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Authors: Alice Montgomery

Susan Boyle

BOOK: Susan Boyle
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Table of Contents
The Overlook Press, Peter Mayer Publishers, Inc.
141 Wooster Street
New York, NY 10012
Copyright © 2010 by Alice Montgomery
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper, or broadcast.
Cataloging-in-Publication Data is available from the Library of Congress
eISBN : 978-1-590-20424-5

Prologue: New York, November 2009
The Big Apple had never seen anything like it. Susan Boyle, the mild mannered Scottish spinster who had sprung from complete obscurity only seven months previously, held the crowd in thrall. Dressed in an elegant black coat, and wearing a red knitted scarf, a look that was becoming her trademark, she stood in front of a huge crowd at the Rockefeller Center, where she was performing live on NBC’s
show. Many in the crowd, who were giving her the kind of welcome more commonly reserved for superstars, were also wearing red scarves: it was a way of showing support and solidarity. It was a way of showing SuBo, as she was now affectionately known, that they were true fans.
Although she still didn’t entirely fit the image many people had of a performer who was set to sell in the millions, Susan looked like a different woman from the one who had staggered viewers of
Britain’s Got Talent
just a short while earlier. Her hair, previously wild and frizzy, had been trimmed into an elegant brunette bob; her eyebrows had been tamed; her face carefully made up and scarlet nail varnish glittered on her fingernails. She was transformed by the power of her growing stardom, her talent and the deep reserve of affection the public felt for her.
This, a thirty-minute live set for
, was the culmination of a month-long publicity drive to herald the release of Susan’s first album, and although it was the kind of occasion that would have tested the nerves of many a seasoned performer, she carried it off with aplomb.
show hosts Matt Lauer and Meredith Vieira chatted to Susan in front of the cheering crowd: it was a ‘great achievement’, she acknowledged, to have come from a small town in Scotland to where she was now - and all in such a short space of time. ‘It feels very surreal, as if it’s not really happening,’ she went on. ‘I’ve grown up a bit and become more of a lady. I don’t swing my hips as much.’
Susan’s replies to her hosts’ questions weren’t lengthy - when she spoke she still had a little shyness about her - but there was no awkwardness either, especially given that she was standing in front of a crowd brandishing placards bearing her name and various slogans associated with her - ‘I dreamed a dream too’ being a typical example. All things considered, Susan seemed remarkably calm, composed even. Then the moment everyone had been waiting for happened. As Susan stepped in front of the microphone, she was almost glowing; she opened her mouth and burst into song. Her remarkable voice soared above the crowd and into the New York sky as she sang ‘I Dreamed A Dream’, followed by the Rolling Stones’ ‘Wild Horses’ and rounded off by ‘Cry Me A River’. The crowd was stunned and burst into wild applause.
All the songs were familiar: ‘I Dreamed A Dream’ was the number with which she’d débuted in the national consciousness, while ‘Wild Horses’ was to be her album’s first single. There was some joshing about the fact that Susan Boyle and the Rolling Stones were an unlikely coupling, but she carried it off. One critic, the
’s Paul McNamee, pointed out that while the Stones sang it as a song about a fading relationship, Susan imbued it with a quality of hope, albeit tinged with tragedy, ‘elements of a life lived on the edge of society, the outsider mocked by all.’
All the songs were from her new album,
I Dreamed A Dream
, which Susan had dedicated to her mother and which was making musical history. It had already become the biggest pre-ordered album since the online store Amazon started selling discs, and when it was released, 701,000 copies sold in the first week. SuBo was breaking records everywhere she turned: the CD went on to become the highest-selling ever for a female artist’s début album since Nielsen Sound-Scan started tracking sales back in 1991, while back in the UK, the album sold 410,000 copies and was about to become the bestselling début album ever, going straight in at number one. To put this in context, Susan had managed to sell more advance copies of her CD than U2, Bruce Springsteen or Coldplay, some of the biggest names in the business. She was, quite simply, a phenomenon. There had never been anything like this before. Although reality television had produced its fair share of stars who had gone on to map out enduring careers, they were all young and all, including the boys, pretty. Susan, however, was not only knocking them all into a cocked hat, she was doing the same to established stars who appeared to have more mainstream appeal than her. It would seem that the little woman with the big voice had touched a raw nerve in audiences nationwide. SuBo had arrived and SuBo was a star.
Simon Cowell, who essentially discovered Susan on
Britain’s Got Talent
, and who had become her protector and mentor, was delighted, as well he might have been. ‘She did it her way and made a dream come true,’ he told
Sky News
. ‘I’m incredibly proud of her. The success could not have happened to a lovelier person. In
Britain’s Got Talent
, she opened her mouth and the world fell in love with her, which is why her album has been the fastest selling of any woman making her début. She’s amazing.’
Piers Morgan, another of the judges on
Britain’s Got Talent
, was equally proud of the show’s protégé. ‘I was probably one of the few people in Britain who did expect this,’ he told Sky. ‘I could tell from America in particular that she was a phenomenon. Something we’ve not seen from any talent show in the history of talent shows. The ultimate underdog, she had this amazing talent, which was never recognized, and then she took her moment. Quite an amazing story.’
It certainly was, and given the high expectations that had been placed on her shoulders, she was coping incredibly well, too. Sales were, in fact, exceeding the already high hopes of the record company. The power of Susan’s influence, whether she realized it or not, was so great it touched even the mighty Rolling Stones. In the wake of Susan’s success with their old song, they re-released ‘Wild Horses’ themselves. It seemed that everything Susan touched was turning to gold - quite an achievement for a lady with learning disabilities from an extremely sheltered background. As she rather bashfully admitted, this was her first time in New York, and while most of it was to be spent working, she hoped for a little time to look around. This wasn’t, however, her first trip to the States. From being a resolute homebody, Susan was turning into an international traveller, and her feet had barely touched the ground during the previous few months.
Her fans at the Rockefeller Center that day couldn’t get enough of her. Chanting her name, cheering her on and calling out for more, they adored her, not least because, although she was Scottish and had come to prominence on a British TV show, Susan was the American dream come true. There, in the land of the free, they believed that anyone could make something of themselves if they tried hard enough, and no one was making more of herself or trying harder than Susan Boyle. Even her unworldliness was appealing: Susan was no glamour puss, dolled up to the nines to disguise an almost total absence of talent; instead her talent, in its rawest form, was fighting its way out. Susan was both modest and extraordinary. It was a take on the Cinderella story that had rarely been seen before.
The very speed with which it was all happening, however, was beginning to bring its own problems. It was no secret that Susan was fragile, and in the aftermath of
Britain’s Got Talent
, she spent a short time in The Priory clinic, suffering from stress and, most likely, as an emotional reaction to her extraordinary fate. Now it seemed there was a danger it was happening again.
In the wake of her appearance on the
show, Susan was taken to the nearby Rock Center Café to meet some of her fans. They had a present for her, and it was quite some present: a patchwork quilt, that had been put together by an international network of admirers from twenty-eight countries, including the UK, the States, Australia, Canada, Mexico, Poland, Japan and Antarctica.
For a woman who had endured bullying, both as a child and an adult, this was the ultimate vindication: she was loved everywhere, by everyone, all over the world. Surely, this was proof, if proof were needed, that Susan’s problems were behind her and that she was about to start a new phase in her life?
A new life might have been beginning, but Susan’s problems had not, alas, disappeared. Right from the word go there had been concerns that someone as fragile as Susan might find it hard to deal with all the attention her fame brought, and according to some people, this had already turned out to be the case. Rather than chatting to her new fans, Susan became increasingly withdrawn, gazing into the distance and sucking her thumb. An aide, clearly realizing that something was wrong, came to her side, but Susan, looking visibly distressed, waved her away. Moments later, she put her head in her hands and wept.
One issue was clearly exhaustion: the New York trip marked the culmination of a whirlwind tour of the States, and she had just recorded an album. As much as anything, the poor woman was in need of a rest. To her credit, she snapped out of it pretty quickly: as soon as she realized she was being watched, Susan put on a more cheerful expression and did a little dance. But her brave face couldn’t allay fears that it was all too much, too soon.
On the other hand, some observers were adamant that the pictures were not what they seemed. Susan had put her thumb in her mouth as a joke, they said, to illustrate to onlookers that she didn’t want to behave like a baby. And for someone new to the public eye, and having to learn the tricks of the trade exceedingly fast, she simply hadn’t realized how bad the pictures would look. Certainly Susan, like almost all modern-day celebrities, was beginning to realize she couldn’t switch the attention off: she was either in the public eye or she wasn’t. And just for the moment, at least, she seemed destined to stay there.
Doubts about her fragility were not quelled fast. The people surrounding Susan, most notably the
Britain’s Got Talent
team, had become rather touchy on the subject of Susan’s mental state and whether they were right to expose Susan to the glare of the limelight and the international stage. If truth be told, their feelings were understandable: they had, after all, taken Susan from humble circumstances and turned her, to her visible delight, into an international star.
But that, they said, was the point: she didn’t want to go back to being the Susan Boyle of her pre-talent show days, and if she didn’t want to, why should they? Even so, everyone concerned realized that the thumb-sucking incident had the potential to drum up a great deal of eyebrow raising, so a damage-limitation team snapped into action. ‘She was just overjoyed and extremely touched with the reception she has had from everyone in America,’ said her spokesman, adding that she had not broken down and that legal action would be taken against anyone who said she had.
BOOK: Susan Boyle
4.84Mb size Format: txt, pdf, ePub

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