Tribute (7 page)

Because they were there, she ate a Dorito. “What if I hate them?”

“You won’t, if you have any taste, but if you do, that would be too bad.”

Contemplating, she ate another chip. His voice had stayed easy, she noted—over the rigid steel underlying it. “That’s a hard line.”

“I’m not what you’d call flexible about my work. I can pretzel about most anything else.”

“I know the type. What comes after the sketching?”

“You’ve got to have a story. Graphics is only half of a graphic novel. But you need to . . . Bring your wine. Come on upstairs.”

He retrieved his brush. “I was inking the last panel on
Payback
when you knocked,” he told her as he led her out of the kitchen and to the stairs.

“Are these stairs original?”

“I don’t know.” His forehead creased as he looked down at them. “Maybe. Why?”

“It’s beautiful work. The pickets, the banister, the finish. Someone took care of this place. It’s a major contrast with mine.”

“Well, you’re taking care now. And you hired Matt—pal of mine—to do some of the carpentry. I know he worked on this place before I bought it. And did some stuff for me after.” He turned into his studio.

Cilla saw the gorgeous wide-planked chestnut floor, the beautiful tall windows and the wide, glossy trim. “What a wonderful room.”

“Big. It was designed as the master bedroom, but I don’t need this much space to sleep.”

Cilla tuned into him again, and into the various workstations set up in the room. Five large, and very ugly, filing cabinets lined one wall. Shelves lined another with what seemed to be a ruthless organization of art supplies and tools. He’d devoted another section to action figures and accessories. She recognized a handful of the collection, and wondered why Darth Vader and Superman appeared so chummy.

A huge drawing board stood in the center of the room, currently holding what she assumed to be the panels he’d talked about. Spreading out from it on either side, counters and cubbies held a variety of tools, pencils, brushes, reams of paper. Photographs, sketches, pictures torn or cut out of magazines of people, places, buildings. Still another leg of the counter held a computer, printer, scanner—a
Buffy the Vampire Slayer
action figure.

Opposite that, to form a wide U, stood a full-length mirror.

“That’s a lot of stuff.”

“It takes a lot of stuff. But for the art, which is what you want to know, I’ll do a few million sketches, casting my people, costuming them, playing with background, foreground, settings—and somewhere in there I’ll write the script, breaking that into panels. Then I’ll do thumbnails—small, quick sketches to help me decide how I’m going to divide my space, how I want to compose them. Then I pencil the panels. Then I ink the art, which is exactly what it sounds like.”

She stepped over to the drawing board. “Black and white, light and shadow. But the book you gave me was done in color.”

“So will this be. I used to do the coloring and the lettering by hand. It’s fun,” he told her, leaning a hip on one leg of the U, “and really time-consuming. And if you go foreign, and I did, it’s problematic to change hand-drawn balloons to fit the translations. So I digitized there. I scan the inked panels into the computer and work with Photoshop for coloring.”

“The art’s awfully good,” Cilla stated. “It almost tells the story without the captions. That’s strong imaging.”

Ford waited a beat, then another. “I’m waiting for it.”

She glanced over her shoulder at him. “For what?”

“For you to ask why I’m wasting my talent with comic books instead of pursuing a legitimate career in art.”

“You’ll be waiting a long time. I don’t see waste when someone’s doing what they want to do, and something they excel at.”

“I knew I was going to like you.”

“Plus, you’re talking to someone who starred for eight seasons on a half-hour sitcom. It wasn’t Ibsen, but it sure as hell was legitimate. People will recognize me from your art. I’m not on the radar so much anymore, but I look enough like my grandmother, and she is. She always will be. People will make the connection.”

“Is that a problem for you?”

“I wish I knew.”

“You’ve got a couple days to think about it. Or . . .” He shifted, opened a drawer, drew out papers.

“You wrote up a release,” Cilla said after a glance at the papers.

“I figured you’d either come around or you wouldn’t. If you did, we’d get this out of the way.”

She stepped away, walked to the windows. The lights sparkled again, she thought. Little diamond glints in the dark. She watched them, and the dog currently chasing shadows in Ford’s backyard. She sipped her wine. Then she turned her head to look at him over her shoulder. “I’m not posing in a breastplate.”

Humor hit his eyes an instant before he grinned. “I can work around that.”

“No nudity.”

“Only for my personal collection.”

She let out a short laugh. “Got a pen?”

“A few hundred of them.” He chose a standard roller ball as she crossed the room.

“Here’s another condition. A personal, and petty, requirement. I want her to kick a
lot
more ass than Batgirl.”

“Guaranteed.”

After she’d signed the three copies, he handed her one. “For your files. How about we pour another glass of this wine, order a pizza and celebrate the deal?”

She eased back. He hadn’t stepped into her space; she’d stepped into his. But the tingle in her blood warned her to mark the distance. “No, thanks. You’ve got work and so do I.”

“Night’s young.” He walked out of the room with her. “Tomorrow’s long.”

“Not as young as it was, and tomorrow’s never long enough. Plus I need extra time to fantasize about putting in a Jacuzzi.”

“I’ve got one.”

She slid her eyes toward him as they came down the stairs. “I don’t suppose you have a massage therapist on tap, too.”

“No, but I’ve got really good hands.”

“I bet you do. Well, if you were Orlando Bloom, I’d consider this a sign from God and be sleeping with you in about ninety minutes. But since you’re not”—she opened the front door herself—“I’ll say good night.”

He stood, frowning after her, then stepped onto the veranda as she hiked toward the road. “Orlando Bloom?”

She simply lifted a hand in a kind of brushing-off wave, and kept walking.

FOUR

S
he had a couple of good, productive days. She’d lined up her plumber, her electrician, her head carpenter, and had the first of three projected estimates on replacement windows. But her luckiest find, to her way of thinking, had been connecting with an ancient little man named Dobby and his energetic grandson Jack, who would save and restore the original plaster walls.

“Old man McGowan hired my daddy to do these walls back around 1922,” Dobby told Cilla as he stood on his short, bowed legs in the living room of the little farm. “I was about six, came around to help him mix the plaster. Never saw such a big house before.”

“It’s good work.”

“He took pride in it, taught me the same. Miz Hardy, she hired me on to do some pointing up, and replastering where she made some changes. That’d be back around, ’sixty-five, I guess.”

Dobby’s face reminded Cilla of a piece of thin brown paper that had been balled tight, then carelessly smoothed out. The creases deepened like valleys when he smiled. “Never seen the like of her, either. Looked like an angel. Had a sweet way about her, and didn’t put on airs like you’d reckon a movie star would. Signed one of her record albums for me, too, when I got up the gumption to ask her. My wife wouldn’t let me play it after that. Had to frame it up for the wall, and buy a new one to listen to. It’s still hanging in the parlor.”

“I’m glad I found you, to keep the tradition going.”

“Not hard to find, I expect. Lot of people, in Miz Hardy’s day, and with her wherewithal, woulda put up the Sheetrock.” He turned his deep brown eyes on Cilla. “Most people’d do that now instead of preserving it.”

“I can’t save it all, Mr. Dobby. Some of it has to change, and some just has to go. But what I can save, I intend to.” She ran a fingertip along a long crack in the living room wall. “I think the house deserves that kind of respect from me.”

“Respect.” He nodded, obviously pleased. “That’s a fine way to look at it. It’s right fitting to have a McGowan here again, and one who comes down from Miz Hardy. My grandson and I’ll do good work for you.”

“I’m sure you will.”

They shook hands on it, there where she imagined his father might have shaken hands with her great-grandfather. And where Janet Hardy had signed an album that would stand in a frame.

She spent a few hours off site with a local cabinetmaker. Respect was important, but the old metal kitchen cabinets had to go. She planned to strip some of them down, repaint them and put them to use in the combination mud- and laundry room she’d designed.

When she got home again, she found the open bottle of cabernet topped with a goofy, alien head glow-in-the-dark wine stopper, and a corkscrew sitting on the temporary boards at her front door.

The note under the bottle read:

Amused, she considered doing just that—one of these nights. Glancing back, she felt a little poke of disappointment that he wasn’t standing out on his porch—veranda, she corrected. And the poke warned her to be careful about sharing a bottle of wine with hot guys who lived across the road.

Considering that, considering him, made her think of his studio—the space, the light. Wouldn’t it be nice to have that sort of space, that sort of light, for an office? If she pushed through with her long-term plans of rehabbing, remodeling homes, flipping houses, she’d need an attractive and efficient home office space.

The bedroom she’d earmarked for the purpose on the second floor would certainly do the job. But imagining Ford’s studio as she set the wine down on the old kitchen counter (slated for demo the next day), her projected office came off small, cramped and barely adequate.

She could take out the wall between the second and third bedrooms, she supposed. But that didn’t give her the light, the look she now imagined.

Wandering the first floor, she repositioned, projected, considered. It could be done, she thought, but she didn’t want her office space on the main level. She didn’t want to live at work, so to speak. Not for the long term. Besides, if she hadn’t seen Ford’s fabulous studio, she’d have been perfectly content with the refit bedroom.

And later, if her business actually took off, she could add a breezeway off the south side, then . . .

“Wait a minute.”

She hustled up the stairs, down the hall to the attic door. It groaned in cranky protest when she opened it, but the bare bulb at the top of the steep, narrow stairs blinked on when she hit the switch.

One look at the dusty steps had her backtracking for her notebook, and a flashlight, just in case.

She headed up, pulled the chain on the first of three hanging bulbs.

“Oh yeah.
Now
we’re talking.”

It was a long, wide, sloped-roof mess of dust and spiderwebs. And loaded, to her mind, with potential. Though she’d had it lower than low on her priority list for cleaning and repair, the lightbulb was on in her head as well as over it.

The space was huge, the exposed rafter ceiling high enough for her to stand with room to spare until it pitched down at the sides. At the moment, there were two stingy windows on either end, but that could change. Would change.

Boxes, chests, a scarred dresser, old furniture, old pole lamps with yellowed shades stood blanketed with dust. Dingy ghosts. Books, probably full of silverfish, and old record albums likely warped from decades of summer heat jammed an old open bookcase.

She’d come up here before, taken one wincing look, then had designated the attic to Someday.

But now.

Go through the junk, she thought, writing quickly. Sort the wheat from the chaff. Clean it up. Bring the stairwell and the stairs up to code. Enlarge window openings. Outdoor entrance—and that meant outdoor stairs, with maybe an atrium-style door. Insulate, sand and seal the rafters and leave them exposed. Wiring, heat and AC. Plumbing, too, because there was plenty of room for a half bath. Maybe skylights.

Oh boy, oh boy. She’d just added a
ton
to her budget.

But wouldn’t it be fun?

Sitting cross-legged on the dusty floor, she spent a happy hour drawing out various options and ideas.

How much of the stuff up here had been her great-grandfather’s? Had he, or his daughter or son, actually used the old white bowl and pitcher for washing up? Or sat and rocked a fretful baby in the spindly rocker?

Who read the books, listened to the music, hauled up the boxes in which she discovered a rat’s nest of Christmas lights with fat, old-fashioned colored bulbs?

Toss, donate or keep, she mused. She’d have to start piles. More boxes revealed more Christmas decorations, scraps of material she imagined someone had kept with the idea of sewing something out of them. She found three old toasters with cords frayed and possibly gnawed on by mice, broken porcelain lamps, chipped teacups. People saved the weirdest things.

She bumped up the mice quotient on discovering four traps, mercifully uninhabited. Curious, and since she was already filthy, she squatted down to pull out some of the books. Some might be salvageable.

Who read Zane Grey? she wondered. Who enjoyed Frank Yerby and Mary Stewart? She piled them up, dug out more. Steinbeck and Edgar Rice Burroughs, Dashiell Hammett and Laura Ingalls Wilder.