The Message Remix (165 page)

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Authors: Eugene H. Peterson

BOOK: The Message Remix
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“Have you ever gotten to the true bottom of things,
explored the labyrinthine caves of deep ocean?
Do you know the first thing about death?
Do you have one clue regarding death’s dark mysteries?
And do you have any idea how large this earth is?
Speak up if you have even the beginning of an answer.
“Do you know where Light comes from
and where Darkness lives
So you can take them by the hand
and lead them home when they get lost?
Why, of
course
you know that.
You’ve known them all your life,
grown up in the same neighborhood with them!
“Have you ever traveled to where snow is made,
seen the vault where hail is stockpiled,
The arsenals of hail and snow that I keep in readiness
for times of trouble and battle and war?
Can you find your way to where lightning is launched,
or to the place from which the wind blows?
Who do you suppose carves canyons
for the downpours of rain, and charts
the route of thunderstorms
That bring water to unvisited fields,
deserts no one ever lays eyes on,
Drenching the useless wastelands
so they’re carpeted with wildflowers and grass?
And who do you think is the father of rain and dew,
the mother of ice and frost?
You don’t for a minute imagine
these marvels of weather just happen, do you?
 
“Can you catch the eye of the beautiful Pleiades sisters,
or distract Orion from his hunt?
Can you get Venus to look your way,
or get the Great Bear and her cubs to come out and play?
Do you know the first thing about the sky’s constellations
and how they affect things on Earth?
“Can you get the attention of the clouds,
and commission a shower of rain?
Can you take charge of the lightning bolts
and have them report to you for orders?
What Do You Have to Say for Yourself?
 
“Who do you think gave weather-wisdom to the ibis,
and storm-savvy to the rooster?
Does anyone know enough to number all the clouds
or tip over the rain barrels of heaven
When the earth is cracked and dry,
the ground baked hard as a brick?
“Can you teach the lioness to stalk her prey
and satisfy the appetite of her cubs
As they crouch in their den,
waiting hungrily in their cave?
And who sets out food for the ravens
when their young cry to God,
fluttering about because they have no food?”
 
039
“Do you know the month when mountain goats give birth? Have you ever watched a doe bear her fawn? Do you know how many months she is pregnant?
Do you know the season of her delivery,
when she crouches down and drops her offspring?
Her young ones flourish and are soon on their own;
they leave and don’t come back.
“Who do you think set the wild donkey free,
opened the corral gates and let him go?
I gave him the whole wilderness to roam in,
the rolling plains and wide-open places.
He laughs at his city cousins, who are harnessed and harried.
He’s oblivious to the cries of teamsters.
He grazes freely through the hills,
nibbling anything that’s green.
“Will the wild buffalo condescend to serve you,
volunteer to spend the night in your barn?
Can you imagine hitching your plow to a buffalo
and getting him to till your fields?
He’s hugely strong, yes, but could you trust him,
would you dare turn the job over to him?
You wouldn’t for a minute depend on him, would you,
to do what you said when you said it?
 
“The ostrich flaps her wings futilely—
all those beautiful feathers, but useless!
She lays her eggs on the hard ground,
leaves them there in the dirt, exposed to the weather,
Not caring that they might get stepped on and cracked
or trampled by some wild animal.
She’s negligent with her young, as if they weren’t even hers.
She cares nothing about anything.
She wasn’t created very smart, that’s for sure,
wasn’t given her share of good sense.
But when she runs, oh, how she runs,
laughing, leaving horse and rider in the dust.
“Are you the one who gave the horse his prowess
and adorned him with a shimmering mane?
Did you create him to prance proudly
and strike terror with his royal snorts?
He paws the ground fiercely, eager and spirited,
then charges into the fray.
He laughs at danger, fearless,
doesn’t shy away from the sword.
The banging and clanging
of quiver and lance don’t faze him.
He quivers with excitement, and at the trumpet blast
races off at a gallop.
At the sound of the trumpet he neighs mightily,
smelling the excitement of battle from a long way off,
catching the rolling thunder of the war cries.
“Was it through your know-how that the hawk learned to fly,
soaring effortlessly on thermal updrafts?
Did you command the eagle’s flight,
and teach her to build her nest in the heights,
Perfectly at home on the high cliff face,
invulnerable on pinnacle and crag?
From her perch she searches for prey,
spies it at a great distance.
Her young gorge themselves on carrion;
wherever there’s a roadkill, you’ll see her circling.”
 
040
GOD then confronted Job directly: “Now what do you have to say for yourself?
Are you going to haul me, the Mighty One, into court and press charges?”
JOB ANSWERS GOD
 
I’m Ready to Shut Up and Listen
 
Job answered:
“I’m speechless, in awe—words fail me.
I should never have opened my mouth!
I’ve talked too much, way too much.
I’m ready to shut up and listen.”
GOD’S SECOND SET OF QUESTIONS
 
I Want Straight Answers
 
GOD addressed Job next from the eye of the storm, and this is what he said:
 
“I have some more questions for you,
and I want straight answers.
 
“Do you presume to tell me what I’m doing wrong?
Are you calling me a sinner so you can be a saint?
Do you have an arm like my arm?
Can you shout in thunder the way I can?
Go ahead, show your stuff.
Let’s see what you’re made of, what you can do.
Unleash your outrage.
Target the arrogant and lay them flat.
Target the arrogant and bring them to their knees.
Stop the wicked in their tracks—make mincemeat of them!
Dig a mass grave and dump them in it—
faceless corpses in an unmarked grave.
I’ll gladly step aside and hand things over to you—
you can surely save yourself with no help from me!
“Look at the land beast, Behemoth. I created him as well as you.
Grazing on grass, docile as a cow—
Just look at the strength of his back,
the powerful muscles of his belly.
His tail sways like a cedar in the wind;
his huge legs are like beech trees.
His skeleton is made of steel,
every bone in his body hard as steel.
Most magnificent of all my creatures,
but I still lead him around like a lamb!
The grass-covered hills serve him meals,
while field mice frolic in his shadow.
He takes afternoon naps under shade trees,
cools himself in the reedy swamps,
Lazily cool in the leafy shadows
as the breeze moves through the willows.
And when the river rages he doesn’t budge,
stolid and unperturbed even when the Jordan goes wild.
But you’d never want him for a pet—
you’d never be able to housebreak him!”
I Run This Universe
 
041
“Or can you pull in the sea beast, Leviathan, with a fly rod and stuff him in your creel?
Can you lasso him with a rope,
or snag him with an anchor?
Will he beg you over and over for mercy,
or flatter you with flowery speech?
Will he apply for a job with you
to run errands and serve you the rest of your life?
Will you play with him as if he were a pet goldfish?
Will you make him the mascot of the neighborhood children?
Will you put him on display in the market
and have shoppers haggle over the price?
Could you shoot him full of arrows like a pin cushion,
or drive harpoons into his huge head?
If you so much as lay a hand on him,
you won’t live to tell the story.
What hope would you have with such a creature?
Why, one look at him would do you in!
If you can’t hold your own against his glowering visage,
how, then, do you expect to stand up to me?
Who could confront me and get by with it?
I’m
in charge
of all this—I
run
this universe!
 
“But I’ve more to say about Leviathan, the sea beast,
his enormous bulk, his beautiful shape.
Who would even dream of piercing that tough skin
or putting those jaws into bit and bridle?
And who would dare knock at the door of his mouth
filled with row upon row of fierce teeth?
His pride is invincible;
nothing can make a dent in that pride.
Nothing can get through that proud skin—
impervious to weapons and weather,
The thickest and toughest of hides,
impenetrable!
 
“He snorts and the world lights up with fire,
he blinks and the dawn breaks.
Comets pour out of his mouth,
fireworks arc and branch.
Smoke erupts from his nostrils
like steam from a boiling pot.
He blows and fires blaze;
flames of fire stream from his mouth.
All muscle he is—sheer and seamless muscle.
To meet him is to dance with death.
Sinewy and lithe,
there’s not a soft spot in his entire body—
As tough inside as out,
rock-hard, invulnerable.
Even angels run for cover when he surfaces,
cowering before his tail-thrashing turbulence.
Javelins bounce harmlessly off his hide,
harpoons ricochet wildly.
Iron bars are so much straw to him,
bronze weapons beneath notice.
Arrows don’t even make him blink;
bullets make no more impression than raindrops.
A battle ax is nothing but a splinter of kindling;
he treats a brandished harpoon as a joke.
His belly is armor-plated, inexorable—
unstoppable as a barge.
He roils deep ocean the way you’d boil water,
he whips the sea like you’d whip an egg into batter.
With a luminous trail stretching out behind him,
you might think Ocean had grown a gray beard!
There’s nothing on this earth quite like him,
not an ounce of fear in
that
creature!
He surveys all the high and mighty—
king of the ocean, king of the deep!”
JOB WORSHIPS GOD
 
I Babbled On About Things Far Beyond Me
 
042
Job answered GOD:
“I’m convinced: You can do anything and everything.
Nothing and no one can upset your plans.
You asked, ‘Who is this muddying the water,
ignorantly confusing the issue, second-guessing my purposes?’
I admit it. I was the one. I babbled on about things far beyond me,
made small talk about wonders way over my head.
You told me, ‘Listen, and let me do the talking.
Let me ask the questions.
You
give the answers.’
I admit I once lived by rumors of you;
now I have it all firsthand—from my own eyes and ears!
I’m sorry—forgive me. I’ll never do that again, I promise!
I’ll never again live on crusts of hearsay, crumbs of rumor.”
GOD RESTORES JOB
 
I Will Accept His Prayer
 
After GOD had finished addressing Job, he turned to Eliphaz the Temanite and said, “I’ve had it with you and your two friends. I’m fed up! You haven’t been honest either with me or about me—not the way my friend Job has. So here’s what you must do. Take seven bulls and seven rams, and go to my friend Job. Sacrifice a burnt offering on your own behalf. My friend Job will pray for you, and I will accept his prayer. He will ask me not to treat you as you deserve for talking nonsense about me, and for not being honest with me, as he has.”
They did it. Eliphaz the Temanite, Bildad the Shuhite, and Zophar the Naamathite did what GOD commanded. And GOD accepted Job’s prayer.
After Job had interceded for his friends, GOD restored his fortune—and then doubled it! All his brothers and sisters and friends came to his house and celebrated. They told him how sorry they were, and consoled him for all the trouble GOD had brought him. Each of them brought generous housewarming gifts.
GOD blessed Job’s later life even more than his earlier life. He ended up with fourteen thousand sheep, six thousand camels, one thousand teams of oxen, and one thousand donkeys. He also had seven sons and three daughters. He named the first daughter Dove, the second, Cinnamon, and the third, Darkeyes. There was not a woman in that country as beautiful as Job’s daughters. Their father treated them as equals with their brothers, providing the same inheritance.
Job lived on another 140 years, living to see his children and grandchildren—four generations of them! Then he died—an old man, a full life.
INTRODUCTION PSALMS
 
Most Christians for most of the Christian centuries have learned to pray by praying the Psalms
. The Hebrews, with several centuries of a head start on us in matters of prayer and worship, provided us with this prayer book
that gives us a language adequate for responding to the God who speaks to us.
The stimulus to paraphrase the Psalms into a contemporary idiom comes from my lifetime of work as a pastor. As a pastor I was charged with, among other things, teaching people to pray, helping them to give voice to the entire experience of being human, and to do it both honestly and thoroughly. I found that it was not as easy as I expected. Getting started is easy enough. The impulse to pray is deep within us, at the very center of our created being, and so practically anything will do to get us started—“Help” and “Thanks!” are our basic prayers. But honesty and thoroughness don’t come quite as spontaneously.
Faced with the prospect of conversation with a holy God who speaks worlds into being, it is not surprising that we have trouble. We feel awkward and out of place: “I’m not good enough for this. I’ll wait until I clean up my act and prove that I am a decent person.” Or we excuse ourselves on the grounds that our vocabulary is inadequate: “Give me a few months—or years!—to practice prayers that are polished enough for such a sacred meeting. Then I won’t feel so stuttery and ill at ease.”
My usual response when presented with these difficulties is to put the Psalms in a person’s hand and say, “Go home and pray these. You’ve got wrong ideas about prayer; the praying you find in these Psalms will dispel the wrong ideas and introduce you to the real thing.” A common response of those who do what I ask is surprise—they don’t expect this kind of thing in the Bible. And then I express surprise at their surprise: “Did you think these would be the prayers of
nice
people? Did you think the psalmists’ language would be polished and polite?”
Untutored, we tend to think that prayer is what good people do when they are doing their best. It is not. Inexperienced, we suppose that there must be an “insider” language that must be acquired before God takes us seriously in our prayer. There is not. Prayer is elemental, not advanced, language. It is the means by which our language becomes honest, true, and personal in response to God. It is the means by which we get everything in our lives out in the open before God.
But even with the Psalms in their hands and my pastoral encouragement, people often tell me that they still don’t get it. In English translation, the Psalms often sound smooth and polished, sonorous with Elizabethan rhythms and diction. As literature, they are beyond compare. But as
prayer
, as the utterances of men and women passionate for God in moments of anger and praise and lament, these translations miss something.
Grammatically
, they are accurate. The scholarship undergirding the translations is superb and devout. But as
prayers
they are not quite right. The Psalms in Hebrew are earthy and rough. They are not genteel. They are not the prayers of nice people, couched in cultured language.
And so in my pastoral work of teaching people to pray, I started paraphrasing the Psalms into the rhythms and idiom of contemporary English. I wanted to provide men and women access to the immense range and the terrific energies of prayer in the kind of language that is most immediate to them, which also happens to be the language in which these psalm prayers were first expressed and written by David and his successors.
I continue to want to do that, convinced that only as we develop raw honesty and detailed thoroughness in our praying do we become whole, truly human in Jesus Christ, who also prayed the Psalms.
 
 
From:
The Psalms are song lyrics. Half are associated with David, who started out as a boy working in the family business but caught the king’s attention as both soldier and musician. He apparently wrote songs throughout his life, including when he was on the run from the deranged king and when he became king himself. A series of Temple music directors also wrote psalms, as did David’s son Solomon, Jewish prisoners of war in Babylon, and others.
 
To:
From the time of David onward (and perhaps before), when the People of God gathered for worship, they sang psalms. The psalms trained them how to talk to God when things were great, when things were dicey, and even when life completely fell apart. Some psalms were written when the nation was strong and the whole People of God came together at the great festivals in Jerusalem to celebrate God. Other psalms were written after the Temple was destroyed, when God’s people worshiped him in small groups centered around Bible study.
 
Re:
Roughly 1000-500 B.C. (a few psalms may be earlier). In India the Rig Veda, a collection of hymns that was the foundational text of Hinduism, reached its final form probably by 900 B.C. These hymns praise an array of gods, especially Indra, a god of sky, thunderstorm, and war. The oldest of the Hindu poems called the Upanishads were written in the sixth century B.C.

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