The Idiot (70 page)

"Yes, yes, you are quite right again," said the poor prince, in anguish of mind. "I was wrong, I know. But it was only Aglaya who looked on Nastasia Philipovna so; no one else did, you know."

"But that's just the worst of it all, don't you see, that there was absolutely nothing serious about the matter in reality!" cried Evgenie, beside himself: "Excuse me, prince, but I have thought over all this; I have thought a great deal over it; I know all that had happened before; I know all that took place six months since; and I know there was NOTHING serious about the matter, it was but fancy, smoke, fantasy, distorted by agitation, and only the alarmed jealousy of an absolutely inexperienced girl could possibly have mistaken it for serious reality."

Here Evgenie Pavlovitch quite let himself go, and gave the reins to his indignation.

Clearly and reasonably, and with great psychological insight, he drew a picture of the prince's past relations with Nastasia Philipovna. Evgenie Pavlovitch always had a ready tongue, but on this occasion his eloquence, surprised himself. "From the very beginning," he said, "you began with a lie; what began with a lie was bound to end with a lie; such is the law of nature. I do not agree, in fact I am angry, when I hear you called an idiot; you are far too intelligent to deserve such an epithet; but you are so far STRANGE as to be unlike others; that you must allow, yourself. Now, I have come to the conclusion that the basis of all that has happened, has been first of all your innate inexperience (remark the expression 'innate,' prince). Then follows your unheard-of simplicity of heart; then comes your absolute want of sense of proportion (to this want you have several times confessed); and lastly, a mass, an accumulation, of intellectual convictions which you, in your unexampled honesty of soul, accept unquestionably as also innate and natural and true. Admit, prince, that in your relations with Nastasia Philipovna there has existed, from the very first, something democratic, and the fascination, so to speak, of the 'woman question'? I know all about that scandalous scene at Nastasia Philipovna's house when Rogojin brought the money, six months ago. I'll show you yourself as in a looking-glass, if you like. I know exactly all that went on, in every detail, and why things have turned out as they have. You thirsted, while in Switzerland, for your home-country, for Russia; you read, doubtless, many books about Russia, excellent books, I dare say, but hurtful to YOU; and you arrived here; as it were, on fire with the longing to be of service. Then, on the very day of your arrival, they tell you a sad story of an illused woman; they tell YOU, a knight, pure and without reproach, this tale of a poor woman! The same day you actually SEE her; you are attracted by her beauty, her fantastic, almost demoniacal, beauty—(I admit her beauty, of course).

"Add to all this your nervous nature, your epilepsy, and your sudden arrival in a strange town—the day of meetings and of exciting scenes, the day of unexpected acquaintanceships, the day of sudden actions, the day of meeting with the three lovely Epanchin girls, and among them Aglaya—add your fatigue, your excitement; add Nastasia' s evening party, and the tone of that party, and—what were you to expect of yourself at such a moment as that?"

"Yes, yes, yes!" said the prince, once more, nodding his head, and blushing slightly. "Yes, it was so, or nearly so—I know it. And besides, you see, I had not slept the night before, in the train, or the night before that, either, and I was very tired."

"Of course, of course, quite so; that's what I am driving at!" continued Evgenie, excitedly. "It is as clear as possible, and most comprehensible, that you, in your enthusiasm, should plunge headlong into the first chance that came of publicly airing your great idea that you, a prince, and a pure-living man, did not consider a woman disgraced if the sin were not her own, but that of a disgusting social libertine! Oh, heavens! it's comprehensible enough, my dear prince, but that is not the question, unfortunately! The question is, was there any reality and truth in your feelings? Was it nature, or nothing but intellectual enthusiasm? What do you think yourself? We are told, of course, that a far worse woman was FORGIVEN, but we don't find that she was told that she had done well, or that she was worthy of honour and respect! Did not your common-sense show you what was the real state of the case, a few months later? The question is now, not whether she is an innocent woman (I do not insist one way or the other—I do not wish to); but can her whole career justify such intolerable pride, such insolent, rapacious egotism as she has shown? Forgive me, I am too violent, perhaps, but—"

"Yes—I dare say it is all as you say; I dare say you are quite right," muttered the prince once more. "She is very sensitive and easily put out, of course; but still, she..."

"She is worthy of sympathy? Is that what you wished to say, my good fellow? But then, for the mere sake of vindicating her worthiness of sympathy, you should not have insulted and offended a noble and generous girl in her presence! This is a terrible exaggeration of sympathy! How can you love a girl, and yet so humiliate her as to throw her over for the sake of another woman, before the very eyes of that other woman, when you have already made her a formal proposal of marriage? And you DID propose to her, you know; you did so before her parents and sisters. Can you be an honest man, prince, if you act so? I ask you! And did you not deceive that beautiful girl when you assured her of your love?"

"Yes, you are quite right. Oh! I feel that I am very guilty!" said Muishkin, in deepest distress.

"But as if that is enough!" cried Evgenie, indignantly. "As if it is enough simply to say: 'I know I am very guilty!' You are to blame, and yet you persevere in evil-doing. Where was your heart, I should like to know, your CHRISTIAN HEART, all that time? Did she look as though she were suffering less, at that moment? You saw her face—was she suffering less than the other woman? How could you see her suffering and allow it to continue? How could you?"

"But I did not allow it," murmured the wretched prince.

"How—what do you mean you didn't allow?"

"Upon my word, I didn't! To this moment I don't know how it all happened. I—I ran after Aglaya Ivanovna, but Nastasia Philipovna fell down in a faint; and since that day they won't let me see Aglaya—that's all I know."

"It's all the same; you ought to have run after Aglaya though the other was fainting."

"Yes, yes, I ought—but I couldn't! She would have died—she would have killed herself. You don't know her; and I should have told Aglaya everything afterwards—but I see, Evgenie Pavlovitch, you don't know all. Tell me now, why am I not allowed to see Aglaya? I should have cleared it all up, you know. Neither of them kept to the real point, you see. I could never explain what I mean to you, but I think I could to Aglaya. Oh! my God, my God! You spoke just now of Aglaya's face at the moment when she ran away. Oh, my God! I remember it! Come along, come along—quick!" He pulled at Evgenie's coat-sleeve nervously and excitedly, and rose from his chair.

"Where to?"

"Come to Aglaya—quick, quick!"

"But I told you she is not at Pavlofsk. And what would be the use if she were?"

"Oh, she'll understand, she'll understand!" cried the prince, clasping his hands. "She would understand that all this is not the point—not a bit the real point—it is quite foreign to the real question."

"How can it be foreign? You ARE going to be married, are you not? Very well, then you are persisting in your course. ARE you going to marry her or not?"

"Yes, I shall marry her—yes."

"Then why is it 'not the point'?"

"Oh, no, it is not the point, not a bit. It makes no difference, my marrying her—it means nothing."

"How 'means nothing'? You are talking nonsense, my friend. You are marrying the woman you love in order to secure her happiness, and Aglaya sees and knows it. How can you say that it's 'not the point'?"

"Her happiness? Oh, no! I am only marrying her—well, because she wished it. It means nothing—it's all the same. She would certainly have died. I see now that that marriage with Rogojin was an insane idea. I understand all now that I did not understand before; and, do you know, when those two stood opposite to one another, I could not bear Nastasia Philipovna's face! You must know, Evgenie Pavlovitch, I have never told anyone before—not even Aglaya—that I cannot bear Nastasia Philipovna's face." (He lowered his voice mysteriously as he said this.) "You described that evening at Nastasia Philipovna's (six months since) very accurately just now; but there is one thing which you did not mention, and of which you took no account, because you do not know. I mean her FACE—I looked at her face, you see. Even in the morning when I saw her portrait, I felt that I could not BEAR to look at it. Now, there's Vera Lebedeff, for instance, her eyes are quite different, you know. I'm AFRAID of her face!" he added, with real alarm.

"You are AFRAID of it?"

"Yes—she's mad!" he whispered, growing pale.

"Do you know this for certain?" asked Evgenie, with the greatest curiosity.

"Yes, for certain—quite for certain, now! I have discovered it ABSOLUTELY for certain, these last few days."

"What are you doing, then?" cried Evgenie, in horror. "You must be marrying her solely out of FEAR, then! I can't make head or tail of it, prince. Perhaps you don't even love her?"

"Oh, no; I love her with all my soul. Why, she is a child! She's a child now—a real child. Oh! you know nothing about it at all, I see."

"And are you assured, at the same time, that you love Aglaya too?"

"Yes—yes—oh; yes!"

"How so? Do you want to make out that you love them BOTH?"

"Yes—yes—both! I do!"

"Excuse me, prince, but think what you are saying! Recollect yourself!"

"Without Aglaya—I—I MUST see Aglaya!—I shall die in my sleep very soon—I thought I was dying in my sleep last night. Oh! if Aglaya only knew all—I mean really, REALLY all! Because she must know ALL—that's the first condition towards understanding. Why cannot we ever know all about another, especially when that other has been guilty? But I don't know what I'm talking about—I'm so confused. You pained me so dreadfully. Surely—surely Aglaya has not the same expression now as she had at the moment when she ran away? Oh, yes! I am guilty and I know it—I know it! Probably I am in fault all round—I don't quite know how—but I am in fault, no doubt. There is something else, but I cannot explain it to you, Evgenie Pavlovitch. I have no words; but Aglaya will understand. I have always believed Aglaya will understand—I am assured she will."

"No, prince, she will not. Aglaya loved like a woman, like a human being, not like an abstract spirit. Do you know what, my poor prince? The most probable explanation of the matter is that you never loved either the one or the other in reality."

"I don't know—perhaps you are right in much that you have said, Evgenie Pavlovitch. You are very wise, Evgenie Pavlovitch—oh! how my head is beginning to ache again! Come to her, quick—for God's sake, come!"

"But I tell you she is not in Pavlofsk! She's in Colmina."

"Oh, come to Colmina, then! Come—let us go at once!"

"No—no, impossible!" said Evgenie, rising.

"Look here—I'll write a letter—take a letter for me!"

"No—no, prince; you must forgive me, but I can't undertake any such commissions! I really can't."

And so they parted.

Evgenie Pavlovitch left the house with strange convictions. He, too, felt that the prince must be out of his mind.

"And what did he mean by that FACE—a face which he so fears, and yet so loves? And meanwhile he really may die, as he says, without seeing Aglaya, and she will never know how devotedly he loves her! Ha, ha, ha! How does the fellow manage to love two of them? Two different kinds of love, I suppose! This is very interesting—poor idiot! What on earth will become of him now?"

X.

THE prince did not die before his wedding—either by day or night, as he had foretold that he might. Very probably he passed disturbed nights, and was afflicted with bad dreams; but, during the daytime, among his fellow-men, he seemed as kind as ever, and even contented; only a little thoughtful when alone.

The wedding was hurried on. The day was fixed for exactly a week after Evgenie's visit to the prince. In the face of such haste as this, even the prince's best friends (if he had had any) would have felt the hopelessness of any attempt to save "the poor madman." Rumour said that in the visit of Evgenie Pavlovitch was to be discerned the influence of Lizabetha Prokofievna and her husband... But if those good souls, in the boundless kindness of their hearts, were desirous of saving the eccentric young fellow from ruin, they were unable to take any stronger measures to attain that end. Neither their position, nor their private inclination, perhaps (and only naturally), would allow them to use any more pronounced means.

We have observed before that even some of the prince's nearest neighbours had begun to oppose him. Vera Lebedeff's passive disagreement was limited to the shedding of a few solitary tears; to more frequent sitting alone at home, and to a diminished frequency in her visits to the prince's apartments.

Colia was occupied with his father at this time. The old man died during a second stroke, which took place just eight days after the first. The prince showed great sympathy in the grief of the family, and during the first days of their mourning he was at the house a great deal with Nina Alexandrovna. He went to the funeral, and it was observable that the public assembled in church greeted his arrival and departure with whisperings, and watched him closely.

The same thing happened in the park and in the street, wherever he went. He was pointed out when he drove by, and he often overheard the name of Nastasia Philipovna coupled with his own as he passed. People looked out for her at the funeral, too, but she was not there; and another conspicuous absentee was the captain's widow, whom Lebedeff had prevented from coming.

The funeral service produced a great effect on the prince. He whispered to Lebedeff that this was the first time he had ever heard a Russian funeral service since he was a little boy. Observing that he was looking about him uneasily, Lebedeff asked him whom he was seeking.

"Nothing. I only thought I—"

"Is it Rogojin?"

"Why—is he here?"

"Yes, he's in church."

"I thought I caught sight of his eyes!" muttered the prince, in confusion. "But what of it!—Why is he here? Was he asked?"

"Oh, dear, no! Why, they don't even know him! Anyone can come in, you know. Why do you look so amazed? I often meet him; I've seen him at least four times, here at Pavlofsk, within the last week."

"I haven't seen him once—since that day!" the prince murmured.

As Nastasia Philipovna had not said a word about having met Rogojin since "that day," the prince concluded that the latter had his own reasons for wishing to keep out of sight. All the day of the funeral our hero, was in a deeply thoughtful state, while Nastasia Philipovna was particularly merry, both in the daytime and in the evening.

Colia had made it up with the prince before his father's death, and it was he who urged him to make use of Keller and Burdovsky, promising to answer himself for the former's behaviour. Nina Alexandrovna and Lebedeff tried to persuade him to have the wedding in St. Petersburg, instead of in the public fashion contemplated, down here at Pavlofsk in the height of the season. But the prince only said that Nastasia Philipovna desired to have it so, though he saw well enough what prompted their arguments.

The next day Keller came to visit the prince. He was in a high state of delight with the post of honour assigned to him at the wedding.

Before entering he stopped on the threshold, raised his hand as if making a solemn vow, and cried:

"I won't drink!"

Then he went up to the prince, seized both his hands, shook them warmly, and declared that he had at first felt hostile towards the project of this marriage, and had openly said so in the billiard-rooms, but that the reason simply was that, with the impatience of a friend, he had hoped to see the prince marry at least a Princess de Rohan or de Chabot; but that now he saw that the prince's way of thinking was ten times more noble than that of "all the rest put together." For he desired neither pomp nor wealth nor honour, but only the truth! The sympathies of exalted personages were well known, and the prince was too highly placed by his education, and so on, not to be in some sense an exalted personage!

"But all the common herd judge 'differently; in the town, at the meetings, in the villas, at the band, in the inns and the billiard-rooms, the coming event has only to be mentioned and there are shouts and cries from everybody. I have even heard talk of getting up a 'charivari' under the windows on the wedding-night. So if 'you have need of the pistol' of an honest man, prince, I am ready to fire half a dozen shots even before you rise from your nuptial couch!"

Keller also advised, in anticipation of the crowd making a rush after the ceremony, that a fire-hose should be placed at the entrance to the house; but Lebedeff was opposed to this measure, which he said might result in the place being pulled down.

"I assure you, prince, that Lebedeff is intriguing against you. He wants to put you under control. Imagine that! To take 'from you the use of your free-will and your money—that' is to say, the two things that distinguish us from the animals! I have heard it said positively. It is the sober truth."

The prince recollected that somebody had told him something of the kind before, and he had, of course, scoffed at it. He only laughed now, and forgot the hint at once.

Lebedeff really had been busy for some little while; but, as usual, his plans had become too complex to succeed, through sheer excess of ardour. When he came to the prince—the very day before the wedding—to confess (for he always confessed to the persons against whom he intrigued, especially when the plan failed), he informed our hero that he himself was a born Talleyrand, but for some unknown reason had become simple Lebedeff. He then proceeded to explain his whole game to the prince, interesting the latter exceedingly.

According to Lebedeff's account, he had first tried what he could do with General Epanchin. The latter informed him that he wished well to the unfortunate young man, and would gladly do what he could to "save him," but that he did not think it would be seemly for him to interfere in this matter. Lizabetha Prokofievna would neither hear nor see him. Prince S. and Evgenie Pavlovitch only shrugged their shoulders, and implied that it was no business of theirs. However, Lebedeff had not lost heart, and went off to a clever lawyer,—a worthy and respectable man, whom he knew well. This old gentleman informed him that the thing was perfectly feasible if he could get hold of competent witnesses as to Muishkin's mental incapacity. Then, with the assistance of a few influential persons, he would soon see the matter arranged.

Lebedeff immediately procured the services of an old doctor, and carried the latter away to Pavlofsk to see the prince, by way of viewing the ground, as it were, and to give him (Lebedeff) counsel as to whether the thing was to be done or not. The visit was not to be official, but merely friendly.

Muishkin remembered the doctor's visit quite well. He remembered that Lebedeff had said that he looked ill, and had better see a doctor; and although the prince scouted the idea, Lebedeff had turned up almost immediately with his old friend, explaining that they had just met at the bedside of Hippolyte, who was very ill, and that the doctor had something to tell the prince about the sick man.

The prince had, of course, at once received him, and had plunged into a conversation about Hippolyte. He had given the doctor an account of Hippolyte's attempted suicide; and had proceeded thereafter to talk of his own malady,—of Switzerland, of Schneider, and so on; and so deeply was the old man interested by the prince's conversation and his description of Schneider's system, that he sat on for two hours.

Muishkin gave him excellent cigars to smoke, and Lebedeff, for his part, regaled him with liqueurs, brought in by Vera, to whom the doctor—a married man and the father of a family—addressed such compliments that she was filled with indignation. They parted friends, and, after leaving the prince, the doctor said to Lebedeff: "If all such people were put under restraint, there would be no one left for keepers." Lebedeff then, in tragic tones, told of the approaching marriage, whereupon the other nodded his head and replied that, after all, marriages like that were not so rare; that he had heard that the lady was very fascinating and of extraordinary beauty, which was enough to explain the infatuation of a wealthy man; that, further, thanks to the liberality of Totski and of Rogojin, she possessed—so he had heard—not only money, but pearls, diamonds, shawls, and furniture, and consequently she could not be considered a bad match. In brief, it seemed to the doctor that the prince's choice, far from being a sign of foolishness, denoted, on the contrary, a shrewd, calculating, and practical mind. Lebedeff had been much struck by this point of view, and he terminated his confession by assuring the prince that he was ready, if need be, to shed his very life's blood for him.

Hippolyte, too, was a source of some distraction to the prince at this time; he would send for him at any and every hour of the day. They lived,—Hippolyte and his mother and the children,—in a small house not far off, and the little ones were happy, if only because they were able to escape from the invalid into the garden. The prince had enough to do in keeping the peace between the irritable Hippolyte and his mother, and eventually the former became so malicious and sarcastic on the subject of the approaching wedding, that Muishkin took offence at last, and refused to continue his visits.

A couple of days later, however, Hippolyte's mother came with tears in her eyes, and begged the prince to come back, "or HE would eat her up bodily." She added that Hippolyte had a great secret to disclose. Of course the prince went. There was no secret, however, unless we reckon certain pantings and agitated glances around (probably all put on) as the invalid begged his visitor to "beware of Rogojin."

"He is the sort of man," he continued, "who won't give up his object, you know; he is not like you and me, prince—he belongs to quite a different order of beings. If he sets his heart on a thing he won't be afraid of anything—" and so on.

Hippolyte was very ill, and looked as though he could not long survive. He was tearful at first, but grew more and more sarcastic and malicious as the interview proceeded.

The prince questioned him in detail as to his hints about Rogojin. He was anxious to seize upon some facts which might confirm Hippolyte's vague warnings; but there were none; only Hippolyte's own private impressions and feelings.

However, the invalid—to his immense satisfaction—ended by seriously alarming the prince.

At first Muishkin had not cared to make any reply to his sundry questions, and only smiled in response to Hippolyte's advice to "run for his life—abroad, if necessary. There are Russian priests everywhere, and one can get married all over the world."

But it was Hippolyte's last idea which upset him.

"What I am really alarmed about, though," he said, "is Aglaya Ivanovna. Rogojin knows how you love her. Love for love. You took Nastasia Philipovna from him. He will murder Aglaya Ivanovna; for though she is not yours, of course, now, still such an act would pain you,—wouldn't it?"

He had attained his end. The prince left the house beside himself with terror.

These warnings about Rogojin were expressed on the day before the wedding. That evening the prince saw Nastasia Philipovna for the last time before they were to meet at the altar; but Nastasia was not in a position to give him any comfort or consolation. On the contrary, she only added to his mental perturbation as the evening went on. Up to this time she had invariably done her best to cheer him—she was afraid of his looking melancholy; she would try singing to him, and telling him every sort of funny story or reminiscence that she could recall. The prince nearly always pretended to be amused, whether he were so actually or no; but often enough he laughed sincerely, delighted by the brilliancy of her wit when she was carried away by her narrative, as she very often was. Nastasia would be wild with joy to see the impression she had made, and to hear his laugh of real amusement; and she would remain the whole evening in a state of pride and happiness. But this evening her melancholy and thoughtfulness grew with every hour.

The prince had told Evgenie Pavlovitch with perfect sincerity that he loved Nastasia Philipovna with all his soul. In his love for her there was the sort of tenderness one feels for a sick, unhappy child which cannot be left alone. He never spoke of his feelings for Nastasia to anyone, not even to herself. When they were together they never discussed their "feelings," and there was nothing in their cheerful, animated conversation which an outsider could not have heard. Daria Alexeyevna, with whom Nastasia was staying, told afterwards how she had been filled with joy and delight only to look at them, all this time.

Thanks to the manner in which he regarded Nastasia's mental and moral condition, the prince was to some extent freed from other perplexities. She was now quite different from the woman he had known three months before. He was not astonished, for instance, to see her now so impatient to marry him—she who formerly had wept with rage and hurled curses and reproaches at him if he mentioned marriage! "It shows that she no longer fears, as she did then, that she would make me unhappy by marrying me," he thought. And he felt sure that so sudden a change could not be a natural one. This rapid growth of self-confidence could not be due only to her hatred for Aglaya. To suppose that would be to suspect the depth of her feelings. Nor could it arise from dread of the fate that awaited her if she married Rogojin. These causes, indeed, as well as others, might have played a part in it, but the true reason, Muishkin decided, was the one he had long suspected—that the poor sick soul had come to the end of its forces. Yet this was an explanation that did not procure him any peace of mind. At times he seemed to be making violent efforts to think of nothing, and one would have said that he looked on his marriage as an unimportant formality, and on his future happiness as a thing not worth considering. As to conversations such as the one held with Evgenie Pavlovitch, he avoided them as far as possible, feeling that there were certain objections to which he could make no answer.