The Man Who Collected Machen and Other Weird Tales
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Authors: Mark Samuels
The Man Who Collected Machen
And Other Weird Tales
The Man Who Collected Machen
And Other Weird Tales
Mark Samuels
Chômu Press
The Man Who Collected Machen
And Other Weird Tales
by Mark Samuels
Published by Chômu Press, MMXI
The Man Who Collected Machen and Other Weird Tales
copyright © Mark Samuels 2010
The right of Mark Samuels to be identified as Author of this
Work has been asserted by him in accordance with the
Copyright, Designs and Patents Act 1988.
Published in March 2011 by Chômu Press.
by arrangement with the author.
All rights reserved by the author.
First Kindle Edition
This book is a work of fiction. Names, characters, places and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Design and layout by: Bigeyebrow and Chômu Press
E-mail:
[email protected]
Internet:
chomupress.com
Dedicated to my old friend Ray Russell:
"The Man Who Rescued Machen"
“
The Man Who Collected Machen & Other Stories
is possibly Samuels’s finest collection to date. Like most writers who are confident of their own abilities Samuels is not afraid to acknowledge influences. Hints of Machen, Poe, Lovecraft, Borges and Ligotti are to be found in these stories, but the dominant figure is always Samuels. … What all these stories possess is a rich literary and intellectual subtext.”
Reggie Oliver,
Wormwood
“
Mark Samuels, like Thomas Ligotti, looks beyond the supernatural into some dark void which lurks in our minds, he then proceeds to show us the really scary stuff that lurks in that darkness”
Highlander’s Book Reviews
“
The main thing that distinguishes Mr. Samuels’ work from that of many other modern writers of the weird tale is how cerebral it is. … Mr. Samuels’ work derives most of its potency from the core idea that is at the heart of most of his stories. … often stunning notions about the nature of time, the world of the dead, language, the universe, or any number of other things … Mr. Samuels is a genius and the value of his work has not yet been fully appreciated.”
Speculative Fiction Junkie
Contents
2.
The Man Who Collected Machen
5.
Xapalpa
7.
A Question of Obeying Orders
8.
Nor Unto Death Utterly by Edmund Bertrand
10.
The Age of Decayed Futurity
11.
The Tower
Losenef Express
The town of Strasgol is situated in a corner of Eastern Europe forgotten by all but nationalistic Poles and Ukrainians. Their governments have squabbled over this tiny piece of territory for decades. Since neither claim has received international recognition, and its aged, insular citizens have scarcely any interest in politics, it has been allowed to fall into a state of decay. Its cobbled streets are mossy. Its mixture of architectural styles, ranging from Neo-Classical to Art Deco, has been disfigured by the state of near dereliction into which its buildings have fallen. Windows are sooty, with cracked panes, and once-elegant balconies now rot on lichen-crusted facades. At night scarcely half of the streetlamps light up, due to a lack either of sufficient electrical power or their being kept in a state of proper repair. In daytime the sky is invariably leaden, and low thick clouds hang heavy just above Strasgol. The myriad bell towers and spires of the town disappear upwards into the mist as if only half-constructed.
What had brought Eddie Charles Knox to the town had been an incorrigible wanderlust and a desire to escape from his commitments by retreat into an alcoholic haze. He had been looking for an unknown quarter of the continent where Americans were absent; such was his desire to escape from every trace of their pernicious worldwide influence. His only means of communication with people in this part of the globe was via the foreign language phrasebooks he carried with him, and by hand signals. He wanted nothing more by way of interaction.
Like the buildings of Strasgol, Knox was derelict. Only forty-eight, he had managed to destroy his liver. With his mottled face, broken capillaries and beer gut, he had long since ceased to draw attention from the young women at whom he stared and over whom he dreamed and wove impossible romantic fantasies as he sat in the Zacharas Café nursing a glass and a bottle of Jack Daniel’s.
Being a true son of Tennessee, he had a thirst for Old No. 7 whiskey. And had done for the last thirty years.
Back in the USA, devotees of supernatural fiction in mass-market paperback called Eddie Knox the “Berserker of Horror”. His heavy bulk, the flaming mane of red hair and beard, the mirror shades, had all added to the legend that had grown up around him. Only the incongruous Harris Tweed jacket with the worn elbows distorted the overall image. But he couldn’t bring himself to do away with it. Each ink blot, each smear of lipstick, each booze or ingrained powder stain on the fabric, recalled a precious memory he did not care to forget. First drafts in longhand with his trusty Waterman, drinking alcoholic English editors under the table at conventions, educating groupie nymphs in seedy hotel rooms, the acrid tang of cocaine as it hit the sinuses and the back of the throat after being snorted in toilets on first class transatlantic flights and in stretch limos. Now those glories were of the past and had faded away like ripples, like echoes, like the dying of the light.
Eddie Knox chuckled to himself grimly. He took another swig of Jack Daniel’s from his personal shot glass engraved with a Confederate flag and looked around the Zacharas Café. Black humour with your choice of poison, Fortunato? But of course, Knox replied to himself, emptying his glass and making a silent toast; “The South will Rise”. Another toast— “to Edgar A. Poe”. Not “Allan” and certainly
never
“Allen”. America was an ignorant Yankee Military-Industrial Complex, and traditional southern gentlemen were not required. The bastards had got to Poe in the end. Banged him on the head in Baltimore. Damn the Freemasons!
Knox wished he could drown his sense of self-contempt. Sure, it was delightful to be here in the Zacharas Café, with its intimate booths for private intellectual conversation, with its rococo plaster ceiling, its air of 1920s European decadence, pre-war cabaret, and engraved windows of dazzling green glass. But it was dirty money that got him here. And he believed he wasn’t even worthy of raising a fellow author’s silent toast to the likes of Poe.
Knox felt like a fake. It wasn’t his tales of horror that seemed cheap; sure, they were hard-to-find but when found were nevertheless rightly lauded for their authenticity. No, it was the endless novels he’d written detailing the pulp adventures of Mungo the Barbarian and the sexual shenanigans of Mother Superior Lucia Vulva that had paid the bills and that had given respectability to the bank account. Those were what felt like cheating. When he was talking with fellow professionals, he laughed off any other objective than making big bucks. He was only a working writer. Fuck the pretentious snobs amongst us. But when he was alone, the compromise hit him hard. He wanted to be remembered as an artist. Nothing else really mattered in the end. There was no other form of survival after death. In the final analysis, all writers find out this hard truth. Whether or not they admit to it is a different matter.
Knox loved Europe. He adored its sense of history and slow decay. He wanted to be absorbed into its fabric and leave behind every single last trace of the obnoxiously optimistic and bogus “American Dream”. He’d lived and fulfilled that dream; and found it as nightmarish as an endlessly repeated TV advert for fast food, as a “you’re worth it” fixed smile with oh-so-perfect white teeth. And so he stopped dreaming, and crashed headlong into a sea of reality he couldn’t bear, but which suited him better. He preferred to drown quickly than die via a suicide stretched out across years.
He downed another dose of Jack Daniel’s from his shot glass and stared across the expanse of the Zacharas Café. It was sparsely occupied. There were one or two eastern European businessmen in sharp suits nursing beers, a couple arguing quietly in a corner, and, behind him, a fat man slouched back into a booth with his face lost in shadow. Knox had turned around once, pricked by the sensation of being watched, and, although he could not make out the man’s face clearly enough to tell, he had the distinct impression this person was staring fixedly at him. Maybe, Knox thought, he’s one of the natives who hates tourists just as much as I, another tourist, does. The way the lights were arranged in that part of the bar meant the fat man was visible only as a shadowy bulk, except for his gnarled powerful hands. These were resting on the table, in a pool of light cast by a shaded lamp. They were every inch as large and impressive as Knox’s own.
After a couple more shots, Knox’s agitation increased. He tried to resist the impulse to glance behind him, but it was impossible. Each time he had the impression the fat man was not only staring at him with a malicious contempt, but also with a sneer about his lips. There was no way he could be sure of this, for the shadow over the stranger’s face masked it, but he felt certain, on some primal, instinctive level, it was true. Finally, with enough booze in his gut to overcome any sense of restraint, and with his bill settled by the U.S. banknote he left behind, he stood up abruptly, spun round and made directly for the booth containing the fat man in order to confront him.
But the stranger was no longer seated there. The booth was empty.
Knox cast his gaze around and saw the fat man outside, through one of the café windows. He was making his way into the fog and the back of his bulk was only visible for a moment before it was swallowed up entirely.
Knox decided to go after him. Had he been sober, the idea would have seemed ridiculous. Chase after someone in the fog, in a foreign city, for the offence of having apparently stared at you with contempt? But he was not sober. He was drunk. Moreover, he was drunk and he was sick of everything. And the stranger had become a symbol of that “everything” in his mind. Knox did not know what he would do when he confronted the fat man, but he didn’t think the outcome would be pleasant. Back in Tennessee, Knox used to shoot snakes on his porch.