The Serpent's Shadow (3 page)

She had arranged for the hallway to be painted, rather than papered, in white. Furnished with pegs for coats, a bench for waiting patients, and a small table holding a brass dish from India for calling cards, she had hung prints of some of her father's favorite paintings on the walls. The impression was warmer than that of a hospital, but not “homelike”—wise, since this was the entrance to her surgery as well as to her home.

It was scarcely possible that she would have any patients calling yet, and she longed to shed her woolen suit with the coat and revert to more comfortable garb.

Not yet. Not yet. But I
shall
be rid of these confounded shoes! Why is it that attractive shoes are a torture to wear?

Hanging her coat on its peg in the hall, she passed the door to her examining room and surgery (formerly the parlor and smoking room) and climbed the stairs to the next floor. Here were the bedrooms, all alike, and the bathroom fitted up with the most modern of appointments. Her room was at the back of the house, away from street noise. The second bedroom, connected to hers, served as her parlor and sitting room.

Gupta had the third bedroom, and his son Gopal and his son's wife Sumi the fourth. Gopal and Sumi's four children shared the nursery on the floor above, where the servants' quarters had once been. Gupta had been her father's friend as well as his servant—but more importantly, he had been Surya's devoted guardian. There had been no question of whether or not the family would emigrate when Maya fled to England; she would have had to lock them all in prison to prevent them from coming with her.

Gupta had seen a great deal in his fifty-odd years, and she rather thought he was unshockable, which was just as well, considering what she was planning. She needed the help of a male to carry it out, and Gupta was the ideal man for the job.

The door to her bedroom stood invitingly open, and she hurried through it. With a sigh of relief, she sank down into a chair and unlaced her shoes. Exchanging them for soft leather slippers, she hesitated a moment, then shrugged.

Ridiculous. There is no reason to go out, and unlikely that anyone but a friend will call
.
I am getting out of this rig!

The rooms of this house were so tiny, compared with those in the bungalow in India. She had enough room to pass between the pieces of furniture, chair, bed, trunk, wardrobe, and table, but no more. Never, ever would she have needed the featherbed at home! Here, it, and the down-filled duvet and woolen blankets were absolute necessities, for not even the hot-water pipes could prevent the house from cooling at night.

In a trice, she slipped off the coat and skirt of her suit and hung them up on the outside of the mahogany wardrobe to be brushed later. The shirtwaist followed, then the corset cover, which she laid on the lace coverlet of the bed, and at last she could unhook the front busk of the corset and rid herself of the unwelcome constriction. At last she could
move!
She never laced her corsets anywhere near as tight as fashion dictated; she flattered herself to think that she didn't need to. Nevertheless, the garment restricted movement, if only because it was designed around what a lady would consider appropriate movement. Maya had chafed against those restrictions as a girl, and her feelings hadn't changed in the least now that she was an adult.

The corset joined the rest of her undergarments on the bed. Donning a far more comfortable flannel wrapper dress of a chocolate brown over her uncorseted petticoat, she went back out into the hall, then descended the stair at her end of the upstairs hall, passing the kitchen on her way to the conservatory. Gopal was in the throes of creativity in there, and she paused a moment to sniff the heavenly, familiar aromas appreciatively. Gopal had reacted to the presence of the modern iron stove set into the arch of the fireplace with tears of joy—though many of his countrymen preferred to cook over a tiny charcoal fire, Gopal was an artist and appreciated good tools. With so many thousands of British soldiers and civilians going out to Colonial Service and returning with a hunger for the foods they had grown accustomed to, it was a simple matter for Gopal to procure virtually any spice or foodstuff he required for them all to eat the way they had at home.

Home. Odd how the other Eurasians she had met would speak of Britain as Home—a “home” they had never seen—with as much longing as the expatriates. Home for Maya was and always would be India, the place where she had been born and where she had spent most of her life. How could you long for a place you had never even seen?

She stepped through the French doors into the warmth of her conservatory—which had required the lion's share of her inheritance to build—and was
almost
Home.

A little judicious use of magic had caused the flowering vines planted around the walls of the conservatory to grow at an accelerated pace, hiding the brickwork and the view of the houses on all sides. Passion flowers flung their great starburst blooms against the green of the vines. In bloom at all times and seasons, they filled the air with perfume, as did the jasmine, both day-and night-blooming. A fountain and generous pool added warm humidity and the music of falling water, the hot-water pipes around the perimeter a tropical heat. Here were the flowers she loved, and here, too, were her pets-

They rushed to greet her as soon as she set food on the gravel of her path—first the pair of mongooses, Sia and Singhe, romping toward her with their peculiar humpbacked gait. Rhadi, the ring-necked parrot, dove for her right shoulder, long tail trailing out behind him like a streamer, while the saker falcon Mala dropped down onto her left. Neither so much as scratched her skin, so soft footed were they, and though Mala was death incarnate to the sparrows, starlings, and pigeons, he would sooner starve than touch a feather of Rhadi's head. The peacock Rajah strode toward her with more dignity, his tail spread for her admiration. And last of all, Charan, her little monkey, sprang into her arms as soon as she held them out for him. Only the owl, named Nisha, whose round eyes seemed to stare straight into one's heart, did not stir from her slumber in the hollow of a dead oak tree that showed what a fine garden had once stood here. Maya had left it there for the benefit of her birds, who all found it a fine place to perch, and the vines twined around it just as happily as they climbed the brick of the walls, giving it a kind of new life.

“And have you been good?” she asked them all, as the mongooses romped around her ankles and the monkey put his arms around her neck, chattering softly into her ear. The falcon gave her a swift touch of his beak by way of a caress, and took off again to land in the tree.

The peacock shivered his tail feathers, and Rhadi said in his clear little voice, “Good! Good!” and laughed, following Mala up into the tree.

She laughed with him, and carried Charan to her favorite seat in the garden, a closely woven rattan chair with a huge back that mimicked a peacock's tail. From here she could see only the green of her plants, the fountain and pool; she could forget for a while the cold world outside.

In a moment, Gopal brought mint tea, and placed the tray with two glasses on the rattan table beside her. Gupta arrived without a sound, as was his wont, materializing beside her and taking a second, smaller chair on the other side of the table, also facing the pool and fountain. He poured for both of them, and they each took a moment to savor the hot sweetness in companionable silence.

“We will prosper, mem sahib,” Gupta said with satisfaction, putting his glass back down empty. “We will prosper. There is great progress today.” He smiled. “I went, as you instructed, to the theater last night. I left your card with the man who attends to the stage door, and also with the stage manager, and the ballet master. I made mention that you were of liberal mind, and not one of those inclined to attempt reform on those who were merely making a living for themselves. It was he who asked for several more cards, on seeing it and hearing my words, and made me to believe that he would be giving them to some of the young ladies.”

“Aha!” Maya responded. The cards she had given to Gupta, unlike her “official” business cards, had
not
been printed up, but had been calligraphed elegantly and by her own hand, because what they implied was risky, even scandalous.

Doctor
Maya Witherspoon, Lady Physician. Female complaints. Absolute discretion,
and her address. On the next lot, she would add,
Licensed to practice at St. Mary‘s, Paddington, and Royal
Free
Hospital
.

What the cards implied was that she would treat the women who came to her for treatment of their “female complaints”—including inconvenient or unwedded pregnancy—without a lecture or a word slipped outside the office. And that she would give instructions and supplies to prevent inconvenient pregnancy, regardless of marital status.

“Ah, but I was wise and cunning, mem sahib,” Gupta continued, his face wreathed in smiles. “I followed well-dressed gentlemen as they left the theater last night, and marked the houses they went to. This morning I looked the houses over, and chose the finest. There, too, did I leave your card, and pleased were the dwellers in those places to see it, though one did sigh that it was too bad you were a lady and they could not pay for your services with an exchange of trade.”

“Gupta!” she exclaimed, and giggled, although her cheeks did heat up. “That was very well done! How clever of you!” She had not been able to work out a way to get her cards into the hands of the mistresses of the wealthy men of London. Now Gupta had managed that, and once one or two of the “Great Horizontals” came to her, they would see that the rest of their set knew her name.

“Yes,” Gupta replied, not at all modest. “I know, mem sahib. I think you will have callers tomorrow, if not today.” He cast his eye around the garden, which was growing darker as evening approached. “Will you have your tea here, mem sahib? I could light the lamps.”

“Please,” she said, as Charan nestled down into a corner of the chair. “And if friends call, bring them here instead of the parlor.”

“And callers of another sort?” Gupta raised his eyebrows to signal what he meant.

“Use your own judgment,” she told him. “You are a wise man, Gupta; I think you will know best whether to summon me to the office or bring the caller here.”

Gopal soon brought her tea, a hybrid mix of the High Teas of India and of Britain. She shared the feast with her menagerie, other than Mala and Nisha, who ate only what they hunted, or the starlings and pigeons Gopal's eldest boy brought down with his catapult. Charan adored the clotted cream, as did Sia and Singhe; the latter swarmed up her skirt into her lap to lick their paws and faces clean as Rajah picked at the last tea-cake.

There is one good thing about this cold country,
she thought, scratching the two little rowdies under their chins.
It is too cold for snakes.

Or at least, it was at the moment.

She could only pray it would remain that way.

2

G
OPAL had come and gone, taking the tea things with him, and Maya retreated to a hammock swung between two vine-covered posts in lieu of the tree trunks that would have suspended it back home. Surrounded by scented warmth, cradled in the gently swaying hammock, she closed her eyes and listened to the play of the water in her fountain, the soft chatter of the mongooses and the parrot. This time of the afternoon, full of shared treats, they all felt sleepy and were inclined to nap. Mala had been fed late this morning, and Nisha would be fed once dusk settled, so they, too, were content to doze. Charan curled up beside her, a little soft ball with his head pillowed against her cheek and both arms wrapped around her neck, and she had actually begun to doze when Gupta reappeared, waking her.

Charan awoke, too, and scampered up to an observation post in the dead tree. “Mem sahib, you have a caller,” Gupta said, his expression one of intense satisfaction. He made a grand gesture toward the front of the house. “This will be a client, I do believe. I have taken her to the surgery office. She waits there for you.”

Oh, heavens!
She quickly tilted herself out of the hammock, glad that she had at least not taken her hair down, and that the sober brown dress disguised its comfort in its severity. Primly buttoned up to the neck, waistband tightened, and cuffs twitched straight, it would pass for professional attire. With a pat to her hair, she followed Gupta inside, and hurried to the surgery itself, for it would not do to have a potential client see her enter by the same door that the client herself had used. She passed through it, wrinkling her nose a trifle at the familiar scent of carbolic, entering the office from the surgery door rather than the hall door.

This was a comfortable room, meant to be the very opposite of the kind of office that Doctor Clayton-Smythe had. The wallpaper, a warm Morris print, softened the impression given by the rows of medical texts on the wall and the plain, uncompromising desk. The woman waiting there stood up slowly. The velvet coat lying beside her, the collar of jet beads at her throat, and the abundance of maroon lace making up the ornamentation of her deep red dress was nothing at all compared to the impact of her wide, limpid blue eyes and the shining mass of her golden hair. She could have been the wife of a peer, or a successful man of business—could have been, but was not. There was something indefinable about her dress and air—or perhaps it was only Maya's own ability to see deep past the surface of things. At any rate, there was no doubt in the young doctor's mind that this was one of the ladies with whom Gupta had left her card this morning.

Maya extended her hand across her desk, and it was taken tentatively by the other. “I am Doctor Witherspoon,” Maya said, in a firm, but friendly tone. “Would you care to have a seat and tell me what brings you to my surgery, Miss—” she hesitated just a moment, then finished, “—Smith?” A raised eyebrow meant to convey a tacit understanding that there would be no real names used here evidently translated her meaning perfectly.