Late in the morning I remembered I had a French lesson in Toulouse in the afternoon. I called Madame Sentier and cancelled, telling her I was ill. When she asked, I said it was a summer fever.
‘Ah, you must get someone to take care of you!’ she cried. Her words made me think of my father, his concern that I'd be stranded out here without help. ‘Call Jacob Tournier if you have any problems,’ he'd said. ‘When there are problems it's good to have family close by.’
Jean-Paul —
I'm going to my family. It seemed the best thing to do. If I stayed here I would drown in my guilt.
I've taken your blue shirt.
Forgive me.
Ella
Rick didn't get a note; I called his secretary and left the briefest of messages.
7
THE DRESS
S
he was never alone. Someone always remained with her, Etienne or Hannah or Petit Jean. Usually it was Hannah, which Isabelle preferred: Hannah could not or would not speak to her, and was too old and small to hurt her. Etienne's arms were now loose with rage, and Petit Jean she no longer trusted, with his knife and the smile in his eyes.
How has this happened? she thought, linking her hands behind her neck and pressing her elbows to her chest. That I can't even trust my own little son? She stood in the
devanthuis
and looked out across the dull white fields to the dark mountains and the grey sky.
Hannah hovered in the door behind her. Etienne always knew what Isabelle had been doing, yet she had not been able to catch Hannah speaking to him.
—Mémé, close the door! Petit Jean called from within.
Isabelle looked over her shoulder into the dim, smoky room and shivered. They had covered the windows and were keeping the door shut; the smoke had built up into a thick, choking cloud. Her eyes and throat stung and she had begun to walk around the room ponderously, slowed down as if she were moving through water. Only in the
devant-huis
could she breathe normally, despite the cold.
Hannah touched Isabelle's arm, jerked her head towards the fire and stood aside to usher her back in.
There was spinning all day during the winter, endless piles of hemp waiting in the barn. As she worked, Isabelle thought of the softness of the blue cloth, pretending she was holding it rather than the coarse fibre that raked at her skin and left a web of tiny cuts on her fingers. She could never spin the hemp as fine as she had wool in the Cévennes.
She knew Jacob must have hidden the cloth somewhere, in the woods or the barn, but she never asked. She never had a chance to; yet even if they had been left alone for a moment she would have let him keep the secret. Otherwise Etienne might have beaten it out of her.
She found it hard to think in the smoke, faced with the endless hemp, the dark, the muffled silence of the room. Etienne often stared at her and did not look away when she stared back. His eyes were harder without eyelashes and she could not meet his gaze without feeling threatened and guilty.
She began to speak less, silent now by the fire at night, no longer telling the children stories or singing or laughing. She felt she was shrinking, that if she kept quiet she might become less visible, and be able to escape the suspicion entrapping her, the nameless threat hanging in the air.
First she dreamed of the shepherd in a field of broom. He was pulling off the yellow flowers and squeezing them between his fingers. Put these in hot water and drink it, he said. Then you will be well. His scar was gone, and when she asked him where it was, he said it had moved to another part of his body.
Next she dreamed that her father was poking through the ashes of a broken chimney, the ruins of a house smoking around him. She called out to him; intent on his search, he did not look up.
Then a woman appeared. Isabelle was never able to look directly at her. She stood in doorways, next to trees and once by a river that looked like the Tarn. Her presence was a comfort, though she never said anything or came near enough for Isabelle to see her clearly.
After Christmas these dreams stopped.
Christmas morning the family dressed in the customary black, their own clothes this time that they had made from their hemp crop. The cloth was hard and coarse but it would last a long time. The children complained that it scratched and itched. Isabelle silently agreed but said nothing.
Outside the Eglise Saint Pierre they saw Gaspard among the crowd gathered in front of the church and went over to greet him.
—
Ecoute, Etienne
, Gaspard said, I saw a man at the inn who can get you granite for your chimney. Back in France, a day's ride, there is a granite quarry, near Montbéliard. He can bring you a big slab for the hearth in the spring. You tell me the size and I will give a message to the next person going that way.
Etienne nodded.
— You told him I would pay in hemp?
—
Bien sûr
.
Etienne turned to the women.
— We will build a chimney in the spring, he said softly so that their Swiss neighbours would not hear and take offence.
— God be thanked, Isabelle replied automatically.
He glanced at her, tightened his lips, and turned away as Pascale joined them. She nodded at Hannah, smiled uncertainly at Isabelle. They had seen each other at church several times but had never been able to talk.
The minister, Abraham Rougemont, approached. As he was greeting Hannah, Isabelle took the opportunity to speak softly to Pascale.
— I'm sorry I have not come to see you. It is – difficult now.
— Do they know about – about —
— No. Don't worry.
— Isabelle, I have the —
She stopped, flustered, for Hannah had appeared at Isabelle's side, her mouth set, eyes fixed on Pascale's face.
Pascale struggled for a moment, then said simply: — May God watch over you this winter.
Isabelle smiled wanly.
— And you as well.
— You will come to our house between the services?
—
Bien sûr
.
— Good. Now, Jacob, what do you have for me this time,
chéri
?
He pulled from his pocket a dull green stone shaped like a pyramid and handed it to her.
Isabelle turned to go in. When she glanced back she saw Jacob whispering to Pascale.
After the morning service Etienne turned to her.
— You and Maman will go home now, he muttered.
— But the service at Chalières —
— You're not going to it, La Rousse.
Isabelle opened her mouth but stopped when she saw the set of his shoulders and the look in his eyes. Now I won't see Pascale, she thought. Now I won't see the Virgin in the chapel. She closed her eyes and pressed her arms against the sides of her head, as if expecting a blow.
Etienne grabbed her elbow and pulled her roughly from the crowd.
— Go, he said, pushing her in the direction of home. Hannah stepped to her side.
Isabelle held out her hand stiffly.
— Marie, she called. Her daughter jumped to her side.
— Maman, she said, taking the outstretched hand.
— No. Marie will go to church with us. Come here, Marie.
Marie looked up at her mother, then over to her father. She let go of Isabelle's hand and went to stand halfway between them.
— Here. Etienne pointed to a spot next to him.
Marie looked at him with wide blue eyes.
— Papa, she said in a loud voice, if you hit me the way you do Maman, I'll bleed!
Etienne's anger made him taller. He took a step towards her but stopped when Hannah put a warning hand out and shook her head. He glanced at the crowd: it had gone quiet. Glaring at Marie, he turned and strode away in the direction of Gaspard's house.
Hannah turned down the path that led towards their farm. Isabelle didn't move.
— Marie, she said, come with us.
Marie remained standing in the same spot until Jacob came up to her and took her hand.
— Let's go to the river, he said. Marie let him lead her away. Neither looked back.
Jacob played with Marie while the cold trapped them indoors, inventing new games with his pebbles. He taught her to count, and to sort them in various ways: by colour, size, origin. They began outlining objects with the pebbles. They laid a scythe on the floor and placed pebbles all the way round it, then picked up the tool and left behind its outline in stone. They did this with rakes, spades, pots, the bench, smocks, breeches, their hands.
— Let me outline you, he suggested one evening.
Marie clapped her hands and laughed. She lay on her back on the floor and he carefully pulled at her dress so that the pebbles would outline its full shape. He chose the pebbles carefully: Cevenol granite around her head and neck, white around the dress, dark green for her legs, feet and hands. He was meticulous, following the lines of the dress, even marking the cut of the waist, the tapering of the arms. When he was done he helped Marie up without disturbing the pebbles. They all admired the outline of the girl, arms and legs spread on the dirt floor. Isabelle glanced up and noticed that both Jacob and Etienne were looking at it intently. Etienne's lips were moving slightly.
He's counting, she thought. Why is he counting? A wave of fear swept over her.
— Stop it! she shouted, rushing into the outline and kicking at the stones.
The dark months after Christmas were the hardest. It was so cold that they opened the door only once a day, to get wood and hemp. Often the sky was grey, full of snow, and it was almost as dark outside as in the house. Isabelle would look out, hoping to escape for a moment, but found no comfort in the heavy sky, the smooth surface of the snow broken here and there in the distance by the black tops of firs or scabs of rock. When the cold touched her it felt like a metal bar pressed into her skin.
She began to taste metal as well, in the hard rye bread Hannah baked once a week in the communal oven, in the mushy vegetable stew they ate day after day. She had to force herself to eat, try to ignore the taste of blood, hide her gagging. Often she let Marie finish her food for her.
Then her arms and legs began to itch, in the creases on the inside of the elbow and behind the knee. At first she scratched at her skin through the layers of cloth: it was too cold to undress and pick off the lice. But one day she discovered blood seeping through the cloth, pulled up her sleeves and studied the sores: dry, silvery skin flaking away, rough patches of red, no trace of lice. She hid the rusty stains, fearful of what Etienne would accuse her of if he saw the blood.
She lay in bed at night, staring up at the dark and scratching with as little movement as possible so that Etienne would not notice. She listened to his even breathing, fearful of his waking, preferring to stay awake so that she would be ready – she did not know what for, but she waited in the dark for something, scarcely breathing.
She thought she was being careful, but one night he grabbed her hand and discovered the blood. He beat her and afterwards took her violently from behind. It was a relief not to have to look at his face.
One evening Gaspard came to sit at their fire.
— The granite is ordered, he told Etienne, pulling his pipe from his pocket and taking up his flint. The price is agreed and he has the measurements you gave me. He will bring it before Easter. Now, do you want more? For the chimney itself?
Etienne shook his head.
— I cannot pay for it. And anyway, the limestone here will be good enough for the chimney itself. It is the hearth that gets the hottest and needs the hardest stone.
Gaspard chuckled.
— They think you are crazy, down at the inn.
Why does he want a chimney?
they ask.
He lives in a fine house as it is!