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Authors: W. G. Sebald

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now director of the entire trading division, was awarded the Gold Medal of the Ordre du Lion Royal by King Leopold himself, at a ceremony to mark the completion of the Congo railway. Korzeniowski, who travelled onward to see Marguerite Poradowska in Brussels immediately after arriving in Ostend, now saw the capital of the Kingdom of Belgium, with its ever more bombastic buildings, as a sepulchral monument erected over a hecatomb of black bodies, and all the passers-by in the streets seemed to him to bear that dark Congolese secret within them. And indeed, to this day one sees in Belgium a distinctive ugliness, dating from the time when the Congo colony was exploited without restraint and manifested in the macabre atmosphere of certain salons and the strikingly stunted growth of the population, such as one rarely comes across elsewhere. At all events, I well recall that on my first visit to Brussels in December 1964
I encountered more hunchbacks and lunatics than normally in a whole year. One evening in a bar in Rhode St Genèse I even watched a deformed billiard player who was racked with spastic contortions but who was able, when it was his turn and he had taken a moment to steady himself, to play the most difficult cannons with unerring precision. The hotel by the Bois de la Cambre where I was then lodging for a few days was so crammed with heavy mahogany furniture, all manner of African trophies, and pot plants, some of which were quite enormous, among them aspidistras, monsterae and rubber plants reaching almost to the twelve-feet-high ceiling, that even in broad daylight the interior seemed darkened with chocolate-coloured gloom. I still see quite clearly the massive, elaborately carved sideboard, on one side of which stood a glass case containing an arrangement of artificial twigs, colourful silk bows and tiny stuffed humming-birds, and on the other a conical pile of china fruit. But ever since that first visit to Brussels, the very definition of Belgian ugliness, in my eyes, has been the Lion Monument and the so-called historical memorial site of the Battle of Waterloo.

Why I went to Waterloo I no longer know. But I do remember walking from the bus stop past a bleak field and a number of ramshackle buildings to a sort of village, which consisted solely of souvenir shops and cheap restaurants. There were no visitors about on that leaden-grey day shortly before Christmas, not even the obligatory group of schoolchildren one inevitably encounters in such a place. But as if they had come to people this deserted stage, a squad of characters in Napoleonic costume suddenly appeared tramping up and down the few streets, beating drums and blowing fifes; and bringing up the rear was a slatternly, garishly made-up sutler woman pulling a curious handcart with a goose shut in a cage. For a while I watched these mummers, who seemed to be in perpetual motion, as they disappeared amongst the buildings only to re-emerge elsewhere. At length I bought a ticket for the Waterloo Panorama, housed in an immense domed rotunda, where from a raised platform in the middle one can view the battle – a favourite subject with panorama artists – in every direction. It is like being at the centre of events. On a sort of landscaped proscenium, immediately below the wooden rail amidst tree-stumps and undergrowth in the blood-stained sand, lie lifesize horses, and cut-down infantrymen, hussars and chevaux-légers, eyes rolling in pain or already extinguished. Their faces are moulded from wax but the boots, the leather belts, the weapons, the cuirasses, and the splendidly coloured uniforms, probably stuffed with eelgrass, rags and the like, are to all appearances authentic. Across this horrific three-dimensional scene, on which the cold dust of time has settled, one's gaze is drawn to the horizon, to the enormous
mural, one hundred and ten yards by twelve, painted in 1912 by the French marine artist Louis Dumontin on the inner wall of the circus-like structure. This then, I thought, as I looked round about me, is the representation of history. It requires a falsification of perspective. We, the survivors, see everything from above, see everything at once, and still we do not know how it was. The desolate field extends all around where once fifty thousand soldiers and ten thousand horses met their end within a few hours. The night after the battle, the air must have been filled with death rattles and groans. Now there is nothing but the silent brown soil. Whatever became of the corpses and mortal remains? Are they buried under the memorial? Are we standing on a mountain of death? Is that our ultimate vantage point? Does one really have the much-vaunted historical overview from such a position? Near Brighton, I was once told, not far from the coast, there are two copses that were planted after the Battle of Waterloo in remembrance of that memorable victory. One is in the shape of a Napoleonic three-cornered hat, the other in that of a Wellington boot. Naturally the outlines cannot be made out from the ground; they were intended as landmarks for latter-day balloonists. That afternoon in the rotunda I inserted a couple of coins in a slot machine to hear an account of the battle in Flemish. Of the various circumstances and vicissitudes described I understood no more than the odd phrase. De holle weg van Ohain, de Hertog van Wellington, de rook van de pruisische batterijen, tegenaanval van de nederlandse cavalerie – the fighting will have surged to and fro in waves for a long time, as is generally the case.

No clear picture emerged. Neither then nor today. Only when I had shut my eyes, I well recall, did I see a cannonball smash through a row of poplars at an angle, sending the green branches flying in tatters. And then I saw Fabrizio, Stendhal's young hero, wandering about the battlefield, pale but with his eyes aglow, and an unsaddled colonel getting to his feet and telling his sergeant: I can feel nothing but the old injury in my right hand. – Before returning to Brussels I warmed up a little in one of the restaurants. At the far end of the room, in the dim light that entered by the Belgian bulls'-eye panes, sat a hunchbacked
pensioner. She was wearing a woollen cap, a winter coat made of thick burled material, and fingerless gloves. The waitress brought her a plate with a huge piece of meat. The old woman stared at it for a while, then produced from her handbag a small, sharp knife with a wooden handle and began to cut it up. She would have been born, it occurs to me now, at about the time that the Congo railway was completed.

The first news of the nature and extent of the crimes committed against the native peoples in the course of opening up the Congo came to public attention in 1903 through Roger Casement, then British consul at Boma. In a memorandum to Foreign Secretary Lord Lansdowne, Casement – who, so Korzeniowski told a London acquaintance, could tell things that he, Korzeniowski, had long been trying to forget – gave an exact account of the utterly merciless exploitation of the blacks. They were compelled to work unpaid throughout the colony, given a bare minimum to eat, often in chain-gangs, and labouring to a set timetable from dawn to dusk till in the end they literally dropped dead. Anyone who travelled the upper reaches of the Congo and was not blinded by greed for money, wrote Casement, would behold the agony of an entire race in all its heart-rending details, a suffering that eclipsed even the most calamitous tales in the Bible. Casement made it perfectly clear that hundreds of thousands of slave labourers were being worked to death every year by their white overseers, and that mutilation, by severing hands and feet, and execution by revolver, were among the everyday punitive means of maintaining discipline in the Congo. King Leopold invited Casement to Brussels for a personal talk aimed either at defusing the tension created by Casement's
intervention or at assessing the threat his activities posed to the Belgian colonial enterprise. Leopold explained that he considered the work done by the blacks as a perfectly legitimate alternative to the payment of taxes, and if the white supervisory personnel at times went too far, as he did not deny, it was due to the fact that the climate of the Congo triggered a kind of dementia in the brains of some whites, which unfortunately it was not always possible to prevent in time, a fact which was regrettable but could hardly be changed. Since Casement's views could not be altered with arguments of this kind, Leopold availed himself of his royal privilege in London, as a result of which, with a certain duplicity, Casement was on the one hand praised for his exemplary report and awarded the CMG, while on the other hand nothing was done that might have had an adverse effect on Belgian interests. When Casement was transferred to South America some years later, probably with the ulterior motive of getting his troublesome person out of the way for a while, he exposed conditions in the jungle areas of Peru, Colombia and Brazil that resembled those in the Congo in many respects, with the difference that here the controlling agent was not Belgian trading associations but the Amazon Company, the head office of which was in the city of London. In South America too, whole tribes were being wiped out at that time and entire regions burnt to the ground. Casement's report, and his unconditional partisanship for the victims and those who had no rights, undoubtedly earned him a certain respect at the Foreign Office, but at the same time many of the top-ranking officials shook their heads at what seemed to them a quixotic zeal incompatible with the professional advancement of otherwise so promising an envoy. They
tried to deal with the matter by knighting Casement, in express recognition of his services to the oppressed peoples of the earth. But Casement was not prepared to switch to the side of the powerful; quite the contrary, he was increasingly preoccupied with the nature and origin of that power and the imperialist mentality that resulted from it. It was only to be expected that in due course he should hit upon the Irish question – that is to say, his own. Casement had grown up in County Antrim, the son of a Protestant father and a Catholic mother, and by education and upbringing he was predestined to be one of those whose mission in life was the upholding of English rule in Ireland. In the years leading up to the First World War, when the Irish question was becoming acute, Casement espoused the cause of “the white Indians of Ireland”. The injustice which had been borne by the Irish for centuries increasingly filled his consciousness. He could not rid his thoughts of the fact that almost half the population of Ireland had been murdered by Cromwell's soldiers, that thousands of men and women were later sent as white slaves to the West Indies, that in recent times more than a million Irish had died of starvation, and that the majority of the young generation were still forced to emigrate from their native land. The moment of decision for Casement came in 1914 when the Home Rule programme proposed by the Liberal government to solve the Irish problem was defeated by the fanatical resistance of Ulster Protestants with the support, both open and covert, of various English interest groups. We will not shrink from Ulster's resistance to Home Rule for Ireland, even if the British Commonwealth is convulsed declared Frederick Smith, one of the leading representatives of the Protestant minority whose
so-called loyalism consisted in their willingness to defend their privileges against government troops by force of arms if necessary. The hundred-thousand-strong Ulster Volunteers were founded. In the south, too, an army of volunteers was raised. Casement took part in the recruiting drive and helped equip the contingents. He returned his decoration to London, and refused the pension he had been offered. In early 1915 he travelled to Berlin on a secret mission, to urge the government of the German Reich to supply arms to the Irish army of liberation and persuade Irish prisoners of war in Germany to form an Irish brigade. In both endeavours Casement was unsuccessful, and he was returned to Ireland by a German submarine. Deadly tired and chilled to the bone by the icy water, he waded ashore in the bay of Banna Strand near Tralee. He was now fifty-one: his arrest was imminent.

BOOK: The Rings of Saturn
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