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Authors: Hanya Yanagihara

Tags: #Literature & Fiction, #Contemporary, #Contemporary Fiction, #Literary

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14
It is difficult to overstate Gregory Smythe’s influence and importance to the scientific community in the 1940s and ’50s. Until his theories fell out of favor, Smythe was one of the rare scientists to gain popular appeal and acclaim;
Time
magazine even featured a drawing of him on the cover of its April 18, 1949, issue with the headline “Harvard University’s Gregory Smythe: ‘We could see the end of cancer in our lifetime.’ ”

15
Norton is being a little sarcastic here. Several cancers
are
in fact highly associated with viral infections (most notably, human papillomavirus and hepatitis B and C); what he mocks here is Smythe’s insistence that
all
cancers can be directly attributed to viral infections.

16
After his work was discredited, Smythe fell into disgrace, but it is difficult not to hold him at least partly responsible for his humiliation. Smythe had a reputation for arrogance and had many enemies within the academic world; when the tide began to turn against him, he fought back and insulted his critics instead of simply allowing himself to step into the more dignified shadows of obscurity. Because Smythe was a tenured professor, he remained at Harvard until his death in 1979 of—ironically—liver cancer, although he was less and less present and was placed on what amounted to permanent probation in 1968.
   As Norton suspected, Smythe did in fact have a family—a wife and two daughters. Interestingly, it is they, not he, who remain well known today in countercultural circles for leading a small but influential Weather Underground–like feminist group that they founded in 1967. Norton probably had dinner at Smythe’s house shortly after his wife, a poet named Alice Reeve, left him with their children to flee to Canada with her lover, a poetry professor at Radcliffe named Stella Janovic. But that is the stuff of another story.

17
One of the great surgeons and biologists of his time, Adolphus Gustav Sereny (1896–1974) was among the more renowned scientists on the faculty at Harvard Medical School while Perina was a student there. He and Perina would go on to have a fruitful but ultimately contentious relationship, which is addressed later in this narrative.

18
The contact was actually secondhand; one of Tallent’s colleagues at Stanford, not Tallent himself, was friendly with Smythe.

19
Now Kiribati.

20
This popularly accepted myth is probably a conflation of two facts: first, all U’ivuan boys are given a spear upon their fourteenth birthday; second, the first king of the islands, King Ulolo the Powerful—who unified many of the various tribes scattered among the archipelago in approximately A.D. 1645; his work was eventually completed by King Vaka I more than a century later—was said to have killed a wild boar barehanded before his fourteenth birthday. Since then the boar has occupied a central place in U’ivuan life; although it is a treasured hunting companion and a symbol of the culture’s ferocity to the outside world, killing or taming one is also considered a significant accomplishment and proof of the warrior’s strength and bravery. The fundamentally paradoxical nature of the beast’s place in society—both friend and challenge—is not a contradiction that seems ever to have troubled the U’ivuans.

PART III. THE DREAMERS

I
.

June was a month unlike any I had experienced, and at the end of each of its days I would go to bed early, if only so I could think for a few minutes about all that I had seen and felt. As it happened, I had skipped my graduation and departed for Hawaii two weeks before I was to meet Tallent. My last night in Cambridge (which even before I left was vanishing from my memory, as cleanly and swiftly as salt in hot water), Owen had come up from New Haven to see me. Our goodbyes had been unsatisfying—he was brusque and seemed obscurely angry with me—but he did agree to keep for me some things (books, papers, my winter coat, heavy as a corpse) that I wouldn’t need on my travels. We agreed to write to each other, but I could tell from his expression that he was as dubious about that ever happening as I was. It was only after we had shaken hands and he had left with a trunk packed with my things to catch the last train back that I thought about what my life would be like so far away from Owen; it was true that we spoke less and less as we grew older (a detachment that seemed as inevitable as it was mysterious), but he was the only one who knew me, who retained memories of me from each year of my life, because it had been half his life as well. But this regret too quickly dissipated, so eager was I to begin my new existence—it was easy then to believe that my life until this point had been only a long, tedious rehearsal, a thing to be impatiently endured and withstood: a simulacrum of a life, not a life itself.

I had a train ticket to California, and from there I took a ship to Hawaii. In those days, Honolulu was still very much a quiet colonial
outpost, with all the attendant flourishes and clichés, and as the boat pulled into harbor, you could see on the dock groups of fat, jolly musicians plucking their plinky songs on their ukuleles, and barefooted boys, half Asian and half something else, smiling and begging for the disembarking passengers to throw them pennies.

It had been arranged that I would stay in a dormitory room at the local university, but because I had arrived earlier than anticipated, the building was fully occupied, and no bed was available until the next evening. And so that first night, after storing my luggage at the dormitory, I took a taxi to the edge of Waikiki, where I walked to Diamond Head on the sand, one beach giving way to the next. Beyond me I could sometimes hear the sounds of bars: groups of men laughing at something, the chingy-changy music. I stood periodically and listened to the dry palm fronds chattering against one another like bones, and to the ocean, its remorseless, lonely conversation with itself, a sound that—though I did not know it at the time—I would not hear again for months to come. I walked with the moon above me, which here seemed to glow whiter and rounder and brighter than it had in Boston, and when I grew tired, I lay under a tree and slept, as I had seen other shadowy forms doing as I made my slow way across the sand.

The next day I ventured to the city’s downtown district, past its pretty colonial buildings. The grandest thing I saw, though, was not a structure, not even the humble, squat palace once occupied by the humble, squat queen, but instead the trees outside it: ancient shower trees, their leaves peachy petals that swirled about them in snowy, gentle cyclones. In Chinatown, I walked around the frayed shapes of sleeping men, the soles of their feet black and crisscrossed with channels and cuts, until I found a bar with an open door. It was not a good place, this Chinatown, with its sad saloon-shuttered buildings out of whose dark interiors poor jazz seeped like poison. But the sun was hotter than I had anticipated, and I was very thirsty.

The bartender was so flat-faced it appeared as if someone had held each of his ears and pulled in either direction, and so sun-darkened that his skin had become glossed and smooth, like a chicken that has been broiled in butter for too long. He was Chinese, I guessed, or at least some sort of Oriental, for his eyes were hooded and narrow, although his black hair was wavy and coarse. I ordered a glass
of seltzer, and he watched as I gulped it down. “Where you from?” he asked finally.

“Boston,” I said. I noticed he was missing his left thumb, although he was able to move the stump back and forth, which he did rather expressively, like a dog would its bobbed tail.

He was unimpressed by this information, but there was no one else in the bar for him to speak with, and when I finished my glass, he refilled it without my asking. “How long you here?” he asked.

“Not long,” I said. Now that I had had something to drink, I was able to concentrate on the room, which was low-ceilinged and dark and lacquered, the wooden counter sticky from years of smoke and spilled liquor and cooking grease. “I’m on my way to U’ivu.”

To my surprise, he nodded when I mentioned U’ivu, and when I asked him what he knew, he laughed and said, “Good hunters. Boars.” He refilled my glass again. “Scary.” It was unclear whether he meant the people or the boars. Then, almost gently, “They are very violent there.” I waited for him to say more, but he had begun to hum a meandering, wistful tune, strangely moving in the ugliness of the bar, and when it became clear that he would say no more, I finished my drink and paid and walked back out into the sunshine.

I passed a few more days like this, taking taxis to various beaches on the island, marveling at how they first appeared to be uniformly, indistinguishably lovely but eventually revealed themselves particular and distinct: one had sand so fine that even after beating out my shirt and pants, I still found myself dusting it from my clothes and shaking it from my hair the next day; another was booby-trapped with tiny, unseen pinecones dropped by the fringe of gawky, shaggy ironwood trees that edged the beachfront, so that each step contained a small, unavoidable pain; another had sand the color and texture of wet, raw sugar, making it sludgy and sticky to the touch. One afternoon I went to the library downtown, where the librarian helped me find an old, cloth-covered book on U’ivu. It turned out to be a picture book, a Hawaiian-language primer published by the Honolulu Missionary Academy in 1871, each page containing a simple woodcut and a few lines of text. Because it was in Hawaiian, I could not read it, but the pictures—a boar, its eyes beady and black, its tusks as extravagantly curled as an old-fashioned handlebar mustache; the king, smiling and fat and shirtless, clutching what looked
like a long feather duster; a knobby torpedo I took to be a sweet potato—made it seem once again more, not less, fantastic, a place that indeed existed only in children’s stories.

And then finally it was the day I was to meet Tallent. He had sent a telegram to the hall where I was staying at the university, informing me of his arrival time and suggesting that we meet in the lounge area at six p.m.; we would leave the next morning at eight. The flight to the Gilbert Islands would take nine hours, followed by another three-hour-long transfer to U’ivu.

I was nervous before meeting Tallent, uncomfortably so; I was not usually anxious about meeting people, and after all, I had been requested, I was a doctor, I was (I told myself) essential to his operation. Yet this was a false sort of confidence, because as I was aware but unable to admit, it was Tallent who had allowed me to even dream of this adventure, and without him I would be back in Boston, jobless, grounded, scrabbling for a second-rate internship at a third-rate hospital. Shortly before six I got dressed (I had even brought a suit, one of the first things I would later discard) and went down to the lounge, which had cool cement floors and two orange-cushioned bamboo sofas separated by a dirty woven-palm mat.

There was already someone sitting there, bent over a book, and as I walked toward him, he looked up.

There is really no satisfying or new way to describe beauty, and besides, I find it embarrassing to do so. So I will say only that he was beautiful, and that I found myself suddenly shy, unsure even of how to address him—Paul? Tallent? Professor Tallent? (Surely not!) Beautiful people make even those of us who proudly consider ourselves unmoved by another’s appearance dumb with admiration and fear and delight, and struck by the profound, enervating awareness of how inadequate we are, how nothing, not intelligence or education or money, can usurp or overpower or deny beauty. As the months I spent in Tallent’s presence dragged by, I would alternately be tortured by and find solace in his beauty, and would find myself by turns surrendering to it, enjoying my proximity to it, and, less happily, trying to argue against it, as fruitless and pointless an activity as trying to convince yourself that sugar is sour.

“I’m Paul Tallent,” said Tallent, unnecessarily, as I gaped at him. I mumbled a hello. We shook hands. “So you landed all right,
I see.” I made a grunting noise. We were standing at the edge of the filthy mat, Tallent an inch or two taller than I. I stared at my shoes. “You’re ready to go, then,” he continued. I nodded. “Well, I’m very happy to have you on this mission,” he said. He had a particular way of talking, I noticed—there were no question marks in his sentences, no exclamation points, and yet his voice was not toneless but rather shaded and rich and somehow substantial, something that conjured a dense forest of variegated trees, all lush and stately and grand. It was a voice that betrayed nothing—not approval, not happiness, not fear or anger—but that might make you crazy with its promise of mysteries. I wanted to hear him speak some more, but I was also afraid to ask him anything, was suddenly unable to say anything at all. “Well,” said Tallent at last, no doubt worried by my monosyllabism, “I’ll see you tomorrow morning.”

At that moment I realized what I could have said to him—“Would you like to have some dinner?”—but he had already walked away, of course, and I was left standing there on my own.

BOOK: The People in the Trees
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