The Little Drummer Girl (57 page)

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Authors: John le Carre

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BOOK: The Little Drummer Girl
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Yet Charlie accepted everything, and gave herself entirely in return. In the unreason around her, in this unlooked-for truce for meditation, she found at last a cradle for her own irrationality. And since no paradox was too great to bear amid such chaos, she found a place in it for Joseph too. Her love for him, in this world of unexplained devotions, was in everything she heard and looked at. And when the boys, over tea and cigarettes, regaled her with brave stories of their families' sufferings at the hands of the Zionists--just as Michel had done, and with the same romantic relish--it was her love for Joseph once more, her memory of his soft voice and rare smile, that opened her heart to their tragedy.

Her second bedroom was high up in a glittering apartment house. From her window, she could stare at the black façade of a new international bank, and past it to the unmoving sea. The empty beach with its deserted beach-huts was like a holiday resort permanently out of season. A single beachcomber had the eccentricity of a Christmas Day bather at the Serpentine. But the strangest thing in that place was the curtains. When the boys drew them for her at night, she noticed nothing odd. But when the dawn came, she saw a line of bullet-holes running in a wavy snake across the window. That was the day she cooked the boys omelettes for breakfast, then taught them gin rummy for matches.

On the third night, she slept above some sort of military headquarters. There were bars over the windows and shell-holes on the staircase. Posters showed children waving machine guns or bunches of flowers. Dark-eyed guards lounged at every landing, and the whole building had a rackety, Foreign Legion air.

"Our Captain will see you soon," Danny assured her tenderly, from time to time. "He is making preparations. He is a great man."

She was beginning to learn the Arab smile that explained delay. To console her in her waiting, Danny told her the story of his father. After twenty years in the camps, it seemed the old man had grown light-headed with despair. So one morning before sunrise he packed his few belongings into a bag, together with the deeds of his land, and without telling his family, set off across the Zionist lines with the aim of reclaiming his farm in person. Hastening after him, Danny and his brothers arrived in time to see his little crooked figure advance farther and farther into the valley until a landmine blew him up. Danny related all this with a puzzled exactness, while the other two patrolled his English, interrupting to rephrase a sentence when its syntax or cadence displeased them, nodding like old men to approve a phrase. When he had finished, they asked her a number of grave questions about the chastity of Western women, of which they had heard disgraceful but not wholly uninteresting things.

So she loved them more and more, a four-day miracle. She loved their shyness, their virginity, their discipline, and their authority over her. She loved them as captors and as friends. But for all her love, they never gave her back her passport, and if she came too near to their machine guns they drew back from her with dangerous and unbending glances.

"Come, please," said Danny, tapping softly on her door to wake her. "Our Captain is prepared."

It was three in the morning and still dark.

She remembered afterwards about twenty cars, but it could have been only five, because it all happened very fast, a zigzag of increasingly alarming journeys across town, in sand-coloured saloons with aerials front and back and bodyguards who didn't speak. The first car was waiting at the foot of the building, but on the courtyard side where she hadn't been before. It wasn't till they were out of the courtyard and racing down the street that she realised that she had left the boys behind. At the bottom of the street, the driver seemed to see something he didn't like, for he threw the car into a screeching U-turn that nearly tipped it, and as they raced back up the road she heard a rattle and a shout from close to her, and felt a heavy hand shove her head down, so she supposed that the gunfire was meant for them.

They went over a crossroads on red and missed a lorry by a prayer; they mounted a pavement to the right, then made a wide arc left into a sloped car park overlooking a deserted lido. She saw Joseph's half moon again, hanging over the sea, and for a second she imagined she was on the drive to Delphi. They pulled up beside a big Fiat and almost tossed her into it; she was away again, the property of two new bodyguards, heading down a pitted motorway with riddled buildings either side and a pair of lights following very close. The mountains straight ahead of her were black, but those to her left were grey because a glow from the valley lit their flanks, and beyond the valley lay the sea again. The needle was on 140, but suddenly it was on nothing at all because the driver had turned his lights out and the pursuit car had done the same.

To their right ran a line of palms, to their left the central reservation that divided the two carriageways, a pavement six feet across, sometimes gravel, sometimes vegetation. With a great bump they mounted it and with another landed on the opposing carriageway. Traffic was hooting at them and Charlie was shouting "Jesus!" but the driver was not receptive to blasphemy. Putting his lights on full, he drove straight at the oncoming traffic before wrenching the car left again under a small bridge, and suddenly they were careering to a halt in an empty mud road and changing to a third car, this time a Landrover with no windows. It was raining. She hadn't noticed it till now, but as they bundled her into the back of the Landrover, a downpour soaked her to the skin and she saw a shellburst of white lightning smash against the mountains. Or perhaps it was a shell.

They were climbing steeply, a winding road. Through the back of the Landrover she could see the valley fall away; through the windscreen, between the heads of the bodyguard and driver, she could watch the rain leaping out of the tarmac like shoals of dancing minnows. There was a car in front of them, and Charlie knew from the way they followed it that it was theirs; there was a car behind them, and from the way they didn't bother with it, it was theirs as well. They made another change and perhaps another; they approached what seemed to be a deserted schoolhouse, but this time the driver cut the engine while he and the bodyguard sat with their machine guns at the windows, waiting to see who else came up the hill. There were road checks where they stopped and others where they drove through with no more than a slow lift of the hand at the passive sentries. There was a road check where the bodyguard in the front seat lowered his window and fired a burst of machine-gun fire into the darkness, but the only response was a panicky whining of sheep. And there was a last terrifying leap into blackness between two sets of headlamps that were turned full on to them, but by then she was past being terrified; she was shaken and punch drunk and she didn't give a damn.

The car pulled up; she was in the forecourt of an old villa with boy sentries with machine guns posing in silhouette on the roof like heroes in a Russian movie. The air was cold and clean and full of all the Greek smells that the rain had left behind--cypress and honey and every wild flower in the world. The sky was full of storms and smoking cloud; the valley lay stretched below them in receding squares of light. They led her through a porch and into the hall, and there, by the dimmest of overhead lamps, she had her first sight of Our Captain: a brown, lopsided figure with a hank of straight black schoolboy hair, and an English-looking walking stick of natural ash to support his limping legs, and a wry smile of welcome brightening his pitted face. To shake hands with her, he hung the walking stick over his left forearm, letting it dangle, so that she had the feeling of holding him up for a second before he set himself straight again.

"Miss Charlie, I am Captain Tayeh and I greet you in the name of the revolution."

His voice was brisk and businesslike. It was also, like Joseph's, beautiful.

Fear will be a matter of selection,Joseph had warned her. Unfortunately, no one can be frightened all the time. But with Captain Tayeh, as he calls himself, you must do your best, because Captain Tayeh is a very clever man.

"Forgive me," Tayeh said, with cheerful insincerity.

The house was not his, for he could find nothing he wanted. Even for an ashtray he had to stomp around in the gloom, humorously questioning objects, whether they were too valuable to use. Nevertheless the house belonged to somebody he liked, for she observed a friendliness about his manner that said That's typical of them--yes, that's exactly where they would keep their drink. The light was still sparse, but as her eyes grew accustomed to it she decided she was in a professor's house; or a politician's; or a lawyer's. The walls were lined with real books that had been read and flagged and shoved back none too tidily; a painting that hung over the fireplace could have been Jerusalem. All else was a masculine disorder of different tastes: leather chairs and patchwork cushions and a jarring hotchpotch of Oriental carpets. And pieces of Arab silver, very white and ornate, glinting like treasure chests out of dark recesses. And a separate study down two steps into an alcove, with an English-style desk and a panoramic view of the valley she had just emerged from, and of the sea coast in the moonlight.

She was sitting where he had told her to sit, on the leather sofa, but Tayeh himself was still bumping relentlessly about the room on his stick, doing everything singly while he shot her glances from different angles, getting the measure of her; now the glasses; now a smile; now, with another smile, vodka; and lastly Scotch, apparently his favourite brand, for he studied the label approvingly. A boy sat either end of the room, each with a machine gun across his knees. A pile of letters lay strewn over the table, and she knew without looking that they were her own letters to Michel.

Do not mistake seeming confusion for incompetence,Joseph had warned her;no racist thoughts, please, about Arab inferiority.

The lights went out completely but they often did; even in the valley. He stood over her, framed against the huge window, a vigilant smiling shadow leaning on a stick.

"Do you know what it's like for us when we go home?" he asked, still gazing at her. But his stick was pointed to the big picture window. "Can you imagine what it is like to be in your own country, under your own stars, standing on your own land, with a gun in your hand, looking for the oppressor? Ask the boys."

His voice, like other voices she knew, was even more beautiful in the dark.

"They liked you," he said. "Did you like them?"

"Yes."

"Which one you liked best?"

"All equally," she said, and he laughed again.

"They say you are much in love with your dead Palestinian. Is that true?"

"Yes."

His stick was still pointing at the window. "In the old days, if you had the courage, we would take you with us. Over the border. Attack. Avenge. Come back. Celebrate. We would go together. Helga says you want to fight. You want to fight?"

"Yes."

"Anybody, or just Zionists?" He didn't wait for an answer. He was drinking. "Some of the scum we get, they want to blow the whole world up. Are you like that?"

"No."

"They are scum, those people. Helga--Mr. Mesterbein--necessary scum. Yes?"

"I haven't had time to find out," she said.

"Are you scum?"

"No."

The lights came on. "No," he agreed, continuing to examine her. "No, I don't think you are. Maybe you change. Ever killed anybody?"

"No."

"You're lucky. You've got police. Your own land. Parliament. Rights. Passports. Where do you live?"

"In London."

"Which part?"

She had a feeling that his injuries made him impatient of her answers; that they drove his mind beyond them all the time, to other questions. He had found a tall chair and was dragging it carelessly towards her, but neither of the boys got up to help him, and she guessed they didn't dare. When he had the chair where he wanted, he pulled a second up to it, then sat on the one and with a grunt swung his leg onto the other. And when he had done all that, he dragged a loose cigarette from the pocket of his tunic and lit it.

"You're our first English, know that? Dutch, Italian, French, German. Swedes. Couple of Americans. Irish. They all come to fight for us. No English. Not till now. The English come too late as usual."

A wave of recognition passed over her. Like Joseph, he spoke from pains she had not experienced, from a viewpoint she had yet to learn. He was not old, but he had a wisdom that had been acquired too early. Her face was close to the little lamp. Perhaps that was why he had put her there. Captain Tayeh is a very clever man.

"If you want to change the world, forget it," he remarked. "The English did that already. Stay home. Act your little parts. Improve your mind in a vacuum. It's safer."

"Not now it isn't," she said.

"Oh, you could go back." He drank some whisky. "Confess. Reform. A year in prison. Everyone should spend a year in prison. Why kill yourself fighting for us?"

"For him," she said.

With his cigarette, Tayeh irritably waved away her romanticism. "Tell me what's for him? He's dead. In a year or two, we shall all be dead. What's for him?"

"Everything. He taught me."

"Did he tell you what we do--bomb?--shoot?--kill?... Never mind."

For a time the only thing he cared about was his cigarette. He watched it burn, he inhaled from it and scowled at it, then he stubbed it out and lit another. She guessed he did not really like to smoke.

"What could he teach you?" he objected. "A woman like you? He was a little boy. He couldn't teach anybody. He was nothing."

"He was everything," she repeatedly woodenly, and once again felt him lose interest, like someone bored by callow conversation. Then she realised he had heard something ahead of everybody else. He gave a swift order. One of the boys leapt to the door. We run faster for crippled men, she thought. She heard soft voices from outside.

"Did he teach you to hate?" Tayeh suggested, as if nothing had happened.

"He said hate was for Zionists. He said that to fight we must love. He said anti-Semitism was a Christian invention."

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