The Zookeeper’s Wife (28 page)

"the perennial protector of the underdog" (245):
Basia in
Righteous Among Nations,
p. 498.

In a postwar interview with London's
White Eagle-Mermaid
(248):
May 2, 1963.

Chapter 29

"If I maintain my silence about my secret" (255):
Arthur Schopenhauer,
Parerga and Paralipomena,
trans. E. F. J. Payne (New York: Oxford University Press, 2000), vo1. 1, p. 466 (chap. 5, "Counsels and Maxims").

Chapter 30

blanket-bomb German cities, including Dresden (265):
In the ensuing firestorm, counting victims became impossible, though it's now estimated that 35,000 people perished in Dresden. The rare manuscripts of eighteenth-century Italian composer Tomaso Albinoni, whose Adagio in G Minor has become synonymous with mournfulness, also vanished in flames.

the most superstitious of cultures (267):
Many Poles believed in signs and witchery. It was once common for Warsawians to read their fate in a deck of regular (not tarot) cards, or predict the future, especially marriage, by melting wax on a spoon and slowly pouring it into a bowl of cold water. Supposedly, the shape the wax took revealed one's fate—a hammer or helmet shape told a boy he'd be soldiering soon, and a girl that she'd marry a blacksmith or soldier. If a girl dripped wax resembling a cabinet or other furniture, she'd marry a carpenter; if it looked more like wheat or a wagon, she'd marry a farmer. A violin or trumpet meant the person would become a musician.

According to Polish lore, Death appears to humans as an old woman in a white winding sheet carrying a scythe, and dogs can easily spot her. So one can glimpse Death "by stepping on a dog's tail and looking between his ears."

Chapter 31

Russians (271):
The wild-eyed Russian soldiers, known as "Wlasowcy," were soldiers of the Russian general Wlasow, who was collaborating with the Third Reich.

"The tram-cars were crowded with young boys" (272):
Stefan Korbónski,
Fighting Warsaw: The Story of the Polish Underground State, 1939–1945,
trans. F. B. Czarnomski (New York: Hippocrene Books, 2004), p. 352.

"I will never forget that sound" (282):
Jacek Fedorowicz quoted in Davies,
Rising '44,
p. 360–61.

Chapter 32

"on the fences of all the stations" (297):
Korbónski,
Fighting Warsaw,
p. 406.

Chapter 34

Captions read: "dead city," "a wilderness of ruins," "mountains of rubble" (303):
archival photographs reproduced in Davies,
Rising '44.

Chapter 35

"half a million at most" (307):
Joseph Tenenbaum,
In Search of a Lost People: The Old and New Poland
(New York: Beechhurst Press, 1948), pp. 297–98.

"Anyone who dared to praise prewar independence" (309):
Davies,
Rising '44,
p. 511.

"I only did my duty" (315):
Rostal, "In the Cage of the Pheasant."

Chapter 36

"the little iridescent green glossy starling" (319):
Heck,
Animals,
p. 61.

"what the French call a
polemique"
(320):
Herman Reichenbach,
International Zoo News,
vol. 50/6, no. 327 (September 2003).

"some of the pale pink of human skin, some golden, some blue-gray, all flat" (322):
Bruno Schulz,
The Street of Crocodiles
, trans. Celina Wieniewska (New York: Penguin Books, 1977), pp. 27–28.

In 2003, Magdalena Gross's sculpture
Chicken
was auctioned by the Piasecki Foundation to help raise money for autism research in Poland.

Aly, Götz, Peter Chroust, and Christian Pross.
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. Vol. 1,
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———.
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———.
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———.
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Kater, Michael.
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Folklore
. New York: Hippocrene Books, 1996.

———.
Polish Herbs, Flowers & Folk Medicine.
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Korczak, Janusz.
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Krall, Hanna.
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Kühl, Stefan.
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———. "Rysie" in
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