The Uncanny Reader (56 page)

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Authors: Marjorie Sandor

BOOK: The Uncanny Reader
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“I don't have any time to have affairs,” Henry said. He sounded put out. Maybe he was thinking about Leonard Felter. Or maybe he was picturing the Crocodile naked. The Crocodile wearing stretchy red rubber sex gear. Catherine imagined telling Henry the truth about Leonard Felter. I didn't have an affair. Did not. Is that a problem?

“That's exactly what I mean,” Catherine said. “You'd better be here for dinner. You live here, Henry. You're my husband. I want you to meet our friends. I want you to be here when I have this baby. I want you to fix what's wrong with the downstairs bathroom. I want you to talk to Tilly. She's having a rough time. She won't talk to me about it.”

“Tilly's fine,” Henry said. “We had a long talk tonight. She said she's sorry she broke all of Carleton's night-lights. I like the trees, by the way. You're not going to paint over them, are you?”

“I had all this leftover paint,” Catherine said. “I was getting tired of just painting with the rollers. I wanted to do something fancier.”

“You could paint some trees in my office, when you paint my office.”

“Maybe,” Catherine said. “Ooof, this baby won't stop kicking me.” She lay down on the floor in front of Henry and lifted her feet into his lap. “Rub my feet. I've still got so much fucking paint. But once your office is done, I'm done with the painting. Tilly told me to stop it or else. She keeps hiding my gas mask. Will you be here for dinner?”

“I'll be here for dinner,” Henry said, rubbing her feet. He really meant it. He was thinking about the exterminator, about rabbit corpses scattered all across the lawn, like a war zone. Poor rabbits. What a mess.

*   *   *

After they went to see the therapist, after they went to Disney World and came home again, Henry said to Catherine, “I don't want to talk about it anymore. I don't want to talk about it ever again. Can we not talk about it?”

“Talk about what?” Catherine said. But she had almost been sorry. It had been so much work. She'd had to invent so many details that eventually it began to seem as if she hadn't made it up after all. It was too strange, too confusing, to pretend it had never happened, when, after all, it
had
never happened.

*   *   *

Catherine is dressing for dinner. When she looks in the mirror, she's as big as a cruise ship. A water tower. She doesn't look like herself at all. The baby kicks her right under the ribs.

“Stop that,” she says. She's sure the baby is going to be a girl. Tilly won't be pleased. Tilly has been extra good all day. She helped make the salad. She set the table. She put on a nice dress.

Tilly is hiding from Carleton under a table in the foyer. If Carleton finds her, Tilly will scream. Carleton is haunted, and nobody has noticed. Nobody cares except Tilly. Tilly says names for the baby, under her breath. Dollop. Shampool. Custard. Knock, knock. The rabbits are out on the lawn, and King Spanky has gotten into the bed again, and he won't come out, not for a million haunted alarm clocks.

Her mother has painted trees all along the wall under the staircase. They don't look like real trees. They aren't real colors. It doesn't look like Central Park at all. In among the trees, her mother has painted a little door. It isn't a real door, except that when Tilly goes over to look at it, it is real. There's a doorknob, and when Tilly turns it, the door opens. Underneath the stairs, there's another set of stairs, little dirt stairs, going down. On the third stair, there's a rabbit sitting there, looking up at Tilly. It hops down, one step, and then another. Then another.

“Rumpelstiltskin!” Tilly says to the rabbit. “Lipstick!”

Catherine goes to the closet to get out Henry's pink shirt. What's the name of that real estate agent? Why can't she ever remember? She lays the shirt on the bed and then stands there for a moment, stunned. It's too much. The pink shirt is haunted. She pulls out all of Henry's suits, his shirts, his ties. All haunted. Every fucking thing is haunted. Even the fucking shoes. When she pulls out the drawers, socks, underwear, handkerchiefs, everything, it's all spoiled. All haunted. Henry doesn't have a thing to wear. She goes downstairs, gets trash bags, and goes back upstairs again. She begins to dump clothes into the trash bags.

She can see Carleton framed in the bedroom window. He's chasing the rabbits with a stick. She hoists open the window, leans out, yells, “Stay away from those fucking rabbits, Carleton! Do you hear me?”

She doesn't recognize her own voice.

Tilly is running around downstairs somewhere. She's yelling, but her voice gets farther and farther away, fainter and fainter. She's yelling, “Hairbrush! Zeppelin! Torpedo! Marmalade!”

The doorbell rings.

*   *   *

The Crocodile started laughing. “Okay, Henry. Calm down.”

He fired off another rubber band. “I mean it,” he said. “I'm late. I'll be late. She's going to kill me.”

“Tell her it's my fault,” the Crocodile said. “So they started dinner without you. Big deal.”

“I tried calling,” Henry said. “Nobody answered.” He had an idea that the phone was haunted now. That's why Catherine wasn't answering. They'd have to get a new phone. Maybe the lawn specialist would know a house specialist. Maybe somebody could do something about this. “I should go home,” he said. “I should go home right now.” But he didn't get up. “I think we've gotten ourselves into a mess, me and Catherine. I don't think things are good right now.”

“Tell someone who cares,” the Crocodile suggested. She wiped at her eyes. “Get out of here. Go catch your train. Have a great weekend. See you on Monday.”

*   *   *

So Henry goes home, he has to go home, but of course he's late, it's too late. The train is haunted. The closer they get to his station, the more haunted the train gets. None of the other passengers seem to notice. It makes Henry sick to his stomach. And, of course, his bike turns out to be haunted, too. It's too much. He can't ride it home. He leaves it at the station and he walks home in the dark, down the bike path. Something follows him home. Maybe it's King Spanky.

Here's the yard, and here's his house. He loves his house, how it's all lit up. You can see right through the windows, you can see the living room, which Catherine has painted Ghost Crab. The trim is Rat Fink. Catherine has worked so hard. The driveway is full of cars, and inside, people are eating dinner. They're admiring Catherine's trees. They haven't waited for him, and that's fine. His neighbors: he loves his neighbors. He's going to love them as soon as he meets them. His wife is going to have a baby any day now. His daughter will stop walking in her sleep. His son isn't haunted. The moon shines down and paints the world a color he's never seen before. Oh, Catherine, wait till you see this. Shining lawn, shining rabbits, shining world. The rabbits are out on the lawn. They've been waiting for him, all this time, they've been waiting. Here's his rabbit, his very own rabbit. Who needs a bike? He sits on his rabbit, legs pressed against the warm, silky, shining flanks, one hand holding on to the rabbit's fur, the knotted string around its neck. He has something in his other hand, and when he looks, he sees it's a spear. All around him, the others are sitting on their rabbits, waiting patiently, quietly. They've been waiting for a long time, but the waiting is almost over. In a little while, the dinner party will be over and the war will begin.

 

TIGER MENDING

Aimee Bender

My sister got the job. She's the overachiever, and she went to med school for two years before she decided she wanted to be a gifted seamstress. (What? they said, on the day she left. A surgeon! they told her. You could be a tremendous surgeon! But she said she didn't like the late hours, she got too tired around midnight.) She has small motor skills better than a machine; she'll fix your handkerchief so well you can't even see the stitches, like she became one with the handkerchief. I once split my lip, jumping from the tree, and she sewed it up, with ice and a needle she'd run through the fire. I barely even had a scar, just the thinnest white line.

So of course, when the two women came through the sewing school, they spotted her first. She was working on her final exam, a lime-colored ball gown with tiny diamonds sewn into the collar, and she was fully absorbed in it, constructing infinitesimal loops, while they hovered with their severe hair and heady tree-smell—like bamboo, my sister said—watching her work. My sister's so steady she didn't even flinch, but everyone else in class seized upon the distraction, staring at the two Amazonian women, both six feet tall and strikingly beautiful. When I met them later I felt like I'd landed straight inside a magazine ad. At the time, I was working at Burger King, as block manager (there were two on the block), and I took any distraction offered me and used it to the hilt. Once, a guy came in and ordered a Big Mac, and for two days I told that story to every customer, and it's not a good story. There's so rarely any intrigue in this shabberdash world of burger warming; you take what you can get.

But my sister was born with supernatural focus, and the two women watched her and her alone. Who can compete? My sister's won all the contests she's ever been in, not because she's such an outrageous competitor, but because she's so focused in this gentle way. Why
not
win? Sometimes it's all you need to run the fastest, or to play the clearest piano, or to ace the standardized test, pausing at each question until it has slid through your mind to exit as a penciled-in circle.

In low, sweet voices, the women asked my sister if she'd like to see Asia. She finally looked up from her work. Is there a sewing job there? They nodded. She said she'd love to see Asia, she'd never left America. They said, Well, it's a highly unusual job. May I bring my sister? she asked. She's never traveled either.

The two women glanced at each other. What does your sister do?

She's manager of the Burger Kings down on 4th.

Their disapproval was faint but palpable, especially in the upper lip.

She would simply keep you company?

What we are offering you is a position of tremendous privilege. Aren't you interested in hearing about it first?

My sister nodded lightly. It sounds very interesting, she said. But I cannot travel without my sister.

This is true. My sister, the one with that incredible focus, has a terrible fear of airplanes. Terrible. Incapacitating. The only way she can relax on a flight is if I am there, because I am always, always having some kind of crisis, and she focuses in and fixes me and forgets her own concerns. I become her ripped hemline. In general, I call her every night, and we talk for an hour, which is forty-five minutes of me, and fifteen minutes of her stirring her tea, which she steeps with the kind of Zen patience that would make Buddhists sit up in envy and then breathe through their envy and then move past their envy. I'm really really lucky she's my sister. Otherwise no one like her would give someone like me the time of day.

The two Amazonian women, lousy with confidence, with their ridiculous cheekbones, in these long yellow print dresses, said OK. They observed my sister's hands quiet in her lap.

Do you get along with animals? they asked, and she said, Yes. She loved every animal. Do you have allergies to cats? they asked, and she said, No. She was allergic only to pine nuts. The slightly taller one reached into her dress pocket, a pocket so well hidden inside the fabric it was like she was reaching into the ether of space, and from it her hand returned with an airplane ticket.

We are very happy to have found you, they said. The additional ticket will arrive tomorrow.

My sister smiled. I know her; she was probably terrified to see that ticket, and also she really wanted to return to the diamond loops. She probably wasn't even that curious about the new job yet. She was and is stubbornly, mind-numbingly, interested in the present moment.

When we were kids, I used to come home and she'd be at the living room window. It was the best window in the apartment, looking out, in the far distance, on the tip of a mountain. For years, I tried to get her to play with me, but she was unplayable. She stared out that window, never moving, for hours. By night, when she'd returned, I'd usually injured myself in some way or other, and I'd ask her about it while she tended to me; she said the reason she could pay acute attention now was because of the window. It empties me out, she said, which scared me. No, she said, to my frightened face, as she sat on the edge of my bed and ran a washcloth over my forehead. It's good, she said. It makes room for other things.

Me? I asked, with hope, and she nodded. You.

We had no parents by that point. One had left, and the other died at the hands of a surgeon, which is the real reason my sister stopped medical school.

That night, she called me up and told me to quit my job, which was what I'd been praying for for months—that somehow I'd get a magical phone call telling me to quit my job because I was going on an exciting vacation. I threw down my BK apron, packed, and prepared as long an account of my life complaints as I could. On the plane, I asked my sister what we were doing, what her job was, but she refolded her tray table and said nothing. Asia, I said. What country? She stared out the porthole. It was the pilot who told us, as we buckled our seat belts; we were heading to Kuala Lumpur, straight into the heart of Malaysia.

Wait, where's Malaysia again? I whispered, and my sister drew a map on the napkin beneath her ginger ale.

During the flight, I drank Bloody Marys while my sister embroidered a doily. Even the other passengers seemed soothed by watching her work. I whispered all my problems into her ear and she returned them back to me in slow sentences that did the work of a lullaby. My eyes grew heavy. During the descent, she gave the doily to the man across the aisle, worried about his ailing son, and the needlework was so elegant it made him feel better just holding it. That's the thing with handmade items. They still have the person's mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in.

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