The Miracles of Santo Fico
This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
Copyright © 2003 by Dennis Smith
All rights reserved.
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First eBook Edition: September 2007
ISBN: 978-0-446-51050-9
Contents
For Dorothy
This is only a partial list of the people I would like to thank. Unfortunately to acknowledge all of the dear friends, family members, and colleagues who have encouraged my efforts over the years would require an additional chapter.
I want to thank Susan Amey for bringing that little newspaper article into class (and consequently getting this whole thing started in the first place). I want to thank Joanna Steinman and Victoria King for their encouragement, and Marieke Gaboury for her generous spirit. I want to thank Harvey-Jane Kowal for her Italian expertise and my remarkable copy editor, the amazing Fred Chase. I especially want to thank my brother David for his tireless efforts, his discerning eye, and his unflagging sense of humor.
I want to thank my wonderful agent, Liv Blumer, for her wise council and patience—and for inviting me along on this astonishing ride. I want to thank Susan Sandler for her literary wisdom and her steadfast optimism whenever I became discouraged. I want to thank my editor and friend at Warner Books, Caryn Karmatz Rudy, for her gentle yet determined hand, her vision, and her amazing serenity.
And I would like to thank my wife, Dorothy, for her days of diligent proofing and her months of encouragement and years of good humor. And finally, to her and to our sons, Matthew and Daniel— thank you for your inflexible faith, for being in my life, and for being exactly who you are.
S
leep was the enemy. The old man knew that. The heat was merely its accomplice and these scorching days of August were particularly dangerous. He rebuked the little voice whispering in his ear that it would be all right to lean his head against the cool stone wall of his closet for just a moment. But the little voice insisted that a quick rest of the eyes might even help him to concentrate on Maria Gamboni’s moans droning from the other side of the black lace netting.
The old man thought of all the years he had been hearing this particular confession and his mind couldn’t help but wander to how many atonements this poor woman must have uttered over the years. Years became numbers that rolled around in his head like marbles in a bowl, brushing against his fingertips, always just out of reach, or a bit too slippery to grasp—and again the little voice suggested that maybe he would feel better if he just rested his eyes for a moment. Soon Maria Gamboni’s muffled voice droned into some vague distance as the familiar blanket of heat and darkness folded over him and he wondered if this pleasant sinking feeling was what death was like. How fitting it would be to die in this little closet, he thought, while Maria Gamboni chants her sins next door. How appropriate.
Only when his white head finally plopped and his neck snapped forward and his skull conked against the hard stone did the old priest jerk upright.
“Oh, my goodness,” Father Elio Caproni mumbled as he tried to stretch his aching limbs, but there wasn’t enough room in the cramped compartment. He sternly rubbed his craggy face with both hands in an effort to focus on his task. Sweat poured down his forehead, stinging his eyes, and that helped a bit. He tugged at his soiled white collar in an attempt to capture more air, but it did no good. How could anything as old and frayed as that collar be so stifling? He recalled his childhood daydreams of wearing the white collar. It never occurred to him, back then, that being a priest could ever be a bad thing. That came later. It wasn’t until he was a young man of twenty-two returning home from Bologna, wearing the stiff white collar for the first time and for all the town to see, that he realized he had made a horrible mistake. Everyone was so proud of him that day, and yet he was so ashamed. God knew his lie. He swore that day to devote his life to serving his neighbors as the priest of the Church of Santo Fico. If he did that, he thought, God would have to forgive him for his terrible sin.
Now, Father Elio had been Santo Fico’s priest for as long as anyone could remember, including Father Elio. For fifty years he kept his secret and devoted himself to his promise as he waited for some sign that God had forgiven him. But nowadays his faith was worn as thin as his frayed collar, and his heart felt as dry as that fountain in the center of the piazza. These days, if he dreamed at all it was no longer in hopes of a sign—these days he usually dreamed simply of an ending.
On the other side of the black veil, Maria Gamboni whined, “. . . and heaven knows that I deserve whatever punishment God chooses to inflict on me, because He knows all of my wicked sins against my beloved Enrico— God rest his soul if he be truly dead . . .”
It wasn’t difficult for Father Elio to find his place. He had been listening to this same confession at least once a week for almost thirty years and he not only managed to catch up, but even inserted a comforting “There, there . . .” right on cue. At least he hadn’t fallen completely asleep and snored like last Thursday.
It had been almost thirty years ago that Maria’s husband, Enrico Gamboni, had disappeared. One spring morning he walked down the steep cliff road leading southeast out of Santo Fico to catch the bus into Grosseto, where he was going to buy a new rebuilt oil pump for the engine of his fishing trawler. He was never seen again. The police combed the streets of Grosseto for weeks, but they never found a clue as to what happened.
Maria, on the other hand, knew exactly what had happened. She had driven the poor man away—probably to his death. Since the day Enrico disappeared she knew that God was punishing her for being a disagreeable wife. And Father Elio had to acknowledge that there might be some truth in this.
“. . . And Father, I swear,” Maria Gamboni whispered as if she were revealing a black secret, “sometimes I feel like if God were to ask me if I should live, I would just say, ‘No. Come ahead and take me.’ That’s what I would say. I would just say, ‘Come ahead.’ Is that a terrible sin? . . .”
Father Elio was prepared to answer, but he knew it wasn’t necessary. Maria wasn’t interested in replies.
“. . . I ask God to forgive those thoughts. But sometimes I wonder if God even hears me. Sometimes I think I should go to a big church in Siena and light a candle, because Santo Fico is so small I feel like my prayers get lost. No one ever comes here anymore; sometimes I wonder if God does. I know it’s a terrible sin to say that, but I can’t help it . . .”
Father Elio leaned against the cool stones and smiled. Maria Gamboni was not the first resident of Santo Fico to feel the frustration of insignificance. He recalled another confession along those lines—actually, it wasn’t really a confession, not in any priestly sense. This confession was some years ago now and was actually more of an owning up to the truth. The disclosure slipped out quite accidentally over lunch one afternoon, when his niece Marta Caproni Fortino finally admitted the actual facts concerning Santo Fico’s wonderful summer of miraculous arrivals.
Father Elio enjoyed recalling the days when Marta was young and carefree, part of a band of four that had a rare and special fellowship, one that transcended blood ties. There were Leo Pizzola and Franco Fortino—closer than brothers and rivals in everything, they seemed determined to set the world ablaze together. And then there was nervous little Guido Pasolini—Topo, or little mouse, as they called him—whose devotion to his friends made him everyone’s Sancho Panza. And at the center of this golden circle was his beautiful niece Marta, younger than the others, but still wiser and stronger than her years. These four shared a bond that lasted . . . perhaps, lasted too long. The old man sighed. He didn’t want to think about that part right now.
He could still see Marta’s earnest expression as she explained, trying unsuccessfully to sound repentant. It seems that the four friends had been lolling about the church’s bell tower one hot afternoon, fighting off the summer doldrums by inventing ways of getting enough money to escape Santo Fico. According to Marta, it had been Franco who first suggested that Follonica and Punta Ala had the right idea.
“Tourists!” cried Franco. “Santo Fico should do something to bring in tourists.”
Marta swore that she wasn’t trying to encourage anything illegal when she pointed out that “those other towns have certain things that tourists want—attractions!”
“But Santo Fico’s got attractions!” Leo almost whispered. “The Miracle and the Mystery are attractions and I’ll bet tourists would even pay to see them.”
Well, some things are so incredibly obvious that one wonders how they stay undiscovered for so long, and as Leo unfolded his clever scheme the others could only stare at him slack-jawed. Finally Marta (according to her, the only determined voice of reason) pointed out that they also lacked another basic ingredient—advertisements! Those other places had highway signs to entice passing travelers.
She was right. After a long collective silence it was a dejected little Topo who sighed, almost to himself, “It’s not fair . . . We should just go out to that highway and change those stupid signs!”
Marta assured her uncle that no one ever spoke anything out loud, but Leo’s and Franco’s eyes grew wide and the power of their silent resolve and the danger of such a wild plot frightened Marta and Topo. In fact, Topo suddenly remembered he was supposed to help his father with something. Within seconds he was gone. Marta also remembered certain nonspecific chores and quickly disappeared—but not before this ten-year-old girl had given both boys a stern lecture on the law and sin.
Leo and Franco brought their scheme to Father Elio. The two twelve-year-old boys sat with him in his kitchen and solemnly explained to him all the virtues of telling tourists the stories of the Miracle and the Mystery. Of course, he gave them permission to bring guests into the church—after all, they were his altar boys. But he warned them, “Don’t get your hopes up, boys. If anyone comes to Santo Fico, it will be a miracle!”
Imagine his amazement when the very next day two carloads of travelers on their way south to Riva del Sole suddenly found themselves in the piazza of Santo Fico by mistake. Father Elio was so proud of the way Franco seized the moment to convince the confused travelers to have lunch in the hotel across the piazza and then allow his good friend, “Leo, the Altar Boy,” to show them “the Miracle and the Mystery of Santo Fico.”
By the end of the first week, a half-dozen automobiles and a few small buses had unexpectedly found themselves in Santo Fico’s dusty piazza. Father Elio had to admit he might have investigated this marvel with more vigor, but there was something so wonderful about the way Leo told those stories. Day after day, he found himself sitting with the pilgrims—who donated surprising amounts of money to the boys—listening to Leo’s wonderful tales.
All that summer the procession of tourists continued and the boys always gave a share to the church. It was a happy arrangement for all. Until one day in the fall, the carloads and buses of bewildered tourists who thought they were headed for Piombino or Orbetello or Punta Ala suddenly stopped arriving in Santo Fico. Father Elio remembered when the man from the government drove into town, stopped his car in front of the hotel, and stomped inside. A lot of yelling was heard from within the hotel before the man from the government stomped back out to his car and roared out of town.
It seems that someone had gone out to the highway and changed a bunch of the signs. Travelers en route to a particular destination suddenly found themselves in the center of Santo Fico. It occurred to the man from the government, whose job it was to fix all of those signs, that the most likely candidate for this dastardly act was the owner of the only restaurant in town. It was later learned that he had threatened Father Elio’s brother, Young Giuseppe Caproni, with jail if there was ever again any funny business with the signs. For his part, Young Giuseppe threatened the man from the government with immediate emasculation if he ever entered his hotel again . . .