The Wine of Angels (23 page)

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Authors: Phil Rickman

BOOK: The Wine of Angels
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As in NO. No Jane ...

No, no, no, no, no ... She fled along the passage, all the doors closed and blank. She felt she’d been out here for hours, trying door after door, and in that time Jane must have finished in the bathroom and gone back to bed, so which one was the bedroom?

Which one was the bloody bedroom?

All the doors were closed, and she’d surely left the bedroom door open, hadn’t she? But maybe Jane had closed it, shut her out. Jane had shut her out. ‘
Jane!!!
’ she screamed, and ran wildly from door to door, all the same, all black oak and all shut.

And spun round and round and found herself facing stairs. Where was she now? Had she gone downstairs? Had she gone down to the dreadful kitchen or the drawing room with its chimney blocked; she couldn’t have.

No. These were the other stairs. The
next
stairs. Oh, Jesus, there were more stairs.

The extra floor. A third and empty floor of doors and doors and doors.

She stood at the bottom of the stairs and couldn’t look up. She hugged herself, and felt sweat cold on her shoulders.

She knew, of course, that she would have to go up there.

In all her dreams of being in a house and suddenly discovering it had a third storey, she had accepted that, sooner or later, she was going to have to climb those final stairs. Because of the presence. Because there was someone up there waiting for her. In the best dreams, it was herself; if she climbed the stairs, she would find her true self, discover her hidden potential. This, said the analysts she had read over the years, was the true meaning of this dream. It was about reaching for the higher dimension. Or, in a spiritual sense, carrying the lantern of faith along the dark corridors to the foot of the last stairs, at the top of which was the greater light.

But in the worst dreams, the presence at the top of the stairs, along the final passage, behind the final doors, was neither her higher self nor the light of lights. For a while, after his death, it had been Sean, still greedily grinning through the torn metal, through his blood.

So, which one was this: the good dream or the bad dream?

No.

It wasn’t a dream. This was the promised reality, the culmination. She had obeyed her calling, given herself up to the Holy Spirit. And moved at last into the house with three floors. Oh God, the tugging on the hand ...

Jane?

No.

All right. So be it. Merrily relaxed the grip on her cold shoulders, let her arms fall to her side.

She looked up.

Couldn’t breathe.

‘Mum?’

Oh my God, my God, my God, my God, my God, I can’t breathe.

‘Mum!’

Her chest was rigid, as though there was a tourniquet around it, winding tighter and tighter, squashing her breasts. She rolled over, gasping.

‘Mummy!’ Her eyes blinked open and the breath gushed into her, and she sat up, coughing. Jane had hold of her shoulders. Big, frightened eyes, dark hair fluffed up and haloed by the pinky-orange light of dawn.

‘You’re back,’ Merrily croaked.

‘Mum, I haven’t been anywhere.’

‘You went to the bathroom.’

‘No ...’

Merrily turned to the door. It was closed.

‘You were having a dream,’ Jane said.

‘It couldn’t have been a dream. I followed you out.’

Jane shook her head wryly and skipped to the window. ‘Oh, look, you can see the hills. You can see right over the houses across the road. I bet it’s brilliant from upstairs, on the top floor. In my apartment.’

She turned back to Merrily and grinned.

‘I’ll go and make some tea.’

Merrily closed her eyes. When she opened them, Jane was gone, the door slamming behind her. Merrily’s hair felt cold and damp around the numbness of her face, and her chest felt like it had been sat on. She was exhausted.

 

15

 

Hazey Jane

 

O
F COURSE, SHE’D
had this kind of nightmare before. Everybody had. The point about dreams was that your reactions were often intensified because you were so helpless. Apprehension, mild fear, turned very quickly into terror; small, disquieting things were sometimes loaded with a bloated menace, which gradually deflated when you awoke.

Well. Usually.

Very occasionally, the essence of it remained draped over you like dusty, moth-eaten rags, for most of the day. Merrily knelt under the pink-washed window, hoping to rinse her spirits with prayer. But it was mechanical, she couldn’t find the level. It was as though the nightmare had blocked her spiritual pores.

And something else was blocked.
What did I see?
she kept asking herself.
What did I see when I looked up those stairs?
And something cold crept up her vertebrae and left behind it a formless, drifting dread.

She stood up and shook herself. Found a towel and some shampoo in the overnight bag, went for a bath but nearly chickened out: the sight of the cold, tiled bathroom made clammy skin and sweat-stiffened hair seem rather less offensive, and she had to dismiss sinful images of the warm, creamy comforts of the en-suite at the Black Swan, the urge to slip back there for one last, glorious soak.

Anyway, it was only about five-thirty. Too early even to get into the Swan. Oh, come on.
Are we grown women, or what?
She helped a big spider to freedom and turned on the flaking, chromium taps, noticing that the oak floorboards had been concealed, probably for the past thirty years, under well-worn, well-cracked black and white lino tiles.

During Alf Hayden’s lengthy tenure, the nouveau riche village of Ledwardine had managed to leave its vicarage a long way behind.

‘You,’ her daughter said, looking thoughtful, ‘are looking pretty rough.’

They’d bought a loaf last night from the Late store, and Jane was trying to make the Aga make toast.

‘Why don’t you just go back to bed?’


What
bloody bed?’ Merrily leaned over the stove with a cigarette in her mouth, wondering if there was somewhere to ignite it; evidently there wasn’t.

‘I’m quite sure,’ Jane said primly, ‘that your God wouldn’t want you to smoke like a chimney.’

‘Listen, flower, if you can find the bit in the Bible where it says
that ...

‘All right, sorry. Just because I had a decent night’s sleep and you didn’t.’

‘That’s because you’re a child. An innocent. Look, I don’t suppose, if I were to mind your toast, you could run upstairs and fetch my Zippo from the bathroom?’

Jane raised her eyes cynically to the ceiling and trotted off. Merrily stood resting her forehead on folded arms on the plate rack over the stove.

Stress? Hell, she’d only been here a month. It hadn’t started yet. She wasn’t even official until the end of the week, and people were still not sure where to find her. There were communion classes to organize, visits to the primary school, the senior citizens’ social club, an invitation to address the WI ...

And there’d be more, much more. Domestic situations where, as she’d learned in Liverpool, a clergyman would never have been approached. Failing marriages. Problem kids. Spiteful, invalid mothers who declined to die. Any one of which would make something like the Wil Williams controversy seem precious and fatuous.

She needed to get it all into perspective. She’d wander over to the church after breakfast, when Jane had gone to school, and she wouldn’t come out until she felt purged.

Although it was more than an hour before the school bus was due, Jane didn’t see much point in hanging around an empty house with a grouchy parent. Besides, it was good walking about the village before most people were up and about. It sparkled, as though the air itself were alive. Strange.

And she might see Miss Devenish.

The need to see Miss Devenish was, in fact, pretty urgent. Firstly, she had to thank her for whatever she did on Saturday night. Secondly, there was the question of Lol Robinson. The way that guy Karl had been winding him up, the talk of suicide and Kurt Cobain and Nick Drake ... and then Colette implying that Lol was already wound so tight he couldn’t go out in the dark without Miss Devenish to hold his hand.

Karl was obviously the Karl Windling
(bass, backing vocals)
mentioned on the back of the CD. Karl was offering to kickstart Lol’s career again. And on the evidence of the album, for which Lol had written all the songs, Lol was good, Lol was brilliant. But for some reason he didn’t want to go back, and it wasn’t just a case of playing hard to get. He hadn’t even wanted to see Karl; he’d been
afraid
to see Karl. So why was he in this state? Why was he hiding himself away in Ledwardine? Why was he alone? Why had the cool, beautiful Alison left him for the horrible and grotesquely
old
James Bull-Davies?

Money and status probably. Actually, what was even more strange was how someone as sensitive as Lol had ever got involved with someone as glossy and superficial as Alison.

It all made Jane feel anxious, in a rather thrilling way. And protective, because Karl Windling was such a bully. She tried to feel the state of mind you’d have to be in to want to just end your life. Where you didn’t want to do anything else in the world ever again, or go anywhere, or love anyone. Or write another sad song.

She couldn’t imagine it. She was probably emotionally backward. Though, perhaps, in some cases, it was just kind of an impulse thing. Especially if you were already more than a bit unstable.

She wondered where Miss Devenish lived. No point in going to the shop this early. But Miss Devenish and Jane, they needed to talk.

It was going to be another warm day. She walked up to the square, school books in a canvas airline bag over one shoulder, school blazer over the other. Nearly forty-five minutes to kill before the bus was due. School: French and economics and maths, then double games. She looked up into a tide of flawless blue coming in over a smooth sandbank of early cloud. What, really, was the point of going to sodding school today when there was so much she needed to learn here in the village? Schoolwork, essays and stuff, you could always get over that with a bit of effort. Real life ... not so easy.

A snatch of one of Lol’s songs kept coming back to her.

...
and it’s always on the sunny days

you feel you can’t go on.

 

That album was sending her signals. She just knew that the girls Karl Windling had seen in Andy’s Records in Hereford had been the friends of Colette’s who’d bought the album.

It was all fated: Jane Watkins was somehow destined to rescue the tragic Lol Robinson. The cobbles glittered in affirmation. Strange.

It wasn’t a schoolgirl crush, of course. Nothing so immature. Anyway, he was old enough to be her father. No, this was on an altogether higher level.

She’d known last night, when she’d first opened the brown-paper bag and seen the name of the band on the front of the CD. The band formed by Lol Robinson over fifteen years ago, before she was born. Or perhaps ... perhaps exactly at the time she was born.

Some kind of omen; it had to be. The name so exactly summing up the way she was feeling. Had been feeling since ... well, Saturday night.

Lol’s old band had been called – eerily –
Hazey Jane.

Hardly even thinking about what she was doing, Jane wandered past the market cross and into the cool, secretive shade of Blackberry Lane, the trees overhead throbbing and pulsing with spring. Spring like she’d never felt it before.

A grey van was parked outside the church. Who could that be? The main door was still shut, so Merrily went round the back with her fat bunch of jailer’s keys.

However, the small, south-east door, leading in by the Bull Chapel, was already ajar. As she slipped inside, there was a vast discordant wail from the organ, and she jumped, alarmed. An organ in an empty church was a spooky sound.

‘See?’ Dermot Child’s voice called out. ‘It’s sticking. I’ve tried working it up and down.’

‘Hmm. May need replacing. You can’t keep on bodging these things for ever.’

Midlands accent. Obviously Mr Gerald Watts, the organ repair man from Bromsgrove. Ted had mentioned him; his phone number was in the book of essential parish contacts. And Dermot had remarked the other week that the organ would soon need some attention.

‘Problem is, Dermot, I’d have to make one to fit. Can you manage like this for a couple of weeks?’

‘Sounds like I haven’t got a choice.’

Merrily slid into the Bull Chapel. It was separated from the organ by an eighteenth-century wooden screen, so they couldn’t see each other, she and Dermot and Mr Watts, the organ man. She stood with her back to the screen, didn’t want to interrupt them.

‘So what’s the damage, Gerry? Roughly. If it’s over fifty, I’ll need to check it with the vicar.’

Sunlight fanned in through the chapel’s leaded window and pooled in the eyes of Thomas Bull. They were fully open. She hadn’t really noticed that before. It was disturbing, abnormal. His lids surely should be lowered, displaying for eternity the familiar and usually false humility of the wealthy dead.

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