *

Meanwhile, in the airplane graveyard, Connor speaks to the new arrivals as they stand outside the jet that brought them here. Connor is amazed that they listen to him. He's amazed that he actually commands their respect. He'll never get used to that.

“You're all here because you were marked for unwinding but managed to escape, and, thanks to the efforts of many people, you've found your way here. This will be your home until you turn seventeen and become a legal adult. That's the good news. The bad news is that they know all about us. They know where we are and what we're doing. They let us stay here because they don't see us as a threat.”

And then Connor smiles.

“Well, we're going to change that.”

As Connor talks, he makes eye contact with every one of
them, making sure he remembers each of their faces. Making sure each of them feels recognized. Unique. Important.

“Some of you have been through enough and just want to survive to seventeen,” he tells them. “I don't blame you. But I know that some of you are ready to risk everything to end unwinding once and for all.”

“Yeah,” screams a kid from the back, and pumping his fist in the air he begins chanting, “Happy Jack! Happy Jack!” A few kids join in, until everyone realizes this is not what Connor wants. The chants quickly die down.

“We will not be blowing up chop shops,” he says. “We're not going to feed into their image of us as violent kids who are better off unwound. We will
think
before we act—and that's going to make it difficult for them. We'll infiltrate harvest camps and unite Unwinds across the country. We'll free kids from buses, before they even arrive. We will have a voice, and we will use it. We will make ourselves heard.” Now the crowd can't hold back their cheers, and this time Connor allows it. These kids have been beaten down by life, but there's an energy now in the Graveyard that's beginning to fill each and every one of them. Connor remembers that feeling. He had it when he first arrived here.

“I don't know what happens to our consciousness when we're unwound,” says Connor. “I don't even know when that consciousness starts. But I do know this.” He pauses to make sure all of them are listening. “We have a right to our lives!”

The kids go wild.

“We have a right to choose what happens to our bodies!”

The cheers reach fever pitch.

“We deserve a world where both those things are possible—and it's our job to help make that world.”

*   *   *

Meanwhile, excitement is also building at the Dunfee ranch.
The buzz of conversations around the garden grows to a roar as more and more people connect. Emby shares his experiences with a girl who has the left match to his right lung. A woman talks about a movie she never saw, with a man who remembers the friends he never saw it with. And as the Admiral and his wife watch, something amazing happens.

The conversations begin to converge!

Like water vapor crystalizing into the magnificent, unique form of a snowflake, the babble of voices coalesces into a single conversation.

“Look over there! He fell off that wall when he was—”

“—six! Yes—I remember!”

“He had to wear a wrist brace for months.”

“The wrist still hurts when it rains.”

“He shouldn't have climbed the wall.”

“I had to—I was being chased by a bull.”

“I was so scared!”

“The flowers in that field—do you smell them?”

“They remind me of that one summer—”

“—when my asthma wasn't so bad—”

“—and I felt like I could do anything.”

“Anything!”

“And the world was just waiting for me!”

The Admiral grips his wife's arm. Neither can hold back their tears—not tears of sorrow but of awe. If the rest of his heart were to stop now, in this moment, the Admiral would die more content than any man on Earth.

He looks at the crowd and says weakly, “H-Harlan?”

Every eye in the garden turns toward him. A man raises his hand to his throat, touching it gently, and says in a voice that is most definitely Harlan Dunfee's, just a bit older, “Dad?”

The Admiral is so overwhelmed by emotion he cannot
speak, and so his wife looks at the man before her, at the people beside her, at the crowd all around her, and she says:

“Welcome home.”

*   *   *

Six hundred miles away, in the airplane graveyard, a girl plays a grand piano sheltered beneath the wing of a battered jet that was once Air Force One. She plays with a rare sort of joy in defiance of her wheelchair, and her sonata lifts the spirits of all the new arrivals. She smiles at them as they go by and continues to play, making it clear that this furnace of a place, full of planes that cannot fly, is more than it seems. It is a womb of redemption for every Unwind, and for all those who fought the Heartland War and lost—which was everybody.

Connor lets Risa's music fill him as he watches the new arrivals being greeted by the thousands of kids already here. The sun has begun to set, taking the edge off the heat, and the rows of jets at this time of day create pleasing patterns of shadow on the hard earth. Connor has to smile. Even a place as harsh as this can be beautiful in a certain light.

Connor takes it all in—the music, the voices, the desert, and the sky. He has his work cut out for him, changing the world and all, but things are already in motion; all he has to do is keep up the momentum. And he doesn't have to do it alone. He has Risa, Hayden, and every Unwind here. Connor takes a deep breath and releases it along with his tension. At last, he allows himself the wonderful luxury of hope.

He's fighting a nightmare when they come for him.

A great flood is swallowing the world, and in the middle of it all, he's being mauled by a bear. He's more annoyed than terrified. As if the flood isn't enough, his deep, dark mind has to send an angry grizzly to tear into him.

Then he's dragged feetfirst out of the jaws of death and drowning Armageddon.

“Up! Now! Let's go!”

He opens his eyes to a brightly lit bedroom that ought to be dark. Two Juvey-cops manhandle him, grabbing his arms, preventing him from fighting back long before he's awake enough to try.

“No! Stop! What is this?”

Handcuffs. First his right wrist, then his left.

“On your feet!”

They yank him to his feet as if he's resisting—which he would, if he were more awake.

“Leave me alone! What's going on?”

But in an instant he's awake enough to know exactly what's going on. It's a kidnapping. But you can't call it kidnapping when transfer papers have been signed in triplicate.

“Verbally confirm that you are Mason Michael Starkey.”

There are two officers. One is short and muscular, the other tall and muscular. Probably military boeufs before they took jobs as Juvey-rounders. It takes a special heartless breed to be a Juvey-cop, but to specialize as a rounder you probably need to be soulless as well. The fact that he's being rounded for unwinding shocks and terrifies Starkey, but he refuses to show it, because he knows Juvey-rounders get off on other people's fear.

The short one, who is clearly the mouthpiece of this duo, gets in his face and repeats, “Verbally confirm that you are Mason Michael Starkey!”

“And why should I do that?”

“Kid,” says the other rounder, “this can go down easy or hard, but either way it's going down.” The second cop is more soft spoken with a pair of lips that clearly aren't his. In fact, they look like they came from a girl. “The drill's not so hard, so just get with the program.”

He talks as if Starkey should have known they were coming, but what Unwind ever really knows? Every Unwind believes in their heart of hearts that it won't happen to them— that their parents, no matter how strained things get, will be smart enough not to fall for the net ads, TV commercials, and billboards that say things like “Unwinding: the sensible solution.” But who is he kidding? Even without the constant media blitz, Starkey's been a potential candidate for unwinding since the moment he arrived on the doorstep. Perhaps he should be surprised that his parents waited so long.

Now the mouthpiece gets deep in his personal space. “For the last time, verbally confirm that you are—”

“Yeah, yeah, Mason Michael Starkey. Now get out of my face, your breath stinks.”

With his identity verbally confirmed, Lady-Lips pulls out a form in triplicate: white, yellow, and pink.

“So is this how you do it?” Starkey asks, his voice beginning to quaver. “You arrest me? What's my crime? Being sixteen? Or maybe it's just being here at all.”

“Quiet-or-we-tranq-you,” says Mouthpiece, like it's all one word.

A part of Starkey wants to be tranq'd—just go to sleep and if he's lucky, never wake up. That way he won't have to face the utter humiliation of being torn from his life in the middle of the night. But no, he wants to see his parents' faces. Or, more to the point, he wants
them
to see
his
face, and if he's tranq'd, they get off easy. They won't have to look him in the eye.

Lady-Lips holds the unwind order in front of him and begins to read the infamous Paragraph Nine, the “Negation Clause.”

“Mason Michael Starkey, by the signing of this order, your parents and/or legal guardians have retroactively terminated your tenure, backdated to six days postconception, leaving you in violation of Existential Code 390. In light of this, you are hereby remanded to the California Juvenile Authority for summary division, also known as unwinding.”

“Blah, blah, blah.”

“Any rights previously granted to you by the county, state, or federal government as a citizen thereof are now officially and permanently revoked.” He folds the unwind order and shoves it into his pocket.

“Congratulations, Mr. Starkey,” says Mouthpiece. “You no longer exist.”

“Then why are you talking to me?”

“We won't be for much longer.” They tug him toward the door.