Authors: Chris Jordan
the state of New York, and also very stupid and dangerous,
but that seems to be the whole point of motorcycles, right?
Something about the girl reminds me of Kelly. Similar
stylish mop of short dark hair, frizzed by the wind. Similar
petite, gymnast-type figure in tight, hip-hugging jeans. Kelly
has jeans like that, but not the tattoo just above the cleft of her
buttocks. What Kelly calls a “coin slot.” Not the tattoo, but the
cleft, you know? Anyhow, Kelly doesn’t have a tattoo of angel
wings spanning the small of her back, because her totally square
mom has forbidden tattoos until the age of eighteen at least.
And then the girl on the crotch rocket, the wild and crazy
girl on the crotch rocket, the girl who is undoubtedly destined
to die in some horrible wreck, or from tattoo-induced blood
poisoning, that girl turns her pretty head and looks directly
at me as the bike careens back onto the highway.
Looking a bit startled actually, the girl on the bike. A bit
surprised as she makes unintentional eye contact.
I scream. Can’t help it, I open my astonished mouth and
scream like a girl.
It’s Kelly. My daughter Kelly. No doubt about it.
2. Sleep With The Poodles
My friend Fern, who knows most of my secrets—not all,
but most—she says the only way to win an argument with a
teenage girl is to shoot her in the head. That’s just how Fern
talks, like she’s related to the Sopranos, very tough in the
mouth but soft in the heart. Even looks a little bit like that
crazy sister on the show, the one who shot her boyfriend. Not
that Fern’s ever shot anybody, certainly not her own daughter,
Jessica, who finally went off to college upstate and is doing
great. A sweet kid, basically, even though she and Fern can’t
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discuss the weather without arguing. Jess had her moments—
I’m thinking specifically of an all-night prom party in Garden
City—and at times managed to put Fern over the edge, into
psycho-mom territory. You know, threatening to chain her
daughter to the radiator, things like that. My favorite was her
plan to put a special collar on Jess, the kind for invisible
fences. She wants to go Goth, wear those stupid spikes
around her neck? Fine! She can sleep with the poodles!
Sleep with the poodles.
That’s my Fern. Always funny, even
when she’s anxious or angry. Even so, she thinks I’m too hard
on Kelly, that I am, in her words, projecting. Fern watches a
lot of Dr. Phil. You’re projecting your own teen time on Kelly,
Fern says, your bad old days.You gotta wrap your brain around
the idea she’s not the same as you. She’s her own person and
this isn’t the 1980s, this is a whole new century out there.
Yadda, yadda. I know. Really, I know. But still I worry.
Every day kids get in really bad trouble in this world. They
do stupid things with their stupid boyfriends and ruin their
lives. They take drugs, wreck cars, have unprotected sex, fall
from speeding motorcycles. They think they’ll live forever
and throw away the miracle that gave them life.
Kelly got her miracle at age nine—actually on her ninth
birthday—when all her tests finally came back clear. No
more chemo, no more radiation, no more needles in her spine.
After four years of pure hell, she was cancer-free. Unlike
some of the less fortunate kids in her clinic, kids who never
came back for the remission parties. Empty pillows, Kelly
called them, or fivers, because one out of five didn’t make it.
Is this why she survived and others didn’t, so she can risk
her life showing off on Hempstead Turnpike? Riding without
a helmet? One-handed?
As you might guess, we’ve argued about risk taking a few
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times. More than a few. Last time she actually had the nerve
to tell me I was being ironic. Ironic. What did that have to do
with snowboarding at night, or hitchhiking? What did ironic
have to do with deliberately disobeying my orders? Was ironic
what made her roll her eyes, treat me with such withering
contempt?
No, Mom, ironic isn’t what you
are,
it’s what you’re
afraid
of. Sixteen-year-old cancer survivor killed crossing the street.
That’s
ironic.
Stopped me cold, that one. Of course she’s right.
But I do feel that she’s been given a gift and should treat
it reverently. But Kelly doesn’t do reverence. Not for herself,
not for me, not even for the dead grandmother—my own
semi-sainted mom—she used to worship as a kid. Reverence
would be so uncool, and for a sixteen-year-old being uncool
is way worse than death.
Despite being trapped in traffic for another twenty un-
bearable minutes, I still manage to get home long before she
does, and I’m in the kitchen, waiting. Boy, am I waiting.
Arms crossed, feet tapping, blood pressure spiking. I’m so
anxious and angry at her out-of-control behavior that I don’t
even dare leave a message on her cell. Can’t trust myself not
to wig out and say something that can’t be taken back, some-
thing that will drive her further away.
I’m working over all of this stuff, rehearsing, ready to let
loose with major mom artillery. As soon as she gets her
skinny, tattooed butt inside the door, there will be massive
inflictions of guilt. There will be bomb craters of guilt.
It isn’t just the boy or the motorcycle or the tattoo. That,
unfortunately, has become typical Kelly behavior in the past
year or so. What really whacks me is that my daughter is
morphing into someone I don’t know. Someone who has no
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respect for me, who all too often doesn’t even seem to like
me very much.
It’s scary when that happens. Scary enough to make me
want to cry, mourning my beautiful little girl. The one who
was so strong for me when she was ill. The one who looked
up from her hospital bed—she was so sick that night, so
sick!—and said,
Don’t worry, Mommy, I’m not going to die.
I checked with God and he said not to worry, I’ll be fine.
And she was. From that day on Kelly got better. Little by
little, day by day, every test showed she was going into remis-
sion. Eventually, on that marvelous ninth birthday, that won-
derful wonderful birthday, all the blood work, all the scans
showed her cancer-free. I thanked God, I thanked the doctors
and the nurses, but mostly I thanked Kelly, because she’s the
one who never gave up, who never let the disease take over.
Anyhow, so that’s my state of mind. We live in the house
in Valley Stream I inherited from my mom, the one she
bought after she and my dad divorced. A divorce I always
figured was partly my fault. All the stress I caused for them
when I was Kelly’s age. Guilt, guilt, guilt. The mortgage
happened when Mom needed money for a hospice. I told
her—promised her—I wouldn’t put a mortgage on the house,
that was her gift to me and Kelly, but what can you do?
My dad, a New York state trooper, he used to have a saying
when he was about to deal with something important:
I’m
loaded for bear.
Well, I thought I was loaded for bear, or at
least loaded for Kelly. But when she finally did come home
what did her mother do?
Mom burst into tears.
Because Kelly is smiling that impish smile, the one she
first learned moments after being born. That smile I hadn’t
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Chris Jordan
seen for a while, not directed at me. A smile that breaks my
heart because I miss it so.
“Mom? Why are you crying? Did something happen?”
I’m shaking my head. Can’t get the words out so I point
to my lips, and then to her.
“You want to talk,” Kelly says. “Sure, yeah. You saw me
on the bike. It was really dumb, me not wearing a helmet. I
know that and I’m sorry. Seth was wearing his helmet, did
you notice? He gave me a hard time, said it was so retarded,
not wearing protection for your brainpan. Isn’t it weird he’d
say ‘brainpan’? But that’s Seth. And the tattoo, Mom?”
Kelly swings around, lifts her little midi-blouse.
“It’s a fake. Body art. Got it at this place in Long Beach,
on the boardwalk.”
I wipe my eyes, blow my nose, very nearly speechless.
“Oh, Kelly.”
My daughter plunks herself on the stool next to me. With
her amazing eyes and her amazing smile, she looks five going
on twenty. “You’ve got to get over this worry thing, Mom.
I’m okay. Really. The helmet? Won’t happen again.”
“People get killed on motorcycles,” I respond, my voice
husky.
“Yeah, they do. They get killed by lightning, too. And by
worrying themselves to death.”
“Who’s Seth?”
Kelly looks at her fingernails. “You’re going to ground me,
right?”
“Absolutely.”
“Then I better go to my room,” she says, and flounces
away, as if it’s fun to be grounded. As if being grounded was
her idea.
She stops on the stairway, looking back at me in the kitchen.
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“Don’t worry, okay?” she says. “There’s just totally no
reason to worry about me.”
But there is. Big-time. And, as it turns out, for a much
bigger reason than I ever imagined.
3. Man Of Steel
The thing about a turkey buzzard is that it looks really ugly
perched on a branch or hopping around next to roadkill. Looks
less like a bird, more like feathered hyena with hunched shoul-
ders and a hooked nose. But let the ungainly critter soar and
it becomes unspeakably beautiful, rising on big and glorious
wings. What an amazing transformation, from a hideous bag
of cackling bones to an elegant dark angel, circling in the
noonday sun.
Ricky Lang envies the buzzard. He’s sprawled on the
trunk lid of his BMW 760i, the twelve-cylinder sedan, staring
up into the blinding blue sky. What he wants, what he really
and truly wants at this very moment is to be that buzzard.
Riding the updraft without effort, just the slightest wind-
ripple of white feathers marking the edge of his great black
wings. White feathers like daubs of ceremonial paint. Not as
valuable or potent as eagle feathers, he’ll grant you that, but
Ricky prefers the buzzard to the eagle because buzzards love
to fly for the sake of flying.
Oh, baby, how they love to soar on the blurry heat rising
from the vast casino parking lot. They soar over the malls and
highways, anywhere there’s an updraft. Of course buzzards
keep their eyes peeled for food, for something newly dead,
that’s what they do, how they survive. But it isn’t just hunger
that motivates the birds. Ricky has seen scores of turkey buz-
zards far out into the Florida Bay, circling miles from shore.
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Chris Jordan
Soaring like that, over water, a buzzard takes its chances. If
it has to rest in the water it will be unable to launch itself back
into the air. Feathers soaked, it will drown. Yet still it soars
in dangerous places.
There’s only one explanation for such behavior. The big
ugly bird soars in dangerous places because doing so makes
it beautiful.
When the heat on the trunk lid finally becomes unbear-
able, Ricky Lang heaves himself upright. Five feet ten
inches of hard muscle, small, fierce brown eyes flecked
with gold, and the rolling, pigeon-toed gait of a sailor. Not
that he’s ever been to sea, not really. Airboats don’t count—
an airboat is more like skidding a slick car around a soft,
watery track. Got the slightly bowed legs from his dad.
That and hands like ten-pound hammers. First time Ricky
ever saw the movie
Superman
he had to talk back to the
screen because white-bread Clark Kent wasn’t the Man of
Steel, no way. Tito Lang was the Man of Steel, everybody
knew that! Fists like steel, head like steel, nobody messed
with Tito, back in the day.
Ricky, five years old, assumed Superman was stealing
from his father. Thirty years later, the Tito of today—that
doesn’t bear thinking about, it makes his head hurt. More like
the Man of Mush than the Man of Steel. Brain gone soft,
pickled with swamp whiskey, and his trembling hands formed
into weak arthritic claws that can’t manage his own zipper.
Thinking about his dad, Ricky clenches his fists so hard
that his ragged fingernails draw blood. Feels good, the pain,
keeps him focused. Unlike his father, Ricky doesn’t drink
swamp whiskey, or any form of alcohol. He gets drunk on
other things, on liquors that form in his own brain.
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Fear of the dead, rage at the living. That’s what keeps his
heart beating. Lately he’s learned to sip at the rage, make it last.
For instance today he’s been enjoying a prolonged confronta-
tion with casino security. Started at, what, eight in the morning,