The Mammoth Book of Haunted House Stories (Mammoth Books) (19 page)

BOOK: The Mammoth Book of Haunted House Stories (Mammoth Books)
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For a time the voices of the men in the other rooms were a companionship, and at first I shouted to them now and then, but my voice echoed rather unpleasantly through the long corridors, and had a suggestive way of reverberating around the left wing beside me, and coming out at a broken window at its extremity like the voice of another man. I soon gave up my attempts at conversation, and devoted myself to the task of keeping awake.

It was not easy; why did I eat that lettuce salad at Pere Garceau’s? I should have known better. It was making me irresistibly sleepy, and wakefulness was absolutely necessary. It was certainly gratifying to know that I could sleep, that my courage was by me to that extent, but in the interests of science I must keep awake. But almost never, it seemed, had sleep looked so desirable. Half a hundred times, nearly, I would doze for an instant, only to awake with a start, and find my pipe gone out. Nor did the exertion of relighting it pull me together. I struck my match mechanically, and with the first puff dropped off again. It was most vexing. I got up and walked around the room. It was most annoying. My cramped position had almost put both my legs to sleep. I could hardly stand. I felt numb, as though with cold. There was no longer any sound from the other rooms, nor from without. I sank down in my window seat. How dark it was growing! I turned up the lantern. That pipe again, how obstinately it kept going out! and my last match was gone. The lantern, too, was
that
going out? I lifted my hand to turn it up again. It felt like lead, and fell beside me.

Then
I awoke – absolutely. I remembered the story of “The Haunters and the Haunted”.
This
was the Horror. I tried to rise, to cry out. My body was like lead, my tongue was paralyzed. I could hardly move my eyes. And the light was going out. There was no question about that. Darker and darker yet; little by little the pattern of the paper was swallowed up in the advancing night. A prickling numbness gathered in every nerve, my right arm slipped without feeling from my lap to my side, and I could not raise it – it swung helpless. A thin, keen humming began in my head, like the cicadas on a hillside in September. The darkness was coming fast.

Yes, this was it. Something was subjecting me, body and mind, to slow paralysis. Physically I was already dead. If I could only hold my mind, my consciousness, I might still be safe, but could I? Could I resist the mad horror of this silence, the deepening dark, the creeping numbness? I knew that, like the man in the ghost story, my only safety lay here.

It had come at last. My body was dead, I could no longer move my eyes. They were fixed in that last look on the place where the door had been, now only a deepening of the dark.

Utter night: the last flicker of the lantern was gone. I sat and waited; my mind was still keen, but how long would it last? There was a limit even to the endurance of the utter panic of fear.

Then the end began. In the velvet blackness came two white eyes, milky, opalescent, small, far away – awful eyes, like a dead dream. More beautiful than I can describe, the flakes of white flame moving from the perimeter inward, disappearing in the centre, like a never ending flow of opal water into a circular tunnel. I could not have moved my eyes had I possessed the power: they devoured the fearful, beautiful things that grew slowly, slowly larger, fixed on me, advancing, growing more beautiful, the white flakes of light sweeping more swiftly into the blazing vortices, the awful fascination deepening in its insane intensity as the white, vibrating eyes grew nearer, larger.

Like a hideous and implacable engine of death the eyes of the unknown Horror swelled and expanded until they were close before me, enormous, terrible, and I felt a slow, cold, wet breath propelled with mechanical regularity against my face, enveloping me in its fetid mist, in its charnel-house deadliness.

With ordinary fear goes always a physical terror, but with me in the presence of this unspeakable Thing was only the utter and awful terror of the mind, the mad fear of a prolonged and ghostly nightmare. Again and again I tried to shriek, to make some nose, but physically I was utterly dead. I could only feel myself go mad with the terror of hideous death. The eyes were close on me – their movement so swift that they seemed to be but palpitating flames, the dead breath was around me like the depths of the deepest sea.

Suddenly a wet, icy mouth, like that of a dead cuttle-fish, shapeless, jelly-like, fell over mine. The horror began slowly to draw my life from me, but, as enormous and shuddering folds of palpitating jelly swept sinuously around me, my will came back, my body awoke with the reaction of final fear, and I closed with the nameless death that enfolded me.

What was it that I was fighting? My arms sunk through the unresisting mass that was turning me to ice. Moment by moment new folds of cold jelly swept round me, crushing me with the force of Titans. I fought to wrest my mouth from this awful Thing that sealed it, but, if ever I succeeded and caught a single breath, the wet, sucking mass closed over my face again before I could cry out. I think I fought for hours, desperately, insanely, in a silence that was more hideous than any sound – fought until I felt final death at hand, until the memory of all my life rushed over me like a flood, until I no longer had strength to wrench my face from that hellish succubus, until with a last mechanical struggle I fell and yielded to death.

Then I heard a voice say, “If he is dead, I can never forgive myself; I was to blame.”

Another replied, “He is not dead, I know we can save him if only we reach the hospital in time. Drive like hell,
cocher!
twenty francs for you, if you get there in three minutes.”

Then there was night again, and nothingness, until I suddenly awoke and stared around. I lay in a hospital ward, very white and sunny, some yellow
fleurs-de-lis
stood beside the head of the pallet, and a tall sister of mercy sat by my side.

To tell the story in a few words, I was in the Hotel Dieu, where the men had taken me that fearful night of the twelfth of June. I asked for Fargeau or Duchesne, and by and by the latter came, and sitting beside the bed told me all that I did not know.

It seems that they had sat, each in his room, hour after hour, hearing nothing, very much bored, and disappointed. Soon after two o’clock Fargeau, who was in the next room, called to me to ask if I was awake. I gave no reply, and, after shouting once or twice, he took his lantern and came to investigate. The door was locked on the inside! He instantly called d’Ardeche and Duchesne, and together they hurled themselves against the door. It resisted. Within they could hear irregular footsteps dashing here and there, with heavy breathing. Although frozen with terror, they fought to destroy the door and finally succeeded by using a great slab of marble that formed the shelf of the mantel in Fargeau’s room. As the door crashed in, they were suddenly hurled back against the walls of the corridor, as though by an explosion, the lanterns were extinguished, and they found themselves in utter silence and darkness.

As soon as they recovered from the shock, they leaped into the room and fell over my body in the middle of the floor. They lighted one of the lanterns, and saw the strangest sight that can be imagined. The floor and walls to the height of about six feet were running with something that seemed like stagnant water, thick, glutinous, sickening. As for me, I was drenched with the same cursed liquid. The odor of musk was nauseating. They dragged me away, stripped off my clothing, wrapped me in their coats, and hurried to the hospital, thinking me perhaps dead. Soon after sunrise d’Ardeche left the hospital, being assured that I was in a fair way to recovery, with time, and with Fargeau went up to examine by daylight the traces of the adventure that was so nearly fatal. They were too late. Fire engines were coming down the street as they passed the Academie. A neighbor rushed up to d’Ardeche: “O Monsieur! what misfortune, yet what fortune! It is true
la Bouche d’Enfer
– I beg pardon, the residence of the lamented Mlle. de Tartas – was burned, but not wholly, only the ancient building. The wings were saved, and for that great credit is due the brave firemen. Monsieur will remember them, no doubt.”

It was quite true. Whether a forgotten lantern, overturned in the excitement, had done the work, or whether the origin of the fire was more supernatural, it was certain that “the Mouth of Hell” was no more. A last engine was pumping slowly as d’Ardeche came up; half a dozen limp, and one distended, hose stretched through the
porte cochère
, and within only the facade of Francis I remained, draped still with the black stems of the wisteria. Beyond lay a great vacancy, where thin smoke was rising slowly. Every floor was gone, and the strange halls of Mlle. Blaye de Tartas were only a memory.

With d’Ardeche I visited the place last year, but in the stead of the ancient walls was then only a new and ordinary building, fresh and respectable; yet the wonderful stories of the old
Bouche d’Enfer
still lingered in the Quarter, and will hold there, I do not doubt, until the Day of Judgment.

 

The Southwest Chamber

Mary Eleanor Freeman

 

Prospectus

 

Address:

Ackley Mansion, near Acton, New England, USA.

Property:

Circa
nineteenth-century house. Large, vaunted rooms, with fine bay windows and decorated in exquisite style. A new chamber extension offers additional accommodation.

Viewing Date: 

Summer, 1903.

Agent:

Mary Eleanor Freeman (1852–1930) was born in Randolph, Massachusetts, and while working as secretary to the author and physician, Oliver Wendell Holmes, began writing poetry and novels with a strong New England regional flavour. When the supernatural caught her interest, the result was a group of short stories which combined domestic realism with supernaturalism and these have proved very influential. Several of the tales are about the persistence of strong emotions in supernatural terms – such as “The Shadow on the Wall” and “The Lost Ghost” – but none are more dramatic than “The Southwest Chamber” about the ghost of a grim old aunt whose viciousness and hatred manifests itself as a force of evil.

 

“That school-teacher from Acton is coming to-day,” said Miss Sophia Gill. “I have decided to put her in the southwest chamber.”

Amanda looked at her sister with an expression of mingled doubt and terror. “You don’t suppose she would—” she began hesitatingly.

“Would what!” demanded Sophia sharply. Both were below the medium height and stout, but Sophia was firm where Amanda was flabby. Amanda wore a baggy old muslin (it was a hot day), and Sophia was uncompromisingly hooked up in a starched and boned cambric over her high shelving figure.

“I didn’t know but she would object to sleeping in that room, as long as Aunt Harriet died there such a little while ago,” faltered Amanda.

“Well,” said Sophia, “of all the silly notions! If you are going to pick out rooms where nobody has died you’ll have your hands full. I don’t believe there’s a room or a bed in this house that somebody hasn’t passed away in.”

“Well, I suppose I am silly to think of it, and she’d better go in there,” said Amanda.

“I know she had. Now I guess you’d better go and see if any dust has settled on anything since it was cleaned, and open the west windows and let the sun in, while I see to that cake.”

Amanda went to her task in the southwest chamber.

Nobody knew how this elderly woman with the untrammelled imagination of a child dreaded to enter the southwest chamber, and yet she could not have told why she had the dread. She had occupied rooms which had been once tenanted by persons now dead. But this was different. She entered and her heart beat thickly in her ears. Her hands were cold. The room was a very large one. The four windows were closed, the blinds also. The room was in a film of green gloom. The furniture loomed out vaguely. The white counterpane on the bed showed like a blank page.

Amanda crossed the room, opened one of the windows, and threw back the blind. Then the room revealed itself an apartment full of an aged and worn, but no less valid state. Pieces of old mahogany swelled forth; a peacock-patterned chintz draped the bedstead. The closet door stood ajar. There was a glimpse of purple drapery floating from a peg inside. Amanda went across and took down the garment hanging there. She wondered how her sister had happened to leave it when she cleaned the room. It was an old loose gown which had belonged to her aunt. She took it down shuddering, and closed the closet door after a fearful glance into its dark depths. It was a long closet with a strong odor of lovage. Aunt Harriet had had a habit of eating lovage and had carried it constantly in her pocket.

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